Comprehensive Scale Catalog: Eight-Tone Scales in Equal Temperament - Part 1

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with eight tones per octave and using 12-tone Equal Temperament.

The root note of each scale is shown in blue, such as .

Anasazi-7

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–3–2–1–1–1

Scale degrees:
  in semitones: 0–2–3–4–7–9–10–11–12
  intervals: 1–2–m3–3–5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E G A A♯ B c
  C D E♭ E G A B♭ B c

All The Chords Name: Zydyllic, 2imperfections

Pitch Class Set: {0,2,3,4,7,9,10,11}

Pitch Class Mapping: 3741 (Hex E9D, Binary 111010011101)

A Study of Scales (Ian Ring) Index: 3741

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katolyllic
  Mode 3 of: Rythyllic
  Mode 4 of: Pothyllic
  Mode 5 of: Phronyllic
  Mode 6 of: Stynyllic
  Mode 7 of: Rathyllic
  Mode 8 of: Aeryptyllic

The name I use for this scale comes from: Clint's Invented Name, based on common usage among Native American flute players.

Entry on the Map of Native American Flute Tunings page: Anasazi-7

Kiva

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–4–1–1–1–1–1

Scale degrees:
  in semitones: 0–2–3–7–8–9–10–11–12
  intervals: 1–2–m3–5–m6–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ G G♯ A A♯ B c
  C D E♭ G A♭ A B♭ B c

All The Chords Name: Phrycryllic, 3imperfections

Pitch Class Set: {0,2,3,7,8,9,10,11}

Pitch Class Mapping: 3981 (Hex F8D, Binary 111110001101)

A Study of Scales (Ian Ring) Index: 3981

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Palyllic
  Mode 3 of: Phroryllic
  Mode 4 of: Thyphyllic
  Mode 5 of: Poptyllic
  Mode 6 of: Mixonyllic
  Mode 7 of: Paptyllic
  Mode 8 of: Storyllic

The name I use for this scale comes from: Stephen DeRuby's Invented Name

Entry on the Map of Native American Flute Tunings page: Kiva Seven-hole

Neveseri

Scale steps in semitones: 1–2–3–1–1–2–1–1

Scale degrees:
  in semitones: 0–1–3–6–7–8–10–11–12
  intervals: 1–m2–m3–d5–5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G G♯ A♯ B c
  C D♭ E♭ G♭ G A♭ B♭ B c

All The Chords Name: Dycryllic, 2imperfections

Pitch Class Set: {0,1,3,6,7,8,10,11}

Pitch Class Mapping: 3531 (Hex DCB, Binary 110111001011)

A Study of Scales (Ian Ring) Index: 3531

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeologyllic
  Mode 3 of: Dagyllic
  Mode 4 of: Katalyllic
  Mode 5 of: Katoryllic
  Mode 6 of: Dodyllic
  Mode 7 of: Zogyllic
  Mode 8 of: Madyllic

The name I use for this scale comes from: Scala

Scala name: Neveseri: Greece

Piano Encyclopedia name: Neveseri [Greek]

Scale Omnibus name: Neseveri [Greece]

Octatonic

Scale steps in semitones: 1–2–1–2–1–2–1–2

Scale degrees:
  in semitones: 0–1–3–4–6–7–9–10–12
  intervals: 1–m2–m3–3–d5–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A A♯ c
  C D♭ E♭ E G♭ G A B♭ c

All The Chords Name: Ladyllic, 4imperfections

Pitch Class Set: {0,1,3,4,6,7,9,10}

Pitch Class Mapping: 1755 (Hex 6DB, Binary 011011011011)

A Study of Scales (Ian Ring) Index: 1755

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Octatonic 2
  Mode 3 of: Octatonic
  Mode 4 of: Octatonic 2
  Mode 5 of: Octatonic
  Mode 6 of: Octatonic 2
  Mode 7 of: Octatonic
  Mode 8 of: Octatonic 2

The name I use for this scale comes from: Scala

Scala names: Octatonic, Messiaen mode 2, Dominant Diminished, Diminished Blues, Half-Whole step scale
ChordHouse names: Octatonic (H-W); Auxiliary Diminished Blues; Diminished, Half

Piano Encyclopedia names: Diminished Blues; Dominant Diminished; Half-Whole step; Half-Whole tone; Messiaen mode 2; Octatonic (Half-tone, Whole-tone); Symmetrical Diminished

Scale Omnibus names: Diminished Half-tone; Messiaen 2nd Mode

Notes: Alternating half and whole steps.

Octatonic 2

Scale steps in semitones: 2–1–2–1–2–1–2–1

Scale degrees:
  in semitones: 0–2–3–5–6–8–9–11–12
  intervals: 1–2–m3–4–d5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ A B c
  C D E♭ F G♭ A♭ A B c

All The Chords Name: Epadyllic, 4imperfections

Pitch Class Set: {0,2,3,5,6,8,9,11}

Pitch Class Mapping: 2925 (Hex B6D, Binary 101101101101)

A Study of Scales (Ian Ring) Index: 2925

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Octatonic
  Mode 3 of: Octatonic 2
  Mode 4 of: Octatonic
  Mode 5 of: Octatonic 2
  Mode 6 of: Octatonic
  Mode 7 of: Octatonic 2
  Mode 8 of: Octatonic

The name I use for this scale comes from: ChordHouse

Scala names: Diminished, Modus conjunctus, Messiaen mode 2 inverse, Whole-Half step scale
ChordHouse names: Octatonic (W-H); Arabian (a); Auxiliary Diminished; Diminished; Diminished, Whole

Piano Encyclopedia names: Auxiliary Diminished; Diminished; Eight-Note Diminished; Messiaen mode 2 inverse; Modus conjunctus; Octatonic (Whole-tone, Half-tone); Whole-Half step; Whole-Half tone

Scale Omnibus names: Diminished; Messiaen 2nd Mode Inverse; Modus Conjunctus; Octatonic; Whole-Tone Diminished

Notes: Alternating whole and half steps.

Algerian

Scale steps in semitones: 2–1–2–1–1–1–3–1

Scale degrees:
  in semitones: 0–2–3–5–6–7–8–11–12
  intervals: 1–2–m3–4–d5–5–m6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G G♯ B c
  C D E♭ F G♭ G A♭ B c

All The Chords Name: Katadyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,7,8,11}

Pitch Class Mapping: 2541 (Hex 9ED, Binary 100111101101)

A Study of Scales (Ian Ring) Index: 2541

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of:
  Mode 3 of: Phrylyllic
  Mode 4 of: Epigyllic
  Mode 5 of: Molyllic
  Mode 6 of: Maqam Hijaz
  Mode 7 of: Maptyllic
  Mode 8 of: Aeraptyllic

The name I use for this scale comes from: ChordHouse

Scala names: Algerian, Sabiren
ChordHouse name: Algerian

Piano Encyclopedia name: Algerian [Arabian]

Scale Omnibus name: Algerian Octatonic [Tunisia]

Eight Tone Spanish

Scale steps in semitones: 1–2–1–1–1–2–2–2

Scale degrees:
  in semitones: 0–1–3–4–5–6–8–10–12
  intervals: 1–m2–m3–3–4–d5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ G♯ A♯ c
  C D♭ E♭ E F G♭ A♭ B♭ c

All The Chords Name: Epinyllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,6,8,10}

Pitch Class Mapping: 1403 (Hex 57B, Binary 010101111011)

A Study of Scales (Ian Ring) Index: 1403

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katagyllic
  Mode 3 of: Adonai Malakh
  Mode 4 of: Gothyllic
  Mode 5 of: Hamel
  Mode 6 of: Rocryllic
  Mode 7 of: Zyryllic
  Mode 8 of: Sagyllic

The name I use for this scale comes from: ChordHouse

Scala names: Espla's scale, Eight-tone Spanish
ChordHouse name: Eight Tone Spanish

Piano Encyclopedia names: Ahava Rabba [Jewish]; Eight-Note Spanish; Espl\xe1's; Freygish; Jewish I

Scale Omnibus names: Ahava Rabba [Jewish]; Esplá; Spanish Octatonic

Ichikosucho

Scale steps in semitones: 2–2–1–1–1–2–2–1

Scale degrees:
  in semitones: 0–2–4–5–6–7–9–11–12
  intervals: 1–2–3–4–d5–5–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G A B c
  C D E F G♭ G A B c

All The Chords Name: Zylyllic, 1imperfections

Pitch Class Set: {0,2,4,5,6,7,9,11}

Pitch Class Mapping: 2805 (Hex AF5, Binary 101011110101)

A Study of Scales (Ian Ring) Index: 2805

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bebop Minor
  Mode 3 of: Phrygian/Aeolian Mixed
  Mode 4 of: Godyllic
  Mode 5 of: Prokofiev
  Mode 6 of: Genus Diatonicum
  Mode 7 of: Raga Mukhari
  Mode 8 of: Phrygian/Locrian Mixed

The name I use for this scale comes from: ChordHouse

Scala names: Ishikotsucho: Japan, Raga Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubilai's Mongol scale, Major/Lydian mixed
ChordHouse name: Japanese (Ichikosucho)

Piano Encyclopedia names: Genus diatonicum veterum correctum [Latin]; Gregorian no.5; Ichikotsucho; Kubilai's Mongol; Major/Lydian mixed; Raga Bihag; Raga Chaya Nat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan

Scale Omnibus names: Genus Diatonicum Veterum Correctum; Gregorian 5; Ichilkotsucho (or Ishikosucho); Kubilai; Major-Lydian Mixed; Raga Bihag; Raga Chayanat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan

Adonai Malakh

Scale steps in semitones: 1–1–1–2–2–2–1–2

Scale degrees:
  in semitones: 0–1–2–3–5–7–9–10–12
  intervals: 1–m2–2–m3–4–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G A A♯ c
  C D♭ D E♭ F G A B♭ c

All The Chords Name: Ragyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,7,9,10}

Pitch Class Mapping: 1711 (Hex 6AF, Binary 011010101111)

A Study of Scales (Ian Ring) Index: 1711

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gothyllic
  Mode 3 of: Hamel
  Mode 4 of: Rocryllic
  Mode 5 of: Zyryllic
  Mode 6 of: Sagyllic
  Mode 7 of: Eight Tone Spanish
  Mode 8 of: Katagyllic

The name I use for this scale comes from: ChordHouse

Scala name: Adonai Malakh: Jewish
ChordHouse name: Adonai Malakh

Piano Encyclopedia name: Adonai Malakh [Jewish]

Scale Omnibus name: Adonai Malakh

Magen Abot 1

Scale steps in semitones: 1–2–1–2–2–2–1–1

Scale degrees:
  in semitones: 0–1–3–4–6–8–10–11–12
  intervals: 1–m2–m3–3–d5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A♯ B c
  C D♭ E♭ E G♭ A♭ B♭ B c

All The Chords Name: Danyllic, 2imperfections

Pitch Class Set: {0,1,3,4,6,8,10,11}

Pitch Class Mapping: 3419 (Hex D5B, Binary 110101011011)

