Comprehensive Scale Catalog: Five-Tone Pattern Scales in Equal Temperament - Part 1
This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.
This page shows only pattern scales with five tones per octave and using 12-tone Equal Temperament.
These scales do not have a name or designation that I could location, but the pattern of notes does provide an interesting and potentially useful scale.
The root note of each scale is shown in blue, such as .
Pattern Scales
Pattern Scale 15
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 1–1–1–1–8
Scale degrees:
in semitones: 0–1–2–3–4–12
intervals: 1–m2–2–m3–3–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Octave
Pitches starting from C:
C C♯ D D♯ E c
C D♭ D E♭ E c
              
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 01F, Binary 000000011111)
A Study of Scales (Ian Ring) Index: 31
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1031
Mode 3 of: Pattern Scale 1539
Mode 4 of: Pattern Scale 1793
Mode 5 of: Pattern Scale 1920
The name I use for this scale comes from: Pattern designation
Pattern Scale 23
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 1–1–1–2–7
Scale degrees:
in semitones: 0–1–2–3–5–12
intervals: 1–m2–2–m3–4–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Octave
Pitches starting from C:
C C♯ D D♯ F c
C D♭ D E♭ F c
              
Pitch Class Set: {0,1,2,3,5}
Pitch Class Mapping: 47 (Hex 02F, Binary 000000101111)
A Study of Scales (Ian Ring) Index: 47
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1035
Mode 3 of: Pattern Scale 1541
Mode 4 of: Pattern Scale 1794
Mode 5 of: Pattern Scale 960
The name I use for this scale comes from: Pattern designation
Pattern Scale 27
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–7
Scale degrees:
in semitones: 0–1–2–4–5–12
intervals: 1–m2–2–3–4–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Octave
Pitches starting from C:
C C♯ D E F c
C D♭ D E F c
              
Pitch Class Set: {0,1,2,4,5}
Pitch Class Mapping: 55 (Hex 037, Binary 000000110111)
A Study of Scales (Ian Ring) Index: 55
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1037
Mode 3 of: Pattern Scale 1542
Mode 4 of: Pattern Scale 897
Mode 5 of: Pattern Scale 1472
The name I use for this scale comes from: Pattern designation
Pattern Scale 29
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 1–2–1–1–7
Scale degrees:
in semitones: 0–1–3–4–5–12
intervals: 1–m2–m3–3–4–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Octave
Pitches starting from C:
C C♯ D♯ E F c
C D♭ E♭ E F c
              
Pitch Class Set: {0,1,3,4,5}
Pitch Class Mapping: 59 (Hex 03B, Binary 000000111011)
A Study of Scales (Ian Ring) Index: 59
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1038
Mode 3 of: Pattern Scale 771
Mode 4 of: Pattern Scale 1409
Mode 5 of: Pattern Scale 1728
The name I use for this scale comes from: Pattern designation
Pattern Scale 30
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 2–1–1–1–7
Scale degrees:
in semitones: 0–2–3–4–5–12
intervals: 1–2–m3–3–4–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Octave
Pitches starting from C:
C D D♯ E F c
C D E♭ E F c
              
Pitch Class Set: {0,2,3,4,5}
Pitch Class Mapping: 61 (Hex 03D, Binary 000000111101)
A Study of Scales (Ian Ring) Index: 61
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 519
Mode 3 of: Pattern Scale 1283
Mode 4 of: Pattern Scale 1665
Mode 5 of: Pattern Scale 1856
The name I use for this scale comes from: Pattern designation
Pattern Scale 39
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–1–1–3–6
Scale degrees:
in semitones: 0–1–2–3–6–12
intervals: 1–m2–2–m3–d5–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ c
C D♭ D E♭ G♭ c
              
Pitch Class Set: {0,1,2,3,6}
Pitch Class Mapping: 79 (Hex 04F, Binary 000001001111)
A Study of Scales (Ian Ring) Index: 79
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1043
Mode 3 of: Pattern Scale 1545
Mode 4 of: Pattern Scale 1796
Mode 5 of: Pattern Scale 480
The name I use for this scale comes from: Pattern designation
Pattern Scale 43
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–6
Scale degrees:
in semitones: 0–1–2–4–6–12
intervals: 1–m2–2–3–d5–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Octave
Pitches starting from C:
C C♯ D E F♯ c
C D♭ D E G♭ c
              
Pitch Class Set: {0,1,2,4,6}
Pitch Class Mapping: 87 (Hex 057, Binary 000001010111)
A Study of Scales (Ian Ring) Index: 87
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1045
Mode 3 of: Pattern Scale 1546
Mode 4 of: Pattern Scale 898
Mode 5 of: Pattern Scale 736
The name I use for this scale comes from: Pattern designation
Pattern Scale 45
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–1–2–6
Scale degrees:
in semitones: 0–1–3–4–6–12
intervals: 1–m2–m3–3–d5–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ c
C D♭ E♭ E G♭ c
              
Pitch Class Set: {0,1,3,4,6}
Pitch Class Mapping: 91 (Hex 05B, Binary 000001011011)
A Study of Scales (Ian Ring) Index: 91
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1046
Mode 3 of: Pattern Scale 773
Mode 4 of: Pattern Scale 1410
Mode 5 of: Pattern Scale 864
The name I use for this scale comes from: Pattern designation
Pattern Scale 46
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–6
Scale degrees:
in semitones: 0–2–3–4–6–12
intervals: 1–2–m3–3–d5–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Octave
Pitches starting from C:
C D D♯ E F♯ c
C D E♭ E G♭ c
              
Pitch Class Set: {0,2,3,4,6}
Pitch Class Mapping: 93 (Hex 05D, Binary 000001011101)
A Study of Scales (Ian Ring) Index: 93
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 523
Mode 3 of: Pattern Scale 1285
Mode 4 of: Pattern Scale 1666
Mode 5 of: Pattern Scale 928
The name I use for this scale comes from: Pattern designation
Pattern Scale 51
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–6
Scale degrees:
in semitones: 0–1–2–5–6–12
intervals: 1–m2–2–4–d5–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Octave
Pitches starting from C:
C C♯ D F F♯ c
C D♭ D F G♭ c
              
Pitch Class Set: {0,1,2,5,6}
Pitch Class Mapping: 103 (Hex 067, Binary 000001100111)
A Study of Scales (Ian Ring) Index: 103
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Megharanji
Mode 3 of: Pattern Scale 1548
Mode 4 of: Pattern Scale 449
Mode 5 of: Pattern Scale 1248
The name I use for this scale comes from: Pattern designation
Pattern Scale 53
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–2–1–6
Scale degrees:
in semitones: 0–1–3–5–6–12
intervals: 1–m2–m3–4–d5–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ c
C D♭ E♭ F G♭ c
              
Pitch Class Set: {0,1,3,5,6}
Pitch Class Mapping: 107 (Hex 06B, Binary 000001101011)
A Study of Scales (Ian Ring) Index: 107
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1050
Mode 3 of: Pattern Scale 774
Mode 4 of: Pattern Scale 705
Mode 5 of: Pattern Scale 1376
The name I use for this scale comes from: Pattern designation
Pattern Scale 54
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 2–1–2–1–6
Scale degrees:
in semitones: 0–2–3–5–6–12
intervals: 1–2–m3–4–d5–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Octave
Pitches starting from C:
C D D♯ F F♯ c
C D E♭ F G♭ c
              
Pitch Class Set: {0,2,3,5,6}
Pitch Class Mapping: 109 (Hex 06D, Binary 000001101101)
A Study of Scales (Ian Ring) Index: 109
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 525
Mode 3 of: Pattern Scale 1286
Mode 4 of: Pattern Scale 833
Mode 5 of: Pattern Scale 1440
The name I use for this scale comes from: Pattern designation
Pattern Scale 57
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–6
Scale degrees:
in semitones: 0–1–4–5–6–12
intervals: 1–m2–3–4–d5–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Octave
Pitches starting from C:
C C♯ E F F♯ c
C D♭ E F G♭ c
              
Pitch Class Set: {0,1,4,5,6}
Pitch Class Mapping: 115 (Hex 073, Binary 000001110011)
A Study of Scales (Ian Ring) Index: 115
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1052
Mode 3 of: Raga Putrika
Mode 4 of: Raga Deshgaur
Mode 5 of: Pattern Scale 1632
The name I use for this scale comes from: Pattern designation
Scale Omnibus name: Greek Arkaik [Greece]
Pattern Scale 58
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–6
Scale degrees:
in semitones: 0–2–4–5–6–12
intervals: 1–2–3–4–d5–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Octave
Pitches starting from C:
C D E F F♯ c
C D E F G♭ c
              
Pitch Class Set: {0,2,4,5,6}
Pitch Class Mapping: 117 (Hex 075, Binary 000001110101)
A Study of Scales (Ian Ring) Index: 117
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 526
Mode 3 of: Pattern Scale 643
Mode 4 of: Pattern Scale 1345
Mode 5 of: Pattern Scale 1696
The name I use for this scale comes from: Pattern designation
Pattern Scale 60
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 3–1–1–1–6
Scale degrees:
in semitones: 0–3–4–5–6–12
intervals: 1–m3–3–4–d5–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Octave
Pitches starting from C:
C D♯ E F F♯ c
C E♭ E F G♭ c
              
Pitch Class Set: {0,3,4,5,6}
Pitch Class Mapping: 121 (Hex 079, Binary 000001111001)
A Study of Scales (Ian Ring) Index: 121
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 263
Mode 3 of: Raga Kumarapriya
Mode 4 of: Pattern Scale 1601
Mode 5 of: Pattern Scale 1824
The name I use for this scale comes from: Pattern designation
Pattern Scale 71
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–1–1–4–5
Scale degrees:
in semitones: 0–1–2–3–7–12
intervals: 1–m2–2–m3–5–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Octave
Pitches starting from C:
C C♯ D D♯ G c
C D♭ D E♭ G c
              
