Comprehensive Scale Catalog: Eight-Tone Scales in Equal Temperament - Part 1
This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.
This page shows only scales with eight tones per octave and using 12-tone Equal Temperament.
The root note of each scale is shown in blue, such as .
Anasazi-7
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–2–1–1–1
Scale degrees:
in semitones: 0–2–3–4–7–9–10–11–12
intervals: 1–2–m3–3–5–6–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E G A A♯ B c
C D E♭ E G A B♭ B c
All The Chords Name: Zydyllic, 2imperfections
Pitch Class Set: {0,2,3,4,7,9,10,11}
Pitch Class Mapping: 3741 (Hex E9D, Binary 111010011101)
A Study of Scales (Ian Ring) Index: 3741
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katolyllic
Mode 3 of: Rythyllic
Mode 4 of: Pothyllic
Mode 5 of: Phronyllic
Mode 6 of: Stynyllic
Mode 7 of: Rathyllic
Mode 8 of: Aeryptyllic
The name I use for this scale comes from: Clint's Invented Name, based on common usage among Native American flute players.
Entry on the Map of Native American Flute Tunings page: Anasazi-7
Kiva
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–4–1–1–1–1–1
Scale degrees:
in semitones: 0–2–3–7–8–9–10–11–12
intervals: 1–2–m3–5–m6–6–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ G G♯ A A♯ B c
C D E♭ G A♭ A B♭ B c
All The Chords Name: Phrycryllic, 3imperfections
Pitch Class Set: {0,2,3,7,8,9,10,11}
Pitch Class Mapping: 3981 (Hex F8D, Binary 111110001101)
A Study of Scales (Ian Ring) Index: 3981
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Palyllic
Mode 3 of: Phroryllic
Mode 4 of: Thyphyllic
Mode 5 of: Poptyllic
Mode 6 of: Mixonyllic
Mode 7 of: Paptyllic
Mode 8 of: Storyllic
The name I use for this scale comes from: Stephen DeRuby's Invented Name
Entry on the Map of Native American Flute Tunings page: Kiva
Seven-hole
Neveseri
Scale steps in semitones: 1–2–3–1–1–2–1–1
Scale degrees:
in semitones: 0–1–3–6–7–8–10–11–12
intervals: 1–m2–m3–d5–5–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G G♯ A♯ B c
C D♭ E♭ G♭ G A♭ B♭ B c
All The Chords Name: Dycryllic, 2imperfections
Pitch Class Set: {0,1,3,6,7,8,10,11}
Pitch Class Mapping: 3531 (Hex DCB, Binary 110111001011)
A Study of Scales (Ian Ring) Index: 3531
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeologyllic
Mode 3 of: Dagyllic
Mode 4 of: Katalyllic
Mode 5 of: Katoryllic
Mode 6 of: Dodyllic
Mode 7 of: Zogyllic
Mode 8 of: Madyllic
The name I use for this scale comes from: Scala
Scala name: Neveseri: Greece
Piano Encyclopedia name: Neveseri [Greek]
Scale Omnibus name: Neseveri [Greece]
Octatonic
Scale steps in semitones: 1–2–1–2–1–2–1–2
Scale degrees:
in semitones: 0–1–3–4–6–7–9–10–12
intervals: 1–m2–m3–3–d5–5–6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G A A♯ c
C D♭ E♭ E G♭ G A B♭ c
All The Chords Name: Ladyllic, 4imperfections
Pitch Class Set: {0,1,3,4,6,7,9,10}
Pitch Class Mapping: 1755 (Hex 6DB, Binary 011011011011)
A Study of Scales (Ian Ring) Index: 1755
Deep scale: No
Coherent scale: Yes
This scale is a mode (rotation) of these other scales:
Mode 2 of: Octatonic 2
Mode 3 of: Octatonic
Mode 4 of: Octatonic 2
Mode 5 of: Octatonic
Mode 6 of: Octatonic 2
Mode 7 of: Octatonic
Mode 8 of: Octatonic 2
The name I use for this scale comes from: Scala
Scala names: Octatonic, Messiaen mode 2, Dominant Diminished, Diminished Blues, Half-Whole step scale
ChordHouse names: Octatonic (H-W); Auxiliary Diminished Blues; Diminished, Half
Piano Encyclopedia names: Diminished Blues; Dominant Diminished; Half-Whole step; Half-Whole tone; Messiaen mode 2; Octatonic (Half-tone, Whole-tone); Symmetrical Diminished
Scale Omnibus names: Diminished Half-tone; Messiaen 2nd Mode
Notes: Alternating half and whole steps.
Octatonic 2
Scale steps in semitones: 2–1–2–1–2–1–2–1
Scale degrees:
in semitones: 0–2–3–5–6–8–9–11–12
intervals: 1–2–m3–4–d5–m6–6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G♯ A B c
C D E♭ F G♭ A♭ A B c
All The Chords Name: Epadyllic, 4imperfections
Pitch Class Set: {0,2,3,5,6,8,9,11}
Pitch Class Mapping: 2925 (Hex B6D, Binary 101101101101)
A Study of Scales (Ian Ring) Index: 2925
Deep scale: No
Coherent scale: Yes
This scale is a mode (rotation) of these other scales:
Mode 2 of: Octatonic
Mode 3 of: Octatonic 2
Mode 4 of: Octatonic
Mode 5 of: Octatonic 2
Mode 6 of: Octatonic
Mode 7 of: Octatonic 2
Mode 8 of: Octatonic
The name I use for this scale comes from: ChordHouse
Scala names: Diminished, Modus conjunctus, Messiaen mode 2 inverse, Whole-Half step scale
ChordHouse names: Octatonic (W-H); Arabian (a); Auxiliary Diminished; Diminished; Diminished, Whole
Piano Encyclopedia names: Auxiliary Diminished; Diminished; Eight-Note Diminished; Messiaen mode 2 inverse; Modus conjunctus; Octatonic (Whole-tone, Half-tone); Whole-Half step; Whole-Half tone
Scale Omnibus names: Diminished; Messiaen 2nd Mode Inverse; Modus Conjunctus; Octatonic; Whole-Tone Diminished
Notes: Alternating whole and half steps.
Algerian
Scale steps in semitones: 2–1–2–1–1–1–3–1
Scale degrees:
in semitones: 0–2–3–5–6–7–8–11–12
intervals: 1–2–m3–4–d5–5–m6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G G♯ B c
C D E♭ F G♭ G A♭ B c
All The Chords Name: Katadyllic, 3imperfections
Pitch Class Set: {0,2,3,5,6,7,8,11}
Pitch Class Mapping: 2541 (Hex 9ED, Binary 100111101101)
A Study of Scales (Ian Ring) Index: 2541
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of:
Mode 3 of: Phrylyllic
Mode 4 of: Epigyllic
Mode 5 of: Molyllic
Mode 6 of: Maqam Hijaz
Mode 7 of: Maptyllic
Mode 8 of: Aeraptyllic
The name I use for this scale comes from: ChordHouse
Scala names: Algerian, Sabiren
ChordHouse name: Algerian
Piano Encyclopedia name: Algerian [Arabian]
Scale Omnibus name: Algerian Octatonic [Tunisia]
Eight Tone Spanish
Scale steps in semitones: 1–2–1–1–1–2–2–2
Scale degrees:
in semitones: 0–1–3–4–5–6–8–10–12
intervals: 1–m2–m3–3–4–d5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ G♯ A♯ c
C D♭ E♭ E F G♭ A♭ B♭ c
All The Chords Name: Epinyllic, 2imperfections
Pitch Class Set: {0,1,3,4,5,6,8,10}
Pitch Class Mapping: 1403 (Hex 57B, Binary 010101111011)
A Study of Scales (Ian Ring) Index: 1403
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katagyllic
Mode 3 of: Adonai Malakh
Mode 4 of: Gothyllic
Mode 5 of: Hamel
Mode 6 of: Rocryllic
Mode 7 of: Zyryllic
Mode 8 of: Sagyllic
The name I use for this scale comes from: ChordHouse
Scala names: Espla's scale, Eight-tone Spanish
ChordHouse name: Eight Tone Spanish
Piano Encyclopedia names: Ahava Rabba [Jewish]; Eight-Note Spanish; Espl\xe1's; Freygish; Jewish I
Scale Omnibus names: Ahava Rabba [Jewish]; Esplá; Spanish Octatonic
Ichikosucho
Scale steps in semitones: 2–2–1–1–1–2–2–1
Scale degrees:
in semitones: 0–2–4–5–6–7–9–11–12
intervals: 1–2–3–4–d5–5–6–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E F F♯ G A B c
C D E F G♭ G A B c
All The Chords Name: Zylyllic, 1imperfections
Pitch Class Set: {0,2,4,5,6,7,9,11}
Pitch Class Mapping: 2805 (Hex AF5, Binary 101011110101)
A Study of Scales (Ian Ring) Index: 2805
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bebop Minor
Mode 3 of: Phrygian/Aeolian Mixed
Mode 4 of: Godyllic
Mode 5 of: Prokofiev
Mode 6 of: Genus Diatonicum
Mode 7 of: Raga Mukhari
Mode 8 of: Phrygian/Locrian Mixed
The name I use for this scale comes from: ChordHouse
Scala names: Ishikotsucho: Japan, Raga Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubilai's Mongol scale, Major/Lydian mixed
ChordHouse name: Japanese (Ichikosucho)
Piano Encyclopedia names: Genus diatonicum veterum correctum [Latin]; Gregorian no.5; Ichikotsucho; Kubilai's Mongol; Major/Lydian mixed; Raga Bihag; Raga Chaya Nat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan
Scale Omnibus names: Genus Diatonicum Veterum Correctum; Gregorian 5; Ichilkotsucho (or Ishikosucho); Kubilai; Major-Lydian Mixed; Raga Bihag; Raga Chayanat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan
Adonai Malakh
Scale steps in semitones: 1–1–1–2–2–2–1–2
Scale degrees:
in semitones: 0–1–2–3–5–7–9–10–12
intervals: 1–m2–2–m3–4–5–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G A A♯ c
C D♭ D E♭ F G A B♭ c
All The Chords Name: Ragyllic, 2imperfections
Pitch Class Set: {0,1,2,3,5,7,9,10}
Pitch Class Mapping: 1711 (Hex 6AF, Binary 011010101111)
A Study of Scales (Ian Ring) Index: 1711
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gothyllic
Mode 3 of: Hamel
Mode 4 of: Rocryllic
Mode 5 of: Zyryllic
Mode 6 of: Sagyllic
Mode 7 of: Eight Tone Spanish
Mode 8 of: Katagyllic
The name I use for this scale comes from: ChordHouse
Scala name: Adonai Malakh: Jewish
ChordHouse name: Adonai Malakh
Piano Encyclopedia name: Adonai Malakh [Jewish]
Scale Omnibus name: Adonai Malakh
Magen Abot 1
Scale steps in semitones: 1–2–1–2–2–2–1–1
Scale degrees:
in semitones: 0–1–3–4–6–8–10–11–12
intervals: 1–m2–m3–3–d5–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G♯ A♯ B c
C D♭ E♭ E G♭ A♭ B♭ B c
All The Chords Name: Danyllic, 2imperfections
Pitch Class Set: {0,1,3,4,6,8,10,11}
Pitch Class Mapping: 3419 (Hex D5B, Binary 110101011011)
A Study of Scales (Ian Ring) Index: 3419
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Mian Ki Malhar
Mode 3 of: Epocryllic
Mode 4 of: Ionocryllic
Mode 5 of: Gocryllic
Mode 6 of: Epiryllic
Mode 7 of: Aeradyllic
Mode 8 of: Staptyllic
The name I use for this scale comes from: ChordHouse
ChordHouse name: Magen Abot
Piano Encyclopedia name: Magen Abot [Jewish]
Blues 8-Tone
Scale steps in semitones: 2–1–2–1–1–2–1–2
Scale degrees:
in semitones: 0–2–3–5–6–7–9–10–12
intervals: 1–2–m3–4–d5–5–6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G A A♯ c
C D E♭ F G♭ G A B♭ c
All The Chords Name: Aeoloryllic, 2imperfections
Pitch Class Set: {0,2,3,5,6,7,9,10}
Pitch Class Mapping: 1773 (Hex 6ED, Binary 011011101101)
A Study of Scales (Ian Ring) Index: 1773
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Spanish Phrygian
Mode 3 of: Gycryllic
Mode 4 of: Lyryllic
Mode 5 of: Magen Abot 2
Mode 6 of: Maqam Nahawand
Mode 7 of: Moptyllic
Mode 8 of: Bebop Major
The name I use for this scale comes from: Clint's Invented Name
Scala name: Blues scale II
Piano Encyclopedia name: Blues IV [African]
Scale Omnibus name: Blues Octatonic
Raga Bhatiyar
Scale steps in semitones: 1–3–1–1–1–2–2–1
Scale degrees:
in semitones: 0–1–4–5–6–7–9–11–12
intervals: 1–m2–3–4–d5–5–6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G A B c
C D♭ E F G♭ G A B c
All The Chords Name: Zolyllic, 2imperfections
Pitch Class Set: {0,1,4,5,6,7,9,11}
Pitch Class Mapping: 2803 (Hex AF3, Binary 101011110011)
A Study of Scales (Ian Ring) Index: 2803
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bacryllic
Mode 3 of: Aerygyllic
Mode 4 of: Dathyllic
Mode 5 of: Boptyllic
Mode 6 of: Bagyllic
Mode 7 of: Mathyllic
Mode 8 of: Styptyllic
The name I use for this scale comes from: Scala name
Scala name: Raga Bhatiyar
Piano Encyclopedia name: Raga Bhatiyar [Indian]
Scale Omnibus names: Buzurg; Raga Bhatiyar
Raga Cintamani
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–1–1–1–2
Scale degrees:
in semitones: 0–2–3–6–7–8–9–10–12
intervals: 1–2–m3–d5–5–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F♯ G G♯ A A♯ c
C D E♭ G♭ G A♭ A B♭ c
All The Chords Name: Staryllic, 3imperfections
Pitch Class Set: {0,2,3,6,7,8,9,10}
Pitch Class Mapping: 1997 (Hex 7CD, Binary 011111001101)
A Study of Scales (Ian Ring) Index: 1997
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zothyllic
Mode 3 of: Gythyllic
Mode 4 of: Pyryllic
Mode 5 of: Harmonic/Neapolitan Minor Mixed
Mode 6 of: Phrathyllic
Mode 7 of: Badyllic
Mode 8 of: Phrocryllic
The name I use for this scale comes from: Scala name
Scala name: Raga Cintamani
Piano Encyclopedia name: Raga Chinthamani [Indian]
Scale Omnibus name: Raga Chinthamani [India]
Raga Mian Ki Malhar
Scale steps in semitones: 2–1–2–2–2–1–1–1
Scale degrees:
in semitones: 0–2–3–5–7–9–10–11–12
intervals: 1–2–m3–4–5–6–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F G A A♯ B c
C D E♭ F G A B♭ B c
All The Chords Name: Goptyllic, 2imperfections
Pitch Class Set: {0,2,3,5,7,9,10,11}
Pitch Class Mapping: 3757 (Hex EAD, Binary 111010101101)
A Study of Scales (Ian Ring) Index: 3757
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epocryllic
Mode 3 of: Ionocryllic
Mode 4 of: Gocryllic
Mode 5 of: Epiryllic
Mode 6 of: Aeradyllic
Mode 7 of: Staptyllic
Mode 8 of: Magen Abot 1
The name I use for this scale comes from: Scala name
Scala names: Raga Mian Ki Malhar, Bahar, Sindhura
Piano Encyclopedia names: Raga Bahar [Indian]; Raga Mian Ki Malhar; Raga Sindhura
Scale Omnibus names: Raga Bahar [India]; Raga Miam Ki Malhar; Raga Sindhura
Raga Mukhari
Scale steps in semitones: 2–1–2–2–1–1–1–2
Scale degrees:
in semitones: 0–2–3–5–7–8–9–10–12
intervals: 1–2–m3–4–5–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F G G♯ A A♯ c
C D E♭ F G A♭ A B♭ c
All The Chords Name: Gadyllic, 1imperfections
Pitch Class Set: {0,2,3,5,7,8,9,10}
Pitch Class Mapping: 1965 (Hex 7AD, Binary 011110101101)
A Study of Scales (Ian Ring) Index: 1965
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrygian/Locrian Mixed
Mode 3 of: Ichikosucho
Mode 4 of: Bebop Minor
Mode 5 of: Phrygian/Aeolian Mixed
Mode 6 of: Godyllic
Mode 7 of: Prokofiev
Mode 8 of: Genus Diatonicum
The name I use for this scale comes from: Scala name
Entry on the Map of Native American Flute Tunings page: Six-hole “Lost Tuning”
Scala names: Raga Mukhari, Anandabhairavi, Deshi, Manji, Gregorian nr.1, Dorian/Aeolian mixed
Piano Encyclopedia names: Dorian/Aeolian mixed; Gregorian no.1; Raga Anandabhairavi; Raga Deshi; Raga Mukhari
Scale Omnibus names: Dorian Aeolian; Gregorian 1; Raga Anandabhairavi; Raga Deshi; Raga Manji; Raga Mukhari
Raga Ramkali
Scale steps in semitones: 1–3–1–1–1–1–3–1
Scale degrees:
in semitones: 0–1–4–5–6–7–8–11–12
intervals: 1–m2–3–4–d5–5–m6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G G♯ B c
C D♭ E F G♭ G A♭ B c
All The Chords Name: Bythyllic, 2imperfections
Pitch Class Set: {0,1,4,5,6,7,8,11}