A Study of Scales (Ian Ring) Index: 3419

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Mian Ki Malhar
  Mode 3 of: Epocryllic
  Mode 4 of: Ionocryllic
  Mode 5 of: Gocryllic
  Mode 6 of: Epiryllic
  Mode 7 of: Aeradyllic
  Mode 8 of: Staptyllic

The name I use for this scale comes from: ChordHouse

ChordHouse name: Magen Abot

Piano Encyclopedia name: Magen Abot [Jewish]

Blues 8-Tone

Scale steps in semitones: 2–1–2–1–1–2–1–2

Scale degrees:
  in semitones: 0–2–3–5–6–7–9–10–12
  intervals: 1–2–m3–4–d5–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A A♯ c
  C D E♭ F G♭ G A B♭ c

All The Chords Name: Aeoloryllic, 2imperfections

Pitch Class Set: {0,2,3,5,6,7,9,10}

Pitch Class Mapping: 1773 (Hex 6ED, Binary 011011101101)

A Study of Scales (Ian Ring) Index: 1773

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Spanish Phrygian
  Mode 3 of: Gycryllic
  Mode 4 of: Lyryllic
  Mode 5 of: Magen Abot 2
  Mode 6 of: Maqam Nahawand
  Mode 7 of: Moptyllic
  Mode 8 of: Bebop Major

The name I use for this scale comes from: Clint's Invented Name

Scala name: Blues scale II

Piano Encyclopedia name: Blues IV [African]

Scale Omnibus name: Blues Octatonic

Raga Bhatiyar

Scale steps in semitones: 1–3–1–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–9–11–12
  intervals: 1–m2–3–4–d5–5–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A B c
  C D♭ E F G♭ G A B c

All The Chords Name: Zolyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,7,9,11}

Pitch Class Mapping: 2803 (Hex AF3, Binary 101011110011)

A Study of Scales (Ian Ring) Index: 2803

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bacryllic
  Mode 3 of: Aerygyllic
  Mode 4 of: Dathyllic
  Mode 5 of: Boptyllic
  Mode 6 of: Bagyllic
  Mode 7 of: Mathyllic
  Mode 8 of: Styptyllic

The name I use for this scale comes from: Scala name

Scala name: Raga Bhatiyar

Piano Encyclopedia name: Raga Bhatiyar [Indian]

Scale Omnibus names: Buzurg; Raga Bhatiyar

Raga Cintamani

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–1–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–6–7–8–9–10–12
  intervals: 1–2–m3–d5–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ A A♯ c
  C D E♭ G♭ G A♭ A B♭ c

All The Chords Name: Staryllic, 3imperfections

Pitch Class Set: {0,2,3,6,7,8,9,10}

Pitch Class Mapping: 1997 (Hex 7CD, Binary 011111001101)

A Study of Scales (Ian Ring) Index: 1997

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zothyllic
  Mode 3 of: Gythyllic
  Mode 4 of: Pyryllic
  Mode 5 of: Harmonic/Neapolitan Minor Mixed
  Mode 6 of: Phrathyllic
  Mode 7 of: Badyllic
  Mode 8 of: Phrocryllic

The name I use for this scale comes from: Scala name

Scala name: Raga Cintamani

Piano Encyclopedia name: Raga Chinthamani [Indian]

Scale Omnibus name: Raga Chinthamani [India]

Raga Mian Ki Malhar

Scale steps in semitones: 2–1–2–2–2–1–1–1

Scale degrees:
  in semitones: 0–2–3–5–7–9–10–11–12
  intervals: 1–2–m3–4–5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G A A♯ B c
  C D E♭ F G A B♭ B c

All The Chords Name: Goptyllic, 2imperfections

Pitch Class Set: {0,2,3,5,7,9,10,11}

Pitch Class Mapping: 3757 (Hex EAD, Binary 111010101101)

A Study of Scales (Ian Ring) Index: 3757

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epocryllic
  Mode 3 of: Ionocryllic
  Mode 4 of: Gocryllic
  Mode 5 of: Epiryllic
  Mode 6 of: Aeradyllic
  Mode 7 of: Staptyllic
  Mode 8 of: Magen Abot 1

The name I use for this scale comes from: Scala name

Scala names: Raga Mian Ki Malhar, Bahar, Sindhura

Piano Encyclopedia names: Raga Bahar [Indian]; Raga Mian Ki Malhar; Raga Sindhura

Scale Omnibus names: Raga Bahar [India]; Raga Miam Ki Malhar; Raga Sindhura

Raga Mukhari

Scale steps in semitones: 2–1–2–2–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–5–7–8–9–10–12
  intervals: 1–2–m3–4–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A A♯ c
  C D E♭ F G A♭ A B♭ c

All The Chords Name: Gadyllic, 1imperfections

Pitch Class Set: {0,2,3,5,7,8,9,10}

Pitch Class Mapping: 1965 (Hex 7AD, Binary 011110101101)

A Study of Scales (Ian Ring) Index: 1965

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrygian/Locrian Mixed
  Mode 3 of: Ichikosucho
  Mode 4 of: Bebop Minor
  Mode 5 of: Phrygian/Aeolian Mixed
  Mode 6 of: Godyllic
  Mode 7 of: Prokofiev
  Mode 8 of: Genus Diatonicum

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Six-hole “Lost Tuning”

Scala names: Raga Mukhari, Anandabhairavi, Deshi, Manji, Gregorian nr.1, Dorian/Aeolian mixed

Piano Encyclopedia names: Dorian/Aeolian mixed; Gregorian no.1; Raga Anandabhairavi; Raga Deshi; Raga Mukhari

Scale Omnibus names: Dorian Aeolian; Gregorian 1; Raga Anandabhairavi; Raga Deshi; Raga Manji; Raga Mukhari

Raga Ramkali

Scale steps in semitones: 1–3–1–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–8–11–12
  intervals: 1–m2–3–4–d5–5–m6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G G♯ B c
  C D♭ E F G♭ G A♭ B c

All The Chords Name: Bythyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,7,8,11}

Pitch Class Mapping: 2547 (Hex 9F3, Binary 100111110011)

A Study of Scales (Ian Ring) Index: 2547

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues V
  Mode 3 of: Gaptyllic
  Mode 4 of: Aeroptyllic
  Mode 5 of: Mylyllic
  Mode 6 of: Galyllic
  Mode 7 of: Kalyllic
  Mode 8 of: Ionodyllic

The name I use for this scale comes from: Scala name

Scala name: Raga Ramkali (Ramakri)

Piano Encyclopedia name: Raga Ramkali (Ramakri) [Indian]

Scale Omnibus names: Raga Ramakri [India]; Raga Ramkali

Raga Saurashtra

Scale steps in semitones: 1–3–1–2–1–1–2–1

Scale degrees:
  in semitones: 0–1–4–5–7–8–9–11–12
  intervals: 1–m2–3–4–5–m6–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A B c
  C D♭ E F G A♭ A B c

All The Chords Name: Sanyllic, 3imperfections

Pitch Class Set: {0,1,4,5,7,8,9,11}

Pitch Class Mapping: 2995 (Hex BB3, Binary 101110110011)

A Study of Scales (Ian Ring) Index: 2995

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Thyptyllic
  Mode 3 of: Ionogyllic
  Mode 4 of: Aeolaryllic
  Mode 5 of: Katygyllic
  Mode 6 of: Ganyllic
  Mode 7 of: Kyptyllic
  Mode 8 of: Salyllic

The name I use for this scale comes from: Scala name

Scala name: Raga Saurashtra

Piano Encyclopedia name: Raga Saurashtra [Indian]

Scale Omnibus name: Raga Saurashtra [India]

Bebop Minor

Scale steps in semitones: 2–1–1–1–2–2–1–2

Scale degrees:
  in semitones: 0–2–3–4–5–7–9–10–12
  intervals: 1–2–m3–3–4–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F G A A♯ c
  C D E♭ E F G A B♭ c

All The Chords Name: Mixodyllic, 1imperfections

Pitch Class Set: {0,2,3,4,5,7,9,10}

Pitch Class Mapping: 1725 (Hex 6BD, Binary 011010111101)

A Study of Scales (Ian Ring) Index: 1725

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrygian/Aeolian Mixed
  Mode 3 of: Godyllic
  Mode 4 of: Prokofiev
  Mode 5 of: Genus Diatonicum
  Mode 6 of: Raga Mukhari
  Mode 7 of: Phrygian/Locrian Mixed
  Mode 8 of: Ichikosucho

The name I use for this scale comes from: Scala name

Scala names: Minor Bebop, Dorian Bebop, Raga Zilla, Mixolydian/Dorian mixed

Wikipedia page related to this scale:

• Bebop Dorian ⇒ Bebop scale ⇒ Bebop Dorian scale

Piano Encyclopedia names: Bebop Minor [American]; Dorian Bebop; Minor Bebop; Mixolydian/Dorian mixed; Raga Zilla

Scale Omnibus names: Bebop Dorian; Mixolydian Dorian; Raga Zilla

Genus Diatonicum

Scale steps in semitones: 2–2–1–2–2–1–1–1

Scale degrees:
  in semitones: 0–2–4–5–7–9–10–11–12
  intervals: 1–2–3–4–5–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F G A A♯ B c
  C D E F G A B♭ B c

All The Chords Name: Aerycryllic, 1imperfections

Pitch Class Set: {0,2,4,5,7,9,10,11}

Pitch Class Mapping: 3765 (Hex EB5, Binary 111010110101)

A Study of Scales (Ian Ring) Index: 3765

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Mukhari
  Mode 3 of: Phrygian/Locrian Mixed
  Mode 4 of: Ichikosucho
  Mode 5 of: Bebop Minor
  Mode 6 of: Phrygian/Aeolian Mixed
  Mode 7 of: Godyllic
  Mode 8 of: Prokofiev

The name I use for this scale comes from: Scala name

Scala names: Genus diatonicum, Dominant Bebop, Raga Khamaj, Desh Malhar, Alhaiya Bilaval, Devagandhari, Bihagara, Maqam Shawq Awir, Gregorian nr.6, Major/Mixolydian mixed, Chinese Eight-Tone, Rast: Greece

Wikipedia page related to this scale:

• Bebop dominant ⇒ Bebop scale ⇒ Bebop dominant scale

Piano Encyclopedia names: Bebop Dominant [American]; Dominant Bebop; Eight-Note Chinese; Genus diatonicum; Gregorian no.6; Major/Mixolydian mixed; Makam Rast; Maqam Shawq Awir; Mixolydian Bebop; Raga Alhaiya Bilaval; Raga Desh Malhar; Raga Khamaj

Scale Omnibus names: Bebop Mixolydian; Bebop (or Bebop Dominant); Chinese Eight-tone; Genus Diatonicum; Gregorian 6; Major Mixolydian; Maqam Shawq Awir; Raga Alhaiya Bilaval; Raga Bihagara; Raga Desh Malhar; Raga Devagandhari; Raga Khamaj; Rast

Bebop Major

Scale steps in semitones: 2–2–1–2–1–1–2–1

Scale degrees:
  in semitones: 0–2–4–5–7–8–9–11–12
  intervals: 1–2–3–4–5–m6–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F G G♯ A B c
  C D E F G A♭ A B c