Pitch Class Set: {0,1,2,3,7}
Pitch Class Mapping: 143 (Hex 08F, Binary 000010001111)
A Study of Scales (Ian Ring) Index: 143
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1059
Mode 3 of: Pattern Scale 1553
Mode 4 of: Pattern Scale 1800
Mode 5 of: Pattern Scale 240
The name I use for this scale comes from: Pattern designation
Pattern Scale 75
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–3–5
Scale degrees:
in semitones: 0–1–2–4–7–12
intervals: 1–m2–2–3–5–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Octave
Pitches starting from C:
C C♯ D E G c
C D♭ D E G c
              
Pitch Class Set: {0,1,2,4,7}
Pitch Class Mapping: 151 (Hex 097, Binary 000010010111)
A Study of Scales (Ian Ring) Index: 151
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1061
Mode 3 of: Pattern Scale 1554
Mode 4 of: Pattern Scale 900
Mode 5 of: Pattern Scale 368
The name I use for this scale comes from: Pattern designation
Pattern Scale 77
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–1–3–5
Scale degrees:
in semitones: 0–1–3–4–7–12
intervals: 1–m2–m3–3–5–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Octave
Pitches starting from C:
C C♯ D♯ E G c
C D♭ E♭ E G c
              
Pitch Class Set: {0,1,3,4,7}
Pitch Class Mapping: 155 (Hex 09B, Binary 000010011011)
A Study of Scales (Ian Ring) Index: 155
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1062
Mode 3 of: Pattern Scale 777
Mode 4 of: Pattern Scale 1412
Mode 5 of: Pattern Scale 432
The name I use for this scale comes from: Pattern designation
Pattern Scale 78
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–5
Scale degrees:
in semitones: 0–2–3–4–7–12
intervals: 1–2–m3–3–5–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Octave
Pitches starting from C:
C D D♯ E G c
C D E♭ E G c
              
Pitch Class Set: {0,2,3,4,7}
Pitch Class Mapping: 157 (Hex 09D, Binary 000010011101)
A Study of Scales (Ian Ring) Index: 157
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 531
Mode 3 of: Pattern Scale 1289
Mode 4 of: Pattern Scale 1668
Mode 5 of: Pattern Scale 464
The name I use for this scale comes from: Pattern designation
Pattern Scale 83
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–2–5
Scale degrees:
in semitones: 0–1–2–5–7–12
intervals: 1–m2–2–4–5–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Octave
Pitches starting from C:
C C♯ D F G c
C D♭ D F G c
              
Pitch Class Set: {0,1,2,5,7}
Pitch Class Mapping: 167 (Hex 0A7, Binary 000010100111)
A Study of Scales (Ian Ring) Index: 167
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1065
Mode 3 of: Pattern Scale 1556
Mode 4 of: Pattern Scale 450
Mode 5 of: Pattern Scale 624
The name I use for this scale comes from: Pattern designation
Pattern Scale 85
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–2–2–5
Scale degrees:
in semitones: 0–1–3–5–7–12
intervals: 1–m2–m3–4–5–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Octave
Pitches starting from C:
C C♯ D♯ F G c
C D♭ E♭ F G c
              
Pitch Class Set: {0,1,3,5,7}
Pitch Class Mapping: 171 (Hex 0AB, Binary 000010101011)
A Study of Scales (Ian Ring) Index: 171
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Kumurdaki
Mode 3 of: Pattern Scale 778
Mode 4 of: Pattern Scale 706
Mode 5 of: Pattern Scale 688
The name I use for this scale comes from: Pattern designation
Pattern Scale 89
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–2–5
Scale degrees:
in semitones: 0–1–4–5–7–12
intervals: 1–m2–3–4–5–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Octave
Pitches starting from C:
C C♯ E F G c
C D♭ E F G c
              
Pitch Class Set: {0,1,4,5,7}
Pitch Class Mapping: 179 (Hex 0B3, Binary 000010110011)
A Study of Scales (Ian Ring) Index: 179
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1068
Mode 3 of: Pattern Scale 389
Mode 4 of: Pattern Scale 1218
Mode 5 of: Pattern Scale 816
The name I use for this scale comes from: Pattern designation
Pattern Scale 92
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 3–1–1–2–5
Scale degrees:
in semitones: 0–3–4–5–7–12
intervals: 1–m3–3–4–5–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Octave
Pitches starting from C:
C D♯ E F G c
C E♭ E F G c
              
Pitch Class Set: {0,3,4,5,7}
Pitch Class Mapping: 185 (Hex 0B9, Binary 000010111001)
A Study of Scales (Ian Ring) Index: 185
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 267
Mode 3 of: Pattern Scale 1157
Mode 4 of: Pattern Scale 1602
Mode 5 of: Pattern Scale 912
The name I use for this scale comes from: Pattern designation
Pattern Scale 101
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–3–1–5
Scale degrees:
in semitones: 0–1–3–6–7–12
intervals: 1–m2–m3–d5–5–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G c
C D♭ E♭ G♭ G c
              
Pitch Class Set: {0,1,3,6,7}
Pitch Class Mapping: 203 (Hex 0CB, Binary 000011001011)
A Study of Scales (Ian Ring) Index: 203
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1074
Mode 3 of: Pattern Scale 780
Mode 4 of: Pattern Scale 353
Mode 5 of: Pattern Scale 1200
The name I use for this scale comes from: Pattern designation
Pattern Scale 102
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–5
Scale degrees:
in semitones: 0–2–3–6–7–12
intervals: 1–2–m3–d5–5–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C D D♯ F♯ G c
C D E♭ G♭ G c
              
Pitch Class Set: {0,2,3,6,7}
Pitch Class Mapping: 205 (Hex 0CD, Binary 000011001101)
A Study of Scales (Ian Ring) Index: 205
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 537
Mode 3 of: Pattern Scale 1292
Mode 4 of: Pattern Scale 417
Mode 5 of: Devaranji
The name I use for this scale comes from: Pattern designation
Pattern Scale 105
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–1–5
Scale degrees:
in semitones: 0–1–4–6–7–12
intervals: 1–m2–3–d5–5–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C C♯ E F♯ G c
C D♭ E G♭ G c
              
Pitch Class Set: {0,1,4,6,7}
Pitch Class Mapping: 211 (Hex 0D3, Binary 000011010011)
A Study of Scales (Ian Ring) Index: 211
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1076
Mode 3 of: Pattern Scale 390
Mode 4 of: Pattern Scale 609
Mode 5 of: Pattern Scale 1328
The name I use for this scale comes from: Pattern designation
Pattern Scale 106
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–1–5
Scale degrees:
in semitones: 0–2–4–6–7–12
intervals: 1–2–3–d5–5–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C D E F♯ G c
C D E G♭ G c
              
Pitch Class Set: {0,2,4,6,7}
Pitch Class Mapping: 213 (Hex 0D5, Binary 000011010101)
A Study of Scales (Ian Ring) Index: 213
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 538
Mode 3 of: Pattern Scale 646
Mode 4 of: Pattern Scale 673
Mode 5 of: Purukutika
The name I use for this scale comes from: Pattern designation
Pattern Scale 108
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–5
Scale degrees:
in semitones: 0–3–4–6–7–12
intervals: 1–m3–3–d5–5–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C D♯ E F♯ G c
C E♭ E G♭ G c
              
Pitch Class Set: {0,3,4,6,7}
Pitch Class Mapping: 217 (Hex 0D9, Binary 000011011001)
A Study of Scales (Ian Ring) Index: 217
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 269
Mode 3 of: Pattern Scale 1158
Mode 4 of: Pattern Scale 801
Mode 5 of: Pattern Scale 1424
The name I use for this scale comes from: Pattern designation
Pattern Scale 113
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–4–1–1–5
Scale degrees:
in semitones: 0–1–5–6–7–12
intervals: 1–m2–4–d5–5–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C C♯ F F♯ G c
C D♭ F G♭ G c
              
Pitch Class Set: {0,1,5,6,7}
Pitch Class Mapping: 227 (Hex 0E3, Binary 000011100011)
A Study of Scales (Ian Ring) Index: 227
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1080
Mode 3 of: Pattern Scale 195
Mode 4 of: Pattern Scale 1121
Mode 5 of: Pattern Scale 1584
The name I use for this scale comes from: Pattern designation
Pattern Scale 114
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–1–1–5
Scale degrees:
in semitones: 0–2–5–6–7–12
intervals: 1–2–4–d5–5–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C D F F♯ G c
C D F G♭ G c
              
Pitch Class Set: {0,2,5,6,7}
Pitch Class Mapping: 229 (Hex 0E5, Binary 000011100101)
A Study of Scales (Ian Ring) Index: 229
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 540
Mode 3 of: Pattern Scale 323
Mode 4 of: Pattern Scale 1185
Mode 5 of: Pattern Scale 1616
The name I use for this scale comes from: Pattern designation
Pattern Scale 116
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 3–2–1–1–5
Scale degrees:
in semitones: 0–3–5–6–7–12
intervals: 1–m3–4–d5–5–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C D♯ F F♯ G c
C E♭ F G♭ G c
              
Pitch Class Set: {0,3,5,6,7}
Pitch Class Mapping: 233 (Hex 0E9, Binary 000011101001)
A Study of Scales (Ian Ring) Index: 233
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 270
Mode 3 of: Pattern Scale 579
Mode 4 of: Pattern Scale 1313
Mode 5 of: Pattern Scale 1680
The name I use for this scale comes from: Pattern designation
Pattern Scale 120
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 4–1–1–1–5
Scale degrees:
in semitones: 0–4–5–6–7–12
intervals: 1–3–4–d5–5–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Octave
Pitches starting from C:
C E F F♯ G c
C E F G♭ G c
              
Pitch Class Set: {0,4,5,6,7}
Pitch Class Mapping: 241 (Hex 0F1, Binary 000011110001)
A Study of Scales (Ian Ring) Index: 241
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 135
Mode 3 of: Pattern Scale 1091
Mode 4 of: Pattern Scale 1569
Mode 5 of: Pattern Scale 1808
The name I use for this scale comes from: Pattern designation
Pattern Scale 135
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–1–1–5–4
Scale degrees:
in semitones: 0–1–2–3–8–12
intervals: 1–m2–2–m3–m6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Minor 6th, Octave
Pitches starting from C:
C C♯ D D♯ G♯ c
C D♭ D E♭ A♭ c
              