Pitch Class Mapping: 2547 (Hex 9F3, Binary 100111110011)
A Study of Scales (Ian Ring) Index: 2547
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Blues V
Mode 3 of: Gaptyllic
Mode 4 of: Aeroptyllic
Mode 5 of: Mylyllic
Mode 6 of: Galyllic
Mode 7 of: Kalyllic
Mode 8 of: Ionodyllic
The name I use for this scale comes from: Scala name
Scala name: Raga Ramkali (Ramakri)
Piano Encyclopedia name: Raga Ramkali (Ramakri) [Indian]
Scale Omnibus names: Raga Ramakri [India]; Raga Ramkali
Raga Saurashtra
Scale steps in semitones: 1–3–1–2–1–1–2–1
Scale degrees:
in semitones: 0–1–4–5–7–8–9–11–12
intervals: 1–m2–3–4–5–m6–6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G G♯ A B c
C D♭ E F G A♭ A B c
All The Chords Name: Sanyllic, 3imperfections
Pitch Class Set: {0,1,4,5,7,8,9,11}
Pitch Class Mapping: 2995 (Hex BB3, Binary 101110110011)
A Study of Scales (Ian Ring) Index: 2995
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thyptyllic
Mode 3 of: Ionogyllic
Mode 4 of: Aeolaryllic
Mode 5 of: Katygyllic
Mode 6 of: Ganyllic
Mode 7 of: Kyptyllic
Mode 8 of: Salyllic
The name I use for this scale comes from: Scala name
Scala name: Raga Saurashtra
Piano Encyclopedia name: Raga Saurashtra [Indian]
Scale Omnibus name: Raga Saurashtra [India]
Bebop Minor
Scale steps in semitones: 2–1–1–1–2–2–1–2
Scale degrees:
in semitones: 0–2–3–4–5–7–9–10–12
intervals: 1–2–m3–3–4–5–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F G A A♯ c
C D E♭ E F G A B♭ c
All The Chords Name: Mixodyllic, 1imperfections
Pitch Class Set: {0,2,3,4,5,7,9,10}
Pitch Class Mapping: 1725 (Hex 6BD, Binary 011010111101)
A Study of Scales (Ian Ring) Index: 1725
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrygian/Aeolian Mixed
Mode 3 of: Godyllic
Mode 4 of: Prokofiev
Mode 5 of: Genus Diatonicum
Mode 6 of: Raga Mukhari
Mode 7 of: Phrygian/Locrian Mixed
Mode 8 of: Ichikosucho
The name I use for this scale comes from: Scala name
Scala names: Minor Bebop, Dorian Bebop, Raga Zilla, Mixolydian/Dorian mixed
Wikipedia page related to this scale:
Piano Encyclopedia names: Bebop Minor [American]; Dorian Bebop; Minor Bebop; Mixolydian/Dorian mixed; Raga Zilla
Scale Omnibus names: Bebop Dorian; Mixolydian Dorian; Raga Zilla
Genus Diatonicum
Scale steps in semitones: 2–2–1–2–2–1–1–1
Scale degrees:
in semitones: 0–2–4–5–7–9–10–11–12
intervals: 1–2–3–4–5–6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F G A A♯ B c
C D E F G A B♭ B c
All The Chords Name: Aerycryllic, 1imperfections
Pitch Class Set: {0,2,4,5,7,9,10,11}
Pitch Class Mapping: 3765 (Hex EB5, Binary 111010110101)
A Study of Scales (Ian Ring) Index: 3765
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Mukhari
Mode 3 of: Phrygian/Locrian Mixed
Mode 4 of: Ichikosucho
Mode 5 of: Bebop Minor
Mode 6 of: Phrygian/Aeolian Mixed
Mode 7 of: Godyllic
Mode 8 of: Prokofiev
The name I use for this scale comes from: Scala name
Scala names: Genus diatonicum, Dominant Bebop, Raga Khamaj, Desh Malhar, Alhaiya Bilaval, Devagandhari, Bihagara, Maqam Shawq Awir, Gregorian nr.6, Major/Mixolydian mixed, Chinese Eight-Tone, Rast: Greece
Wikipedia page related to this scale:
Piano Encyclopedia names: Bebop Dominant [American]; Dominant Bebop; Eight-Note Chinese; Genus diatonicum; Gregorian no.6; Major/Mixolydian mixed; Makam Rast; Maqam Shawq Awir; Mixolydian Bebop; Raga Alhaiya Bilaval; Raga Desh Malhar; Raga Khamaj
Scale Omnibus names: Bebop Mixolydian; Bebop (or Bebop Dominant); Chinese Eight-tone; Genus Diatonicum; Gregorian 6; Major Mixolydian; Maqam Shawq Awir; Raga Alhaiya Bilaval; Raga Bihagara; Raga Desh Malhar; Raga Devagandhari; Raga Khamaj; Rast
Bebop Major
Scale steps in semitones: 2–2–1–2–1–1–2–1
Scale degrees:
in semitones: 0–2–4–5–7–8–9–11–12
intervals: 1–2–3–4–5–m6–6–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E F G G♯ A B c
C D E F G A♭ A B c
All The Chords Name: Ionoptyllic, 2imperfections
Pitch Class Set: {0,2,4,5,7,8,9,11}
Pitch Class Mapping: 2997 (Hex BB5, Binary 101110110101)
A Study of Scales (Ian Ring) Index: 2997
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Blues 8-Tone
Mode 3 of: Spanish Phrygian
Mode 4 of: Gycryllic
Mode 5 of: Lyryllic
Mode 6 of: Magen Abot 2
Mode 7 of: Maqam Nahawand
Mode 8 of: Moptyllic
The name I use for this scale comes from: Scala name
Scala names: Major Bebop, Altered Mixolydian
Wikipedia page related to this scale:
Piano Encyclopedia names: Altered Mixolydian I; Altered Mixolydian II; Bebop Major I; Bebop Major II; Major Bebop I; Major Bebop II
Scale Omnibus name: Bebop Major
Spanish Phrygian
Scale steps in semitones: 1–2–1–1–2–1–2–2
Scale degrees:
in semitones: 0–1–3–4–5–7–8–10–12
intervals: 1–m2–m3–3–4–5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G G♯ A♯ c
C D♭ E♭ E F G A♭ B♭ c
All The Chords Name: Thydyllic, 2imperfections
Pitch Class Set: {0,1,3,4,5,7,8,10}
Pitch Class Mapping: 1467 (Hex 5BB, Binary 010110111011)
A Study of Scales (Ian Ring) Index: 1467
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gycryllic
Mode 3 of: Lyryllic
Mode 4 of: Magen Abot 2
Mode 5 of: Maqam Nahawand
Mode 6 of: Moptyllic
Mode 7 of: Bebop Major
Mode 8 of: Blues 8-Tone
The name I use for this scale comes from: Scala name
Scala name: Spanish Phrygian
Piano Encyclopedia name: Spanish Phrygian II [Spanish]
Scale Omnibus names: Flamenco; Spanish Phrygian
Half-diminished Bebop
Scale steps in semitones: 1–2–2–1–1–1–3–1
Scale degrees:
in semitones: 0–1–3–5–6–7–8–11–12
intervals: 1–m2–m3–4–d5–5–m6–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G G♯ B c
C D♭ E♭ F G♭ G A♭ B c
All The Chords Name: Lacryllic, 2imperfections
Pitch Class Set: {0,1,3,5,6,7,8,11}
Pitch Class Mapping: 2539 (Hex 9EB, Binary 100111101011)
A Study of Scales (Ian Ring) Index: 2539
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katynyllic
Mode 3 of: Maryllic
Mode 4 of: Mothyllic
Mode 5 of: Mixothyllic
Mode 6 of:
Mode 7 of: Eponyllic
Mode 8 of: Thocryllic
The name I use for this scale comes from: Scala name
Scala name: Half-diminished Bebop
Piano Encyclopedia names: Bebop Half-Diminished [American]; Half-Diminished Bebop
Scale Omnibus name: Bebop Half-diminished
Neapolitan Mixed
Scale steps in semitones: 1–2–2–2–1–1–2–1
Scale degrees:
in semitones: 0–1–3–5–7–8–9–11–12
intervals: 1–m2–m3–4–5–m6–6–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G G♯ A B c
C D♭ E♭ F G A♭ A B c
All The Chords Name: Thanyllic, 4imperfections
Pitch Class Set: {0,1,3,5,7,8,9,11}
Pitch Class Mapping: 2987 (Hex BAB, Binary 101110101011)
A Study of Scales (Ian Ring) Index: 2987
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Racryllic
Mode 3 of: Epicryllic
Mode 4 of: Stygyllic
Mode 5 of: Syryllic
Mode 6 of: Stythyllic
Mode 7 of: Aerothyllic
Mode 8 of: Mixoryllic
The name I use for this scale comes from: Scala name, shortened by Clint
Scala name: Neapolitan Major and Minor mixed
Verdi's Scala Enigmatica
Scale steps in semitones: 1–3–1–1–2–2–1–1
Scale degrees:
in semitones: 0–1–4–5–6–8–10–11–12
intervals: 1–m2–3–4–d5–m6–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G♯ A♯ B c
C D♭ E F G♭ A♭ B♭ B c
All The Chords Name: Bodyllic, 2imperfections
Pitch Class Set: {0,1,4,5,6,8,10,11}
Pitch Class Mapping: 3443 (Hex D73, Binary 110101110011)
A Study of Scales (Ian Ring) Index: 3443
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Eponyllic
Mode 3 of: Thocryllic
Mode 4 of: Half-diminished Bebop
Mode 5 of: Katynyllic
Mode 6 of: Maryllic
Mode 7 of: Mothyllic
Mode 8 of: Mixothyllic
The name I use for this scale comes from: Scala name
Scala names: Verdi's Scala enigmatica
Piano Encyclopedia names: Verdi's Scala Enigmatica [Italian]
Scale Omnibus name: Enigmatic Mixed
Zirafkend
Scale steps in semitones: 2–1–2–2–1–1–2–1
Scale degrees:
in semitones: 0–2–3–5–7–8–9–11–12
intervals: 1–2–m3–4–5–m6–6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F G G♯ A B c
C D E♭ F G A♭ A B c
Pitch Class Set: {0,2,3,5,7,8,9,11}
Pitch Class Mapping: 2989 (Hex BAD, Binary 101110101101)
A Study of Scales (Ian Ring) Index: 2989
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 6 of: Shostakovich
The name I use for this scale comes from: Scala name
Scala names: Zirafkend: Arabic, Melodic Minor Bebop
Wikipedia page related to this scale:
Piano Encyclopedia name: Zirafkend : Arabic [Arabian]
Scale Omnibus names: Bebop Melodic Minor; Zirafkend
Magen Abot 2
Scale steps in semitones: 1–2–1–2–2–1–2–1
Scale degrees:
in semitones: 0–1–3–4–6–8–9–11–12
intervals: 1–m2–m3–3–d5–m6–6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G♯ A B c
C D♭ E♭ E G♭ A♭ A B c
All The Chords Name: Mogyllic, 2imperfections
Pitch Class Set: {0,1,3,4,6,8,9,11}
Pitch Class Mapping: 2907 (Hex B5B, Binary 101101011011)
A Study of Scales (Ian Ring) Index: 2907
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Nahawand
Mode 3 of: Moptyllic
Mode 4 of: Bebop Major
Mode 5 of: Blues 8-Tone
Mode 6 of: Spanish Phrygian
Mode 7 of: Gycryllic
Mode 8 of: Lyryllic
The name I use for this scale comes from: Scala name
Entry on the Map of Native American Flute Tunings page: Magen Abot Tuning
Scala name: Magen Abot: Jewish
Scale Omnibus name: Magen Abot [Jewish]
Maqam Nahawand
Scale steps in semitones: 2–1–2–2–1–2–1–1
Scale degrees:
in semitones: 0–2–3–5–7–8–10–11–12
intervals: 1–2–m3–4–5–m6–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F G G♯ A♯ B c
C D E♭ F G A♭ B♭ B c
All The Chords Name: Katodyllic, 2imperfections
Pitch Class Set: {0,2,3,5,7,8,10,11}
Pitch Class Mapping: 3501 (Hex DAD, Binary 110110101101)
A Study of Scales (Ian Ring) Index: 3501
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Moptyllic
Mode 3 of: Bebop Major
Mode 4 of: Blues 8-Tone
Mode 5 of: Spanish Phrygian
Mode 6 of: Gycryllic
Mode 7 of: Lyryllic
Mode 8 of: Magen Abot 2
The name I use for this scale comes from: Scala name
Entry on the Map of Native American Flute Tunings page: Seven-hole Minor
Scala names: Maqam Nahawand, Farahfaza, Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor
Wikipedia page related to this scale:
Piano Encyclopedia names: Gregorian no.4 [Church]; Utility Minor
Scale Omnibus names: Bebop Harmonic Minor; Bebop Natural Minor; Gregorian 4; Maqam Farahfaza; Maqam Nahawand; Raga Suha Kanada; Utility Minor
Harmonic/Neapolitan Minor Mixed
Scale steps in semitones: 1–1–1–2–2–1–3–1
Scale degrees:
in semitones: 0–1–2–3–5–7–8–11–12
intervals: 1–m2–2–m3–4–5–m6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G G♯ B c
C D♭ D E♭ F G A♭ B c
All The Chords Name: Rycryllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,7,8,11}
Pitch Class Mapping: 2479 (Hex 9AF, Binary 100110101111)
A Study of Scales (Ian Ring) Index: 2479
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrathyllic
Mode 3 of: Badyllic
Mode 4 of: Phrocryllic
Mode 5 of: Raga Cintamani
Mode 6 of: Zothyllic
Mode 7 of: Gythyllic
Mode 8 of: Pyryllic
The name I use for this scale comes from: Scala name, abbreviated by Clint
Scala name: Harmonic and Neapolitan Minor mixed
Piano Encyclopedia name: Harmonic and Neapolitan Minor mixed
Scale Omnibus name: Harmonic Neapolitan Minor [Italy]
Maqam Hijaz
Scale steps in semitones: 1–3–1–2–1–2–1–1
Scale degrees:
in semitones: 0–1–4–5–7–8–10–11–12
intervals: 1–m2–3–4–5–m6–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G G♯ A♯ B c
C D♭ E F G A♭ B♭ B c
All The Chords Name: Ponyllic, 3imperfections
Pitch Class Set: {0,1,4,5,7,8,10,11}
Pitch Class Mapping: 3507 (Hex DB3, Binary 110110110011)
A Study of Scales (Ian Ring) Index: 3507
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maptyllic
Mode 3 of: Aeraptyllic
Mode 4 of: Algerian
Mode 5 of:
Mode 6 of: Phrylyllic
Mode 7 of: Epigyllic
Mode 8 of: Molyllic
The name I use for this scale comes from: Scala name, abbreviated by Clint
Scala name: Maqam Hijaz (Hedjaz)
Piano Encyclopedia name: Makam Hijaz [Iraqian]
Scale Omnibus name: Maqam Hijaz [Iraq]
Maqam Shadd'araban
Scale steps in semitones: 1–2–1–1–1–3–1–2
Scale degrees:
in semitones: 0–1–3–4–5–6–9–10–12
intervals: 1–m2–m3–3–4–d5–6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ A A♯ c
C D♭ E♭ E F G♭ A B♭ c
All The Chords Name: Magyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,6,9,10}
Pitch Class Mapping: 1659 (Hex 67B, Binary 011001111011)
A Study of Scales (Ian Ring) Index: 1659
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrylyllic
Mode 3 of: Epigyllic
Mode 4 of: Molyllic
Mode 5 of: Maqam Hijaz
Mode 6 of: Maptyllic
Mode 7 of: Aeraptyllic
Mode 8 of: Algerian
The name I use for this scale comes from: Scala name
Scala names: Maqam Shadd'araban
Piano Encyclopedia names: Maqam Shadd'araban [Iraqian]
Scale Omnibus name: Maqam Shadd’araban [Iraq]
Messiaen Mode 4
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–3–1–1–1–3
Scale degrees:
in semitones: 0–1–2–3–6–7–8–9–12
intervals: 1–m2–2–m3–d5–5–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G G♯ A c
C D♭ D E♭ G♭ G A♭ A c
All The Chords Name: Katogyllic, 2imperfections
Pitch Class Set: {0,1,2,3,6,7,8,9}
Pitch Class Mapping: 975 (Hex 3CF, Binary 001111001111)
A Study of Scales (Ian Ring) Index: 975
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Tcherepnin Octatonic Mode 2
Mode 3 of: Tcherepnin Octatonic Mode 1
Mode 4 of: Messiaen Mode 4 Inverse
Mode 5 of: Messiaen Mode 4
Mode 6 of: Tcherepnin Octatonic Mode 2
Mode 7 of: Tcherepnin Octatonic Mode 1
Mode 8 of: Messiaen Mode 4 Inverse
The name I use for this scale comes from: Scala name
Scala names: Messiaen mode 4, Tcherepnin Octatonic mode 3
Messiaen Mode 4 Inverse
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–3–1–1–1
Scale degrees:
in semitones: 0–3–4–5–6–9–10–11–12
intervals: 1–m3–3–4–d5–6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ A A♯ B c
C E♭ E F G♭ A B♭ B c
All The Chords Name: Sydyllic, 2imperfections
Pitch Class Set: {0,3,4,5,6,9,10,11}
Pitch Class Mapping: 3705 (Hex E79, Binary 111001111001)
A Study of Scales (Ian Ring) Index: 3705
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Messiaen Mode 4
Mode 3 of: Tcherepnin Octatonic Mode 2
Mode 4 of: Tcherepnin Octatonic Mode 1
Mode 5 of: Messiaen Mode 4 Inverse
Mode 6 of: Messiaen Mode 4