All The Chords Name: Ionoptyllic, 2imperfections

Pitch Class Set: {0,2,4,5,7,8,9,11}

Pitch Class Mapping: 2997 (Hex BB5, Binary 101110110101)

A Study of Scales (Ian Ring) Index: 2997

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues 8-Tone
  Mode 3 of: Spanish Phrygian
  Mode 4 of: Gycryllic
  Mode 5 of: Lyryllic
  Mode 6 of: Magen Abot 2
  Mode 7 of: Maqam Nahawand
  Mode 8 of: Moptyllic

The name I use for this scale comes from: Scala name

Scala names: Major Bebop, Altered Mixolydian

Wikipedia page related to this scale:

• Bebop major ⇒ Bebop scale ⇒ Bebop major scale

Piano Encyclopedia names: Altered Mixolydian I; Altered Mixolydian II; Bebop Major I; Bebop Major II; Major Bebop I; Major Bebop II

Scale Omnibus name: Bebop Major

Spanish Phrygian

Scale steps in semitones: 1–2–1–1–2–1–2–2

Scale degrees:
  in semitones: 0–1–3–4–5–7–8–10–12
  intervals: 1–m2–m3–3–4–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G G♯ A♯ c
  C D♭ E♭ E F G A♭ B♭ c

All The Chords Name: Thydyllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,7,8,10}

Pitch Class Mapping: 1467 (Hex 5BB, Binary 010110111011)

A Study of Scales (Ian Ring) Index: 1467

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gycryllic
  Mode 3 of: Lyryllic
  Mode 4 of: Magen Abot 2
  Mode 5 of: Maqam Nahawand
  Mode 6 of: Moptyllic
  Mode 7 of: Bebop Major
  Mode 8 of: Blues 8-Tone

The name I use for this scale comes from: Scala name

Scala name: Spanish Phrygian

Piano Encyclopedia name: Spanish Phrygian II [Spanish]

Scale Omnibus names: Flamenco; Spanish Phrygian

Half-diminished Bebop

Scale steps in semitones: 1–2–2–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–8–11–12
  intervals: 1–m2–m3–4–d5–5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G G♯ B c
  C D♭ E♭ F G♭ G A♭ B c

All The Chords Name: Lacryllic, 2imperfections

Pitch Class Set: {0,1,3,5,6,7,8,11}

Pitch Class Mapping: 2539 (Hex 9EB, Binary 100111101011)

A Study of Scales (Ian Ring) Index: 2539

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katynyllic
  Mode 3 of: Maryllic
  Mode 4 of: Mothyllic
  Mode 5 of: Mixothyllic
  Mode 6 of:
  Mode 7 of: Eponyllic
  Mode 8 of: Thocryllic

The name I use for this scale comes from: Scala name

Scala name: Half-diminished Bebop

Piano Encyclopedia names: Bebop Half-Diminished [American]; Half-Diminished Bebop

Scale Omnibus name: Bebop Half-diminished

Neapolitan Mixed

Scale steps in semitones: 1–2–2–2–1–1–2–1

Scale degrees:
  in semitones: 0–1–3–5–7–8–9–11–12
  intervals: 1–m2–m3–4–5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A B c
  C D♭ E♭ F G A♭ A B c

All The Chords Name: Thanyllic, 4imperfections

Pitch Class Set: {0,1,3,5,7,8,9,11}

Pitch Class Mapping: 2987 (Hex BAB, Binary 101110101011)

A Study of Scales (Ian Ring) Index: 2987

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Racryllic
  Mode 3 of: Epicryllic
  Mode 4 of: Stygyllic
  Mode 5 of: Syryllic
  Mode 6 of: Stythyllic
  Mode 7 of: Aerothyllic
  Mode 8 of: Mixoryllic

The name I use for this scale comes from: Scala name, shortened by Clint

Scala name: Neapolitan Major and Minor mixed

Verdi's Scala Enigmatica

Scale steps in semitones: 1–3–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–8–10–11–12
  intervals: 1–m2–3–4–d5–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ A♯ B c
  C D♭ E F G♭ A♭ B♭ B c

All The Chords Name: Bodyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,8,10,11}

Pitch Class Mapping: 3443 (Hex D73, Binary 110101110011)

A Study of Scales (Ian Ring) Index: 3443

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Eponyllic
  Mode 3 of: Thocryllic
  Mode 4 of: Half-diminished Bebop
  Mode 5 of: Katynyllic
  Mode 6 of: Maryllic
  Mode 7 of: Mothyllic
  Mode 8 of: Mixothyllic

The name I use for this scale comes from: Scala name

Scala names: Verdi's Scala enigmatica

Piano Encyclopedia names: Verdi's Scala Enigmatica [Italian]

Scale Omnibus name: Enigmatic Mixed

Zirafkend

Scale steps in semitones: 2–1–2–2–1–1–2–1

Scale degrees:
  in semitones: 0–2–3–5–7–8–9–11–12
  intervals: 1–2–m3–4–5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A B c
  C D E♭ F G A♭ A B c

Pitch Class Set: {0,2,3,5,7,8,9,11}

Pitch Class Mapping: 2989 (Hex BAD, Binary 101110101101)

A Study of Scales (Ian Ring) Index: 2989

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Shostakovich

The name I use for this scale comes from: Scala name

Scala names: Zirafkend: Arabic, Melodic Minor Bebop

Wikipedia page related to this scale:

• Bebop melodic minor ⇒ Bebop scale ⇒ Bebop melodic minor scale

Piano Encyclopedia name: Zirafkend : Arabic [Arabian]

Scale Omnibus names: Bebop Melodic Minor; Zirafkend

Magen Abot 2

Scale steps in semitones: 1–2–1–2–2–1–2–1

Scale degrees:
  in semitones: 0–1–3–4–6–8–9–11–12
  intervals: 1–m2–m3–3–d5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A B c
  C D♭ E♭ E G♭ A♭ A B c

All The Chords Name: Mogyllic, 2imperfections

Pitch Class Set: {0,1,3,4,6,8,9,11}

Pitch Class Mapping: 2907 (Hex B5B, Binary 101101011011)

A Study of Scales (Ian Ring) Index: 2907

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Nahawand
  Mode 3 of: Moptyllic
  Mode 4 of: Bebop Major
  Mode 5 of: Blues 8-Tone
  Mode 6 of: Spanish Phrygian
  Mode 7 of: Gycryllic
  Mode 8 of: Lyryllic

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Magen Abot Tuning

Scala name: Magen Abot: Jewish

Scale Omnibus name: Magen Abot [Jewish]

Maqam Nahawand

Scale steps in semitones: 2–1–2–2–1–2–1–1

Scale degrees:
  in semitones: 0–2–3–5–7–8–10–11–12
  intervals: 1–2–m3–4–5–m6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ B c
  C D E♭ F G A♭ B♭ B c

All The Chords Name: Katodyllic, 2imperfections

Pitch Class Set: {0,2,3,5,7,8,10,11}

Pitch Class Mapping: 3501 (Hex DAD, Binary 110110101101)

A Study of Scales (Ian Ring) Index: 3501

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Moptyllic
  Mode 3 of: Bebop Major
  Mode 4 of: Blues 8-Tone
  Mode 5 of: Spanish Phrygian
  Mode 6 of: Gycryllic
  Mode 7 of: Lyryllic
  Mode 8 of: Magen Abot 2

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Seven-hole Minor

Scala names: Maqam Nahawand, Farahfaza, Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor

Wikipedia page related to this scale:

• Bebop harmonic minor ⇒ Bebop scale ⇒ Bebop harmonic minor scale

Piano Encyclopedia names: Gregorian no.4 [Church]; Utility Minor

Scale Omnibus names: Bebop Harmonic Minor; Bebop Natural Minor; Gregorian 4; Maqam Farahfaza; Maqam Nahawand; Raga Suha Kanada; Utility Minor

Harmonic/Neapolitan Minor Mixed

Scale steps in semitones: 1–1–1–2–2–1–3–1

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–11–12
  intervals: 1–m2–2–m3–4–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ B c
  C D♭ D E♭ F G A♭ B c

All The Chords Name: Rycryllic, 3imperfections

Pitch Class Set: {0,1,2,3,5,7,8,11}

Pitch Class Mapping: 2479 (Hex 9AF, Binary 100110101111)

A Study of Scales (Ian Ring) Index: 2479

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrathyllic
  Mode 3 of: Badyllic
  Mode 4 of: Phrocryllic
  Mode 5 of: Raga Cintamani
  Mode 6 of: Zothyllic
  Mode 7 of: Gythyllic
  Mode 8 of: Pyryllic

The name I use for this scale comes from: Scala name, abbreviated by Clint

Scala name: Harmonic and Neapolitan Minor mixed

Piano Encyclopedia name: Harmonic and Neapolitan Minor mixed

Scale Omnibus name: Harmonic Neapolitan Minor [Italy]

Maqam Hijaz

Scale steps in semitones: 1–3–1–2–1–2–1–1

Scale degrees:
  in semitones: 0–1–4–5–7–8–10–11–12
  intervals: 1–m2–3–4–5–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A♯ B c
  C D♭ E F G A♭ B♭ B c

All The Chords Name: Ponyllic, 3imperfections

Pitch Class Set: {0,1,4,5,7,8,10,11}

Pitch Class Mapping: 3507 (Hex DB3, Binary 110110110011)

A Study of Scales (Ian Ring) Index: 3507

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maptyllic
  Mode 3 of: Aeraptyllic
  Mode 4 of: Algerian
  Mode 5 of:
  Mode 6 of: Phrylyllic
  Mode 7 of: Epigyllic
  Mode 8 of: Molyllic

The name I use for this scale comes from: Scala name, abbreviated by Clint

Scala name: Maqam Hijaz (Hedjaz)

Piano Encyclopedia name: Makam Hijaz [Iraqian]

Scale Omnibus name: Maqam Hijaz [Iraq]

Maqam Shadd'araban

Scale steps in semitones: 1–2–1–1–1–3–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–6–9–10–12
  intervals: 1–m2–m3–3–4–d5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ A A♯ c
  C D♭ E♭ E F G♭ A B♭ c

All The Chords Name: Magyllic, 3imperfections

Pitch Class Set: {0,1,3,4,5,6,9,10}

Pitch Class Mapping: 1659 (Hex 67B, Binary 011001111011)

A Study of Scales (Ian Ring) Index: 1659

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrylyllic
  Mode 3 of: Epigyllic
  Mode 4 of: Molyllic
  Mode 5 of: Maqam Hijaz
  Mode 6 of: Maptyllic
  Mode 7 of: Aeraptyllic
  Mode 8 of: Algerian

The name I use for this scale comes from: Scala name

Scala names: Maqam Shadd'araban

Piano Encyclopedia names: Maqam Shadd'araban [Iraqian]

Scale Omnibus name: Maqam Shadd’araban [Iraq]

Messiaen Mode 4

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–1–3–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–3–6–7–8–9–12
  intervals: 1–m2–2–m3–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F♯ G G♯ A c
  C D♭ D E♭ G♭ G A♭ A c