Pitch Class Set: {0,1,2,3,8}
Pitch Class Mapping: 271 (Hex 10F, Binary 000100001111)
A Study of Scales (Ian Ring) Index: 271
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1091
Mode 3 of: Pattern Scale 1569
Mode 4 of: Pattern Scale 1808
Mode 5 of: Pattern Scale 120
The name I use for this scale comes from: Pattern designation
Pattern Scale 139
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–4–4
Scale degrees:
in semitones: 0–1–2–4–8–12
intervals: 1–m2–2–3–m6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Minor 6th, Octave
Pitches starting from C:
C C♯ D E G♯ c
C D♭ D E A♭ c
              
All The Chords Name: Poditonic, 4imperfections
Pitch Class Set: {0,1,2,4,8}
Pitch Class Mapping: 279 (Hex 117, Binary 000100010111)
A Study of Scales (Ian Ring) Index: 279
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1093
Mode 3 of: Pattern Scale 1570
Mode 4 of: Pattern Scale 904
Mode 5 of: Pattern Scale 184
The name I use for this scale comes from: Pattern designation
Pattern Scale 142
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–4–4
Scale degrees:
in semitones: 0–2–3–4–8–12
intervals: 1–2–m3–3–m6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Minor 6th, Octave
Pitches starting from C:
C D D♯ E G♯ c
C D E♭ E A♭ c
              
All The Chords Name: Zaritonic, 4imperfections
Pitch Class Set: {0,2,3,4,8}
Pitch Class Mapping: 285 (Hex 11D, Binary 000100011101)
A Study of Scales (Ian Ring) Index: 285
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 547
Mode 3 of: Pattern Scale 1297
Mode 4 of: Pattern Scale 1672
Mode 5 of: Pattern Scale 232
The name I use for this scale comes from: Pattern designation
Pattern Scale 147
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–3–4
Scale degrees:
in semitones: 0–1–2–5–8–12
intervals: 1–m2–2–4–m6–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Minor 6th, Octave
Pitches starting from C:
C C♯ D F G♯ c
C D♭ D F A♭ c
              
All The Chords Name: Gyritonic, 3imperfections
Pitch Class Set: {0,1,2,5,8}
Pitch Class Mapping: 295 (Hex 127, Binary 000100100111)
A Study of Scales (Ian Ring) Index: 295
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1097
Mode 3 of: Pattern Scale 1572
Mode 4 of: Pattern Scale 452
Mode 5 of: Pattern Scale 312
The name I use for this scale comes from: Pattern designation
Pattern Scale 154
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–3–4
Scale degrees:
in semitones: 0–2–4–5–8–12
intervals: 1–2–3–4–m6–8
Root, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Octave
Pitches starting from C:
C D E F G♯ c
C D E F A♭ c
              
All The Chords Name: Palitonic, 4imperfections
Pitch Class Set: {0,2,4,5,8}
Pitch Class Mapping: 309 (Hex 135, Binary 000100110101)
A Study of Scales (Ian Ring) Index: 309
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 550
Mode 3 of: Pattern Scale 649
Mode 4 of: Pattern Scale 1348
Mode 5 of: Pattern Scale 424
The name I use for this scale comes from: Pattern designation
Scale Omnibus name: Altered Major Pentatonic
Pattern Scale 156
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 3–1–1–3–4
Scale degrees:
in semitones: 0–3–4–5–8–12
intervals: 1–m3–3–4–m6–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Octave
Pitches starting from C:
C D♯ E F G♯ c
C E♭ E F A♭ c
              
All The Chords Name: Goritonic, 3imperfections
Pitch Class Set: {0,3,4,5,8}
Pitch Class Mapping: 313 (Hex 139, Binary 000100111001)
A Study of Scales (Ian Ring) Index: 313
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 275
Mode 3 of: Pattern Scale 1161
Mode 4 of: Pattern Scale 1604
Mode 5 of: Pattern Scale 456
The name I use for this scale comes from: Pattern designation
Scale Omnibus name: Center-Cluster PentaMirror
Pattern Scale 163
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–4–2–4
Scale degrees:
in semitones: 0–1–2–6–8–12
intervals: 1–m2–2–d5–m6–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D F♯ G♯ c
C D♭ D G♭ A♭ c
              
All The Chords Name: Syptitonic, 3imperfections
Pitch Class Set: {0,1,2,6,8}
Pitch Class Mapping: 327 (Hex 147, Binary 000101000111)
A Study of Scales (Ian Ring) Index: 327
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Gauri
Mode 3 of: Pattern Scale 1576
Mode 4 of: Pattern Scale 226
Mode 5 of: Pattern Scale 568
The name I use for this scale comes from: Pattern designation
Pattern Scale 166
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–2–4
Scale degrees:
in semitones: 0–2–3–6–8–12
intervals: 1–2–m3–d5–m6–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C D D♯ F♯ G♯ c
C D E♭ G♭ A♭ c
              
All The Chords Name: Bogitonic, 4imperfections
Pitch Class Set: {0,2,3,6,8}
Pitch Class Mapping: 333 (Hex 14D, Binary 000101001101)
A Study of Scales (Ian Ring) Index: 333
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 553
Mode 3 of: Marga Hindola
Mode 4 of: Pattern Scale 418
Mode 5 of: Mayan Long Count
The name I use for this scale comes from: Pattern designation
Pattern Scale 169
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–2–4
Scale degrees:
in semitones: 0–1–4–6–8–12
intervals: 1–m2–3–d5–m6–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ E F♯ G♯ c
C D♭ E G♭ A♭ c
              
All The Chords Name: Zaptitonic, 3imperfections
Pitch Class Set: {0,1,4,6,8}
Pitch Class Mapping: 339 (Hex 153, Binary 000101010011)
A Study of Scales (Ian Ring) Index: 339
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Madhuranjani
Mode 3 of: Pattern Scale 394
Mode 4 of: Pattern Scale 610
Mode 5 of: Pattern Scale 664
The name I use for this scale comes from: Pattern designation
Pattern Scale 170
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–2–4
Scale degrees:
in semitones: 0–2–4–6–8–12
intervals: 1–2–3–d5–m6–8
Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C D E F♯ G♯ c
C D E G♭ A♭ c
              
All The Chords Name: Bothitonic, 4imperfections
Pitch Class Set: {0,2,4,6,8}
Pitch Class Mapping: 341 (Hex 155, Binary 000101010101)
A Study of Scales (Ian Ring) Index: 341
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 554
Mode 3 of: Pattern Scale 650
Mode 4 of: Pattern Scale 674
Mode 5 of: Pattern Scale 680
The name I use for this scale comes from: Pattern designation
Pattern Scale 172
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–2–4
Scale degrees:
in semitones: 0–3–4–6–8–12
intervals: 1–m3–3–d5–m6–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C D♯ E F♯ G♯ c
C E♭ E G♭ A♭ c
              
All The Chords Name: Gylitonic, 4imperfections
Pitch Class Set: {0,3,4,6,8}
Pitch Class Mapping: 345 (Hex 159, Binary 000101011001)
A Study of Scales (Ian Ring) Index: 345
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 277
Mode 3 of: Pattern Scale 1162
Mode 4 of: Pattern Scale 802
Mode 5 of: Pattern Scale 712
The name I use for this scale comes from: Pattern designation
Pattern Scale 178
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–1–2–4
Scale degrees:
in semitones: 0–2–5–6–8–12
intervals: 1–2–4–d5–m6–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C D F F♯ G♯ c
C D F G♭ A♭ c
              
All The Chords Name: Banitonic, 4imperfections
Pitch Class Set: {0,2,5,6,8}
Pitch Class Mapping: 357 (Hex 165, Binary 000101100101)
A Study of Scales (Ian Ring) Index: 357
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Locrian Pentatonic 2
Mode 3 of: Pattern Scale 325
Mode 4 of: Pattern Scale 1186
Mode 5 of: Pattern Scale 808
The name I use for this scale comes from: Pattern designation
Pattern Scale 180
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–2–1–2–4
Scale degrees:
in semitones: 0–3–5–6–8–12
intervals: 1–m3–4–d5–m6–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C D♯ F F♯ G♯ c
C E♭ F G♭ A♭ c
              
All The Chords Name: Bocritonic, 3imperfections
Pitch Class Set: {0,3,5,6,8}
Pitch Class Mapping: 361 (Hex 169, Binary 000101101001)
A Study of Scales (Ian Ring) Index: 361
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Abhogi
Mode 3 of: Raga Rukmangi
Mode 4 of: Raga Shubravarni
Mode 5 of: Valaji
The name I use for this scale comes from: Pattern designation
Pattern Scale 184
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 4–1–1–2–4
Scale degrees:
in semitones: 0–4–5–6–8–12
intervals: 1–3–4–d5–m6–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C E F F♯ G♯ c
C E F G♭ A♭ c
              
All The Chords Name: Laditonic, 4imperfections
Pitch Class Set: {0,4,5,6,8}
Pitch Class Mapping: 369 (Hex 171, Binary 000101110001)
A Study of Scales (Ian Ring) Index: 369
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 139
Mode 3 of: Pattern Scale 1093
Mode 4 of: Pattern Scale 1570
Mode 5 of: Pattern Scale 904
The name I use for this scale comes from: Pattern designation
Pattern Scale 195
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–5–1–4
Scale degrees:
in semitones: 0–1–2–7–8–12
intervals: 1–m2–2–5–m6–8
Root, Minor 2nd, Major 2nd, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D G G♯ c
C D♭ D G A♭ c
              
Pitch Class Set: {0,1,2,7,8}
Pitch Class Mapping: 391 (Hex 187, Binary 000110000111)
A Study of Scales (Ian Ring) Index: 391
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1121
Mode 3 of: Pattern Scale 1584
Mode 4 of: Pattern Scale 113
Mode 5 of: Pattern Scale 1080
The name I use for this scale comes from: Pattern designation
Pattern Scale 204
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–3–1–4
Scale degrees:
in semitones: 0–3–4–7–8–12
intervals: 1–m3–3–5–m6–8
Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C D♯ E G G♯ c
C E♭ E G A♭ c
              