Mode 7 of: Tcherepnin Octatonic Mode 2
Mode 8 of: Tcherepnin Octatonic Mode 1
The name I use for this scale comes from: Scala name
Scala names: Messiaen mode 4 inverse, Tcherepnin Octatonic mode 4
Piano Encyclopedia name: Messiaen mode 4 inverse
Scale Omnibus name: Messiaen 4th Mode Inverse
Messiaen Mode 6
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–1–1–2–2
Scale degrees:
in semitones: 0–1–2–4–6–7–8–10–12
intervals: 1–m2–2–3–d5–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G G♯ A♯ c
C D♭ D E G♭ G A♭ B♭ c
All The Chords Name: Epidyllic, 3imperfections
Pitch Class Set: {0,1,2,4,6,7,8,10}
Pitch Class Mapping: 1495 (Hex 5D7, Binary 010111010111)
A Study of Scales (Ian Ring) Index: 1495
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Van der Horst Octatonic
Mode 3 of: Messiaen Mode 6 Inverse
Mode 4 of: Epotyllic and Saptyllic
Mode 5 of: Messiaen Mode 6
Mode 6 of: Van der Horst Octatonic
Mode 7 of: Messiaen Mode 6 Inverse
Mode 8 of: Epotyllic and Saptyllic
The name I use for this scale comes from: Scala name
Scala name: Messiaen mode 6
Scale Omnibus name: Messiaen 6th Mode Inverse
Messiaen Mode 6 Inverse
Scale steps in semitones: 2–2–1–1–2–2–1–1
Scale degrees:
in semitones: 0–2–4–5–6–8–10–11–12
intervals: 1–2–3–4–d5–m6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F F♯ G♯ A♯ B c
C D E F G♭ A♭ B♭ B c
All The Chords Name: Roryllic, 3imperfections
Pitch Class Set: {0,2,4,5,6,8,10,11}
Pitch Class Mapping: 3445 (Hex D75, Binary 110101110101)
A Study of Scales (Ian Ring) Index: 3445
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epotyllic and Saptyllic
Mode 3 of: Messiaen Mode 6
Mode 4 of: Van der Horst Octatonic
Mode 5 of: Messiaen Mode 6 Inverse
Mode 6 of: Epotyllic and Saptyllic
Mode 7 of: Messiaen Mode 6
Mode 8 of: Van der Horst Octatonic
The name I use for this scale comes from: Scala name
Scala name: Messiaen mode 6 inverse
Piano Encyclopedia names: Messiaen mode 6; Messiaen mode 6 inverse
Scale Omnibus name: Messiaen 6th Mode
Tcherepnin Octatonic Mode 1
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–1–1–1–3–1–1
Scale degrees:
in semitones: 0–1–4–5–6–7–10–11–12
intervals: 1–m2–3–4–d5–5–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G A♯ B c
C D♭ E F G♭ G B♭ B c
All The Chords Name: Aeralyllic, 2imperfections
Pitch Class Set: {0,1,4,5,6,7,10,11}
Pitch Class Mapping: 3315 (Hex CF3, Binary 110011110011)
A Study of Scales (Ian Ring) Index: 3315
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Messiaen Mode 4 Inverse
Mode 3 of: Messiaen Mode 4
Mode 4 of: Tcherepnin Octatonic Mode 2
Mode 5 of: Tcherepnin Octatonic Mode 1
Mode 6 of: Messiaen Mode 4 Inverse
Mode 7 of: Messiaen Mode 4
Mode 8 of: Tcherepnin Octatonic Mode 2
The name I use for this scale comes from: Scala name
Scala name: Tcherepnin Octatonic mode 1
Tcherepnin Octatonic Mode 2
Scale steps in semitones: 1–1–3–1–1–1–3–1
Scale degrees:
in semitones: 0–1–2–5–6–7–8–11–12
intervals: 1–m2–2–4–d5–5–m6–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G G♯ B c
C D♭ D F G♭ G A♭ B c
All The Chords Name: Zygyllic, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,8,11}
Pitch Class Mapping: 2535 (Hex 9E7, Binary 100111100111)
A Study of Scales (Ian Ring) Index: 2535
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Tcherepnin Octatonic Mode 1
Mode 3 of: Messiaen Mode 4 Inverse
Mode 4 of: Messiaen Mode 4
Mode 5 of: Tcherepnin Octatonic Mode 2
Mode 6 of: Tcherepnin Octatonic Mode 1
Mode 7 of: Messiaen Mode 4 Inverse
Mode 8 of: Messiaen Mode 4
The name I use for this scale comes from: Scala name
Scala name: Tcherepnin Octatonic mode 2
Piano Encyclopedia names: Messiaen mode 4; Messiaen mode 5
Scale Omnibus name: Messiaen 4th Mode
Phrygian/Aeolian Mixed
Scale steps in semitones: 1–1–1–2–2–1–2–2
Scale degrees:
in semitones: 0–1–2–3–5–7–8–10–12
intervals: 1–m2–2–m3–4–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G G♯ A♯ c
C D♭ D E♭ F G A♭ B♭ c
All The Chords Name: Soryllic, 1imperfections
Pitch Class Set: {0,1,2,3,5,7,8,10}
Pitch Class Mapping: 1455 (Hex 5AF, Binary 010110101111)
A Study of Scales (Ian Ring) Index: 1455
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Godyllic
Mode 3 of: Prokofiev
Mode 4 of: Genus Diatonicum
Mode 5 of: Raga Mukhari
Mode 6 of: Phrygian/Locrian Mixed
Mode 7 of: Ichikosucho
Mode 8 of: Bebop Minor
The name I use for this scale comes from: Scala name
Scala name: Phrygian/Aeolian mixed
Piano Encyclopedia name: Phrygian/Aeolian mixed
Scale Omnibus names: Phrygian Aeolian b4; Phrygian Aeolian Mixed
Phrygian/Locrian Mixed
Scale steps in semitones: 1–2–2–1–1–1–2–2
Scale degrees:
in semitones: 0–1–3–5–6–7–8–10–12
intervals: 1–m2–m3–4–d5–5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G G♯ A♯ c
C D♭ E♭ F G♭ G A♭ B♭ c
All The Chords Name: Solyllic, 1imperfections
Pitch Class Set: {0,1,3,5,6,7,8,10}
Pitch Class Mapping: 1515 (Hex 5EB, Binary 010111101011)
A Study of Scales (Ian Ring) Index: 1515
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ichikosucho
Mode 3 of: Bebop Minor
Mode 4 of: Phrygian/Aeolian Mixed
Mode 5 of: Godyllic
Mode 6 of: Prokofiev
Mode 7 of: Genus Diatonicum
Mode 8 of: Raga Mukhari
The name I use for this scale comes from: Scala name
Scala name: Phrygian/Locrian mixed
Piano Encyclopedia name: Phrygian/Locrian mixed
Scale Omnibus names: Bebop Locrian; Phrygian Locrian
Hamel
Scale steps in semitones: 1–2–2–2–1–2–1–1
Scale degrees:
in semitones: 0–1–3–5–7–8–10–11–12
intervals: 1–m2–m3–4–5–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G G♯ A♯ B c
C D♭ E♭ F G A♭ B♭ B c
All The Chords Name: Lythyllic, 2imperfections
Pitch Class Set: {0,1,3,5,7,8,10,11}
Pitch Class Mapping: 3499 (Hex DAB, Binary 110110101011)
A Study of Scales (Ian Ring) Index: 3499
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rocryllic
Mode 3 of: Zyryllic
Mode 4 of: Sagyllic
Mode 5 of: Eight Tone Spanish
Mode 6 of: Katagyllic
Mode 7 of: Adonai Malakh
Mode 8 of: Gothyllic
The name I use for this scale comes from: Scala name
Scala name: Hamel
Piano Encyclopedia name: Gregorian no.3 [Church]
Scale Omnibus names: Gregorian 3; Hamel
Van der Horst Octatonic
Scale steps in semitones: 1–2–2–1–1–2–2–1
Scale degrees:
in semitones: 0–1–3–5–6–7–9–11–12
intervals: 1–m2–m3–4–d5–5–6–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G A B c
C D♭ E♭ F G♭ G A B c
All The Chords Name: Kaptyllic, 3imperfections
Pitch Class Set: {0,1,3,5,6,7,9,11}
Pitch Class Mapping: 2795 (Hex AEB, Binary 101011101011)
A Study of Scales (Ian Ring) Index: 2795
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Messiaen Mode 6 Inverse
Mode 3 of: Epotyllic and Saptyllic
Mode 4 of: Messiaen Mode 6
Mode 5 of: Van der Horst Octatonic
Mode 6 of: Messiaen Mode 6 Inverse
Mode 7 of: Epotyllic and Saptyllic
Mode 8 of: Messiaen Mode 6
The name I use for this scale comes from: Scala name
Scala name: Van der Horst Octatonic
Piano Encyclopedia name: Van der Horst Octatonic [Dutch]
Scale Omnibus name: Van Der Host
Prokofiev
Scale steps in semitones: 1–2–2–1–2–2–1–1
Scale degrees:
in semitones: 0–1–3–5–6–8–10–11–12
intervals: 1–m2–m3–4–d5–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G♯ A♯ B c
C D♭ E♭ F G♭ A♭ B♭ B c
All The Chords Name: Epiphyllic, 1imperfections
Pitch Class Set: {0,1,3,5,6,8,10,11}
Pitch Class Mapping: 3435 (Hex D6B, Binary 110101101011)
A Study of Scales (Ian Ring) Index: 3435
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Genus Diatonicum
Mode 3 of: Raga Mukhari
Mode 4 of: Phrygian/Locrian Mixed
Mode 5 of: Ichikosucho
Mode 6 of: Bebop Minor
Mode 7 of: Phrygian/Aeolian Mixed
Mode 8 of: Godyllic
The name I use for this scale comes from: Scala name
Scala name: Prokofiev
Piano Encyclopedia name: Prokofiev
Scale Omnibus name: Prokofiev [Russia]
Shostakovich
Scale steps in semitones: 1–2–1–2–1–2–2–1
Scale degrees:
in semitones: 0–1–3–4–6–7–9–11–12
intervals: 1–m2–m3–3–d5–5–6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G A B c
C D♭ E♭ E G♭ G A B c
Pitch Class Set: {0,1,3,4,6,7,9,11}
Pitch Class Mapping: 2779 (Hex ADB, Binary 101011011011)
A Study of Scales (Ian Ring) Index: 2779
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 4 of: Zirafkend
The name I use for this scale comes from: Scala name
Scala name: Shostakovich
Piano Encyclopedia name: Shostakovich [Russian]
Scale Omnibus name: Shostakovich [Russia]
JG Octatonic
Scale steps in semitones: 1–2–1–1–2–2–1–2
Scale degrees:
in semitones: 0–1–3–4–5–7–9–10–12
intervals: 1–m2–m3–3–4–5–6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G A A♯ c
C D♭ E♭ E F G A B♭ c
All The Chords Name: Poryllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,7,9,10}
Pitch Class Mapping: 1723 (Hex 6BB, Binary 011010111011)
A Study of Scales (Ian Ring) Index: 1723
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mocryllic
Mode 3 of: Aeolyryllic
Mode 4 of: Baryllic
Mode 5 of: Stogyllic
Mode 6 of: Ionidyllic
Mode 7 of: Stonyllic
Mode 8 of: Stalyllic
The name I use for this scale comes from: Scala name
Scala name: JG Octatonic
Scale Omnibus name: LG Octatonic
Blues V
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–1–1–3–1–1
Scale degrees:
in semitones: 0–3–4–5–6–7–10–11–12
intervals: 1–m3–3–4–d5–5–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G A♯ B c
C E♭ E F G♭ G B♭ B c
All The Chords Name: Epagyllic, 2imperfections
Pitch Class Set: {0,3,4,5,6,7,10,11}
Pitch Class Mapping: 3321 (Hex CF9, Binary 110011111001)
A Study of Scales (Ian Ring) Index: 3321
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gaptyllic
Mode 3 of: Aeroptyllic
Mode 4 of: Mylyllic
Mode 5 of: Galyllic
Mode 6 of: Kalyllic
Mode 7 of: Ionodyllic
Mode 8 of: Raga Ramkali
The name I use for this scale comes from: Piano Encyclopedia / Simon Parker
Piano Encyclopedia name: Blues V [African]
Godyllic
Scale steps in semitones: 1–1–2–2–1–2–2–1
Scale degrees:
in semitones: 0–1–2–4–6–7–9–11–12
intervals: 1–m2–2–3–d5–5–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G A B c
C D♭ D E G♭ G A B c
All The Chords Name: Godyllic, 1imperfections
Pitch Class Set: {0,1,2,4,6,7,9,11}
Pitch Class Mapping: 2775 (Hex AD7, Binary 101011010111)
A Study of Scales (Ian Ring) Index: 2775
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Prokofiev
Mode 3 of: Genus Diatonicum
Mode 4 of: Raga Mukhari
Mode 5 of: Phrygian/Locrian Mixed
Mode 6 of: Ichikosucho
Mode 7 of: Bebop Minor
Mode 8 of: Phrygian/Aeolian Mixed
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gycryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–1–2–2–1
Scale degrees:
in semitones: 0–2–3–4–6–7–9–11–12
intervals: 1–2–m3–3–d5–5–6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G A B c
C D E♭ E G♭ G A B c
All The Chords Name: Gycryllic, 2imperfections
Pitch Class Set: {0,2,3,4,6,7,9,11}
Pitch Class Mapping: 2781 (Hex ADD, Binary 101011011101)
A Study of Scales (Ian Ring) Index: 2781
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lyryllic
Mode 3 of: Magen Abot 2
Mode 4 of: Maqam Nahawand
Mode 5 of: Moptyllic
Mode 6 of: Bebop Major
Mode 7 of: Blues 8-Tone
Mode 8 of: Spanish Phrygian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lyryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–2–2–1–2
Scale degrees:
in semitones: 0–1–2–4–5–7–9–10–12
intervals: 1–m2–2–3–4–5–6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F G A A♯ c
C D♭ D E F G A B♭ c
All The Chords Name: Lyryllic, 2imperfections
Pitch Class Set: {0,1,2,4,5,7,9,10}
Pitch Class Mapping: 1719 (Hex 6B7, Binary 011010110111)
A Study of Scales (Ian Ring) Index: 1719
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Magen Abot 2
Mode 3 of: Maqam Nahawand
Mode 4 of: Moptyllic
Mode 5 of: Bebop Major
Mode 6 of: Blues 8-Tone
Mode 7 of: Spanish Phrygian
Mode 8 of: Gycryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Moptyllic
Scale steps in semitones: 1–2–2–1–2–1–1–2
Scale degrees:
in semitones: 0–1–3–5–6–8–9–10–12
intervals: 1–m2–m3–4–d5–m6–6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G♯ A A♯ c
C D♭ E♭ F G♭ A♭ A B♭ c
All The Chords Name: Moptyllic, 2imperfections
Pitch Class Set: {0,1,3,5,6,8,9,10}
Pitch Class Mapping: 1899 (Hex 76B, Binary 011101101011)
A Study of Scales (Ian Ring) Index: 1899
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bebop Major
Mode 3 of: Blues 8-Tone
Mode 4 of: Spanish Phrygian
Mode 5 of: Gycryllic
Mode 6 of: Lyryllic
Mode 7 of: Magen Abot 2
Mode 8 of: Maqam Nahawand
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionocryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–1–1–1–2–1
Scale degrees:
in semitones: 0–2–4–6–7–8–9–11–12
intervals: 1–2–3–d5–5–m6–6–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G G♯ A B c
C D E G♭ G A♭ A B c
All The Chords Name: Ionocryllic, 2imperfections
Pitch Class Set: {0,2,4,6,7,8,9,11}
Pitch Class Mapping: 3029 (Hex BD5, Binary 101111010101)
A Study of Scales (Ian Ring) Index: 3029
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gocryllic
Mode 3 of: Epiryllic
Mode 4 of: Aeradyllic
Mode 5 of: Staptyllic
Mode 6 of: Magen Abot 1
Mode 7 of: Raga Mian Ki Malhar
Mode 8 of: Epocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gocryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–1–2–1–2
Scale degrees:
in semitones: 0–2–4–5–6–7–9–10–12
intervals: 1–2–3–4–d5–5–6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F F♯ G A A♯ c
C D E F G♭ G A B♭ c
All The Chords Name: Gocryllic, 2imperfections
Pitch Class Set: {0,2,4,5,6,7,9,10}
Pitch Class Mapping: 1781 (Hex 6F5, Binary 011011110101)
A Study of Scales (Ian Ring) Index: 1781
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epiryllic
Mode 3 of: Aeradyllic
Mode 4 of: Staptyllic
Mode 5 of: Magen Abot 1
Mode 6 of: Raga Mian Ki Malhar
Mode 7 of: Epocryllic
Mode 8 of: Ionocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epiryllic
Scale steps in semitones: 2–1–1–1–2–1–2–2
Scale degrees:
in semitones: 0–2–3–4–5–7–8–10–12
intervals: 1–2–m3–3–4–5–m6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F G G♯ A♯ c
C D E♭ E F G A♭ B♭ c
All The Chords Name: Epiryllic, 2imperfections
Pitch Class Set: {0,2,3,4,5,7,8,10}