All The Chords Name: Katogyllic, 2imperfections

Pitch Class Set: {0,1,2,3,6,7,8,9}

Pitch Class Mapping: 975 (Hex 3CF, Binary 001111001111)

A Study of Scales (Ian Ring) Index: 975

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Tcherepnin Octatonic Mode 2
  Mode 3 of: Tcherepnin Octatonic Mode 1
  Mode 4 of: Messiaen Mode 4 Inverse
  Mode 5 of: Messiaen Mode 4
  Mode 6 of: Tcherepnin Octatonic Mode 2
  Mode 7 of: Tcherepnin Octatonic Mode 1
  Mode 8 of: Messiaen Mode 4 Inverse

The name I use for this scale comes from: Scala name

Scala names: Messiaen mode 4, Tcherepnin Octatonic mode 3

Messiaen Mode 4 Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–1–3–1–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–9–10–11–12
  intervals: 1–m3–3–4–d5–6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ A A♯ B c
  C E♭ E F G♭ A B♭ B c

All The Chords Name: Sydyllic, 2imperfections

Pitch Class Set: {0,3,4,5,6,9,10,11}

Pitch Class Mapping: 3705 (Hex E79, Binary 111001111001)

A Study of Scales (Ian Ring) Index: 3705

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 4
  Mode 3 of: Tcherepnin Octatonic Mode 2
  Mode 4 of: Tcherepnin Octatonic Mode 1
  Mode 5 of: Messiaen Mode 4 Inverse
  Mode 6 of: Messiaen Mode 4
  Mode 7 of: Tcherepnin Octatonic Mode 2
  Mode 8 of: Tcherepnin Octatonic Mode 1

The name I use for this scale comes from: Scala name

Scala names: Messiaen mode 4 inverse, Tcherepnin Octatonic mode 4

Piano Encyclopedia name: Messiaen mode 4 inverse

Scale Omnibus name: Messiaen 4th Mode Inverse

Messiaen Mode 6

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–2–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–4–6–7–8–10–12
  intervals: 1–m2–2–3–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G G♯ A♯ c
  C D♭ D E G♭ G A♭ B♭ c

All The Chords Name: Epidyllic, 3imperfections

Pitch Class Set: {0,1,2,4,6,7,8,10}

Pitch Class Mapping: 1495 (Hex 5D7, Binary 010111010111)

A Study of Scales (Ian Ring) Index: 1495

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Van der Horst Octatonic
  Mode 3 of: Messiaen Mode 6 Inverse
  Mode 4 of: Epotyllic and Saptyllic
  Mode 5 of: Messiaen Mode 6
  Mode 6 of: Van der Horst Octatonic
  Mode 7 of: Messiaen Mode 6 Inverse
  Mode 8 of: Epotyllic and Saptyllic

The name I use for this scale comes from: Scala name

Scala name: Messiaen mode 6

Scale Omnibus name: Messiaen 6th Mode Inverse

Messiaen Mode 6 Inverse

Scale steps in semitones: 2–2–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–2–4–5–6–8–10–11–12
  intervals: 1–2–3–4–d5–m6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G♯ A♯ B c
  C D E F G♭ A♭ B♭ B c

All The Chords Name: Roryllic, 3imperfections

Pitch Class Set: {0,2,4,5,6,8,10,11}

Pitch Class Mapping: 3445 (Hex D75, Binary 110101110101)

A Study of Scales (Ian Ring) Index: 3445

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epotyllic and Saptyllic
  Mode 3 of: Messiaen Mode 6
  Mode 4 of: Van der Horst Octatonic
  Mode 5 of: Messiaen Mode 6 Inverse
  Mode 6 of: Epotyllic and Saptyllic
  Mode 7 of: Messiaen Mode 6
  Mode 8 of: Van der Horst Octatonic

The name I use for this scale comes from: Scala name

Scala name: Messiaen mode 6 inverse

Piano Encyclopedia names: Messiaen mode 6; Messiaen mode 6 inverse

Scale Omnibus name: Messiaen 6th Mode

Tcherepnin Octatonic Mode 1

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–3–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–10–11–12
  intervals: 1–m2–3–4–d5–5–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A♯ B c
  C D♭ E F G♭ G B♭ B c

All The Chords Name: Aeralyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,7,10,11}

Pitch Class Mapping: 3315 (Hex CF3, Binary 110011110011)

A Study of Scales (Ian Ring) Index: 3315

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 4 Inverse
  Mode 3 of: Messiaen Mode 4
  Mode 4 of: Tcherepnin Octatonic Mode 2
  Mode 5 of: Tcherepnin Octatonic Mode 1
  Mode 6 of: Messiaen Mode 4 Inverse
  Mode 7 of: Messiaen Mode 4
  Mode 8 of: Tcherepnin Octatonic Mode 2

The name I use for this scale comes from: Scala name

Scala name: Tcherepnin Octatonic mode 1

Tcherepnin Octatonic Mode 2

Scale steps in semitones: 1–1–3–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–5–6–7–8–11–12
  intervals: 1–m2–2–4–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G G♯ B c
  C D♭ D F G♭ G A♭ B c

All The Chords Name: Zygyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,8,11}

Pitch Class Mapping: 2535 (Hex 9E7, Binary 100111100111)

A Study of Scales (Ian Ring) Index: 2535

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Tcherepnin Octatonic Mode 1
  Mode 3 of: Messiaen Mode 4 Inverse
  Mode 4 of: Messiaen Mode 4
  Mode 5 of: Tcherepnin Octatonic Mode 2
  Mode 6 of: Tcherepnin Octatonic Mode 1
  Mode 7 of: Messiaen Mode 4 Inverse
  Mode 8 of: Messiaen Mode 4

The name I use for this scale comes from: Scala name

Scala name: Tcherepnin Octatonic mode 2

Piano Encyclopedia names: Messiaen mode 4; Messiaen mode 5

Scale Omnibus name: Messiaen 4th Mode

Phrygian/Aeolian Mixed

Scale steps in semitones: 1–1–1–2–2–1–2–2

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–10–12
  intervals: 1–m2–2–m3–4–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ A♯ c
  C D♭ D E♭ F G A♭ B♭ c

All The Chords Name: Soryllic, 1imperfections

Pitch Class Set: {0,1,2,3,5,7,8,10}

Pitch Class Mapping: 1455 (Hex 5AF, Binary 010110101111)

A Study of Scales (Ian Ring) Index: 1455

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Godyllic
  Mode 3 of: Prokofiev
  Mode 4 of: Genus Diatonicum
  Mode 5 of: Raga Mukhari
  Mode 6 of: Phrygian/Locrian Mixed
  Mode 7 of: Ichikosucho
  Mode 8 of: Bebop Minor

The name I use for this scale comes from: Scala name

Scala name: Phrygian/Aeolian mixed

Piano Encyclopedia name: Phrygian/Aeolian mixed

Scale Omnibus names: Phrygian Aeolian b4; Phrygian Aeolian Mixed

Phrygian/Locrian Mixed

Scale steps in semitones: 1–2–2–1–1–1–2–2

Scale degrees:
  in semitones: 0–1–3–5–6–7–8–10–12
  intervals: 1–m2–m3–4–d5–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G G♯ A♯ c
  C D♭ E♭ F G♭ G A♭ B♭ c

All The Chords Name: Solyllic, 1imperfections

Pitch Class Set: {0,1,3,5,6,7,8,10}

Pitch Class Mapping: 1515 (Hex 5EB, Binary 010111101011)

A Study of Scales (Ian Ring) Index: 1515

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ichikosucho
  Mode 3 of: Bebop Minor
  Mode 4 of: Phrygian/Aeolian Mixed
  Mode 5 of: Godyllic
  Mode 6 of: Prokofiev
  Mode 7 of: Genus Diatonicum
  Mode 8 of: Raga Mukhari

The name I use for this scale comes from: Scala name

Scala name: Phrygian/Locrian mixed

Piano Encyclopedia name: Phrygian/Locrian mixed

Scale Omnibus names: Bebop Locrian; Phrygian Locrian

Hamel

Scale steps in semitones: 1–2–2–2–1–2–1–1

Scale degrees:
  in semitones: 0–1–3–5–7–8–10–11–12
  intervals: 1–m2–m3–4–5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A♯ B c
  C D♭ E♭ F G A♭ B♭ B c

All The Chords Name: Lythyllic, 2imperfections

Pitch Class Set: {0,1,3,5,7,8,10,11}

Pitch Class Mapping: 3499 (Hex DAB, Binary 110110101011)

A Study of Scales (Ian Ring) Index: 3499

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rocryllic
  Mode 3 of: Zyryllic
  Mode 4 of: Sagyllic
  Mode 5 of: Eight Tone Spanish
  Mode 6 of: Katagyllic
  Mode 7 of: Adonai Malakh
  Mode 8 of: Gothyllic

The name I use for this scale comes from: Scala name

Scala name: Hamel

Piano Encyclopedia name: Gregorian no.3 [Church]

Scale Omnibus names: Gregorian 3; Hamel

Van der Horst Octatonic

Scale steps in semitones: 1–2–2–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–9–11–12
  intervals: 1–m2–m3–4–d5–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G A B c
  C D♭ E♭ F G♭ G A B c

All The Chords Name: Kaptyllic, 3imperfections

Pitch Class Set: {0,1,3,5,6,7,9,11}

Pitch Class Mapping: 2795 (Hex AEB, Binary 101011101011)

A Study of Scales (Ian Ring) Index: 2795

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 6 Inverse
  Mode 3 of: Epotyllic and Saptyllic
  Mode 4 of: Messiaen Mode 6
  Mode 5 of: Van der Horst Octatonic
  Mode 6 of: Messiaen Mode 6 Inverse
  Mode 7 of: Epotyllic and Saptyllic
  Mode 8 of: Messiaen Mode 6

The name I use for this scale comes from: Scala name

Scala name: Van der Horst Octatonic

Piano Encyclopedia name: Van der Horst Octatonic [Dutch]

Scale Omnibus name: Van Der Host

Prokofiev

Scale steps in semitones: 1–2–2–1–2–2–1–1

Scale degrees:
  in semitones: 0–1–3–5–6–8–10–11–12
  intervals: 1–m2–m3–4–d5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A♯ B c
  C D♭ E♭ F G♭ A♭ B♭ B c

All The Chords Name: Epiphyllic, 1imperfections

Pitch Class Set: {0,1,3,5,6,8,10,11}

Pitch Class Mapping: 3435 (Hex D6B, Binary 110101101011)

A Study of Scales (Ian Ring) Index: 3435

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Genus Diatonicum
  Mode 3 of: Raga Mukhari
  Mode 4 of: Phrygian/Locrian Mixed
  Mode 5 of: Ichikosucho
  Mode 6 of: Bebop Minor
  Mode 7 of: Phrygian/Aeolian Mixed
  Mode 8 of: Godyllic

The name I use for this scale comes from: Scala name

Scala name: Prokofiev

Piano Encyclopedia name: Prokofiev

Scale Omnibus name: Prokofiev [Russia]