All The Chords Name: Laritonic, 3imperfections
Pitch Class Set: {0,3,4,7,8}
Pitch Class Mapping: 409 (Hex 199, Binary 000110011001)
A Study of Scales (Ian Ring) Index: 409
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 281
Mode 3 of: Pattern Scale 1164
Mode 4 of: Pattern Scale 401
Mode 5 of: Pattern Scale 1224
The name I use for this scale comes from: Pattern designation
Scale Omnibus name: Augmented Pentatonic
Pattern Scale 226
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–4–1–1–4
Scale degrees:
in semitones: 0–2–6–7–8–12
intervals: 1–2–d5–5–m6–8
Root, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C D F♯ G G♯ c
C D G♭ G A♭ c
              
All The Chords Name: Raditonic, 3imperfections
Pitch Class Set: {0,2,6,7,8}
Pitch Class Mapping: 453 (Hex 1C5, Binary 000111000101)
A Study of Scales (Ian Ring) Index: 453
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 568
Mode 3 of: Pattern Scale 163
Mode 4 of: Raga Gauri
Mode 5 of: Pattern Scale 1576
The name I use for this scale comes from: Pattern designation
Pattern Scale 228
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–3–1–1–4
Scale degrees:
in semitones: 0–3–6–7–8–12
intervals: 1–m3–d5–5–m6–8
Root, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C D♯ F♯ G G♯ c
C E♭ G♭ G A♭ c
              
All The Chords Name: Staptitonic, 3imperfections
Pitch Class Set: {0,3,6,7,8}
Pitch Class Mapping: 457 (Hex 1C9, Binary 000111001001)
A Study of Scales (Ian Ring) Index: 457
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 284
Mode 3 of: Pattern Scale 291
Mode 4 of: Raga Kshanika
Mode 5 of: Pattern Scale 1608
The name I use for this scale comes from: Pattern designation
Pattern Scale 232
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 4–2–1–1–4
Scale degrees:
in semitones: 0–4–6–7–8–12
intervals: 1–3–d5–5–m6–8
Root, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C E F♯ G G♯ c
C E G♭ G A♭ c
              
All The Chords Name: Zoditonic, 4imperfections
Pitch Class Set: {0,4,6,7,8}
Pitch Class Mapping: 465 (Hex 1D1, Binary 000111010001)
A Study of Scales (Ian Ring) Index: 465
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 142
Mode 3 of: Pattern Scale 547
Mode 4 of: Pattern Scale 1297
Mode 5 of: Pattern Scale 1672
The name I use for this scale comes from: Pattern designation
Pattern Scale 240
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 5–1–1–1–4
Scale degrees:
in semitones: 0–5–6–7–8–12
intervals: 1–4–d5–5–m6–8
Root, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C F F♯ G G♯ c
C F G♭ G A♭ c
              
Pitch Class Set: {0,5,6,7,8}
Pitch Class Mapping: 481 (Hex 1E1, Binary 000111100001)
A Study of Scales (Ian Ring) Index: 481
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 71
Mode 3 of: Pattern Scale 1059
Mode 4 of: Pattern Scale 1553
Mode 5 of: Pattern Scale 1800
The name I use for this scale comes from: Pattern designation
Pattern Scale 263
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–1–1–6–3
Scale degrees:
in semitones: 0–1–2–3–9–12
intervals: 1–m2–2–m3–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ A c
C D♭ D E♭ A c
              
Pitch Class Set: {0,1,2,3,9}
Pitch Class Mapping: 527 (Hex 20F, Binary 001000001111)
A Study of Scales (Ian Ring) Index: 527
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Kumarapriya
Mode 3 of: Pattern Scale 1601
Mode 4 of: Pattern Scale 1824
Mode 5 of: Pattern Scale 60
The name I use for this scale comes from: Pattern designation
Pattern Scale 267
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–5–3
Scale degrees:
in semitones: 0–1–2–4–9–12
intervals: 1–m2–2–3–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Major 6th, Octave
Pitches starting from C:
C C♯ D E A c
C D♭ D E A c
              
Pitch Class Set: {0,1,2,4,9}
Pitch Class Mapping: 535 (Hex 217, Binary 001000010111)
A Study of Scales (Ian Ring) Index: 535
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1157
Mode 3 of: Pattern Scale 1602
Mode 4 of: Pattern Scale 912
Mode 5 of: Pattern Scale 92
The name I use for this scale comes from: Pattern designation
Pattern Scale 269
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–1–5–3
Scale degrees:
in semitones: 0–1–3–4–9–12
intervals: 1–m2–m3–3–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E A c
C D♭ E♭ E A c
              
Pitch Class Set: {0,1,3,4,9}
Pitch Class Mapping: 539 (Hex 21B, Binary 001000011011)
A Study of Scales (Ian Ring) Index: 539
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1158
Mode 3 of: Pattern Scale 801
Mode 4 of: Pattern Scale 1424
Mode 5 of: Pattern Scale 108
The name I use for this scale comes from: Pattern designation
Pattern Scale 270
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–5–3
Scale degrees:
in semitones: 0–2–3–4–9–12
intervals: 1–2–m3–3–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Major 6th, Octave
Pitches starting from C:
C D D♯ E A c
C D E♭ E A c
              
Pitch Class Set: {0,2,3,4,9}
Pitch Class Mapping: 541 (Hex 21D, Binary 001000011101)
A Study of Scales (Ian Ring) Index: 541
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 579
Mode 3 of: Pattern Scale 1313
Mode 4 of: Pattern Scale 1680
Mode 5 of: Pattern Scale 116
The name I use for this scale comes from: Pattern designation
Pattern Scale 275
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–4–3
Scale degrees:
in semitones: 0–1–2–5–9–12
intervals: 1–m2–2–4–6–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Major 6th, Octave
Pitches starting from C:
C C♯ D F A c
C D♭ D F A c
              
All The Chords Name: Aeoloditonic, 3imperfections
Pitch Class Set: {0,1,2,5,9}
Pitch Class Mapping: 551 (Hex 227, Binary 001000100111)
A Study of Scales (Ian Ring) Index: 551
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1161
Mode 3 of: Pattern Scale 1604
Mode 4 of: Pattern Scale 456
Mode 5 of: Pattern Scale 156
The name I use for this scale comes from: Pattern designation
Pattern Scale 277
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–2–4–3
Scale degrees:
in semitones: 0–1–3–5–9–12
intervals: 1–m2–m3–4–6–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ F A c
C D♭ E♭ F A c
              
All The Chords Name: Aeolycritonic, 4imperfections
Pitch Class Set: {0,1,3,5,9}
Pitch Class Mapping: 555 (Hex 22B, Binary 001000101011)
A Study of Scales (Ian Ring) Index: 555
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1162
Mode 3 of: Pattern Scale 802
Mode 4 of: Pattern Scale 712
Mode 5 of: Pattern Scale 172
The name I use for this scale comes from: Pattern designation
Pattern Scale 281
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–4–3
Scale degrees:
in semitones: 0–1–4–5–9–12
intervals: 1–m2–3–4–6–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Major 6th, Octave
Pitches starting from C:
C C♯ E F A c
C D♭ E F A c
              
All The Chords Name: Thacritonic, 3imperfections
Pitch Class Set: {0,1,4,5,9}
Pitch Class Mapping: 563 (Hex 233, Binary 001000110011)
A Study of Scales (Ian Ring) Index: 563
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1164
Mode 3 of: Pattern Scale 401
Mode 4 of: Pattern Scale 1224
Mode 5 of: Pattern Scale 204
The name I use for this scale comes from: Pattern designation
Pattern Scale 282
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–4–3
Scale degrees:
in semitones: 0–2–4–5–9–12
intervals: 1–2–3–4–6–8
Root, Major 2nd, Major 3rd, Perfect 4th, Major 6th, Octave
Pitches starting from C: C D E F A c
       
All The Chords Name: Aeolyphritonic, 2imperfections
Pitch Class Set: {0,2,4,5,9}
Pitch Class Mapping: 565 (Hex 235, Binary 001000110101)
A Study of Scales (Ian Ring) Index: 565
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 582
Mode 3 of: Pattern Scale 657
Mode 4 of: Mamata
Mode 5 of: Kokil Pancham
The name I use for this scale comes from: Pattern designation
Pattern Scale 284
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 3–1–1–4–3
Scale degrees:
in semitones: 0–3–4–5–9–12
intervals: 1–m3–3–4–6–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Octave
Pitches starting from C:
C D♯ E F A c
C E♭ E F A c
              
All The Chords Name: Mothitonic, 3imperfections
Pitch Class Set: {0,3,4,5,9}
Pitch Class Mapping: 569 (Hex 239, Binary 001000111001)
A Study of Scales (Ian Ring) Index: 569
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 291
Mode 3 of: Raga Kshanika
Mode 4 of: Pattern Scale 1608
Mode 5 of: Pattern Scale 228
The name I use for this scale comes from: Pattern designation
Pattern Scale 291
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–4–3–3
Scale degrees:
in semitones: 0–1–2–6–9–12
intervals: 1–m2–2–d5–6–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D F♯ A c
C D♭ D G♭ A c
              
All The Chords Name: Aeritonic, 3imperfections
Pitch Class Set: {0,1,2,6,9}
Pitch Class Mapping: 583 (Hex 247, Binary 001001000111)
A Study of Scales (Ian Ring) Index: 583
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Kshanika
Mode 3 of: Pattern Scale 1608
Mode 4 of: Pattern Scale 228
Mode 5 of: Pattern Scale 284
The name I use for this scale comes from: Pattern designation
Pattern Scale 293
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–3–3–3
Scale degrees:
in semitones: 0–1–3–6–9–12
intervals: 1–m2–m3–d5–6–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ F♯ A c
C D♭ E♭ G♭ A c
              