Pitch Class Mapping: 1469 (Hex 5BD, Binary 010110111101)
A Study of Scales (Ian Ring) Index: 1469
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeradyllic
Mode 3 of: Staptyllic
Mode 4 of: Magen Abot 1
Mode 5 of: Raga Mian Ki Malhar
Mode 6 of: Epocryllic
Mode 7 of: Ionocryllic
Mode 8 of: Gocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeradyllic
Scale steps in semitones: 1–1–1–2–1–2–2–2
Scale degrees:
in semitones: 0–1–2–3–5–6–8–10–12
intervals: 1–m2–2–m3–4–d5–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ G♯ A♯ c
C D♭ D E♭ F G♭ A♭ B♭ c
All The Chords Name: Aeradyllic, 2imperfections
Pitch Class Set: {0,1,2,3,5,6,8,10}
Pitch Class Mapping: 1391 (Hex 56F, Binary 010101101111)
A Study of Scales (Ian Ring) Index: 1391
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Staptyllic
Mode 3 of: Magen Abot 1
Mode 4 of: Raga Mian Ki Malhar
Mode 5 of: Epocryllic
Mode 6 of: Ionocryllic
Mode 7 of: Gocryllic
Mode 8 of: Epiryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Staptyllic
Scale steps in semitones: 1–1–2–1–2–2–2–1
Scale degrees:
in semitones: 0–1–2–4–5–7–9–11–12
intervals: 1–m2–2–3–4–5–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F G A B c
C D♭ D E F G A B c
All The Chords Name: Staptyllic, 2imperfections
Pitch Class Set: {0,1,2,4,5,7,9,11}
Pitch Class Mapping: 2743 (Hex AB7, Binary 101010110111)
A Study of Scales (Ian Ring) Index: 2743
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Magen Abot 1
Mode 3 of: Raga Mian Ki Malhar
Mode 4 of: Epocryllic
Mode 5 of: Ionocryllic
Mode 6 of: Gocryllic
Mode 7 of: Epiryllic
Mode 8 of: Aeradyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epocryllic
Scale steps in semitones: 1–2–2–2–1–1–1–2
Scale degrees:
in semitones: 0–1–3–5–7–8–9–10–12
intervals: 1–m2–m3–4–5–m6–6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F G G♯ A A♯ c
C D♭ E♭ F G A♭ A B♭ c
All The Chords Name: Epocryllic, 2imperfections
Pitch Class Set: {0,1,3,5,7,8,9,10}
Pitch Class Mapping: 1963 (Hex 7AB, Binary 011110101011)
A Study of Scales (Ian Ring) Index: 1963
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionocryllic
Mode 3 of: Gocryllic
Mode 4 of: Epiryllic
Mode 5 of: Aeradyllic
Mode 6 of: Staptyllic
Mode 7 of: Magen Abot 1
Mode 8 of: Raga Mian Ki Malhar
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rocryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–1–2–1–1–1
Scale degrees:
in semitones: 0–2–4–6–7–9–10–11–12
intervals: 1–2–3–d5–5–6–m7–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G A A♯ B c
C D E G♭ G A B♭ B c
All The Chords Name: Rocryllic, 2imperfections
Pitch Class Set: {0,2,4,6,7,9,10,11}
Pitch Class Mapping: 3797 (Hex ED5, Binary 111011010101)
A Study of Scales (Ian Ring) Index: 3797
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zyryllic
Mode 3 of: Sagyllic
Mode 4 of: Eight Tone Spanish
Mode 5 of: Katagyllic
Mode 6 of: Adonai Malakh
Mode 7 of: Gothyllic
Mode 8 of: Hamel
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zyryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–2–1–1–1–2
Scale degrees:
in semitones: 0–2–4–5–7–8–9–10–12
intervals: 1–2–3–4–5–m6–6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F G G♯ A A♯ c
C D E F G A♭ A B♭ c
All The Chords Name: Zyryllic, 2imperfections
Pitch Class Set: {0,2,4,5,7,8,9,10}
Pitch Class Mapping: 1973 (Hex 7B5, Binary 011110110101)
A Study of Scales (Ian Ring) Index: 1973
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sagyllic
Mode 3 of: Eight Tone Spanish
Mode 4 of: Katagyllic
Mode 5 of: Adonai Malakh
Mode 6 of: Gothyllic
Mode 7 of: Hamel
Mode 8 of: Rocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sagyllic
Scale steps in semitones: 2–1–2–1–1–1–2–2
Scale degrees:
in semitones: 0–2–3–5–6–7–8–10–12
intervals: 1–2–m3–4–d5–5–m6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G G♯ A♯ c
C D E♭ F G♭ G A♭ B♭ c
All The Chords Name: Sagyllic, 2imperfections
Pitch Class Set: {0,2,3,5,6,7,8,10}
Pitch Class Mapping: 1517 (Hex 5ED, Binary 010111101101)
A Study of Scales (Ian Ring) Index: 1517
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Eight Tone Spanish
Mode 3 of: Katagyllic
Mode 4 of: Adonai Malakh
Mode 5 of: Gothyllic
Mode 6 of: Hamel
Mode 7 of: Rocryllic
Mode 8 of: Zyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katagyllic
Scale steps in semitones: 2–1–1–1–2–2–2–1
Scale degrees:
in semitones: 0–2–3–4–5–7–9–11–12
intervals: 1–2–m3–3–4–5–6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F G A B c
C D E♭ E F G A B c
All The Chords Name: Katagyllic, 2imperfections
Pitch Class Set: {0,2,3,4,5,7,9,11}
Pitch Class Mapping: 2749 (Hex ABD, Binary 101010111101)
A Study of Scales (Ian Ring) Index: 2749
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Adonai Malakh
Mode 3 of: Gothyllic
Mode 4 of: Hamel
Mode 5 of: Rocryllic
Mode 6 of: Zyryllic
Mode 7 of: Sagyllic
Mode 8 of: Eight Tone Spanish
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gothyllic
Scale steps in semitones: 1–1–2–2–2–1–2–1
Scale degrees:
in semitones: 0–1–2–4–6–8–9–11–12
intervals: 1–m2–2–3–d5–m6–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G♯ A B c
C D♭ D E G♭ A♭ A B c
All The Chords Name: Gothyllic, 2imperfections
Pitch Class Set: {0,1,2,4,6,8,9,11}
Pitch Class Mapping: 2903 (Hex B57, Binary 101101010111)
A Study of Scales (Ian Ring) Index: 2903
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Hamel
Mode 3 of: Rocryllic
Mode 4 of: Zyryllic
Mode 5 of: Sagyllic
Mode 6 of: Eight Tone Spanish
Mode 7 of: Katagyllic
Mode 8 of: Adonai Malakh
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bacryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–2–2–1–1
Scale degrees:
in semitones: 0–3–4–5–6–8–10–11–12
intervals: 1–m3–3–4–d5–m6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G♯ A♯ B c
C E♭ E F G♭ A♭ B♭ B c
All The Chords Name: Bacryllic, 2imperfections
Pitch Class Set: {0,3,4,5,6,8,10,11}
Pitch Class Mapping: 3449 (Hex D79, Binary 110101111001)
A Study of Scales (Ian Ring) Index: 3449
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerygyllic
Mode 3 of: Dathyllic
Mode 4 of: Boptyllic
Mode 5 of: Bagyllic
Mode 6 of: Mathyllic
Mode 7 of: Styptyllic
Mode 8 of: Raga Bhatiyar
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerygyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–2–1–1–3
Scale degrees:
in semitones: 0–1–2–3–5–7–8–9–12
intervals: 1–m2–2–m3–4–5–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ F G G♯ A c
C D♭ D E♭ F G A♭ A c
All The Chords Name: Aerygyllic, 2imperfections
Pitch Class Set: {0,1,2,3,5,7,8,9}
Pitch Class Mapping: 943 (Hex 3AF, Binary 001110101111)
A Study of Scales (Ian Ring) Index: 943
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dathyllic
Mode 3 of: Boptyllic
Mode 4 of: Bagyllic
Mode 5 of: Mathyllic
Mode 6 of: Styptyllic
Mode 7 of: Raga Bhatiyar
Mode 8 of: Bacryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dathyllic
Scale steps in semitones: 1–1–2–2–1–1–3–1
Scale degrees:
in semitones: 0–1–2–4–6–7–8–11–12
intervals: 1–m2–2–3–d5–5–m6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G G♯ B c
C D♭ D E G♭ G A♭ B c
All The Chords Name: Dathyllic, 2imperfections
Pitch Class Set: {0,1,2,4,6,7,8,11}
Pitch Class Mapping: 2519 (Hex 9D7, Binary 100111010111)
A Study of Scales (Ian Ring) Index: 2519
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Boptyllic
Mode 3 of: Bagyllic
Mode 4 of: Mathyllic
Mode 5 of: Styptyllic
Mode 6 of: Raga Bhatiyar
Mode 7 of: Bacryllic
Mode 8 of: Aerygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Boptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–1–1–3–1–1
Scale degrees:
in semitones: 0–1–3–5–6–7–10–11–12
intervals: 1–m2–m3–4–d5–5–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G A♯ B c
C D♭ E♭ F G♭ G B♭ B c
All The Chords Name: Boptyllic, 2imperfections
Pitch Class Set: {0,1,3,5,6,7,10,11}
Pitch Class Mapping: 3307 (Hex CEB, Binary 110011101011)
A Study of Scales (Ian Ring) Index: 3307
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bagyllic
Mode 3 of: Mathyllic
Mode 4 of: Styptyllic
Mode 5 of: Raga Bhatiyar
Mode 6 of: Bacryllic
Mode 7 of: Aerygyllic
Mode 8 of: Dathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bagyllic
Scale steps in semitones: 2–2–1–1–3–1–1–1
Scale degrees:
in semitones: 0–2–4–5–6–9–10–11–12
intervals: 1–2–3–4–d5–6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F F♯ A A♯ B c
C D E F G♭ A B♭ B c
All The Chords Name: Bagyllic, 2imperfections
Pitch Class Set: {0,2,4,5,6,9,10,11}
Pitch Class Mapping: 3701 (Hex E75, Binary 111001110101)
A Study of Scales (Ian Ring) Index: 3701
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mathyllic
Mode 3 of: Styptyllic
Mode 4 of: Raga Bhatiyar
Mode 5 of: Bacryllic
Mode 6 of: Aerygyllic
Mode 7 of: Dathyllic
Mode 8 of: Boptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mathyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–1–1–1–2
Scale degrees:
in semitones: 0–2–3–4–7–8–9–10–12
intervals: 1–2–m3–3–5–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E G G♯ A A♯ c
C D E♭ E G A♭ A B♭ c
All The Chords Name: Mathyllic, 2imperfections
Pitch Class Set: {0,2,3,4,7,8,9,10}
Pitch Class Mapping: 1949 (Hex 79D, Binary 011110011101)
A Study of Scales (Ian Ring) Index: 1949
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Styptyllic
Mode 3 of: Raga Bhatiyar
Mode 4 of: Bacryllic
Mode 5 of: Aerygyllic
Mode 6 of: Dathyllic
Mode 7 of: Boptyllic
Mode 8 of: Bagyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Styptyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–1–1–2–2
Scale degrees:
in semitones: 0–1–2–5–6–7–8–10–12
intervals: 1–m2–2–4–d5–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G G♯ A♯ c
C D♭ D F G♭ G A♭ B♭ c
All The Chords Name: Styptyllic, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,8,10}
Pitch Class Mapping: 1511 (Hex 5E7, Binary 010111100111)
A Study of Scales (Ian Ring) Index: 1511
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Bhatiyar
Mode 3 of: Bacryllic
Mode 4 of: Aerygyllic
Mode 5 of: Dathyllic
Mode 6 of: Boptyllic
Mode 7 of: Bagyllic
Mode 8 of: Mathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dagyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–1–1–1–2
Scale degrees:
in semitones: 0–3–4–5–7–8–9–10–12
intervals: 1–m3–3–4–5–m6–6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F G G♯ A A♯ c
C E♭ E F G A♭ A B♭ c
All The Chords Name: Dagyllic, 2imperfections
Pitch Class Set: {0,3,4,5,7,8,9,10}
Pitch Class Mapping: 1977 (Hex 7B9, Binary 011110111001)
A Study of Scales (Ian Ring) Index: 1977
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katalyllic
Mode 3 of: Katoryllic
Mode 4 of: Dodyllic
Mode 5 of: Zogyllic
Mode 6 of: Madyllic
Mode 7 of: Neveseri
Mode 8 of: Aeologyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katalyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–1–1–2–3
Scale degrees:
in semitones: 0–1–2–4–5–6–7–9–12
intervals: 1–m2–2–3–4–d5–5–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F F♯ G A c
C D♭ D E F G♭ G A c
All The Chords Name: Katalyllic, 2imperfections
Pitch Class Set: {0,1,2,4,5,6,7,9}
Pitch Class Mapping: 759 (Hex 2F7, Binary 001011110111)
A Study of Scales (Ian Ring) Index: 759
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katoryllic
Mode 3 of: Dodyllic
Mode 4 of: Zogyllic
Mode 5 of: Madyllic
Mode 6 of: Neveseri
Mode 7 of: Aeologyllic
Mode 8 of: Dagyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katoryllic
Scale steps in semitones: 1–2–1–1–1–2–3–1
Scale degrees:
in semitones: 0–1–3–4–5–6–8–11–12
intervals: 1–m2–m3–3–4–d5–m6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ G♯ B c
C D♭ E♭ E F G♭ A♭ B c
All The Chords Name: Katoryllic, 2imperfections
Pitch Class Set: {0,1,3,4,5,6,8,11}
Pitch Class Mapping: 2427 (Hex 97B, Binary 100101111011)
A Study of Scales (Ian Ring) Index: 2427
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dodyllic
Mode 3 of: Zogyllic
Mode 4 of: Madyllic
Mode 5 of: Neveseri
Mode 6 of: Aeologyllic
Mode 7 of: Dagyllic
Mode 8 of: Katalyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dodyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–2–3–1–1
Scale degrees:
in semitones: 0–2–3–4–5–7–10–11–12
intervals: 1–2–m3–3–4–5–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F G A♯ B c
C D E♭ E F G B♭ B c
All The Chords Name: Dodyllic, 2imperfections
Pitch Class Set: {0,2,3,4,5,7,10,11}
Pitch Class Mapping: 3261 (Hex CBD, Binary 110010111101)
A Study of Scales (Ian Ring) Index: 3261
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zogyllic
Mode 3 of: Madyllic
Mode 4 of: Neveseri
Mode 5 of: Aeologyllic
Mode 6 of: Dagyllic
Mode 7 of: Katalyllic
Mode 8 of: Katoryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zogyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–3–1–1–2
Scale degrees:
in semitones: 0–1–2–3–5–8–9–10–12
intervals: 1–m2–2–m3–4–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G♯ A A♯ c
C D♭ D E♭ F A♭ A B♭ c
All The Chords Name: Zogyllic, 2imperfections
Pitch Class Set: {0,1,2,3,5,8,9,10}
Pitch Class Mapping: 1839 (Hex 72F, Binary 011100101111)
A Study of Scales (Ian Ring) Index: 1839
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Madyllic
Mode 3 of: Neveseri
Mode 4 of: Aeologyllic
Mode 5 of: Dagyllic
Mode 6 of: Katalyllic
Mode 7 of: Katoryllic
Mode 8 of: Dodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Madyllic
Scale steps in semitones: 1–1–2–3–1–1–2–1
Scale degrees:
in semitones: 0–1–2–4–7–8–9–11–12
intervals: 1–m2–2–3–5–m6–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E G G♯ A B c
C D♭ D E G A♭ A B c
All The Chords Name: Madyllic, 2imperfections
Pitch Class Set: {0,1,2,4,7,8,9,11}
Pitch Class Mapping: 2967 (Hex B97, Binary 101110010111)
A Study of Scales (Ian Ring) Index: 2967
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Neveseri
Mode 3 of: Aeologyllic
Mode 4 of: Dagyllic
Mode 5 of: Katalyllic
Mode 6 of: Katoryllic
Mode 7 of: Dodyllic
Mode 8 of: Zogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeologyllic
Scale steps in semitones: 2–3–1–1–2–1–1–1
Scale degrees:
in semitones: 0–2–5–6–7–9–10–11–12