Shostakovich

Scale steps in semitones: 1–2–1–2–1–2–2–1

Scale degrees:
  in semitones: 0–1–3–4–6–7–9–11–12
  intervals: 1–m2–m3–3–d5–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A B c
  C D♭ E♭ E G♭ G A B c

Pitch Class Set: {0,1,3,4,6,7,9,11}

Pitch Class Mapping: 2779 (Hex ADB, Binary 101011011011)

A Study of Scales (Ian Ring) Index: 2779

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Zirafkend

The name I use for this scale comes from: Scala name

Scala name: Shostakovich

Piano Encyclopedia name: Shostakovich [Russian]

Scale Omnibus name: Shostakovich [Russia]

JG Octatonic

Scale steps in semitones: 1–2–1–1–2–2–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–7–9–10–12
  intervals: 1–m2–m3–3–4–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G A A♯ c
  C D♭ E♭ E F G A B♭ c

All The Chords Name: Poryllic, 3imperfections

Pitch Class Set: {0,1,3,4,5,7,9,10}

Pitch Class Mapping: 1723 (Hex 6BB, Binary 011010111011)

A Study of Scales (Ian Ring) Index: 1723

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mocryllic
  Mode 3 of: Aeolyryllic
  Mode 4 of: Baryllic
  Mode 5 of: Stogyllic
  Mode 6 of: Ionidyllic
  Mode 7 of: Stonyllic
  Mode 8 of: Stalyllic

The name I use for this scale comes from: Scala name

Scala name: JG Octatonic

Scale Omnibus name: LG Octatonic

Blues V

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

             or            

Scale steps in semitones: 3–1–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–7–10–11–12
  intervals: 1–m3–3–4–d5–5–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G A♯ B c
  C E♭ E F G♭ G B♭ B c

All The Chords Name: Epagyllic, 2imperfections

Pitch Class Set: {0,3,4,5,6,7,10,11}

Pitch Class Mapping: 3321 (Hex CF9, Binary 110011111001)

A Study of Scales (Ian Ring) Index: 3321

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gaptyllic
  Mode 3 of: Aeroptyllic
  Mode 4 of: Mylyllic
  Mode 5 of: Galyllic
  Mode 6 of: Kalyllic
  Mode 7 of: Ionodyllic
  Mode 8 of: Raga Ramkali

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Blues V [African]

Godyllic

Scale steps in semitones: 1–1–2–2–1–2–2–1

Scale degrees:
  in semitones: 0–1–2–4–6–7–9–11–12
  intervals: 1–m2–2–3–d5–5–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G A B c
  C D♭ D E G♭ G A B c

All The Chords Name: Godyllic, 1imperfections

Pitch Class Set: {0,1,2,4,6,7,9,11}

Pitch Class Mapping: 2775 (Hex AD7, Binary 101011010111)

A Study of Scales (Ian Ring) Index: 2775

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Prokofiev
  Mode 3 of: Genus Diatonicum
  Mode 4 of: Raga Mukhari
  Mode 5 of: Phrygian/Locrian Mixed
  Mode 6 of: Ichikosucho
  Mode 7 of: Bebop Minor
  Mode 8 of: Phrygian/Aeolian Mixed

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gycryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–2–1–2–2–1

Scale degrees:
  in semitones: 0–2–3–4–6–7–9–11–12
  intervals: 1–2–m3–3–d5–5–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F♯ G A B c
  C D E♭ E G♭ G A B c

All The Chords Name: Gycryllic, 2imperfections

Pitch Class Set: {0,2,3,4,6,7,9,11}

Pitch Class Mapping: 2781 (Hex ADD, Binary 101011011101)

A Study of Scales (Ian Ring) Index: 2781

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lyryllic
  Mode 3 of: Magen Abot 2
  Mode 4 of: Maqam Nahawand
  Mode 5 of: Moptyllic
  Mode 6 of: Bebop Major
  Mode 7 of: Blues 8-Tone
  Mode 8 of: Spanish Phrygian

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Lyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–1–2–2–1–2

Scale degrees:
  in semitones: 0–1–2–4–5–7–9–10–12
  intervals: 1–m2–2–3–4–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F G A A♯ c
  C D♭ D E F G A B♭ c

All The Chords Name: Lyryllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,7,9,10}

Pitch Class Mapping: 1719 (Hex 6B7, Binary 011010110111)

A Study of Scales (Ian Ring) Index: 1719

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Magen Abot 2
  Mode 3 of: Maqam Nahawand
  Mode 4 of: Moptyllic
  Mode 5 of: Bebop Major
  Mode 6 of: Blues 8-Tone
  Mode 7 of: Spanish Phrygian
  Mode 8 of: Gycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Moptyllic

Scale steps in semitones: 1–2–2–1–2–1–1–2

Scale degrees:
  in semitones: 0–1–3–5–6–8–9–10–12
  intervals: 1–m2–m3–4–d5–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A A♯ c
  C D♭ E♭ F G♭ A♭ A B♭ c

All The Chords Name: Moptyllic, 2imperfections

Pitch Class Set: {0,1,3,5,6,8,9,10}

Pitch Class Mapping: 1899 (Hex 76B, Binary 011101101011)

A Study of Scales (Ian Ring) Index: 1899

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bebop Major
  Mode 3 of: Blues 8-Tone
  Mode 4 of: Spanish Phrygian
  Mode 5 of: Gycryllic
  Mode 6 of: Lyryllic
  Mode 7 of: Magen Abot 2
  Mode 8 of: Maqam Nahawand

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Ionocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–2–1–1–1–2–1

Scale degrees:
  in semitones: 0–2–4–6–7–8–9–11–12
  intervals: 1–2–3–d5–5–m6–6–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G G♯ A B c
  C D E G♭ G A♭ A B c

All The Chords Name: Ionocryllic, 2imperfections

Pitch Class Set: {0,2,4,6,7,8,9,11}

Pitch Class Mapping: 3029 (Hex BD5, Binary 101111010101)

A Study of Scales (Ian Ring) Index: 3029

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gocryllic
  Mode 3 of: Epiryllic
  Mode 4 of: Aeradyllic
  Mode 5 of: Staptyllic
  Mode 6 of: Magen Abot 1
  Mode 7 of: Raga Mian Ki Malhar
  Mode 8 of: Epocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–1–1–2–1–2

Scale degrees:
  in semitones: 0–2–4–5–6–7–9–10–12
  intervals: 1–2–3–4–d5–5–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F F♯ G A A♯ c
  C D E F G♭ G A B♭ c

All The Chords Name: Gocryllic, 2imperfections

Pitch Class Set: {0,2,4,5,6,7,9,10}

Pitch Class Mapping: 1781 (Hex 6F5, Binary 011011110101)

A Study of Scales (Ian Ring) Index: 1781

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epiryllic
  Mode 3 of: Aeradyllic
  Mode 4 of: Staptyllic
  Mode 5 of: Magen Abot 1
  Mode 6 of: Raga Mian Ki Malhar
  Mode 7 of: Epocryllic
  Mode 8 of: Ionocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Epiryllic

Scale steps in semitones: 2–1–1–1–2–1–2–2

Scale degrees:
  in semitones: 0–2–3–4–5–7–8–10–12
  intervals: 1–2–m3–3–4–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F G G♯ A♯ c
  C D E♭ E F G A♭ B♭ c

All The Chords Name: Epiryllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,8,10}

Pitch Class Mapping: 1469 (Hex 5BD, Binary 010110111101)

A Study of Scales (Ian Ring) Index: 1469

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeradyllic
  Mode 3 of: Staptyllic
  Mode 4 of: Magen Abot 1
  Mode 5 of: Raga Mian Ki Malhar
  Mode 6 of: Epocryllic
  Mode 7 of: Ionocryllic
  Mode 8 of: Gocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeradyllic

Scale steps in semitones: 1–1–1–2–1–2–2–2

Scale degrees:
  in semitones: 0–1–2–3–5–6–8–10–12
  intervals: 1–m2–2–m3–4–d5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G♯ A♯ c
  C D♭ D E♭ F G♭ A♭ B♭ c

All The Chords Name: Aeradyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,6,8,10}

Pitch Class Mapping: 1391 (Hex 56F, Binary 010101101111)

A Study of Scales (Ian Ring) Index: 1391

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Staptyllic
  Mode 3 of: Magen Abot 1
  Mode 4 of: Raga Mian Ki Malhar
  Mode 5 of: Epocryllic
  Mode 6 of: Ionocryllic
  Mode 7 of: Gocryllic
  Mode 8 of: Epiryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Staptyllic

Scale steps in semitones: 1–1–2–1–2–2–2–1

Scale degrees:
  in semitones: 0–1–2–4–5–7–9–11–12
  intervals: 1–m2–2–3–4–5–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F G A B c
  C D♭ D E F G A B c

All The Chords Name: Staptyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,7,9,11}

Pitch Class Mapping: 2743 (Hex AB7, Binary 101010110111)

A Study of Scales (Ian Ring) Index: 2743

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Magen Abot 1
  Mode 3 of: Raga Mian Ki Malhar
  Mode 4 of: Epocryllic
  Mode 5 of: Ionocryllic
  Mode 6 of: Gocryllic
  Mode 7 of: Epiryllic
  Mode 8 of: Aeradyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Epocryllic

Scale steps in semitones: 1–2–2–2–1–1–1–2

Scale degrees:
  in semitones: 0–1–3–5–7–8–9–10–12
  intervals: 1–m2–m3–4–5–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A A♯ c
  C D♭ E♭ F G A♭ A B♭ c

All The Chords Name: Epocryllic, 2imperfections

Pitch Class Set: {0,1,3,5,7,8,9,10}

Pitch Class Mapping: 1963 (Hex 7AB, Binary 011110101011)

A Study of Scales (Ian Ring) Index: 1963

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionocryllic
  Mode 3 of: Gocryllic
  Mode 4 of: Epiryllic
  Mode 5 of: Aeradyllic
  Mode 6 of: Staptyllic
  Mode 7 of: Magen Abot 1
  Mode 8 of: Raga Mian Ki Malhar

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–2–1–2–1–1–1

Scale degrees:
  in semitones: 0–2–4–6–7–9–10–11–12
  intervals: 1–2–3–d5–5–6–m7–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G A A♯ B c
  C D E G♭ G A B♭ B c

All The Chords Name: Rocryllic, 2imperfections

Pitch Class Set: {0,2,4,6,7,9,10,11}

Pitch Class Mapping: 3797 (Hex ED5, Binary 111011010101)

A Study of Scales (Ian Ring) Index: 3797

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zyryllic
  Mode 3 of: Sagyllic
  Mode 4 of: Eight Tone Spanish
  Mode 5 of: Katagyllic
  Mode 6 of: Adonai Malakh
  Mode 7 of: Gothyllic
  Mode 8 of: Hamel

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–2–1–1–1–2

Scale degrees:
  in semitones: 0–2–4–5–7–8–9–10–12
  intervals: 1–2–3–4–5–m6–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G G♯ A A♯ c
  C D E F G A♭ A B♭ c