All The Chords Name: Pathitonic, 4imperfections
Pitch Class Set: {0,1,3,6,9}
Pitch Class Mapping: 587 (Hex 24B, Binary 001001001011)
A Study of Scales (Ian Ring) Index: 587
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Priyadharshini
Mode 3 of: Pattern Scale 804
Mode 4 of: Pattern Scale 356
Mode 5 of: Pattern Scale 300
The name I use for this scale comes from: Pattern designation
Piano Encyclopedia name: Pentatonic Major b3
Scale Omnibus name: Major Pentatonic b3
Pattern Scale 294
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–3–3
Scale degrees:
in semitones: 0–2–3–6–9–12
intervals: 1–2–m3–d5–6–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C D D♯ F♯ A c
C D E♭ G♭ A c
              
All The Chords Name: Ionalitonic, 4imperfections
Pitch Class Set: {0,2,3,6,9}
Pitch Class Mapping: 589 (Hex 24D, Binary 001001001101)
A Study of Scales (Ian Ring) Index: 589
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Manaranjani I
Mode 3 of: Pattern Scale 1316
Mode 4 of: Pattern Scale 420
Mode 5 of: Pattern Scale 308
The name I use for this scale comes from: Pattern designation
Pattern Scale 297
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–3–3
Scale degrees:
in semitones: 0–1–4–6–9–12
intervals: 1–m2–3–d5–6–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C C♯ E F♯ A c
C D♭ E G♭ A c
              
All The Chords Name: Sogitonic, 3imperfections
Pitch Class Set: {0,1,4,6,9}
Pitch Class Mapping: 595 (Hex 253, Binary 001001010011)
A Study of Scales (Ian Ring) Index: 595
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kiravani
Mode 3 of: Pattern Scale 402
Mode 4 of: Priya
Mode 5 of: Mohanangi
The name I use for this scale comes from: Pattern designation
Piano Encyclopedia name: Pentatonic Major b2 b5
Scale Omnibus name: Major Pentatonic b2 b5
Pattern Scale 300
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–3–3
Scale degrees:
in semitones: 0–3–4–6–9–12
intervals: 1–m3–3–d5–6–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C D♯ E F♯ A c
C E♭ E G♭ A c
              
All The Chords Name: Bycritonic, 4imperfections
Pitch Class Set: {0,3,4,6,9}
Pitch Class Mapping: 601 (Hex 259, Binary 001001011001)
A Study of Scales (Ian Ring) Index: 601
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 293
Mode 3 of: Raga Priyadharshini
Mode 4 of: Pattern Scale 804
Mode 5 of: Pattern Scale 356
The name I use for this scale comes from: Pattern designation
Pattern Scale 305
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–4–1–3–3
Scale degrees:
in semitones: 0–1–5–6–9–12
intervals: 1–m2–4–d5–6–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C C♯ F F♯ A c
C D♭ F G♭ A c
              
All The Chords Name: Zynitonic, 3imperfections
Pitch Class Set: {0,1,5,6,9}
Pitch Class Mapping: 611 (Hex 263, Binary 001001100011)
A Study of Scales (Ian Ring) Index: 611
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bacovia
Mode 3 of: Raga Reva
Mode 4 of: Multani
Mode 5 of: Pattern Scale 396
The name I use for this scale comes from: Pattern designation
Pattern Scale 306
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–1–3–3
Scale degrees:
in semitones: 0–2–5–6–9–12
intervals: 1–2–4–d5–6–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C D F F♯ A c
C D F G♭ A c
              
All The Chords Name: Phralitonic, 3imperfections
Pitch Class Set: {0,2,5,6,9}
Pitch Class Mapping: 613 (Hex 265, Binary 001001100101)
A Study of Scales (Ian Ring) Index: 613
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 588
Mode 3 of: Raga Rasika Ranjani
Mode 4 of: Pattern Scale 1188
Mode 5 of: Pattern Scale 404
The name I use for this scale comes from: Pattern designation
Pattern Scale 308
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–2–1–3–3
Scale degrees:
in semitones: 0–3–5–6–9–12
intervals: 1–m3–4–d5–6–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C D♯ F F♯ A c
C E♭ F G♭ A c
              
All The Chords Name: Katycritonic, 4imperfections
Pitch Class Set: {0,3,5,6,9}
Pitch Class Mapping: 617 (Hex 269, Binary 001001101001)
A Study of Scales (Ian Ring) Index: 617
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 294
Mode 3 of: Raga Manaranjani I
Mode 4 of: Pattern Scale 1316
Mode 5 of: Pattern Scale 420
The name I use for this scale comes from: Pattern designation
Pattern Scale 312
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 4–1–1–3–3
Scale degrees:
in semitones: 0–4–5–6–9–12
intervals: 1–3–4–d5–6–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C E F F♯ A c
C E F G♭ A c
              
All The Chords Name: Ionyptitonic, 3imperfections
Pitch Class Set: {0,4,5,6,9}
Pitch Class Mapping: 625 (Hex 271, Binary 001001110001)
A Study of Scales (Ian Ring) Index: 625
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 147
Mode 3 of: Pattern Scale 1097
Mode 4 of: Pattern Scale 1572
Mode 5 of: Pattern Scale 452
The name I use for this scale comes from: Pattern designation
Pattern Scale 323
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–5–2–3
Scale degrees:
in semitones: 0–1–2–7–9–12
intervals: 1–m2–2–5–6–8
Root, Minor 2nd, Major 2nd, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D G A c
C D♭ D G A c
              
Pitch Class Set: {0,1,2,7,9}
Pitch Class Mapping: 647 (Hex 287, Binary 001010000111)
A Study of Scales (Ian Ring) Index: 647
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1185
Mode 3 of: Pattern Scale 1616
Mode 4 of: Pattern Scale 114
Mode 5 of: Pattern Scale 540
The name I use for this scale comes from: Pattern designation
Pattern Scale 325
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–4–2–3
Scale degrees:
in semitones: 0–1–3–7–9–12
intervals: 1–m2–m3–5–6–8
Root, Minor 2nd, Minor 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ G A c
C D♭ E♭ G A c
              
All The Chords Name: Golitonic, 4imperfections
Pitch Class Set: {0,1,3,7,9}
Pitch Class Mapping: 651 (Hex 28B, Binary 001010001011)
A Study of Scales (Ian Ring) Index: 651
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1186
Mode 3 of: Pattern Scale 808
Mode 4 of: Pattern Scale 178
Mode 5 of: Locrian Pentatonic 2
The name I use for this scale comes from: Pattern designation
Pattern Scale 353
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–5–1–2–3
Scale degrees:
in semitones: 0–1–6–7–9–12
intervals: 1–m2–d5–5–6–8
Root, Minor 2nd, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ F♯ G A c
C D♭ G♭ G A c
              
Pitch Class Set: {0,1,6,7,9}
Pitch Class Mapping: 707 (Hex 2C3, Binary 001011000011)
A Study of Scales (Ian Ring) Index: 707
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1200
Mode 3 of: Pattern Scale 101
Mode 4 of: Pattern Scale 1074
Mode 5 of: Pattern Scale 780
The name I use for this scale comes from: Pattern designation
Pattern Scale 356
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–3–1–2–3
Scale degrees:
in semitones: 0–3–6–7–9–12
intervals: 1–m3–d5–5–6–8
Root, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C D♯ F♯ G A c
C E♭ G♭ G A c
              
All The Chords Name: Thoptitonic, 4imperfections
Pitch Class Set: {0,3,6,7,9}
Pitch Class Mapping: 713 (Hex 2C9, Binary 001011001001)
A Study of Scales (Ian Ring) Index: 713
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 300
Mode 3 of: Pattern Scale 293
Mode 4 of: Raga Priyadharshini
Mode 5 of: Pattern Scale 804
The name I use for this scale comes from: Pattern designation
Pattern Scale 368
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 5–1–1–2–3
Scale degrees:
in semitones: 0–5–6–7–9–12
intervals: 1–4–d5–5–6–8
Root, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C F F♯ G A c
C F G♭ G A c
              
Pitch Class Set: {0,5,6,7,9}
Pitch Class Mapping: 737 (Hex 2E1, Binary 001011100001)
A Study of Scales (Ian Ring) Index: 737
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 75
Mode 3 of: Pattern Scale 1061
Mode 4 of: Pattern Scale 1554
Mode 5 of: Pattern Scale 900
The name I use for this scale comes from: Pattern designation
Pattern Scale 389
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–5–1–3
Scale degrees:
in semitones: 0–1–3–8–9–12
intervals: 1–m2–m3–m6–6–8
Root, Minor 2nd, Minor 3rd, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ G♯ A c
C D♭ E♭ A♭ A c
              
Pitch Class Set: {0,1,3,8,9}
Pitch Class Mapping: 779 (Hex 30B, Binary 001100001011)
A Study of Scales (Ian Ring) Index: 779
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1218
Mode 3 of: Pattern Scale 816
Mode 4 of: Pattern Scale 89
Mode 5 of: Pattern Scale 1068
The name I use for this scale comes from: Pattern designation
Pattern Scale 390
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–5–1–3
Scale degrees:
in semitones: 0–2–3–8–9–12
intervals: 1–2–m3–m6–6–8
Root, Major 2nd, Minor 3rd, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ G♯ A c
C D E♭ A♭ A c
              
Pitch Class Set: {0,2,3,8,9}
Pitch Class Mapping: 781 (Hex 30D, Binary 001100001101)
A Study of Scales (Ian Ring) Index: 781
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 609
Mode 3 of: Pattern Scale 1328
Mode 4 of: Pattern Scale 105
Mode 5 of: Pattern Scale 1076
The name I use for this scale comes from: Pattern designation
Pattern Scale 393
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–4–1–3
Scale degrees:
in semitones: 0–1–4–8–9–12
intervals: 1–m2–3–m6–6–8
Root, Minor 2nd, Major 3rd, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ E G♯ A c
C D♭ E A♭ A c
              