intervals: 1–2–4–d5–5–6–m7–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D F F♯ G A A♯ B c
C D F G♭ G A B♭ B c
All The Chords Name: Aeologyllic, 2imperfections
Pitch Class Set: {0,2,5,6,7,9,10,11}
Pitch Class Mapping: 3813 (Hex EE5, Binary 111011100101)
A Study of Scales (Ian Ring) Index: 3813
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dagyllic
Mode 3 of: Katalyllic
Mode 4 of: Katoryllic
Mode 5 of: Dodyllic
Mode 6 of: Zogyllic
Mode 7 of: Madyllic
Mode 8 of: Neveseri
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dydyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–1–2–1–1
Scale degrees:
in semitones: 0–3–4–5–7–8–10–11–12
intervals: 1–m3–3–4–5–m6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G G♯ A♯ B c
C E♭ E F G A♭ B♭ B c
All The Chords Name: Dydyllic, 2imperfections
Pitch Class Set: {0,3,4,5,7,8,10,11}
Pitch Class Mapping: 3513 (Hex DB9, Binary 110110111001)
A Study of Scales (Ian Ring) Index: 3513
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thogyllic
Mode 3 of: Rygyllic
Mode 4 of: Bycryllic
Mode 5 of: Zacryllic
Mode 6 of: Panyllic
Mode 7 of: Dyryllic
Mode 8 of: Zathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thogyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–2–1–1–3
Scale degrees:
in semitones: 0–1–2–4–5–7–8–9–12
intervals: 1–m2–2–3–4–5–m6–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F G G♯ A c
C D♭ D E F G A♭ A c
All The Chords Name: Thogyllic, 2imperfections
Pitch Class Set: {0,1,2,4,5,7,8,9}
Pitch Class Mapping: 951 (Hex 3B7, Binary 001110110111)
A Study of Scales (Ian Ring) Index: 951
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rygyllic
Mode 3 of: Bycryllic
Mode 4 of: Zacryllic
Mode 5 of: Panyllic
Mode 6 of: Dyryllic
Mode 7 of: Zathyllic
Mode 8 of: Dydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rygyllic
Scale steps in semitones: 1–2–1–2–1–1–3–1
Scale degrees:
in semitones: 0–1–3–4–6–7–8–11–12
intervals: 1–m2–m3–3–d5–5–m6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G G♯ B c
C D♭ E♭ E G♭ G A♭ B c
All The Chords Name: Rygyllic, 2imperfections
Pitch Class Set: {0,1,3,4,6,7,8,11}
Pitch Class Mapping: 2523 (Hex 9DB, Binary 100111011011)
A Study of Scales (Ian Ring) Index: 2523
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bycryllic
Mode 3 of: Zacryllic
Mode 4 of: Panyllic
Mode 5 of: Dyryllic
Mode 6 of: Zathyllic
Mode 7 of: Dydyllic
Mode 8 of: Thogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bycryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–1–1–3–1–1
Scale degrees:
in semitones: 0–2–3–5–6–7–10–11–12
intervals: 1–2–m3–4–d5–5–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G A♯ B c
C D E♭ F G♭ G B♭ B c
All The Chords Name: Bycryllic, 2imperfections
Pitch Class Set: {0,2,3,5,6,7,10,11}
Pitch Class Mapping: 3309 (Hex CED, Binary 110011101101)
A Study of Scales (Ian Ring) Index: 3309
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zacryllic
Mode 3 of: Panyllic
Mode 4 of: Dyryllic
Mode 5 of: Zathyllic
Mode 6 of: Dydyllic
Mode 7 of: Thogyllic
Mode 8 of: Rygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zacryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–3–1–1–2
Scale degrees:
in semitones: 0–1–3–4–5–8–9–10–12
intervals: 1–m2–m3–3–4–m6–6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G♯ A A♯ c
C D♭ E♭ E F A♭ A B♭ c
All The Chords Name: Zacryllic, 2imperfections
Pitch Class Set: {0,1,3,4,5,8,9,10}
Pitch Class Mapping: 1851 (Hex 73B, Binary 011100111011)
A Study of Scales (Ian Ring) Index: 1851
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Panyllic
Mode 3 of: Dyryllic
Mode 4 of: Zathyllic
Mode 5 of: Dydyllic
Mode 6 of: Thogyllic
Mode 7 of: Rygyllic
Mode 8 of: Bycryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Panyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–1–1–2–1
Scale degrees:
in semitones: 0–2–3–4–7–8–9–11–12
intervals: 1–2–m3–3–5–m6–6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E G G♯ A B c
C D E♭ E G A♭ A B c
All The Chords Name: Panyllic, 2imperfections
Pitch Class Set: {0,2,3,4,7,8,9,11}
Pitch Class Mapping: 2973 (Hex B9D, Binary 101110011101)
A Study of Scales (Ian Ring) Index: 2973
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dyryllic
Mode 3 of: Zathyllic
Mode 4 of: Dydyllic
Mode 5 of: Thogyllic
Mode 6 of: Rygyllic
Mode 7 of: Bycryllic
Mode 8 of: Zacryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dyryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–1–2–1–2
Scale degrees:
in semitones: 0–1–2–5–6–7–9–10–12
intervals: 1–m2–2–4–d5–5–6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G A A♯ c
C D♭ D F G♭ G A B♭ c
All The Chords Name: Dyryllic, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,9,10}
Pitch Class Mapping: 1767 (Hex 6E7, Binary 011011100111)
A Study of Scales (Ian Ring) Index: 1767
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zathyllic
Mode 3 of: Dydyllic
Mode 4 of: Thogyllic
Mode 5 of: Rygyllic
Mode 6 of: Bycryllic
Mode 7 of: Zacryllic
Mode 8 of: Panyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zathyllic
Scale steps in semitones: 1–3–1–1–2–1–2–1
Scale degrees:
in semitones: 0–1–4–5–6–8–9–11–12
intervals: 1–m2–3–4–d5–m6–6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G♯ A B c
C D♭ E F G♭ A♭ A B c
All The Chords Name: Zathyllic, 2imperfections
Pitch Class Set: {0,1,4,5,6,8,9,11}
Pitch Class Mapping: 2931 (Hex B73, Binary 101101110011)
A Study of Scales (Ian Ring) Index: 2931
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dydyllic
Mode 3 of: Thogyllic
Mode 4 of: Rygyllic
Mode 5 of: Bycryllic
Mode 6 of: Zacryllic
Mode 7 of: Panyllic
Mode 8 of: Dyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Eponyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–2–1–1–1
Scale degrees:
in semitones: 0–3–4–5–7–9–10–11–12
intervals: 1–m3–3–4–5–6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G A A♯ B c
C E♭ E F G A B♭ B c
All The Chords Name: Eponyllic, 2imperfections
Pitch Class Set: {0,3,4,5,7,9,10,11}
Pitch Class Mapping: 3769 (Hex EB9, Binary 111010111001)
A Study of Scales (Ian Ring) Index: 3769
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thocryllic
Mode 3 of: Half-diminished Bebop
Mode 4 of: Katynyllic
Mode 5 of: Maryllic
Mode 6 of: Mothyllic
Mode 7 of: Mixothyllic
Mode 8 of:
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thocryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–1–1–1–3
Scale degrees:
in semitones: 0–1–2–4–6–7–8–9–12
intervals: 1–m2–2–3–d5–5–m6–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F♯ G G♯ A c
C D♭ D E G♭ G A♭ A c
All The Chords Name: Thocryllic, 2imperfections
Pitch Class Set: {0,1,2,4,6,7,8,9}
Pitch Class Mapping: 983 (Hex 3D7, Binary 001111010111)
A Study of Scales (Ian Ring) Index: 983
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Half-diminished Bebop
Mode 3 of: Katynyllic
Mode 4 of: Maryllic
Mode 5 of: Mothyllic
Mode 6 of: Mixothyllic
Mode 7 of:
Mode 8 of: Eponyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katynyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–2–1–1–1–3–1–1
Scale degrees:
in semitones: 0–2–4–5–6–7–10–11–12
intervals: 1–2–3–4–d5–5–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F F♯ G A♯ B c
C D E F G♭ G B♭ B c
All The Chords Name: Katynyllic, 2imperfections
Pitch Class Set: {0,2,4,5,6,7,10,11}
Pitch Class Mapping: 3317 (Hex CF5, Binary 110011110101)
A Study of Scales (Ian Ring) Index: 3317
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maryllic
Mode 3 of: Mothyllic
Mode 4 of: Mixothyllic
Mode 5 of:
Mode 6 of: Eponyllic
Mode 7 of: Thocryllic
Mode 8 of: Half-diminished Bebop
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Maryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–3–1–1–2
Scale degrees:
in semitones: 0–2–3–4–5–8–9–10–12
intervals: 1–2–m3–3–4–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F G♯ A A♯ c
C D E♭ E F A♭ A B♭ c
All The Chords Name: Maryllic, 2imperfections
Pitch Class Set: {0,2,3,4,5,8,9,10}
Pitch Class Mapping: 1853 (Hex 73D, Binary 011100111101)
A Study of Scales (Ian Ring) Index: 1853
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mothyllic
Mode 3 of: Mixothyllic
Mode 4 of:
Mode 5 of: Eponyllic
Mode 6 of: Thocryllic
Mode 7 of: Half-diminished Bebop
Mode 8 of: Katynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mothyllic
Scale steps in semitones: 1–1–1–3–1–1–2–2
Scale degrees:
in semitones: 0–1–2–3–6–7–8–10–12
intervals: 1–m2–2–m3–d5–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G G♯ A♯ c
C D♭ D E♭ G♭ G A♭ B♭ c
All The Chords Name: Mothyllic, 2imperfections
Pitch Class Set: {0,1,2,3,6,7,8,10}
Pitch Class Mapping: 1487 (Hex 5CF, Binary 010111001111)
A Study of Scales (Ian Ring) Index: 1487
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mixothyllic
Mode 3 of:
Mode 4 of: Eponyllic
Mode 5 of: Thocryllic
Mode 6 of: Half-diminished Bebop
Mode 7 of: Katynyllic
Mode 8 of: Maryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mixothyllic
Scale steps in semitones: 1–1–3–1–1–2–2–1
Scale degrees:
in semitones: 0–1–2–5–6–7–9–11–12
intervals: 1–m2–2–4–d5–5–6–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G A B c
C D♭ D F G♭ G A B c
All The Chords Name: Mixothyllic, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,9,11}
Pitch Class Mapping: 2791 (Hex AE7, Binary 101011100111)
A Study of Scales (Ian Ring) Index: 2791
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of:
Mode 3 of: Eponyllic
Mode 4 of: Thocryllic
Mode 5 of: Half-diminished Bebop
Mode 6 of: Katynyllic
Mode 7 of: Maryllic
Mode 8 of: Mothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kalyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–3–1–1–1–1
Scale degrees:
in semitones: 0–3–4–5–8–9–10–11–12
intervals: 1–m3–3–4–m6–6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G♯ A A♯ B c
C E♭ E F A♭ A B♭ B c
All The Chords Name: Kalyllic, 2imperfections
Pitch Class Set: {0,3,4,5,8,9,10,11}
Pitch Class Mapping: 3897 (Hex F39, Binary 111100111001)
A Study of Scales (Ian Ring) Index: 3897
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionodyllic
Mode 3 of: Raga Ramkali
Mode 4 of: Blues V
Mode 5 of: Gaptyllic
Mode 6 of: Aeroptyllic
Mode 7 of: Mylyllic
Mode 8 of: Galyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionodyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–1–1–1–3
Scale degrees:
in semitones: 0–1–2–5–6–7–8–9–12
intervals: 1–m2–2–4–d5–5–m6–6–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D F F♯ G G♯ A c
C D♭ D F G♭ G A♭ A c
All The Chords Name: Ionodyllic, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,8,9}
Pitch Class Mapping: 999 (Hex 3E7, Binary 001111100111)
A Study of Scales (Ian Ring) Index: 999
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Ramkali
Mode 3 of: Blues V
Mode 4 of: Gaptyllic
Mode 5 of: Aeroptyllic
Mode 6 of: Mylyllic
Mode 7 of: Galyllic
Mode 8 of: Kalyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gaptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–3–1–1–3
Scale degrees:
in semitones: 0–1–2–3–4–7–8–9–12
intervals: 1–m2–2–m3–3–5–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ E G G♯ A c
C D♭ D E♭ E G A♭ A c
All The Chords Name: Gaptyllic, 2imperfections
Pitch Class Set: {0,1,2,3,4,7,8,9}
Pitch Class Mapping: 927 (Hex 39F, Binary 001110011111)
A Study of Scales (Ian Ring) Index: 927
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeroptyllic
Mode 3 of: Mylyllic
Mode 4 of: Galyllic
Mode 5 of: Kalyllic
Mode 6 of: Ionodyllic
Mode 7 of: Raga Ramkali
Mode 8 of: Blues V
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeroptyllic
Scale steps in semitones: 1–1–1–3–1–1–3–1
Scale degrees:
in semitones: 0–1–2–3–6–7–8–11–12
intervals: 1–m2–2–m3–d5–5–m6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G G♯ B c
C D♭ D E♭ G♭ G A♭ B c
All The Chords Name: Aeroptyllic, 2imperfections
Pitch Class Set: {0,1,2,3,6,7,8,11}
Pitch Class Mapping: 2511 (Hex 9CF, Binary 100111001111)
A Study of Scales (Ian Ring) Index: 2511
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mylyllic
Mode 3 of: Galyllic
Mode 4 of: Kalyllic
Mode 5 of: Ionodyllic
Mode 6 of: Raga Ramkali
Mode 7 of: Blues V
Mode 8 of: Gaptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Hungarian Minor b2 [Hungary]
Mylyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–3–1–1–3–1–1
Scale degrees:
in semitones: 0–1–2–5–6–7–10–11–12
intervals: 1–m2–2–4–d5–5–m7–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G A♯ B c
C D♭ D F G♭ G B♭ B c
All The Chords Name: Mylyllic, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,10,11}
Pitch Class Mapping: 3303 (Hex CE7, Binary 110011100111)
A Study of Scales (Ian Ring) Index: 3303
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Galyllic
Mode 3 of: Kalyllic
Mode 4 of: Ionodyllic
Mode 5 of: Raga Ramkali
Mode 6 of: Blues V
Mode 7 of: Gaptyllic
Mode 8 of: Aeroptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Galyllic
Scale steps in semitones: 1–3–1–1–3–1–1–1
Scale degrees:
in semitones: 0–1–4–5–6–9–10–11–12
intervals: 1–m2–3–4–d5–6–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ A A♯ B c
C D♭ E F G♭ A B♭ B c
All The Chords Name: Galyllic, 2imperfections
Pitch Class Set: {0,1,4,5,6,9,10,11}
Pitch Class Mapping: 3699 (Hex E73, Binary 111001110011)
A Study of Scales (Ian Ring) Index: 3699
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kalyllic
Mode 3 of: Ionodyllic
Mode 4 of: Raga Ramkali
Mode 5 of: Blues V
Mode 6 of: Gaptyllic
Mode 7 of: Aeroptyllic
Mode 8 of: Mylyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Oriental 2 [China]
Pothyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–1–1–2–1–1
Scale degrees:
in semitones: 0–3–5–6–7–8–10–11–12
intervals: 1–m3–4–d5–5–m6–m7–7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F F♯ G G♯ A♯ B c
C E♭ F G♭ G A♭ B♭ B c
All The Chords Name: Pothyllic, 2imperfections
Pitch Class Set: {0,3,5,6,7,8,10,11}
Pitch Class Mapping: 3561 (Hex DE9, Binary 110111101001)
A Study of Scales (Ian Ring) Index: 3561
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phronyllic
Mode 3 of: Stynyllic
Mode 4 of: Rathyllic
Mode 5 of: Aeryptyllic