All The Chords Name: Zyryllic, 2imperfections

Pitch Class Set: {0,2,4,5,7,8,9,10}

Pitch Class Mapping: 1973 (Hex 7B5, Binary 011110110101)

A Study of Scales (Ian Ring) Index: 1973

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sagyllic
  Mode 3 of: Eight Tone Spanish
  Mode 4 of: Katagyllic
  Mode 5 of: Adonai Malakh
  Mode 6 of: Gothyllic
  Mode 7 of: Hamel
  Mode 8 of: Rocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Sagyllic

Scale steps in semitones: 2–1–2–1–1–1–2–2

Scale degrees:
  in semitones: 0–2–3–5–6–7–8–10–12
  intervals: 1–2–m3–4–d5–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G G♯ A♯ c
  C D E♭ F G♭ G A♭ B♭ c

All The Chords Name: Sagyllic, 2imperfections

Pitch Class Set: {0,2,3,5,6,7,8,10}

Pitch Class Mapping: 1517 (Hex 5ED, Binary 010111101101)

A Study of Scales (Ian Ring) Index: 1517

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Eight Tone Spanish
  Mode 3 of: Katagyllic
  Mode 4 of: Adonai Malakh
  Mode 5 of: Gothyllic
  Mode 6 of: Hamel
  Mode 7 of: Rocryllic
  Mode 8 of: Zyryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katagyllic

Scale steps in semitones: 2–1–1–1–2–2–2–1

Scale degrees:
  in semitones: 0–2–3–4–5–7–9–11–12
  intervals: 1–2–m3–3–4–5–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F G A B c
  C D E♭ E F G A B c

All The Chords Name: Katagyllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,9,11}

Pitch Class Mapping: 2749 (Hex ABD, Binary 101010111101)

A Study of Scales (Ian Ring) Index: 2749

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Adonai Malakh
  Mode 3 of: Gothyllic
  Mode 4 of: Hamel
  Mode 5 of: Rocryllic
  Mode 6 of: Zyryllic
  Mode 7 of: Sagyllic
  Mode 8 of: Eight Tone Spanish

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gothyllic

Scale steps in semitones: 1–1–2–2–2–1–2–1

Scale degrees:
  in semitones: 0–1–2–4–6–8–9–11–12
  intervals: 1–m2–2–3–d5–m6–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G♯ A B c
  C D♭ D E G♭ A♭ A B c

All The Chords Name: Gothyllic, 2imperfections

Pitch Class Set: {0,1,2,4,6,8,9,11}

Pitch Class Mapping: 2903 (Hex B57, Binary 101101010111)

A Study of Scales (Ian Ring) Index: 2903

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Hamel
  Mode 3 of: Rocryllic
  Mode 4 of: Zyryllic
  Mode 5 of: Sagyllic
  Mode 6 of: Eight Tone Spanish
  Mode 7 of: Katagyllic
  Mode 8 of: Adonai Malakh

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bacryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–8–10–11–12
  intervals: 1–m3–3–4–d5–m6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G♯ A♯ B c
  C E♭ E F G♭ A♭ B♭ B c

All The Chords Name: Bacryllic, 2imperfections

Pitch Class Set: {0,3,4,5,6,8,10,11}

Pitch Class Mapping: 3449 (Hex D79, Binary 110101111001)

A Study of Scales (Ian Ring) Index: 3449

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aerygyllic
  Mode 3 of: Dathyllic
  Mode 4 of: Boptyllic
  Mode 5 of: Bagyllic
  Mode 6 of: Mathyllic
  Mode 7 of: Styptyllic
  Mode 8 of: Raga Bhatiyar

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aerygyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–1–2–2–1–1–3

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–9–12
  intervals: 1–m2–2–m3–4–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ A c
  C D♭ D E♭ F G A♭ A c

All The Chords Name: Aerygyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,7,8,9}

Pitch Class Mapping: 943 (Hex 3AF, Binary 001110101111)

A Study of Scales (Ian Ring) Index: 943

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dathyllic
  Mode 3 of: Boptyllic
  Mode 4 of: Bagyllic
  Mode 5 of: Mathyllic
  Mode 6 of: Styptyllic
  Mode 7 of: Raga Bhatiyar
  Mode 8 of: Bacryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dathyllic

Scale steps in semitones: 1–1–2–2–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–4–6–7–8–11–12
  intervals: 1–m2–2–3–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G G♯ B c
  C D♭ D E G♭ G A♭ B c

All The Chords Name: Dathyllic, 2imperfections

Pitch Class Set: {0,1,2,4,6,7,8,11}

Pitch Class Mapping: 2519 (Hex 9D7, Binary 100111010111)

A Study of Scales (Ian Ring) Index: 2519

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Boptyllic
  Mode 3 of: Bagyllic
  Mode 4 of: Mathyllic
  Mode 5 of: Styptyllic
  Mode 6 of: Raga Bhatiyar
  Mode 7 of: Bacryllic
  Mode 8 of: Aerygyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Boptyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–2–1–1–3–1–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–10–11–12
  intervals: 1–m2–m3–4–d5–5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G A♯ B c
  C D♭ E♭ F G♭ G B♭ B c

All The Chords Name: Boptyllic, 2imperfections

Pitch Class Set: {0,1,3,5,6,7,10,11}

Pitch Class Mapping: 3307 (Hex CEB, Binary 110011101011)

A Study of Scales (Ian Ring) Index: 3307

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bagyllic
  Mode 3 of: Mathyllic
  Mode 4 of: Styptyllic
  Mode 5 of: Raga Bhatiyar
  Mode 6 of: Bacryllic
  Mode 7 of: Aerygyllic
  Mode 8 of: Dathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bagyllic

Scale steps in semitones: 2–2–1–1–3–1–1–1

Scale degrees:
  in semitones: 0–2–4–5–6–9–10–11–12
  intervals: 1–2–3–4–d5–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ A A♯ B c
  C D E F G♭ A B♭ B c

All The Chords Name: Bagyllic, 2imperfections

Pitch Class Set: {0,2,4,5,6,9,10,11}

Pitch Class Mapping: 3701 (Hex E75, Binary 111001110101)

A Study of Scales (Ian Ring) Index: 3701

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mathyllic
  Mode 3 of: Styptyllic
  Mode 4 of: Raga Bhatiyar
  Mode 5 of: Bacryllic
  Mode 6 of: Aerygyllic
  Mode 7 of: Dathyllic
  Mode 8 of: Boptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mathyllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–3–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–4–7–8–9–10–12
  intervals: 1–2–m3–3–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E G G♯ A A♯ c
  C D E♭ E G A♭ A B♭ c

All The Chords Name: Mathyllic, 2imperfections

Pitch Class Set: {0,2,3,4,7,8,9,10}

Pitch Class Mapping: 1949 (Hex 79D, Binary 011110011101)

A Study of Scales (Ian Ring) Index: 1949

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Styptyllic
  Mode 3 of: Raga Bhatiyar
  Mode 4 of: Bacryllic
  Mode 5 of: Aerygyllic
  Mode 6 of: Dathyllic
  Mode 7 of: Boptyllic
  Mode 8 of: Bagyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Styptyllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–1–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–5–6–7–8–10–12
  intervals: 1–m2–2–4–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G G♯ A♯ c
  C D♭ D F G♭ G A♭ B♭ c

All The Chords Name: Styptyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,8,10}

Pitch Class Mapping: 1511 (Hex 5E7, Binary 010111100111)

A Study of Scales (Ian Ring) Index: 1511

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Bhatiyar
  Mode 3 of: Bacryllic
  Mode 4 of: Aerygyllic
  Mode 5 of: Dathyllic
  Mode 6 of: Boptyllic
  Mode 7 of: Bagyllic
  Mode 8 of: Mathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dagyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–2–1–1–1–2

Scale degrees:
  in semitones: 0–3–4–5–7–8–9–10–12
  intervals: 1–m3–3–4–5–m6–6–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F G G♯ A A♯ c
  C E♭ E F G A♭ A B♭ c

All The Chords Name: Dagyllic, 2imperfections

Pitch Class Set: {0,3,4,5,7,8,9,10}

Pitch Class Mapping: 1977 (Hex 7B9, Binary 011110111001)

A Study of Scales (Ian Ring) Index: 1977

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katalyllic
  Mode 3 of: Katoryllic
  Mode 4 of: Dodyllic
  Mode 5 of: Zogyllic
  Mode 6 of: Madyllic
  Mode 7 of: Neveseri
  Mode 8 of: Aeologyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katalyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–1–1–1–2–3

Scale degrees:
  in semitones: 0–1–2–4–5–6–7–9–12
  intervals: 1–m2–2–3–4–d5–5–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E F F♯ G A c
  C D♭ D E F G♭ G A c

All The Chords Name: Katalyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,6,7,9}

Pitch Class Mapping: 759 (Hex 2F7, Binary 001011110111)

A Study of Scales (Ian Ring) Index: 759

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katoryllic
  Mode 3 of: Dodyllic
  Mode 4 of: Zogyllic
  Mode 5 of: Madyllic
  Mode 6 of: Neveseri
  Mode 7 of: Aeologyllic
  Mode 8 of: Dagyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katoryllic

Scale steps in semitones: 1–2–1–1–1–2–3–1

Scale degrees:
  in semitones: 0–1–3–4–5–6–8–11–12
  intervals: 1–m2–m3–3–4–d5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ G♯ B c
  C D♭ E♭ E F G♭ A♭ B c

All The Chords Name: Katoryllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,6,8,11}

Pitch Class Mapping: 2427 (Hex 97B, Binary 100101111011)

A Study of Scales (Ian Ring) Index: 2427

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dodyllic
  Mode 3 of: Zogyllic
  Mode 4 of: Madyllic
  Mode 5 of: Neveseri
  Mode 6 of: Aeologyllic
  Mode 7 of: Dagyllic
  Mode 8 of: Katalyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dodyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–1–1–2–3–1–1

Scale degrees:
  in semitones: 0–2–3–4–5–7–10–11–12
  intervals: 1–2–m3–3–4–5–m7–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F G A♯ B c
  C D E♭ E F G B♭ B c

All The Chords Name: Dodyllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,10,11}

Pitch Class Mapping: 3261 (Hex CBD, Binary 110010111101)

A Study of Scales (Ian Ring) Index: 3261

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zogyllic
  Mode 3 of: Madyllic
  Mode 4 of: Neveseri
  Mode 5 of: Aeologyllic
  Mode 6 of: Dagyllic
  Mode 7 of: Katalyllic
  Mode 8 of: Katoryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zogyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–1–2–3–1–1–2

Scale degrees:
  in semitones: 0–1–2–3–5–8–9–10–12
  intervals: 1–m2–2–m3–4–m6–6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G♯ A A♯ c
  C D♭ D E♭ F A♭ A B♭ c

All The Chords Name: Zogyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,8,9,10}

Pitch Class Mapping: 1839 (Hex 72F, Binary 011100101111)

A Study of Scales (Ian Ring) Index: 1839

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Madyllic
  Mode 3 of: Neveseri
  Mode 4 of: Aeologyllic
  Mode 5 of: Dagyllic
  Mode 6 of: Katalyllic
  Mode 7 of: Katoryllic
  Mode 8 of: Dodyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Madyllic