All The Chords Name: Aeolapritonic, 3imperfections
Pitch Class Set: {0,1,4,8,9}
Pitch Class Mapping: 787 (Hex 313, Binary 001100010011)
A Study of Scales (Ian Ring) Index: 787
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1220
Mode 3 of: Pattern Scale 408
Mode 4 of: Raga Megharanjani
Mode 5 of: Pattern Scale 1100
The name I use for this scale comes from: Pattern designation
Pattern Scale 394
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–4–1–3
Scale degrees:
in semitones: 0–2–4–8–9–12
intervals: 1–2–3–m6–6–8
Root, Major 2nd, Major 3rd, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D E G♯ A c
C D E A♭ A c
              
All The Chords Name: Zogitonic, 3imperfections
Pitch Class Set: {0,2,4,8,9}
Pitch Class Mapping: 789 (Hex 315, Binary 001100010101)
A Study of Scales (Ian Ring) Index: 789
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 610
Mode 3 of: Pattern Scale 664
Mode 4 of: Pattern Scale 169
Mode 5 of: Madhuranjani
The name I use for this scale comes from: Pattern designation
Pattern Scale 396
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–4–1–3
Scale degrees:
in semitones: 0–3–4–8–9–12
intervals: 1–m3–3–m6–6–8
Root, Minor 3rd, Major 3rd, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D♯ E G♯ A c
C E♭ E A♭ A c
              
All The Chords Name: Mocritonic, 3imperfections
Pitch Class Set: {0,3,4,8,9}
Pitch Class Mapping: 793 (Hex 319, Binary 001100011001)
A Study of Scales (Ian Ring) Index: 793
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 305
Mode 3 of: Bacovia
Mode 4 of: Raga Reva
Mode 5 of: Multani
The name I use for this scale comes from: Pattern designation
Pattern Scale 401
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–4–3–1–3
Scale degrees:
in semitones: 0–1–5–8–9–12
intervals: 1–m2–4–m6–6–8
Root, Minor 2nd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ F G♯ A c
C D♭ F A♭ A c
              
All The Chords Name: Loritonic, 3imperfections
Pitch Class Set: {0,1,5,8,9}
Pitch Class Mapping: 803 (Hex 323, Binary 001100100011)
A Study of Scales (Ian Ring) Index: 803
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1224
Mode 3 of: Pattern Scale 204
Mode 4 of: Pattern Scale 281
Mode 5 of: Pattern Scale 1164
The name I use for this scale comes from: Pattern designation
Pattern Scale 402
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–3–1–3
Scale degrees:
in semitones: 0–2–5–8–9–12
intervals: 1–2–4–m6–6–8
Root, Major 2nd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D F G♯ A c
C D F A♭ A c
              
All The Chords Name: Rothitonic, 3imperfections
Pitch Class Set: {0,2,5,8,9}
Pitch Class Mapping: 805 (Hex 325, Binary 001100100101)
A Study of Scales (Ian Ring) Index: 805
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Priya
Mode 3 of: Mohanangi
Mode 4 of: Pattern Scale 297
Mode 5 of: Kiravani
The name I use for this scale comes from: Pattern designation
Pattern Scale 404
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 3–2–3–1–3
Scale degrees:
in semitones: 0–3–5–8–9–12
intervals: 1–m3–4–m6–6–8
Root, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D♯ F G♯ A c
C E♭ F A♭ A c
              
All The Chords Name: Dogitonic, 3imperfections
Pitch Class Set: {0,3,5,8,9}
Pitch Class Mapping: 809 (Hex 329, Binary 001100101001)
A Study of Scales (Ian Ring) Index: 809
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 306
Mode 3 of: Pattern Scale 588
Mode 4 of: Raga Rasika Ranjani
Mode 5 of: Pattern Scale 1188
The name I use for this scale comes from: Pattern designation
Pattern Scale 408
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 4–1–3–1–3
Scale degrees:
in semitones: 0–4–5–8–9–12
intervals: 1–3–4–m6–6–8
Root, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C E F G♯ A c
C E F A♭ A c
              
All The Chords Name: Zothitonic, 3imperfections
Pitch Class Set: {0,4,5,8,9}
Pitch Class Mapping: 817 (Hex 331, Binary 001100110001)
A Study of Scales (Ian Ring) Index: 817
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Megharanjani
Mode 3 of: Pattern Scale 1100
Mode 4 of: Pattern Scale 393
Mode 5 of: Pattern Scale 1220
The name I use for this scale comes from: Pattern designation
Pattern Scale 417
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–5–2–1–3
Scale degrees:
in semitones: 0–1–6–8–9–12
intervals: 1–m2–d5–m6–6–8
Root, Minor 2nd, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ F♯ G♯ A c
C D♭ G♭ A♭ A c
              
Pitch Class Set: {0,1,6,8,9}
Pitch Class Mapping: 835 (Hex 343, Binary 001101000011)
A Study of Scales (Ian Ring) Index: 835
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Devaranji
Mode 3 of: Pattern Scale 102
Mode 4 of: Pattern Scale 537
Mode 5 of: Pattern Scale 1292
The name I use for this scale comes from: Pattern designation
Pattern Scale 418
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–4–2–1–3
Scale degrees:
in semitones: 0–2–6–8–9–12
intervals: 1–2–d5–m6–6–8
Root, Major 2nd, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D F♯ G♯ A c
C D G♭ A♭ A c
              
All The Chords Name: Epaditonic, 4imperfections
Pitch Class Set: {0,2,6,8,9}
Pitch Class Mapping: 837 (Hex 345, Binary 001101000101)
A Study of Scales (Ian Ring) Index: 837
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mayan Long Count
Mode 3 of: Pattern Scale 166
Mode 4 of: Pattern Scale 553
Mode 5 of: Marga Hindola
The name I use for this scale comes from: Pattern designation
Pattern Scale 420
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–3–2–1–3
Scale degrees:
in semitones: 0–3–6–8–9–12
intervals: 1–m3–d5–m6–6–8
Root, Minor 3rd, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D♯ F♯ G♯ A c
C E♭ G♭ A♭ A c
              
All The Chords Name: Phrothitonic, 4imperfections
Pitch Class Set: {0,3,6,8,9}
Pitch Class Mapping: 841 (Hex 349, Binary 001101001001)
A Study of Scales (Ian Ring) Index: 841
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 308
Mode 3 of: Pattern Scale 294
Mode 4 of: Raga Manaranjani I
Mode 5 of: Pattern Scale 1316
The name I use for this scale comes from: Pattern designation
Pattern Scale 424
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 4–2–2–1–3
Scale degrees:
in semitones: 0–4–6–8–9–12
intervals: 1–3–d5–m6–6–8
Root, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C E F♯ G♯ A c
C E G♭ A♭ A c
              
All The Chords Name: Aerynitonic, 4imperfections
Pitch Class Set: {0,4,6,8,9}
Pitch Class Mapping: 849 (Hex 351, Binary 001101010001)
A Study of Scales (Ian Ring) Index: 849
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 154
Mode 3 of: Pattern Scale 550
Mode 4 of: Pattern Scale 649
Mode 5 of: Pattern Scale 1348
The name I use for this scale comes from: Pattern designation
Pattern Scale 432
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 5–1–2–1–3
Scale degrees:
in semitones: 0–5–6–8–9–12
intervals: 1–4–d5–m6–6–8
Root, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C F F♯ G♯ A c
C F G♭ A♭ A c
              
Pitch Class Set: {0,5,6,8,9}
Pitch Class Mapping: 865 (Hex 361, Binary 001101100001)
A Study of Scales (Ian Ring) Index: 865
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 77
Mode 3 of: Pattern Scale 1062
Mode 4 of: Pattern Scale 777
Mode 5 of: Pattern Scale 1412
The name I use for this scale comes from: Pattern designation
Pattern Scale 449
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–6–1–1–3
Scale degrees:
in semitones: 0–1–7–8–9–12
intervals: 1–m2–5–m6–6–8
Root, Minor 2nd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ G G♯ A c
C D♭ G A♭ A c
              
Pitch Class Set: {0,1,7,8,9}
Pitch Class Mapping: 899 (Hex 383, Binary 001110000011)
A Study of Scales (Ian Ring) Index: 899
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1248
Mode 3 of: Pattern Scale 51
Mode 4 of: Raga Megharanji
Mode 5 of: Pattern Scale 1548
The name I use for this scale comes from: Pattern designation
Pattern Scale 450
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–5–1–1–3
Scale degrees:
in semitones: 0–2–7–8–9–12
intervals: 1–2–5–m6–6–8
Root, Major 2nd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D G G♯ A c
C D G A♭ A c
              
Pitch Class Set: {0,2,7,8,9}
Pitch Class Mapping: 901 (Hex 385, Binary 001110000101)
A Study of Scales (Ian Ring) Index: 901
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 624
Mode 3 of: Pattern Scale 83
Mode 4 of: Pattern Scale 1065
Mode 5 of: Pattern Scale 1556
The name I use for this scale comes from: Pattern designation
Pattern Scale 452
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–4–1–1–3
Scale degrees:
in semitones: 0–3–7–8–9–12
intervals: 1–m3–5–m6–6–8
Root, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D♯ G G♯ A c
C E♭ G A♭ A c
              
All The Chords Name: Bylitonic, 3imperfections
Pitch Class Set: {0,3,7,8,9}
Pitch Class Mapping: 905 (Hex 389, Binary 001110001001)
A Study of Scales (Ian Ring) Index: 905
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 312
Mode 3 of: Pattern Scale 147
Mode 4 of: Pattern Scale 1097
Mode 5 of: Pattern Scale 1572
The name I use for this scale comes from: Pattern designation
Pattern Scale 456
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 4–3–1–1–3
Scale degrees:
in semitones: 0–4–7–8–9–12
intervals: 1–3–5–m6–6–8
Root, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C E G G♯ A c
C E G A♭ A c
              
All The Chords Name: Aeolyritonic, 3imperfections
Pitch Class Set: {0,4,7,8,9}
Pitch Class Mapping: 913 (Hex 391, Binary 001110010001)
A Study of Scales (Ian Ring) Index: 913
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 156
Mode 3 of: Pattern Scale 275
Mode 4 of: Pattern Scale 1161
Mode 5 of: Pattern Scale 1604
The name I use for this scale comes from: Pattern designation
Pattern Scale 464
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 5–2–1–1–3
Scale degrees:
in semitones: 0–5–7–8–9–12
intervals: 1–4–5–m6–6–8
Root, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C F G G♯ A c
C F G A♭ A c
              