Mode 6 of: Anasazi-7
Mode 7 of: Katolyllic
Mode 8 of: Rythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phronyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–2–1–1–3
Scale degrees:
in semitones: 0–2–3–4–5–7–8–9–12
intervals: 1–2–m3–3–4–5–m6–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ E F G G♯ A c
C D E♭ E F G A♭ A c
All The Chords Name: Phronyllic, 2imperfections
Pitch Class Set: {0,2,3,4,5,7,8,9}
Pitch Class Mapping: 957 (Hex 3BD, Binary 001110111101)
A Study of Scales (Ian Ring) Index: 957
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stynyllic
Mode 3 of: Rathyllic
Mode 4 of: Aeryptyllic
Mode 5 of: Anasazi-7
Mode 6 of: Katolyllic
Mode 7 of: Rythyllic
Mode 8 of: Pothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stynyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–1–1–3–2
Scale degrees:
in semitones: 0–1–2–3–5–6–7–10–12
intervals: 1–m2–2–m3–4–d5–5–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ G A♯ c
C D♭ D E♭ F G♭ G B♭ c
All The Chords Name: Stynyllic, 2imperfections
Pitch Class Set: {0,1,2,3,5,6,7,10}
Pitch Class Mapping: 1263 (Hex 4EF, Binary 010011101111)
A Study of Scales (Ian Ring) Index: 1263
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rathyllic
Mode 3 of: Aeryptyllic
Mode 4 of: Anasazi-7
Mode 5 of: Katolyllic
Mode 6 of: Rythyllic
Mode 7 of: Pothyllic
Mode 8 of: Phronyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rathyllic
Scale steps in semitones: 1–1–2–1–1–3–2–1
Scale degrees:
in semitones: 0–1–2–4–5–6–9–11–12
intervals: 1–m2–2–3–4–d5–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F F♯ A B c
C D♭ D E F G♭ A B c
All The Chords Name: Rathyllic, 2imperfections
Pitch Class Set: {0,1,2,4,5,6,9,11}
Pitch Class Mapping: 2679 (Hex A77, Binary 101001110111)
A Study of Scales (Ian Ring) Index: 2679
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeryptyllic
Mode 3 of: Anasazi-7
Mode 4 of: Katolyllic
Mode 5 of: Rythyllic
Mode 6 of: Pothyllic
Mode 7 of: Phronyllic
Mode 8 of: Stynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeryptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–3–2–1–1
Scale degrees:
in semitones: 0–1–3–4–5–8–10–11–12
intervals: 1–m2–m3–3–4–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G♯ A♯ B c
C D♭ E♭ E F A♭ B♭ B c
All The Chords Name: Aeryptyllic, 2imperfections
Pitch Class Set: {0,1,3,4,5,8,10,11}
Pitch Class Mapping: 3387 (Hex D3B, Binary 110100111011)
A Study of Scales (Ian Ring) Index: 3387
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Anasazi-7
Mode 3 of: Katolyllic
Mode 4 of: Rythyllic
Mode 5 of: Pothyllic
Mode 6 of: Phronyllic
Mode 7 of: Stynyllic
Mode 8 of: Rathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katolyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–2–1–1–1–2
Scale degrees:
in semitones: 0–1–2–5–7–8–9–10–12
intervals: 1–m2–2–4–5–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F G G♯ A A♯ c
C D♭ D F G A♭ A B♭ c
All The Chords Name: Katolyllic, 2imperfections
Pitch Class Set: {0,1,2,5,7,8,9,10}
Pitch Class Mapping: 1959 (Hex 7A7, Binary 011110100111)
A Study of Scales (Ian Ring) Index: 1959
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rythyllic
Mode 3 of: Pothyllic
Mode 4 of: Phronyllic
Mode 5 of: Stynyllic
Mode 6 of: Rathyllic
Mode 7 of: Aeryptyllic
Mode 8 of: Anasazi-7
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rythyllic
Scale steps in semitones: 1–3–2–1–1–1–2–1
Scale degrees:
in semitones: 0–1–4–6–7–8–9–11–12
intervals: 1–m2–3–d5–5–m6–6–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G G♯ A B c
C D♭ E G♭ G A♭ A B c
All The Chords Name: Rythyllic, 2imperfections
Pitch Class Set: {0,1,4,6,7,8,9,11}
Pitch Class Mapping: 3027 (Hex BD3, Binary 101111010011)
A Study of Scales (Ian Ring) Index: 3027
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pothyllic
Mode 3 of: Phronyllic
Mode 4 of: Stynyllic
Mode 5 of: Rathyllic
Mode 6 of: Aeryptyllic
Mode 7 of: Anasazi-7
Mode 8 of: Katolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pynyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–1–1–2–1–1–1
Scale degrees:
in semitones: 0–4–5–6–7–9–10–11–12
intervals: 1–3–4–d5–5–6–m7–7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F F♯ G A A♯ B c
C E F G♭ G A B♭ B c
All The Chords Name: Pynyllic, 2imperfections
Pitch Class Set: {0,4,5,6,7,9,10,11}
Pitch Class Mapping: 3825 (Hex EF1, Binary 111011110001)
A Study of Scales (Ian Ring) Index: 3825
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bocryllic
Mode 3 of: Kogyllic
Mode 4 of: Raryllic
Mode 5 of: Zycryllic
Mode 6 of: Mycryllic
Mode 7 of: Laptyllic
Mode 8 of: Pylyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bocryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–1–1–1–4
Scale degrees:
in semitones: 0–1–2–3–5–6–7–8–12
intervals: 1–m2–2–m3–4–d5–5–m6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ G G♯ c
C D♭ D E♭ F G♭ G A♭ c
All The Chords Name: Bocryllic, 2imperfections
Pitch Class Set: {0,1,2,3,5,6,7,8}
Pitch Class Mapping: 495 (Hex 1EF, Binary 000111101111)
A Study of Scales (Ian Ring) Index: 495
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kogyllic
Mode 3 of: Raryllic
Mode 4 of: Zycryllic
Mode 5 of: Mycryllic
Mode 6 of: Laptyllic
Mode 7 of: Pylyllic
Mode 8 of: Pynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kogyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–1–1–1–4–1
Scale degrees:
in semitones: 0–1–2–4–5–6–7–11–12
intervals: 1–m2–2–3–4–d5–5–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F F♯ G B c
C D♭ D E F G♭ G B c
All The Chords Name: Kogyllic, 2imperfections
Pitch Class Set: {0,1,2,4,5,6,7,11}
Pitch Class Mapping: 2295 (Hex 8F7, Binary 100011110111)
A Study of Scales (Ian Ring) Index: 2295
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raryllic
Mode 3 of: Zycryllic
Mode 4 of: Mycryllic
Mode 5 of: Laptyllic
Mode 6 of: Pylyllic
Mode 7 of: Pynyllic
Mode 8 of: Bocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Raryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–1–4–1–1
Scale degrees:
in semitones: 0–1–3–4–5–6–10–11–12
intervals: 1–m2–m3–3–4–d5–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ A♯ B c
C D♭ E♭ E F G♭ B♭ B c
All The Chords Name: Raryllic, 2imperfections
Pitch Class Set: {0,1,3,4,5,6,10,11}
Pitch Class Mapping: 3195 (Hex C7B, Binary 110001111011)
A Study of Scales (Ian Ring) Index: 3195
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zycryllic
Mode 3 of: Mycryllic
Mode 4 of: Laptyllic
Mode 5 of: Pylyllic
Mode 6 of: Pynyllic
Mode 7 of: Bocryllic
Mode 8 of: Kogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zycryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–4–1–1–1
Scale degrees:
in semitones: 0–2–3–4–5–9–10–11–12
intervals: 1–2–m3–3–4–6–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F A A♯ B c
C D E♭ E F A B♭ B c
All The Chords Name: Zycryllic, 2imperfections
Pitch Class Set: {0,2,3,4,5,9,10,11}
Pitch Class Mapping: 3645 (Hex E3D, Binary 111000111101)
A Study of Scales (Ian Ring) Index: 3645
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mycryllic
Mode 3 of: Laptyllic
Mode 4 of: Pylyllic
Mode 5 of: Pynyllic
Mode 6 of: Bocryllic
Mode 7 of: Kogyllic
Mode 8 of: Raryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mycryllic
Scale steps in semitones: 1–1–1–4–1–1–1–2
Scale degrees:
in semitones: 0–1–2–3–7–8–9–10–12
intervals: 1–m2–2–m3–5–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ G G♯ A A♯ c
C D♭ D E♭ G A♭ A B♭ c
All The Chords Name: Mycryllic, 2imperfections
Pitch Class Set: {0,1,2,3,7,8,9,10}
Pitch Class Mapping: 1935 (Hex 78F, Binary 011110001111)
A Study of Scales (Ian Ring) Index: 1935
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Laptyllic
Mode 3 of: Pylyllic
Mode 4 of: Pynyllic
Mode 5 of: Bocryllic
Mode 6 of: Kogyllic
Mode 7 of: Raryllic
Mode 8 of: Zycryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Laptyllic
Scale steps in semitones: 1–1–4–1–1–1–2–1
Scale degrees:
in semitones: 0–1–2–6–7–8–9–11–12
intervals: 1–m2–2–d5–5–m6–6–7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F♯ G G♯ A B c
C D♭ D G♭ G A♭ A B c
All The Chords Name: Laptyllic, 2imperfections
Pitch Class Set: {0,1,2,6,7,8,9,11}
Pitch Class Mapping: 3015 (Hex BC7, Binary 101111000111)
A Study of Scales (Ian Ring) Index: 3015
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pylyllic
Mode 3 of: Pynyllic
Mode 4 of: Bocryllic
Mode 5 of: Kogyllic
Mode 6 of: Raryllic
Mode 7 of: Zycryllic
Mode 8 of: Mycryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pylyllic
Scale steps in semitones: 1–4–1–1–1–2–1–1
Scale degrees:
in semitones: 0–1–5–6–7–8–10–11–12
intervals: 1–m2–4–d5–5–m6–m7–7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ F F♯ G G♯ A♯ B c
C D♭ F G♭ G A♭ B♭ B c
All The Chords Name: Pylyllic, 2imperfections
Pitch Class Set: {0,1,5,6,7,8,10,11}
Pitch Class Mapping: 3555 (Hex DE3, Binary 110111100011)
A Study of Scales (Ian Ring) Index: 3555
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pynyllic
Mode 3 of: Bocryllic
Mode 4 of: Kogyllic
Mode 5 of: Raryllic
Mode 6 of: Zycryllic
Mode 7 of: Mycryllic
Mode 8 of: Laptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epotyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–2–1–1–2
Scale degrees:
in semitones: 0–2–3–4–6–8–9–10–12
intervals: 1–2–m3–3–d5–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G♯ A A♯ c
C D E♭ E G♭ A♭ A B♭ c
All The Chords Name: Epotyllic, 3imperfections
Pitch Class Set: {0,2,3,4,6,8,9,10}
Pitch Class Mapping: 1885 (Hex 75D, Binary 011101011101)
A Study of Scales (Ian Ring) Index: 1885
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Messiaen Mode 6
Mode 3 of: Van der Horst Octatonic
Mode 4 of: Messiaen Mode 6 Inverse
Mode 5 of: Epotyllic and Saptyllic
Mode 6 of: Messiaen Mode 6
Mode 7 of: Van der Horst Octatonic
Mode 8 of: Messiaen Mode 6 Inverse
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scala name: Equal temperaments 4 and 6 mixed
Stogyllic
Scale steps in semitones: 2–2–1–2–1–2–1–1
Scale degrees:
in semitones: 0–2–4–5–7–8–10–11–12
intervals: 1–2–3–4–5–m6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F G G♯ A♯ B c
C D E F G A♭ B♭ B c
All The Chords Name: Stogyllic, 3imperfections
Pitch Class Set: {0,2,4,5,7,8,10,11}
Pitch Class Mapping: 3509 (Hex DB5, Binary 110110110101)
A Study of Scales (Ian Ring) Index: 3509
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionidyllic
Mode 3 of: Stonyllic
Mode 4 of: Stalyllic
Mode 5 of: JG Octatonic
Mode 6 of: Mocryllic
Mode 7 of: Aeolyryllic
Mode 8 of: Baryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionidyllic
Scale steps in semitones: 2–1–2–1–2–1–1–2
Scale degrees:
in semitones: 0–2–3–5–6–8–9–10–12
intervals: 1–2–m3–4–d5–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G♯ A A♯ c
C D E♭ F G♭ A♭ A B♭ c
All The Chords Name: Ionidyllic, 3imperfections
Pitch Class Set: {0,2,3,5,6,8,9,10}
Pitch Class Mapping: 1901 (Hex 76D, Binary 011101101101)
A Study of Scales (Ian Ring) Index: 1901
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stonyllic
Mode 3 of: Stalyllic
Mode 4 of: JG Octatonic
Mode 5 of: Mocryllic
Mode 6 of: Aeolyryllic
Mode 7 of: Baryllic
Mode 8 of: Stogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stonyllic
Scale steps in semitones: 1–2–1–2–1–1–2–2
Scale degrees:
in semitones: 0–1–3–4–6–7–8–10–12
intervals: 1–m2–m3–3–d5–5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G G♯ A♯ c
C D♭ E♭ E G♭ G A♭ B♭ c
All The Chords Name: Stonyllic, 3imperfections
Pitch Class Set: {0,1,3,4,6,7,8,10}
Pitch Class Mapping: 1499 (Hex 5DB, Binary 010111011011)
A Study of Scales (Ian Ring) Index: 1499
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stalyllic
Mode 3 of: JG Octatonic
Mode 4 of: Mocryllic
Mode 5 of: Aeolyryllic
Mode 6 of: Baryllic
Mode 7 of: Stogyllic
Mode 8 of: Ionidyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stalyllic
Scale steps in semitones: 2–1–2–1–1–2–2–1
Scale degrees:
in semitones: 0–2–3–5–6–7–9–11–12
intervals: 1–2–m3–4–d5–5–6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G A B c
C D E♭ F G♭ G A B c
All The Chords Name: Stalyllic, 3imperfections
Pitch Class Set: {0,2,3,5,6,7,9,11}
Pitch Class Mapping: 2797 (Hex AED, Binary 101011101101)
A Study of Scales (Ian Ring) Index: 2797
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: JG Octatonic
Mode 3 of: Mocryllic
Mode 4 of: Aeolyryllic
Mode 5 of: Baryllic
Mode 6 of: Stogyllic
Mode 7 of: Ionidyllic
Mode 8 of: Stonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mocryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–2–1–2–1
Scale degrees:
in semitones: 0–2–3–4–6–8–9–11–12
intervals: 1–2–m3–3–d5–m6–6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G♯ A B c
C D E♭ E G♭ A♭ A B c
All The Chords Name: Mocryllic, 3imperfections
Pitch Class Set: {0,2,3,4,6,8,9,11}
Pitch Class Mapping: 2909 (Hex B5D, Binary 101101011101)
A Study of Scales (Ian Ring) Index: 2909
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolyryllic
Mode 3 of: Baryllic
Mode 4 of: Stogyllic
Mode 5 of: Ionidyllic
Mode 6 of: Stonyllic
Mode 7 of: Stalyllic
Mode 8 of: JG Octatonic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolyryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–1–2–1–2
Scale degrees:
in semitones: 0–1–2–4–6–7–9–10–12
intervals: 1–m2–2–3–d5–5–6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G A A♯ c
C D♭ D E G♭ G A B♭ c
All The Chords Name: Aeolyryllic, 3imperfections
Pitch Class Set: {0,1,2,4,6,7,9,10}
Pitch Class Mapping: 1751 (Hex 6D7, Binary 011011010111)
A Study of Scales (Ian Ring) Index: 1751
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Baryllic
Mode 3 of: Stogyllic
Mode 4 of: Ionidyllic
Mode 5 of: Stonyllic
Mode 6 of: Stalyllic
Mode 7 of: JG Octatonic
Mode 8 of: Mocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Baryllic
Scale steps in semitones: 1–2–2–1–2–1–2–1
Scale degrees:
in semitones: 0–1–3–5–6–8–9–11–12
intervals: 1–m2–m3–4–d5–m6–6–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G♯ A B c
C D♭ E♭ F G♭ A♭ A B c
All The Chords Name: Baryllic, 3imperfections
Pitch Class Set: {0,1,3,5,6,8,9,11}