Scale steps in semitones: 1–1–2–3–1–1–2–1

Scale degrees:
  in semitones: 0–1–2–4–7–8–9–11–12
  intervals: 1–m2–2–3–5–m6–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E G G♯ A B c
  C D♭ D E G A♭ A B c

All The Chords Name: Madyllic, 2imperfections

Pitch Class Set: {0,1,2,4,7,8,9,11}

Pitch Class Mapping: 2967 (Hex B97, Binary 101110010111)

A Study of Scales (Ian Ring) Index: 2967

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Neveseri
  Mode 3 of: Aeologyllic
  Mode 4 of: Dagyllic
  Mode 5 of: Katalyllic
  Mode 6 of: Katoryllic
  Mode 7 of: Dodyllic
  Mode 8 of: Zogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeologyllic

Scale steps in semitones: 2–3–1–1–2–1–1–1

Scale degrees:
  in semitones: 0–2–5–6–7–9–10–11–12
  intervals: 1–2–4–d5–5–6–m7–7–8
  Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D F F♯ G A A♯ B c
  C D F G♭ G A B♭ B c

All The Chords Name: Aeologyllic, 2imperfections

Pitch Class Set: {0,2,5,6,7,9,10,11}

Pitch Class Mapping: 3813 (Hex EE5, Binary 111011100101)

A Study of Scales (Ian Ring) Index: 3813

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dagyllic
  Mode 3 of: Katalyllic
  Mode 4 of: Katoryllic
  Mode 5 of: Dodyllic
  Mode 6 of: Zogyllic
  Mode 7 of: Madyllic
  Mode 8 of: Neveseri

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dydyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–2–1–2–1–1

Scale degrees:
  in semitones: 0–3–4–5–7–8–10–11–12
  intervals: 1–m3–3–4–5–m6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G G♯ A♯ B c
  C E♭ E F G A♭ B♭ B c

All The Chords Name: Dydyllic, 2imperfections

Pitch Class Set: {0,3,4,5,7,8,10,11}

Pitch Class Mapping: 3513 (Hex DB9, Binary 110110111001)

A Study of Scales (Ian Ring) Index: 3513

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Thogyllic
  Mode 3 of: Rygyllic
  Mode 4 of: Bycryllic
  Mode 5 of: Zacryllic
  Mode 6 of: Panyllic
  Mode 7 of: Dyryllic
  Mode 8 of: Zathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Thogyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–1–2–1–1–3

Scale degrees:
  in semitones: 0–1–2–4–5–7–8–9–12
  intervals: 1–m2–2–3–4–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E F G G♯ A c
  C D♭ D E F G A♭ A c

All The Chords Name: Thogyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,7,8,9}

Pitch Class Mapping: 951 (Hex 3B7, Binary 001110110111)

A Study of Scales (Ian Ring) Index: 951

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rygyllic
  Mode 3 of: Bycryllic
  Mode 4 of: Zacryllic
  Mode 5 of: Panyllic
  Mode 6 of: Dyryllic
  Mode 7 of: Zathyllic
  Mode 8 of: Dydyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rygyllic

Scale steps in semitones: 1–2–1–2–1–1–3–1

Scale degrees:
  in semitones: 0–1–3–4–6–7–8–11–12
  intervals: 1–m2–m3–3–d5–5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G G♯ B c
  C D♭ E♭ E G♭ G A♭ B c

All The Chords Name: Rygyllic, 2imperfections

Pitch Class Set: {0,1,3,4,6,7,8,11}

Pitch Class Mapping: 2523 (Hex 9DB, Binary 100111011011)

A Study of Scales (Ian Ring) Index: 2523

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bycryllic
  Mode 3 of: Zacryllic
  Mode 4 of: Panyllic
  Mode 5 of: Dyryllic
  Mode 6 of: Zathyllic
  Mode 7 of: Dydyllic
  Mode 8 of: Thogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bycryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–2–1–1–3–1–1

Scale degrees:
  in semitones: 0–2–3–5–6–7–10–11–12
  intervals: 1–2–m3–4–d5–5–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A♯ B c
  C D E♭ F G♭ G B♭ B c

All The Chords Name: Bycryllic, 2imperfections

Pitch Class Set: {0,2,3,5,6,7,10,11}

Pitch Class Mapping: 3309 (Hex CED, Binary 110011101101)

A Study of Scales (Ian Ring) Index: 3309

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zacryllic
  Mode 3 of: Panyllic
  Mode 4 of: Dyryllic
  Mode 5 of: Zathyllic
  Mode 6 of: Dydyllic
  Mode 7 of: Thogyllic
  Mode 8 of: Rygyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zacryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–1–1–3–1–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–8–9–10–12
  intervals: 1–m2–m3–3–4–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G♯ A A♯ c
  C D♭ E♭ E F A♭ A B♭ c

All The Chords Name: Zacryllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,8,9,10}

Pitch Class Mapping: 1851 (Hex 73B, Binary 011100111011)

A Study of Scales (Ian Ring) Index: 1851

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Panyllic
  Mode 3 of: Dyryllic
  Mode 4 of: Zathyllic
  Mode 5 of: Dydyllic
  Mode 6 of: Thogyllic
  Mode 7 of: Rygyllic
  Mode 8 of: Bycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Panyllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–3–1–1–2–1

Scale degrees:
  in semitones: 0–2–3–4–7–8–9–11–12
  intervals: 1–2–m3–3–5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E G G♯ A B c
  C D E♭ E G A♭ A B c

All The Chords Name: Panyllic, 2imperfections

Pitch Class Set: {0,2,3,4,7,8,9,11}

Pitch Class Mapping: 2973 (Hex B9D, Binary 101110011101)

A Study of Scales (Ian Ring) Index: 2973

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dyryllic
  Mode 3 of: Zathyllic
  Mode 4 of: Dydyllic
  Mode 5 of: Thogyllic
  Mode 6 of: Rygyllic
  Mode 7 of: Bycryllic
  Mode 8 of: Zacryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–1–1–2–1–2

Scale degrees:
  in semitones: 0–1–2–5–6–7–9–10–12
  intervals: 1–m2–2–4–d5–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A A♯ c
  C D♭ D F G♭ G A B♭ c

All The Chords Name: Dyryllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,9,10}

Pitch Class Mapping: 1767 (Hex 6E7, Binary 011011100111)

A Study of Scales (Ian Ring) Index: 1767

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zathyllic
  Mode 3 of: Dydyllic
  Mode 4 of: Thogyllic
  Mode 5 of: Rygyllic
  Mode 6 of: Bycryllic
  Mode 7 of: Zacryllic
  Mode 8 of: Panyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zathyllic

Scale steps in semitones: 1–3–1–1–2–1–2–1

Scale degrees:
  in semitones: 0–1–4–5–6–8–9–11–12
  intervals: 1–m2–3–4–d5–m6–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ A B c
  C D♭ E F G♭ A♭ A B c

All The Chords Name: Zathyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,8,9,11}

Pitch Class Mapping: 2931 (Hex B73, Binary 101101110011)

A Study of Scales (Ian Ring) Index: 2931

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dydyllic
  Mode 3 of: Thogyllic
  Mode 4 of: Rygyllic
  Mode 5 of: Bycryllic
  Mode 6 of: Zacryllic
  Mode 7 of: Panyllic
  Mode 8 of: Dyryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Eponyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–2–2–1–1–1

Scale degrees:
  in semitones: 0–3–4–5–7–9–10–11–12
  intervals: 1–m3–3–4–5–6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G A A♯ B c
  C E♭ E F G A B♭ B c

All The Chords Name: Eponyllic, 2imperfections

Pitch Class Set: {0,3,4,5,7,9,10,11}

Pitch Class Mapping: 3769 (Hex EB9, Binary 111010111001)

A Study of Scales (Ian Ring) Index: 3769

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Thocryllic
  Mode 3 of: Half-diminished Bebop
  Mode 4 of: Katynyllic
  Mode 5 of: Maryllic
  Mode 6 of: Mothyllic
  Mode 7 of: Mixothyllic
  Mode 8 of:

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Thocryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–2–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–4–6–7–8–9–12
  intervals: 1–m2–2–3–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E F♯ G G♯ A c
  C D♭ D E G♭ G A♭ A c

All The Chords Name: Thocryllic, 2imperfections

Pitch Class Set: {0,1,2,4,6,7,8,9}

Pitch Class Mapping: 983 (Hex 3D7, Binary 001111010111)

A Study of Scales (Ian Ring) Index: 983

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Half-diminished Bebop
  Mode 3 of: Katynyllic
  Mode 4 of: Maryllic
  Mode 5 of: Mothyllic
  Mode 6 of: Mixothyllic
  Mode 7 of:
  Mode 8 of: Eponyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katynyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–2–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–2–4–5–6–7–10–11–12
  intervals: 1–2–3–4–d5–5–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G A♯ B c
  C D E F G♭ G B♭ B c

All The Chords Name: Katynyllic, 2imperfections

Pitch Class Set: {0,2,4,5,6,7,10,11}

Pitch Class Mapping: 3317 (Hex CF5, Binary 110011110101)

A Study of Scales (Ian Ring) Index: 3317

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maryllic
  Mode 3 of: Mothyllic
  Mode 4 of: Mixothyllic
  Mode 5 of:
  Mode 6 of: Eponyllic
  Mode 7 of: Thocryllic
  Mode 8 of: Half-diminished Bebop

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Maryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–1–1–3–1–1–2

Scale degrees:
  in semitones: 0–2–3–4–5–8–9–10–12
  intervals: 1–2–m3–3–4–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F G♯ A A♯ c
  C D E♭ E F A♭ A B♭ c

All The Chords Name: Maryllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,8,9,10}

Pitch Class Mapping: 1853 (Hex 73D, Binary 011100111101)

A Study of Scales (Ian Ring) Index: 1853

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mothyllic
  Mode 3 of: Mixothyllic
  Mode 4 of:
  Mode 5 of: Eponyllic
  Mode 6 of: Thocryllic
  Mode 7 of: Half-diminished Bebop
  Mode 8 of: Katynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mothyllic

Scale steps in semitones: 1–1–1–3–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–3–6–7–8–10–12
  intervals: 1–m2–2–m3–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F♯ G G♯ A♯ c
  C D♭ D E♭ G♭ G A♭ B♭ c

All The Chords Name: Mothyllic, 2imperfections

Pitch Class Set: {0,1,2,3,6,7,8,10}

Pitch Class Mapping: 1487 (Hex 5CF, Binary 010111001111)

A Study of Scales (Ian Ring) Index: 1487

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mixothyllic
  Mode 3 of:
  Mode 4 of: Eponyllic
  Mode 5 of: Thocryllic
  Mode 6 of: Half-diminished Bebop
  Mode 7 of: Katynyllic
  Mode 8 of: Maryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mixothyllic

Scale steps in semitones: 1–1–3–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–2–5–6–7–9–11–12
  intervals: 1–m2–2–4–d5–5–6–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A B c
  C D♭ D F G♭ G A B c