Pitch Class Set: {0,5,7,8,9}
Pitch Class Mapping: 929 (Hex 3A1, Binary 001110100001)
A Study of Scales (Ian Ring) Index: 929
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 78
Mode 3 of: Pattern Scale 531
Mode 4 of: Pattern Scale 1289
Mode 5 of: Pattern Scale 1668
The name I use for this scale comes from: Pattern designation
Pattern Scale 480
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 6–1–1–1–3
Scale degrees:
in semitones: 0–6–7–8–9–12
intervals: 1–d5–5–m6–6–8
Root, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C F♯ G G♯ A c
C G♭ G A♭ A c
              
Pitch Class Set: {0,6,7,8,9}
Pitch Class Mapping: 961 (Hex 3C1, Binary 001111000001)
A Study of Scales (Ian Ring) Index: 961
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 39
Mode 3 of: Pattern Scale 1043
Mode 4 of: Pattern Scale 1545
Mode 5 of: Pattern Scale 1796
The name I use for this scale comes from: Pattern designation
Pattern Scale 519
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–1–1–7–2
Scale degrees:
in semitones: 0–1–2–3–10–12
intervals: 1–m2–2–m3–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ A♯ c
C D♭ D E♭ B♭ c
              
Pitch Class Set: {0,1,2,3,10}
Pitch Class Mapping: 1039 (Hex 40F, Binary 010000001111)
A Study of Scales (Ian Ring) Index: 1039
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1283
Mode 3 of: Pattern Scale 1665
Mode 4 of: Pattern Scale 1856
Mode 5 of: Pattern Scale 30
The name I use for this scale comes from: Pattern designation
Pattern Scale 523
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–6–2
Scale degrees:
in semitones: 0–1–2–4–10–12
intervals: 1–m2–2–3–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Minor 7th, Octave
Pitches starting from C:
C C♯ D E A♯ c
C D♭ D E B♭ c
              
Pitch Class Set: {0,1,2,4,10}
Pitch Class Mapping: 1047 (Hex 417, Binary 010000010111)
A Study of Scales (Ian Ring) Index: 1047
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1285
Mode 3 of: Pattern Scale 1666
Mode 4 of: Pattern Scale 928
Mode 5 of: Pattern Scale 46
The name I use for this scale comes from: Pattern designation
Pattern Scale 525
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–1–6–2
Scale degrees:
in semitones: 0–1–3–4–10–12
intervals: 1–m2–m3–3–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E A♯ c
C D♭ E♭ E B♭ c
              
Pitch Class Set: {0,1,3,4,10}
Pitch Class Mapping: 1051 (Hex 41B, Binary 010000011011)
A Study of Scales (Ian Ring) Index: 1051
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1286
Mode 3 of: Pattern Scale 833
Mode 4 of: Pattern Scale 1440
Mode 5 of: Pattern Scale 54
The name I use for this scale comes from: Pattern designation
Pattern Scale 526
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–6–2
Scale degrees:
in semitones: 0–2–3–4–10–12
intervals: 1–2–m3–3–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Minor 7th, Octave
Pitches starting from C:
C D D♯ E A♯ c
C D E♭ E B♭ c
              
Pitch Class Set: {0,2,3,4,10}
Pitch Class Mapping: 1053 (Hex 41D, Binary 010000011101)
A Study of Scales (Ian Ring) Index: 1053
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 643
Mode 3 of: Pattern Scale 1345
Mode 4 of: Pattern Scale 1696
Mode 5 of: Pattern Scale 58
The name I use for this scale comes from: Pattern designation
Pattern Scale 531
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–5–2
Scale degrees:
in semitones: 0–1–2–5–10–12
intervals: 1–m2–2–4–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F A♯ c
C D♭ D F B♭ c
              
Pitch Class Set: {0,1,2,5,10}
Pitch Class Mapping: 1063 (Hex 427, Binary 010000100111)
A Study of Scales (Ian Ring) Index: 1063
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1289
Mode 3 of: Pattern Scale 1668
Mode 4 of: Pattern Scale 464
Mode 5 of: Pattern Scale 78
The name I use for this scale comes from: Pattern designation
Pattern Scale 533
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–2–5–2
Scale degrees:
in semitones: 0–1–3–5–10–12
intervals: 1–m2–m3–4–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F A♯ c
C D♭ E♭ F B♭ c
              
Pitch Class Set: {0,1,3,5,10}
Pitch Class Mapping: 1067 (Hex 42B, Binary 010000101011)
A Study of Scales (Ian Ring) Index: 1067
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Neroshta
Mode 3 of: Raga Matha Kokila
Mode 4 of: Pattern Scale 720
Mode 5 of: Desert
The name I use for this scale comes from: Pattern designation
Pattern Scale 534
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 2–1–2–5–2
Scale degrees:
in semitones: 0–2–3–5–10–12
intervals: 1–2–m3–4–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F A♯ c
C D E♭ F B♭ c
              
Pitch Class Set: {0,2,3,5,10}
Pitch Class Mapping: 1069 (Hex 42D, Binary 010000101101)
A Study of Scales (Ian Ring) Index: 1069
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 645
Mode 3 of: Pattern Scale 1346
Mode 4 of: Kuntvarali
Mode 5 of: Raga Budhamanohari
The name I use for this scale comes from: Pattern designation
Pattern Scale 537
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–5–2
Scale degrees:
in semitones: 0–1–4–5–10–12
intervals: 1–m2–3–4–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F A♯ c
C D♭ E F B♭ c
              
Pitch Class Set: {0,1,4,5,10}
Pitch Class Mapping: 1075 (Hex 433, Binary 010000110011)
A Study of Scales (Ian Ring) Index: 1075
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1292
Mode 3 of: Pattern Scale 417
Mode 4 of: Devaranji
Mode 5 of: Pattern Scale 102
The name I use for this scale comes from: Pattern designation
Pattern Scale 538
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–5–2
Scale degrees:
in semitones: 0–2–4–5–10–12
intervals: 1–2–3–4–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Minor 7th, Octave
Pitches starting from C:
C D E F A♯ c
C D E F B♭ c
              
Pitch Class Set: {0,2,4,5,10}
Pitch Class Mapping: 1077 (Hex 435, Binary 010000110101)
A Study of Scales (Ian Ring) Index: 1077
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 646
Mode 3 of: Pattern Scale 673
Mode 4 of: Purukutika
Mode 5 of: Pattern Scale 106
The name I use for this scale comes from: Pattern designation
Pattern Scale 540
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or or
Scale steps in semitones: 3–1–1–5–2
Scale degrees:
in semitones: 0–3–4–5–10–12
intervals: 1–m3–3–4–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F A♯ c
C E♭ E F B♭ c
              
Pitch Class Set: {0,3,4,5,10}
Pitch Class Mapping: 1081 (Hex 439, Binary 010000111001)
A Study of Scales (Ian Ring) Index: 1081
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 323
Mode 3 of: Pattern Scale 1185
Mode 4 of: Pattern Scale 1616
Mode 5 of: Pattern Scale 114
The name I use for this scale comes from: Pattern designation
Pattern Scale 547
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–4–4–2
Scale degrees:
in semitones: 0–1–2–6–10–12
intervals: 1–m2–2–d5–m7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F♯ A♯ c
C D♭ D G♭ B♭ c
              
All The Chords Name: Phrythitonic, 4imperfections
Pitch Class Set: {0,1,2,6,10}
Pitch Class Mapping: 1095 (Hex 447, Binary 010001000111)
A Study of Scales (Ian Ring) Index: 1095
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1297
Mode 3 of: Pattern Scale 1672
Mode 4 of: Pattern Scale 232
Mode 5 of: Pattern Scale 142
The name I use for this scale comes from: Pattern designation
Pattern Scale 549
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–3–4–2
Scale degrees:
in semitones: 0–1–3–6–10–12
intervals: 1–m2–m3–d5–m7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ A♯ c
C D♭ E♭ G♭ B♭ c
              
All The Chords Name: Dyritonic, 3imperfections
Pitch Class Set: {0,1,3,6,10}
Pitch Class Mapping: 1099 (Hex 44B, Binary 010001001011)
A Study of Scales (Ian Ring) Index: 1099
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Rasranjani
Mode 3 of: Pattern Scale 836
Mode 4 of: Dhavalashri
Mode 5 of: Raga Audav Tukhari
The name I use for this scale comes from: Pattern designation
Pattern Scale 550
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–4–2
Scale degrees:
in semitones: 0–2–3–6–10–12
intervals: 1–2–m3–d5–m7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F♯ A♯ c
C D E♭ G♭ B♭ c
              
All The Chords Name: Stothitonic, 4imperfections
Pitch Class Set: {0,2,3,6,10}
Pitch Class Mapping: 1101 (Hex 44D, Binary 010001001101)
A Study of Scales (Ian Ring) Index: 1101
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 649
Mode 3 of: Pattern Scale 1348
Mode 4 of: Pattern Scale 424
Mode 5 of: Pattern Scale 154
The name I use for this scale comes from: Pattern designation
Pattern Scale 553
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–4–2
Scale degrees:
in semitones: 0–1–4–6–10–12
intervals: 1–m2–3–d5–m7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F♯ A♯ c
C D♭ E G♭ B♭ c
              
All The Chords Name: Mogitonic, 4imperfections
Pitch Class Set: {0,1,4,6,10}
Pitch Class Mapping: 1107 (Hex 453, Binary 010001010011)
A Study of Scales (Ian Ring) Index: 1107
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Marga Hindola
Mode 3 of: Pattern Scale 418
Mode 4 of: Mayan Long Count
Mode 5 of: Pattern Scale 166
The name I use for this scale comes from: Pattern designation
Pattern Scale 554
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–4–2
Scale degrees:
in semitones: 0–2–4–6–10–12
intervals: 1–2–3–d5–m7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C D E F♯ A♯ c
C D E G♭ B♭ c
              