Pitch Class Mapping: 2923 (Hex B6B, Binary 101101101011)
A Study of Scales (Ian Ring) Index: 2923
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stogyllic
Mode 3 of: Ionidyllic
Mode 4 of: Stonyllic
Mode 5 of: Stalyllic
Mode 6 of: JG Octatonic
Mode 7 of: Mocryllic
Mode 8 of: Aeolyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kataryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–1–1–2–2
Scale degrees:
in semitones: 0–3–4–5–6–7–8–10–12
intervals: 1–m3–3–4–d5–5–m6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G G♯ A♯ c
C E♭ E F G♭ G A♭ B♭ c
All The Chords Name: Kataryllic, 3imperfections
Pitch Class Set: {0,3,4,5,6,7,8,10}
Pitch Class Mapping: 1529 (Hex 5F9, Binary 010111111001)
A Study of Scales (Ian Ring) Index: 1529
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerocryllic
Mode 3 of: Zanyllic
Mode 4 of: Aeolonyllic
Mode 5 of: Aeonyllic
Mode 6 of: Kyryllic
Mode 7 of: Sythyllic
Mode 8 of: Katycryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerocryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–2–2–3
Scale degrees:
in semitones: 0–1–2–3–4–5–7–9–12
intervals: 1–m2–2–m3–3–4–5–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F G A c
C D♭ D E♭ E F G A c
All The Chords Name: Aerocryllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,5,7,9}
Pitch Class Mapping: 703 (Hex 2BF, Binary 001010111111)
A Study of Scales (Ian Ring) Index: 703
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zanyllic
Mode 3 of: Aeolonyllic
Mode 4 of: Aeonyllic
Mode 5 of: Kyryllic
Mode 6 of: Sythyllic
Mode 7 of: Katycryllic
Mode 8 of: Kataryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zanyllic
Scale steps in semitones: 1–1–1–1–2–2–3–1
Scale degrees:
in semitones: 0–1–2–3–4–6–8–11–12
intervals: 1–m2–2–m3–3–d5–m6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G♯ B c
C D♭ D E♭ E G♭ A♭ B c
All The Chords Name: Zanyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,6,8,11}
Pitch Class Mapping: 2399 (Hex 95F, Binary 100101011111)
A Study of Scales (Ian Ring) Index: 2399
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolonyllic
Mode 3 of: Aeonyllic
Mode 4 of: Kyryllic
Mode 5 of: Sythyllic
Mode 6 of: Katycryllic
Mode 7 of: Kataryllic
Mode 8 of: Aerocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolonyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–2–3–1–1
Scale degrees:
in semitones: 0–1–2–3–5–7–10–11–12
intervals: 1–m2–2–m3–4–5–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G A♯ B c
C D♭ D E♭ F G B♭ B c
All The Chords Name: Aeolonyllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,7,10,11}
Pitch Class Mapping: 3247 (Hex CAF, Binary 110010101111)
A Study of Scales (Ian Ring) Index: 3247
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeonyllic
Mode 3 of: Kyryllic
Mode 4 of: Sythyllic
Mode 5 of: Katycryllic
Mode 6 of: Kataryllic
Mode 7 of: Aerocryllic
Mode 8 of: Zanyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeonyllic
Scale steps in semitones: 1–1–2–2–3–1–1–1
Scale degrees:
in semitones: 0–1–2–4–6–9–10–11–12
intervals: 1–m2–2–3–d5–6–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ A A♯ B c
C D♭ D E G♭ A B♭ B c
All The Chords Name: Aeonyllic, 3imperfections
Pitch Class Set: {0,1,2,4,6,9,10,11}
Pitch Class Mapping: 3671 (Hex E57, Binary 111001010111)
A Study of Scales (Ian Ring) Index: 3671
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kyryllic
Mode 3 of: Sythyllic
Mode 4 of: Katycryllic
Mode 5 of: Kataryllic
Mode 6 of: Aerocryllic
Mode 7 of: Zanyllic
Mode 8 of: Aeolonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kyryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–3–1–1–1–1
Scale degrees:
in semitones: 0–1–3–5–8–9–10–11–12
intervals: 1–m2–m3–4–m6–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G♯ A A♯ B c
C D♭ E♭ F A♭ A B♭ B c
All The Chords Name: Kyryllic, 3imperfections
Pitch Class Set: {0,1,3,5,8,9,10,11}
Pitch Class Mapping: 3883 (Hex F2B, Binary 111100101011)
A Study of Scales (Ian Ring) Index: 3883
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sythyllic
Mode 3 of: Katycryllic
Mode 4 of: Kataryllic
Mode 5 of: Aerocryllic
Mode 6 of: Zanyllic
Mode 7 of: Aeolonyllic
Mode 8 of: Aeonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sythyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–3–1–1–1–1–1
Scale degrees:
in semitones: 0–2–4–7–8–9–10–11–12
intervals: 1–2–3–5–m6–6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E G G♯ A A♯ B c
C D E G A♭ A B♭ B c
All The Chords Name: Sythyllic, 3imperfections
Pitch Class Set: {0,2,4,7,8,9,10,11}
Pitch Class Mapping: 3989 (Hex F95, Binary 111110010101)
A Study of Scales (Ian Ring) Index: 3989
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katycryllic
Mode 3 of: Kataryllic
Mode 4 of: Aerocryllic
Mode 5 of: Zanyllic
Mode 6 of: Aeolonyllic
Mode 7 of: Aeonyllic
Mode 8 of: Kyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katycryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–1–1–1–1–1–2
Scale degrees:
in semitones: 0–2–5–6–7–8–9–10–12
intervals: 1–2–4–d5–5–m6–6–m7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D F F♯ G G♯ A A♯ c
C D F G♭ G A♭ A B♭ c
All The Chords Name: Katycryllic, 3imperfections
Pitch Class Set: {0,2,5,6,7,8,9,10}
Pitch Class Mapping: 2021 (Hex 7E5, Binary 011111100101)
A Study of Scales (Ian Ring) Index: 2021
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kataryllic
Mode 3 of: Aerocryllic
Mode 4 of: Zanyllic
Mode 5 of: Aeolonyllic
Mode 6 of: Aeonyllic
Mode 7 of: Kyryllic
Mode 8 of: Sythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Tharyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–1–2–1–2
Scale degrees:
in semitones: 0–3–4–5–6–7–9–10–12
intervals: 1–m3–3–4–d5–5–6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G A A♯ c
C E♭ E F G♭ G A B♭ c
All The Chords Name: Tharyllic, 3imperfections
Pitch Class Set: {0,3,4,5,6,7,9,10}
Pitch Class Mapping: 1785 (Hex 6F9, Binary 011011111001)
A Study of Scales (Ian Ring) Index: 1785
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sylyllic
Mode 3 of: Lothyllic
Mode 4 of: Daryllic
Mode 5 of: Monyllic
Mode 6 of: Styryllic
Mode 7 of: Aeolacryllic
Mode 8 of: Raptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sylyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–2–1–2–3
Scale degrees:
in semitones: 0–1–2–3–4–6–7–9–12
intervals: 1–m2–2–m3–3–d5–5–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G A c
C D♭ D E♭ E G♭ G A c
All The Chords Name: Sylyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,6,7,9}
Pitch Class Mapping: 735 (Hex 2DF, Binary 001011011111)
A Study of Scales (Ian Ring) Index: 735
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lothyllic
Mode 3 of: Daryllic
Mode 4 of: Monyllic
Mode 5 of: Styryllic
Mode 6 of: Aeolacryllic
Mode 7 of: Raptyllic
Mode 8 of: Tharyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lothyllic
Scale steps in semitones: 1–1–1–2–1–2–3–1
Scale degrees:
in semitones: 0–1–2–3–5–6–8–11–12
intervals: 1–m2–2–m3–4–d5–m6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ G♯ B c
C D♭ D E♭ F G♭ A♭ B c
All The Chords Name: Lothyllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,8,11}
Pitch Class Mapping: 2415 (Hex 96F, Binary 100101101111)
A Study of Scales (Ian Ring) Index: 2415
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Daryllic
Mode 3 of: Monyllic
Mode 4 of: Styryllic
Mode 5 of: Aeolacryllic
Mode 6 of: Raptyllic
Mode 7 of: Tharyllic
Mode 8 of: Sylyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Daryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–1–2–3–1–1
Scale degrees:
in semitones: 0–1–2–4–5–7–10–11–12
intervals: 1–m2–2–3–4–5–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F G A♯ B c
C D♭ D E F G B♭ B c
All The Chords Name: Daryllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,7,10,11}
Pitch Class Mapping: 3255 (Hex CB7, Binary 110010110111)
A Study of Scales (Ian Ring) Index: 3255
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Monyllic
Mode 3 of: Styryllic
Mode 4 of: Aeolacryllic
Mode 5 of: Raptyllic
Mode 6 of: Tharyllic
Mode 7 of: Sylyllic
Mode 8 of: Lothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Monyllic
Scale steps in semitones: 1–2–1–2–3–1–1–1
Scale degrees:
in semitones: 0–1–3–4–6–9–10–11–12
intervals: 1–m2–m3–3–d5–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ A A♯ B c
C D♭ E♭ E G♭ A B♭ B c
All The Chords Name: Monyllic, 3imperfections
Pitch Class Set: {0,1,3,4,6,9,10,11}
Pitch Class Mapping: 3675 (Hex E5B, Binary 111001011011)
A Study of Scales (Ian Ring) Index: 3675
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Styryllic
Mode 3 of: Aeolacryllic
Mode 4 of: Raptyllic
Mode 5 of: Tharyllic
Mode 6 of: Sylyllic
Mode 7 of: Lothyllic
Mode 8 of: Daryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Styryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–3–1–1–1–1
Scale degrees:
in semitones: 0–2–3–5–8–9–10–11–12
intervals: 1–2–m3–4–m6–6–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F G♯ A A♯ B c
C D E♭ F A♭ A B♭ B c
All The Chords Name: Styryllic, 3imperfections
Pitch Class Set: {0,2,3,5,8,9,10,11}
Pitch Class Mapping: 3885 (Hex F2D, Binary 111100101101)
A Study of Scales (Ian Ring) Index: 3885
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolacryllic
Mode 3 of: Raptyllic
Mode 4 of: Tharyllic
Mode 5 of: Sylyllic
Mode 6 of: Lothyllic
Mode 7 of: Daryllic
Mode 8 of: Monyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolacryllic
Scale steps in semitones: 1–2–3–1–1–1–1–2
Scale degrees:
in semitones: 0–1–3–6–7–8–9–10–12
intervals: 1–m2–m3–d5–5–m6–6–m7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G G♯ A A♯ c
C D♭ E♭ G♭ G A♭ A B♭ c
All The Chords Name: Aeolacryllic, 3imperfections
Pitch Class Set: {0,1,3,6,7,8,9,10}
Pitch Class Mapping: 1995 (Hex 7CB, Binary 011111001011)
A Study of Scales (Ian Ring) Index: 1995
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raptyllic
Mode 3 of: Tharyllic
Mode 4 of: Sylyllic
Mode 5 of: Lothyllic
Mode 6 of: Daryllic
Mode 7 of: Monyllic
Mode 8 of: Styryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Raptyllic
Scale steps in semitones: 2–3–1–1–1–1–2–1
Scale degrees:
in semitones: 0–2–5–6–7–8–9–11–12
intervals: 1–2–4–d5–5–m6–6–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D F F♯ G G♯ A B c
C D F G♭ G A♭ A B c
All The Chords Name: Raptyllic, 3imperfections
Pitch Class Set: {0,2,5,6,7,8,9,11}
Pitch Class Mapping: 3045 (Hex BE5, Binary 101111100101)
A Study of Scales (Ian Ring) Index: 3045
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Tharyllic
Mode 3 of: Sylyllic
Mode 4 of: Lothyllic
Mode 5 of: Daryllic
Mode 6 of: Monyllic
Mode 7 of: Styryllic
Mode 8 of: Aeolacryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gythyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–1–2–2–1
Scale degrees:
in semitones: 0–3–4–5–6–7–9–11–12
intervals: 1–m3–3–4–d5–5–6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G A B c
C E♭ E F G♭ G A B c
All The Chords Name: Gythyllic, 3imperfections
Pitch Class Set: {0,3,4,5,6,7,9,11}
Pitch Class Mapping: 2809 (Hex AF9, Binary 101011111001)
A Study of Scales (Ian Ring) Index: 2809
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pyryllic
Mode 3 of: Harmonic/Neapolitan Minor Mixed
Mode 4 of: Phrathyllic
Mode 5 of: Badyllic
Mode 6 of: Phrocryllic
Mode 7 of: Raga Cintamani
Mode 8 of: Zothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pyryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–2–2–1–3
Scale degrees:
in semitones: 0–1–2–3–4–6–8–9–12
intervals: 1–m2–2–m3–3–d5–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G♯ A c
C D♭ D E♭ E G♭ A♭ A c
All The Chords Name: Pyryllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,6,8,9}
Pitch Class Mapping: 863 (Hex 35F, Binary 001101011111)
A Study of Scales (Ian Ring) Index: 863
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Harmonic/Neapolitan Minor Mixed
Mode 3 of: Phrathyllic
Mode 4 of: Badyllic
Mode 5 of: Phrocryllic
Mode 6 of: Raga Cintamani
Mode 7 of: Zothyllic
Mode 8 of: Gythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrathyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–2–1–3–1–1
Scale degrees:
in semitones: 0–1–2–4–6–7–10–11–12
intervals: 1–m2–2–3–d5–5–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G A♯ B c
C D♭ D E G♭ G B♭ B c
All The Chords Name: Phrathyllic, 3imperfections
Pitch Class Set: {0,1,2,4,6,7,10,11}
Pitch Class Mapping: 3287 (Hex CD7, Binary 110011010111)
A Study of Scales (Ian Ring) Index: 3287
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Badyllic
Mode 3 of: Phrocryllic
Mode 4 of: Raga Cintamani
Mode 5 of: Zothyllic
Mode 6 of: Gythyllic
Mode 7 of: Pyryllic
Mode 8 of: Harmonic/Neapolitan Minor Mixed
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Badyllic
Scale steps in semitones: 1–2–2–1–3–1–1–1
Scale degrees:
in semitones: 0–1–3–5–6–9–10–11–12
intervals: 1–m2–m3–4–d5–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ A A♯ B c
C D♭ E♭ F G♭ A B♭ B c
All The Chords Name: Badyllic, 3imperfections
Pitch Class Set: {0,1,3,5,6,9,10,11}
Pitch Class Mapping: 3691 (Hex E6B, Binary 111001101011)
A Study of Scales (Ian Ring) Index: 3691
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrocryllic
Mode 3 of: Raga Cintamani
Mode 4 of: Zothyllic
Mode 5 of: Gythyllic
Mode 6 of: Pyryllic
Mode 7 of: Harmonic/Neapolitan Minor Mixed
Mode 8 of: Phrathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrocryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–2–1–3–1–1–1–1
Scale degrees:
in semitones: 0–2–4–5–8–9–10–11–12
intervals: 1–2–3–4–m6–6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F G♯ A A♯ B c
C D E F A♭ A B♭ B c
All The Chords Name: Phrocryllic, 3imperfections
Pitch Class Set: {0,2,4,5,8,9,10,11}
Pitch Class Mapping: 3893 (Hex F35, Binary 111100110101)
A Study of Scales (Ian Ring) Index: 3893
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Cintamani
Mode 3 of: Zothyllic
Mode 4 of: Gythyllic
Mode 5 of: Pyryllic
Mode 6 of: Harmonic/Neapolitan Minor Mixed
Mode 7 of: Phrathyllic