All The Chords Name: Kataditonic, 4imperfections
Pitch Class Set: {0,2,4,6,10}
Pitch Class Mapping: 1109 (Hex 455, Binary 010001010101)
A Study of Scales (Ian Ring) Index: 1109
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 650
Mode 3 of: Pattern Scale 674
Mode 4 of: Pattern Scale 680
Mode 5 of: Pattern Scale 170
The name I use for this scale comes from: Pattern designation
Piano Encyclopedia name: Five-Note Prometheus
Pattern Scale 562
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–1–4–2
Scale degrees:
in semitones: 0–2–5–6–10–12
intervals: 1–2–4–d5–m7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C D F F♯ A♯ c
C D F G♭ B♭ c
              
All The Chords Name: Ionaritonic, 3imperfections
Pitch Class Set: {0,2,5,6,10}
Pitch Class Mapping: 1125 (Hex 465, Binary 010001100101)
A Study of Scales (Ian Ring) Index: 1125
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 652
Mode 3 of: Altered Pentatonic
Mode 4 of: Pattern Scale 1192
Mode 5 of: Raga Bhupeshwari
The name I use for this scale comes from: Pattern designation
Pattern Scale 568
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 4–1–1–4–2
Scale degrees:
in semitones: 0–4–5–6–10–12
intervals: 1–3–4–d5–m7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C E F F♯ A♯ c
C E F G♭ B♭ c
              
All The Chords Name: Stonitonic, 3imperfections
Pitch Class Set: {0,4,5,6,10}
Pitch Class Mapping: 1137 (Hex 471, Binary 010001110001)
A Study of Scales (Ian Ring) Index: 1137
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 163
Mode 3 of: Raga Gauri
Mode 4 of: Pattern Scale 1576
Mode 5 of: Pattern Scale 226
The name I use for this scale comes from: Pattern designation
Pattern Scale 579
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–5–3–2
Scale degrees:
in semitones: 0–1–2–7–10–12
intervals: 1–m2–2–5–m7–8
Root, Minor 2nd, Major 2nd, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D G A♯ c
C D♭ D G B♭ c
              
Pitch Class Set: {0,1,2,7,10}
Pitch Class Mapping: 1159 (Hex 487, Binary 010010000111)
A Study of Scales (Ian Ring) Index: 1159
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1313
Mode 3 of: Pattern Scale 1680
Mode 4 of: Pattern Scale 116
Mode 5 of: Pattern Scale 270
The name I use for this scale comes from: Pattern designation
Pattern Scale 582
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–4–3–2
Scale degrees:
in semitones: 0–2–3–7–10–12
intervals: 1–2–m3–5–m7–8
Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D D♯ G A♯ c
C D E♭ G B♭ c
              
All The Chords Name: Gycritonic, 2imperfections
Pitch Class Set: {0,2,3,7,10}
Pitch Class Mapping: 1165 (Hex 48D, Binary 010010001101)
A Study of Scales (Ian Ring) Index: 1165
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 657
Mode 3 of: Mamata
Mode 4 of: Kokil Pancham
Mode 5 of: Pattern Scale 282
The name I use for this scale comes from: Pattern designation
Wikipedia page related to this scale:
Scale Omnibus name: Pygmy
Pattern Scale 588
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–3–3–2
Scale degrees:
in semitones: 0–3–4–7–10–12
intervals: 1–m3–3–5–m7–8
Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D♯ E G A♯ c
C E♭ E G B♭ c
              
All The Chords Name: Garitonic, 3imperfections
Pitch Class Set: {0,3,4,7,10}
Pitch Class Mapping: 1177 (Hex 499, Binary 010010011001)
A Study of Scales (Ian Ring) Index: 1177
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Rasika Ranjani
Mode 3 of: Pattern Scale 1188
Mode 4 of: Pattern Scale 404
Mode 5 of: Pattern Scale 306
The name I use for this scale comes from: Pattern designation
Piano Encyclopedia name: Pentatonic Major #9 b7
Scale Omnibus name: Major Pentatonic b7 #9
Pattern Scale 609
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–5–1–3–2
Scale degrees:
in semitones: 0–1–6–7–10–12
intervals: 1–m2–d5–5–m7–8
Root, Minor 2nd, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ F♯ G A♯ c
C D♭ G♭ G B♭ c
              
Pitch Class Set: {0,1,6,7,10}
Pitch Class Mapping: 1219 (Hex 4C3, Binary 010011000011)
A Study of Scales (Ian Ring) Index: 1219
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1328
Mode 3 of: Pattern Scale 105
Mode 4 of: Pattern Scale 1076
Mode 5 of: Pattern Scale 390
The name I use for this scale comes from: Pattern designation
Pattern Scale 610
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–4–1–3–2
Scale degrees:
in semitones: 0–2–6–7–10–12
intervals: 1–2–d5–5–m7–8
Root, Major 2nd, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D F♯ G A♯ c
C D G♭ G B♭ c
              
All The Chords Name: Epyritonic, 3imperfections
Pitch Class Set: {0,2,6,7,10}
Pitch Class Mapping: 1221 (Hex 4C5, Binary 010011000101)
A Study of Scales (Ian Ring) Index: 1221
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 664
Mode 3 of: Pattern Scale 169
Mode 4 of: Madhuranjani
Mode 5 of: Pattern Scale 394
The name I use for this scale comes from: Pattern designation
Pattern Scale 624
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 5–1–1–3–2
Scale degrees:
in semitones: 0–5–6–7–10–12
intervals: 1–4–d5–5–m7–8
Root, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C F F♯ G A♯ c
C F G♭ G B♭ c
              
Pitch Class Set: {0,5,6,7,10}
Pitch Class Mapping: 1249 (Hex 4E1, Binary 010011100001)
A Study of Scales (Ian Ring) Index: 1249
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 83
Mode 3 of: Pattern Scale 1065
Mode 4 of: Pattern Scale 1556
Mode 5 of: Pattern Scale 450
The name I use for this scale comes from: Pattern designation
Pattern Scale 643
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–6–2–2
Scale degrees:
in semitones: 0–1–2–8–10–12
intervals: 1–m2–2–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D G♯ A♯ c
C D♭ D A♭ B♭ c
              
Pitch Class Set: {0,1,2,8,10}
Pitch Class Mapping: 1287 (Hex 507, Binary 010100000111)
A Study of Scales (Ian Ring) Index: 1287
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1345
Mode 3 of: Pattern Scale 1696
Mode 4 of: Pattern Scale 58
Mode 5 of: Pattern Scale 526
The name I use for this scale comes from: Pattern designation
Pattern Scale 645
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–5–2–2
Scale degrees:
in semitones: 0–1–3–8–10–12
intervals: 1–m2–m3–m6–m7–8
Root, Minor 2nd, Minor 3rd, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ G♯ A♯ c
C D♭ E♭ A♭ B♭ c
              
Pitch Class Set: {0,1,3,8,10}
Pitch Class Mapping: 1291 (Hex 50B, Binary 010100001011)
A Study of Scales (Ian Ring) Index: 1291
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1346
Mode 3 of: Kuntvarali
Mode 4 of: Raga Budhamanohari
Mode 5 of: Pattern Scale 534
The name I use for this scale comes from: Pattern designation
Pattern Scale 646
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–5–2–2
Scale degrees:
in semitones: 0–2–3–8–10–12
intervals: 1–2–m3–m6–m7–8
Root, Major 2nd, Minor 3rd, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ G♯ A♯ c
C D E♭ A♭ B♭ c
              
Pitch Class Set: {0,2,3,8,10}
Pitch Class Mapping: 1293 (Hex 50D, Binary 010100001101)
A Study of Scales (Ian Ring) Index: 1293
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 673
Mode 3 of: Purukutika
Mode 4 of: Pattern Scale 106
Mode 5 of: Pattern Scale 538
The name I use for this scale comes from: Pattern designation
Pattern Scale 649
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–4–2–2
Scale degrees:
in semitones: 0–1–4–8–10–12
intervals: 1–m2–3–m6–m7–8
Root, Minor 2nd, Major 3rd, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E G♯ A♯ c
C D♭ E A♭ B♭ c
              
All The Chords Name: Aerophitonic, 4imperfections
Pitch Class Set: {0,1,4,8,10}
Pitch Class Mapping: 1299 (Hex 513, Binary 010100010011)
A Study of Scales (Ian Ring) Index: 1299
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 1348
Mode 3 of: Pattern Scale 424
Mode 4 of: Pattern Scale 154
Mode 5 of: Pattern Scale 550
The name I use for this scale comes from: Pattern designation
Pattern Scale 650
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–4–2–2
Scale degrees:
in semitones: 0–2–4–8–10–12
intervals: 1–2–3–m6–m7–8
Root, Major 2nd, Major 3rd, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D E G♯ A♯ c
C D E A♭ B♭ c
              
All The Chords Name: Koditonic, 4imperfections
Pitch Class Set: {0,2,4,8,10}
Pitch Class Mapping: 1301 (Hex 515, Binary 010100010101)
A Study of Scales (Ian Ring) Index: 1301
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pattern Scale 674
Mode 3 of: Pattern Scale 680
Mode 4 of: Pattern Scale 170
Mode 5 of: Pattern Scale 554
The name I use for this scale comes from: Pattern designation
Pattern Scale 652
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–4–2–2
Scale degrees:
in semitones: 0–3–4–8–10–12
intervals: 1–m3–3–m6–m7–8
Root, Minor 3rd, Major 3rd, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E G♯ A♯ c
C E♭ E A♭ B♭ c
              
All The Chords Name: Dynitonic, 3imperfections
Pitch Class Set: {0,3,4,8,10}
Pitch Class Mapping: 1305 (Hex 519, Binary 010100011001)
A Study of Scales (Ian Ring) Index: 1305
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Altered Pentatonic
Mode 3 of: Pattern Scale 1192
Mode 4 of: Raga Bhupeshwari
Mode 5 of: Pattern Scale 562
The name I use for this scale comes from: Pattern designation
  
|