Mode 8 of: Badyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zothyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–1–1–2–2
Scale degrees:
in semitones: 0–1–4–5–6–7–8–10–12
intervals: 1–m2–3–4–d5–5–m6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G G♯ A♯ c
C D♭ E F G♭ G A♭ B♭ c
All The Chords Name: Zothyllic, 3imperfections
Pitch Class Set: {0,1,4,5,6,7,8,10}
Pitch Class Mapping: 1523 (Hex 5F3, Binary 010111110011)
A Study of Scales (Ian Ring) Index: 1523
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gythyllic
Mode 3 of: Pyryllic
Mode 4 of: Harmonic/Neapolitan Minor Mixed
Mode 5 of: Phrathyllic
Mode 6 of: Badyllic
Mode 7 of: Phrocryllic
Mode 8 of: Raga Cintamani
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolathyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–2–1–2–1
Scale degrees:
in semitones: 0–3–4–5–6–8–9–11–12
intervals: 1–m3–3–4–d5–m6–6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G♯ A B c
C E♭ E F G♭ A♭ A B c
All The Chords Name: Aeolathyllic, 3imperfections
Pitch Class Set: {0,3,4,5,6,8,9,11}
Pitch Class Mapping: 2937 (Hex B79, Binary 101101111001)
A Study of Scales (Ian Ring) Index: 2937
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolocryllic and Aeranyllic
Mode 3 of: Phroptyllic and Dothyllic
Mode 4 of: Kodyllic and Lygyllic
Mode 5 of: Epaptyllic and Stadyllic
Mode 6 of: Ionoyllic and Byptyllic
Mode 7 of: Gyptyllic and Stodyllic
Mode 8 of: Aerythyllic and Zynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolocryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–1–2–1–3
Scale degrees:
in semitones: 0–1–2–3–5–6–8–9–12
intervals: 1–m2–2–m3–4–d5–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ G♯ A c
C D♭ D E♭ F G♭ A♭ A c
All The Chords Name: Aeolocryllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,8,9}
Pitch Class Mapping: 879 (Hex 36F, Binary 001101101111)
A Study of Scales (Ian Ring) Index: 879
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phroptyllic and Dothyllic
Mode 3 of: Kodyllic and Lygyllic
Mode 4 of: Epaptyllic and Stadyllic
Mode 5 of: Ionoyllic and Byptyllic
Mode 6 of: Gyptyllic and Stodyllic
Mode 7 of: Aerythyllic and Zynyllic
Mode 8 of: Aeolathyllic and Phragyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phroptyllic
Scale steps in semitones: 1–1–2–1–2–1–3–1
Scale degrees:
in semitones: 0–1–2–4–5–7–8–11–12
intervals: 1–m2–2–3–4–5–m6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F G G♯ B c
C D♭ D E F G A♭ B c
All The Chords Name: Phroptyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,7,8,11}
Pitch Class Mapping: 2487 (Hex 9B7, Binary 100110110111)
A Study of Scales (Ian Ring) Index: 2487
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kodyllic and Lygyllic
Mode 3 of: Epaptyllic and Stadyllic
Mode 4 of: Ionoyllic and Byptyllic
Mode 5 of: Gyptyllic and Stodyllic
Mode 6 of: Aerythyllic and Zynyllic
Mode 7 of: Aeolathyllic and Phragyllic
Mode 8 of: Aeolocryllic and Aeranyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kodyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–2–1–3–1–1
Scale degrees:
in semitones: 0–1–3–4–6–7–10–11–12
intervals: 1–m2–m3–3–d5–5–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G A♯ B c
C D♭ E♭ E G♭ G B♭ B c
All The Chords Name: Kodyllic, 3imperfections
Pitch Class Set: {0,1,3,4,6,7,10,11}
Pitch Class Mapping: 3291 (Hex CDB, Binary 110011011011)
A Study of Scales (Ian Ring) Index: 3291
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epaptyllic and Stadyllic
Mode 3 of: Ionoyllic and Byptyllic
Mode 4 of: Gyptyllic and Stodyllic
Mode 5 of: Aerythyllic and Zynyllic
Mode 6 of: Aeolathyllic and Phragyllic
Mode 7 of: Aeolocryllic and Aeranyllic
Mode 8 of: Phroptyllic and Dothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epaptyllic
Scale steps in semitones: 2–1–2–1–3–1–1–1
Scale degrees:
in semitones: 0–2–3–5–6–9–10–11–12
intervals: 1–2–m3–4–d5–6–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ A A♯ B c
C D E♭ F G♭ A B♭ B c
All The Chords Name: Epaptyllic, 3imperfections
Pitch Class Set: {0,2,3,5,6,9,10,11}
Pitch Class Mapping: 3693 (Hex E6D, Binary 111001101101)
A Study of Scales (Ian Ring) Index: 3693
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionoyllic and Byptyllic
Mode 3 of: Gyptyllic and Stodyllic
Mode 4 of: Aerythyllic and Zynyllic
Mode 5 of: Aeolathyllic and Phragyllic
Mode 6 of: Aeolocryllic and Aeranyllic
Mode 7 of: Phroptyllic and Dothyllic
Mode 8 of: Kodyllic and Lygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionoyllic
Scale steps in semitones: 1–2–1–3–1–1–1–2
Scale degrees:
in semitones: 0–1–3–4–7–8–9–10–12
intervals: 1–m2–m3–3–5–m6–6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E G G♯ A A♯ c
C D♭ E♭ E G A♭ A B♭ c
All The Chords Name: Ionoyllic, 3imperfections
Pitch Class Set: {0,1,3,4,7,8,9,10}
Pitch Class Mapping: 1947 (Hex 79B, Binary 011110011011)
A Study of Scales (Ian Ring) Index: 1947
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gyptyllic and Stodyllic
Mode 3 of: Aerythyllic and Zynyllic
Mode 4 of: Aeolathyllic and Phragyllic
Mode 5 of: Aeolocryllic and Aeranyllic
Mode 6 of: Phroptyllic and Dothyllic
Mode 7 of: Kodyllic and Lygyllic
Mode 8 of: Epaptyllic and Stadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gyptyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–1–1–2–1
Scale degrees:
in semitones: 0–2–3–6–7–8–9–11–12
intervals: 1–2–m3–d5–5–m6–6–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G G♯ A B c
C D E♭ G♭ G A♭ A B c
All The Chords Name: Gyptyllic, 3imperfections
Pitch Class Set: {0,2,3,6,7,8,9,11}
Pitch Class Mapping: 3021 (Hex BCD, Binary 101111001101)
A Study of Scales (Ian Ring) Index: 3021
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerythyllic and Zynyllic
Mode 3 of: Aeolathyllic and Phragyllic
Mode 4 of: Aeolocryllic and Aeranyllic
Mode 5 of: Phroptyllic and Dothyllic
Mode 6 of: Kodyllic and Lygyllic
Mode 7 of: Epaptyllic and Stadyllic
Mode 8 of: Ionoyllic and Byptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerythyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–1–2–1–2
Scale degrees:
in semitones: 0–1–4–5–6–7–9–10–12
intervals: 1–m2–3–4–d5–5–6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G A A♯ c
C D♭ E F G♭ G A B♭ c
All The Chords Name: Aerythyllic, 3imperfections
Pitch Class Set: {0,1,4,5,6,7,9,10}
Pitch Class Mapping: 1779 (Hex 6F3, Binary 011011110011)
A Study of Scales (Ian Ring) Index: 1779
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolathyllic and Phragyllic
Mode 3 of: Aeolocryllic and Aeranyllic
Mode 4 of: Phroptyllic and Dothyllic
Mode 5 of: Kodyllic and Lygyllic
Mode 6 of: Epaptyllic and Stadyllic
Mode 7 of: Ionoyllic and Byptyllic
Mode 8 of: Gyptyllic and Stodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phragyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–2–1–2–1
Scale degrees:
in semitones: 0–3–4–5–6–8–9–11–12
intervals: 1–m3–3–4–d5–m6–6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G♯ A B c
C E♭ E F G♭ A♭ A B c
All The Chords Name: Aeolathyllic, 3imperfections
Pitch Class Set: {0,3,4,5,6,8,9,11}
Pitch Class Mapping: 2937 (Hex B79, Binary 101101111001)
A Study of Scales (Ian Ring) Index: 2937
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolocryllic and Aeranyllic
Mode 3 of: Phroptyllic and Dothyllic
Mode 4 of: Kodyllic and Lygyllic
Mode 5 of: Epaptyllic and Stadyllic
Mode 6 of: Ionoyllic and Byptyllic
Mode 7 of: Gyptyllic and Stodyllic
Mode 8 of: Aerythyllic and Zynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeranyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–1–2–1–3
Scale degrees:
in semitones: 0–1–2–3–5–6–8–9–12
intervals: 1–m2–2–m3–4–d5–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ G♯ A c
C D♭ D E♭ F G♭ A♭ A c
All The Chords Name: Aeolocryllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,8,9}
Pitch Class Mapping: 879 (Hex 36F, Binary 001101101111)
A Study of Scales (Ian Ring) Index: 879
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phroptyllic and Dothyllic
Mode 3 of: Kodyllic and Lygyllic
Mode 4 of: Epaptyllic and Stadyllic
Mode 5 of: Ionoyllic and Byptyllic
Mode 6 of: Gyptyllic and Stodyllic
Mode 7 of: Aerythyllic and Zynyllic
Mode 8 of: Aeolathyllic and Phragyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dothyllic
Scale steps in semitones: 1–1–2–1–2–1–3–1
Scale degrees:
in semitones: 0–1–2–4–5–7–8–11–12
intervals: 1–m2–2–3–4–5–m6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F G G♯ B c
C D♭ D E F G A♭ B c
All The Chords Name: Phroptyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,7,8,11}
Pitch Class Mapping: 2487 (Hex 9B7, Binary 100110110111)
A Study of Scales (Ian Ring) Index: 2487
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kodyllic and Lygyllic
Mode 3 of: Epaptyllic and Stadyllic
Mode 4 of: Ionoyllic and Byptyllic
Mode 5 of: Gyptyllic and Stodyllic
Mode 6 of: Aerythyllic and Zynyllic
Mode 7 of: Aeolathyllic and Phragyllic
Mode 8 of: Aeolocryllic and Aeranyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lygyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–2–1–3–1–1
Scale degrees:
in semitones: 0–1–3–4–6–7–10–11–12
intervals: 1–m2–m3–3–d5–5–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G A♯ B c
C D♭ E♭ E G♭ G B♭ B c
All The Chords Name: Kodyllic, 3imperfections
Pitch Class Set: {0,1,3,4,6,7,10,11}
Pitch Class Mapping: 3291 (Hex CDB, Binary 110011011011)
A Study of Scales (Ian Ring) Index: 3291
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epaptyllic and Stadyllic
Mode 3 of: Ionoyllic and Byptyllic
Mode 4 of: Gyptyllic and Stodyllic
Mode 5 of: Aerythyllic and Zynyllic
Mode 6 of: Aeolathyllic and Phragyllic
Mode 7 of: Aeolocryllic and Aeranyllic
Mode 8 of: Phroptyllic and Dothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stadyllic
Scale steps in semitones: 2–1–2–1–3–1–1–1
Scale degrees:
in semitones: 0–2–3–5–6–9–10–11–12
intervals: 1–2–m3–4–d5–6–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ A A♯ B c
C D E♭ F G♭ A B♭ B c
All The Chords Name: Epaptyllic, 3imperfections
Pitch Class Set: {0,2,3,5,6,9,10,11}
Pitch Class Mapping: 3693 (Hex E6D, Binary 111001101101)
A Study of Scales (Ian Ring) Index: 3693
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionoyllic and Byptyllic
Mode 3 of: Gyptyllic and Stodyllic
Mode 4 of: Aerythyllic and Zynyllic
Mode 5 of: Aeolathyllic and Phragyllic
Mode 6 of: Aeolocryllic and Aeranyllic
Mode 7 of: Phroptyllic and Dothyllic
Mode 8 of: Kodyllic and Lygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Byptyllic
Scale steps in semitones: 1–2–1–3–1–1–1–2
Scale degrees:
in semitones: 0–1–3–4–7–8–9–10–12
intervals: 1–m2–m3–3–5–m6–6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E G G♯ A A♯ c
C D♭ E♭ E G A♭ A B♭ c
All The Chords Name: Ionoyllic, 3imperfections
Pitch Class Set: {0,1,3,4,7,8,9,10}
Pitch Class Mapping: 1947 (Hex 79B, Binary 011110011011)
A Study of Scales (Ian Ring) Index: 1947
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gyptyllic and Stodyllic
Mode 3 of: Aerythyllic and Zynyllic
Mode 4 of: Aeolathyllic and Phragyllic
Mode 5 of: Aeolocryllic and Aeranyllic
Mode 6 of: Phroptyllic and Dothyllic
Mode 7 of: Kodyllic and Lygyllic
Mode 8 of: Epaptyllic and Stadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stodyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–1–1–2–1
Scale degrees:
in semitones: 0–2–3–6–7–8–9–11–12
intervals: 1–2–m3–d5–5–m6–6–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G G♯ A B c
C D E♭ G♭ G A♭ A B c
All The Chords Name: Gyptyllic, 3imperfections
Pitch Class Set: {0,2,3,6,7,8,9,11}
Pitch Class Mapping: 3021 (Hex BCD, Binary 101111001101)
A Study of Scales (Ian Ring) Index: 3021
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerythyllic and Zynyllic
Mode 3 of: Aeolathyllic and Phragyllic
Mode 4 of: Aeolocryllic and Aeranyllic
Mode 5 of: Phroptyllic and Dothyllic
Mode 6 of: Kodyllic and Lygyllic
Mode 7 of: Epaptyllic and Stadyllic
Mode 8 of: Ionoyllic and Byptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zynyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–1–2–1–2
Scale degrees:
in semitones: 0–1–4–5–6–7–9–10–12
intervals: 1–m2–3–4–d5–5–6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G A A♯ c
C D♭ E F G♭ G A B♭ c
All The Chords Name: Aerythyllic, 3imperfections
Pitch Class Set: {0,1,4,5,6,7,9,10}
Pitch Class Mapping: 1779 (Hex 6F3, Binary 011011110011)
A Study of Scales (Ian Ring) Index: 1779
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolathyllic and Phragyllic
Mode 3 of: Aeolocryllic and Aeranyllic
Mode 4 of: Phroptyllic and Dothyllic
Mode 5 of: Kodyllic and Lygyllic
Mode 6 of: Epaptyllic and Stadyllic
Mode 7 of: Ionoyllic and Byptyllic
Mode 8 of: Gyptyllic and Stodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lonyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–1–1–2–1
Scale degrees:
in semitones: 0–3–4–5–7–8–9–11–12
intervals: 1–m3–3–4–5–m6–6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G G♯ A B c
C E♭ E F G A♭ A B c
All The Chords Name: Lonyllic, 3imperfections
Pitch Class Set: {0,3,4,5,7,8,9,11}
Pitch Class Mapping: 3001 (Hex BB9, Binary 101110111001)
A Study of Scales (Ian Ring) Index: 3001
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sathyllic
Mode 3 of: Layllic
Mode 4 of: Saryllic
Mode 5 of: Thacryllic
Mode 6 of: Aeolynyllic
Mode 7 of: Thadyllic
Mode 8 of: Lynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sathyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–1–2–1–3
Scale degrees:
in semitones: 0–1–2–4–5–6–8–9–12
intervals: 1–m2–2–3–4–d5–m6–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F F♯ G♯ A c
C D♭ D E F G♭ A♭ A c
All The Chords Name: Sathyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,6,8,9}
Pitch Class Mapping: 887 (Hex 377, Binary 001101110111)
A Study of Scales (Ian Ring) Index: 887
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Layllic
Mode 3 of: Saryllic
Mode 4 of: Thacryllic
Mode 5 of: Aeolynyllic
Mode 6 of: Thadyllic
Mode 7 of: Lynyllic
Mode 8 of: Lonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
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