All The Chords Name: Mixothyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,9,11}

Pitch Class Mapping: 2791 (Hex AE7, Binary 101011100111)

A Study of Scales (Ian Ring) Index: 2791

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of:
  Mode 3 of: Eponyllic
  Mode 4 of: Thocryllic
  Mode 5 of: Half-diminished Bebop
  Mode 6 of: Katynyllic
  Mode 7 of: Maryllic
  Mode 8 of: Mothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Kalyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

             or            

Scale steps in semitones: 3–1–1–3–1–1–1–1

Scale degrees:
  in semitones: 0–3–4–5–8–9–10–11–12
  intervals: 1–m3–3–4–m6–6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G♯ A A♯ B c
  C E♭ E F A♭ A B♭ B c

All The Chords Name: Kalyllic, 2imperfections

Pitch Class Set: {0,3,4,5,8,9,10,11}

Pitch Class Mapping: 3897 (Hex F39, Binary 111100111001)

A Study of Scales (Ian Ring) Index: 3897

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionodyllic
  Mode 3 of: Raga Ramkali
  Mode 4 of: Blues V
  Mode 5 of: Gaptyllic
  Mode 6 of: Aeroptyllic
  Mode 7 of: Mylyllic
  Mode 8 of: Galyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Ionodyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–1–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–5–6–7–8–9–12
  intervals: 1–m2–2–4–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F F♯ G G♯ A c
  C D♭ D F G♭ G A♭ A c

All The Chords Name: Ionodyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,8,9}

Pitch Class Mapping: 999 (Hex 3E7, Binary 001111100111)

A Study of Scales (Ian Ring) Index: 999

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Ramkali
  Mode 3 of: Blues V
  Mode 4 of: Gaptyllic
  Mode 5 of: Aeroptyllic
  Mode 6 of: Mylyllic
  Mode 7 of: Galyllic
  Mode 8 of: Kalyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gaptyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–1–1–3–1–1–3

Scale degrees:
  in semitones: 0–1–2–3–4–7–8–9–12
  intervals: 1–m2–2–m3–3–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ E G G♯ A c
  C D♭ D E♭ E G A♭ A c

All The Chords Name: Gaptyllic, 2imperfections

Pitch Class Set: {0,1,2,3,4,7,8,9}

Pitch Class Mapping: 927 (Hex 39F, Binary 001110011111)

A Study of Scales (Ian Ring) Index: 927

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeroptyllic
  Mode 3 of: Mylyllic
  Mode 4 of: Galyllic
  Mode 5 of: Kalyllic
  Mode 6 of: Ionodyllic
  Mode 7 of: Raga Ramkali
  Mode 8 of: Blues V

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeroptyllic

Scale steps in semitones: 1–1–1–3–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–3–6–7–8–11–12
  intervals: 1–m2–2–m3–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F♯ G G♯ B c
  C D♭ D E♭ G♭ G A♭ B c

All The Chords Name: Aeroptyllic, 2imperfections

Pitch Class Set: {0,1,2,3,6,7,8,11}

Pitch Class Mapping: 2511 (Hex 9CF, Binary 100111001111)

A Study of Scales (Ian Ring) Index: 2511

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mylyllic
  Mode 3 of: Galyllic
  Mode 4 of: Kalyllic
  Mode 5 of: Ionodyllic
  Mode 6 of: Raga Ramkali
  Mode 7 of: Blues V
  Mode 8 of: Gaptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Scale Omnibus name: Hungarian Minor b2 [Hungary]

Mylyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–3–1–1–3–1–1

Scale degrees:
  in semitones: 0–1–2–5–6–7–10–11–12
  intervals: 1–m2–2–4–d5–5–m7–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A♯ B c
  C D♭ D F G♭ G B♭ B c

All The Chords Name: Mylyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,10,11}

Pitch Class Mapping: 3303 (Hex CE7, Binary 110011100111)

A Study of Scales (Ian Ring) Index: 3303

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Galyllic
  Mode 3 of: Kalyllic
  Mode 4 of: Ionodyllic
  Mode 5 of: Raga Ramkali
  Mode 6 of: Blues V
  Mode 7 of: Gaptyllic
  Mode 8 of: Aeroptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Galyllic

Scale steps in semitones: 1–3–1–1–3–1–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–9–10–11–12
  intervals: 1–m2–3–4–d5–6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ A A♯ B c
  C D♭ E F G♭ A B♭ B c

All The Chords Name: Galyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,9,10,11}

Pitch Class Mapping: 3699 (Hex E73, Binary 111001110011)

A Study of Scales (Ian Ring) Index: 3699

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kalyllic
  Mode 3 of: Ionodyllic
  Mode 4 of: Raga Ramkali
  Mode 5 of: Blues V
  Mode 6 of: Gaptyllic
  Mode 7 of: Aeroptyllic
  Mode 8 of: Mylyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Scale Omnibus name: Oriental 2 [China]

Pothyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–2–1–1–1–2–1–1

Scale degrees:
  in semitones: 0–3–5–6–7–8–10–11–12
  intervals: 1–m3–4–d5–5–m6–m7–7–8
  Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ F F♯ G G♯ A♯ B c
  C E♭ F G♭ G A♭ B♭ B c

All The Chords Name: Pothyllic, 2imperfections

Pitch Class Set: {0,3,5,6,7,8,10,11}

Pitch Class Mapping: 3561 (Hex DE9, Binary 110111101001)

A Study of Scales (Ian Ring) Index: 3561

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phronyllic
  Mode 3 of: Stynyllic
  Mode 4 of: Rathyllic
  Mode 5 of: Aeryptyllic
  Mode 6 of: Anasazi-7
  Mode 7 of: Katolyllic
  Mode 8 of: Rythyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Phronyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–1–1–2–1–1–3

Scale degrees:
  in semitones: 0–2–3–4–5–7–8–9–12
  intervals: 1–2–m3–3–4–5–m6–6–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D D♯ E F G G♯ A c
  C D E♭ E F G A♭ A c

All The Chords Name: Phronyllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,8,9}

Pitch Class Mapping: 957 (Hex 3BD, Binary 001110111101)

A Study of Scales (Ian Ring) Index: 957

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Stynyllic
  Mode 3 of: Rathyllic
  Mode 4 of: Aeryptyllic
  Mode 5 of: Anasazi-7
  Mode 6 of: Katolyllic
  Mode 7 of: Rythyllic
  Mode 8 of: Pothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stynyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–1–2–1–1–3–2

Scale degrees:
  in semitones: 0–1–2–3–5–6–7–10–12
  intervals: 1–m2–2–m3–4–d5–5–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G A♯ c
  C D♭ D E♭ F G♭ G B♭ c

All The Chords Name: Stynyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,6,7,10}

Pitch Class Mapping: 1263 (Hex 4EF, Binary 010011101111)

A Study of Scales (Ian Ring) Index: 1263

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rathyllic
  Mode 3 of: Aeryptyllic
  Mode 4 of: Anasazi-7
  Mode 5 of: Katolyllic
  Mode 6 of: Rythyllic
  Mode 7 of: Pothyllic
  Mode 8 of: Phronyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rathyllic

Scale steps in semitones: 1–1–2–1–1–3–2–1

Scale degrees:
  in semitones: 0–1–2–4–5–6–9–11–12
  intervals: 1–m2–2–3–4–d5–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F F♯ A B c
  C D♭ D E F G♭ A B c

All The Chords Name: Rathyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,6,9,11}

Pitch Class Mapping: 2679 (Hex A77, Binary 101001110111)

A Study of Scales (Ian Ring) Index: 2679

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeryptyllic
  Mode 3 of: Anasazi-7
  Mode 4 of: Katolyllic
  Mode 5 of: Rythyllic
  Mode 6 of: Pothyllic
  Mode 7 of: Phronyllic
  Mode 8 of: Stynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeryptyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–1–1–3–2–1–1

Scale degrees:
  in semitones: 0–1–3–4–5–8–10–11–12
  intervals: 1–m2–m3–3–4–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G♯ A♯ B c
  C D♭ E♭ E F A♭ B♭ B c

All The Chords Name: Aeryptyllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,8,10,11}

Pitch Class Mapping: 3387 (Hex D3B, Binary 110100111011)

A Study of Scales (Ian Ring) Index: 3387

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Anasazi-7
  Mode 3 of: Katolyllic
  Mode 4 of: Rythyllic
  Mode 5 of: Pothyllic
  Mode 6 of: Phronyllic
  Mode 7 of: Stynyllic
  Mode 8 of: Rathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katolyllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–2–1–1–1–2

Scale degrees:
  in semitones: 0–1–2–5–7–8–9–10–12
  intervals: 1–m2–2–4–5–m6–6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F G G♯ A A♯ c
  C D♭ D F G A♭ A B♭ c

All The Chords Name: Katolyllic, 2imperfections

Pitch Class Set: {0,1,2,5,7,8,9,10}

Pitch Class Mapping: 1959 (Hex 7A7, Binary 011110100111)

A Study of Scales (Ian Ring) Index: 1959

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rythyllic
  Mode 3 of: Pothyllic
  Mode 4 of: Phronyllic
  Mode 5 of: Stynyllic
  Mode 6 of: Rathyllic
  Mode 7 of: Aeryptyllic
  Mode 8 of: Anasazi-7

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rythyllic

Scale steps in semitones: 1–3–2–1–1–1–2–1

Scale degrees:
  in semitones: 0–1–4–6–7–8–9–11–12
  intervals: 1–m2–3–d5–5–m6–6–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G G♯ A B c
  C D♭ E G♭ G A♭ A B c

All The Chords Name: Rythyllic, 2imperfections

Pitch Class Set: {0,1,4,6,7,8,9,11}

Pitch Class Mapping: 3027 (Hex BD3, Binary 101111010011)

A Study of Scales (Ian Ring) Index: 3027

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pothyllic
  Mode 3 of: Phronyllic
  Mode 4 of: Stynyllic
  Mode 5 of: Rathyllic
  Mode 6 of: Aeryptyllic
  Mode 7 of: Anasazi-7
  Mode 8 of: Katolyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Pynyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 4–1–1–1–2–1–1–1

Scale degrees:
  in semitones: 0–4–5–6–7–9–10–11–12
  intervals: 1–3–4–d5–5–6–m7–7–8
  Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C E F F♯ G A A♯ B c
  C E F G♭ G A B♭ B c

All The Chords Name: Pynyllic, 2imperfections

Pitch Class Set: {0,4,5,6,7,9,10,11}

Pitch Class Mapping: 3825 (Hex EF1, Binary 111011110001)

A Study of Scales (Ian Ring) Index: 3825

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bocryllic
  Mode 3 of: Kogyllic
  Mode 4 of: Raryllic
  Mode 5 of: Zycryllic
  Mode 6 of: Mycryllic
  Mode 7 of: Laptyllic
  Mode 8 of: Pylyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bocryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–1–2–1–1–1–4

Scale degrees:
  in semitones: 0–1–2–3–5–6–7–8–12
  intervals: 1–m2–2–m3–4–d5–5–m6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G G♯ c
  C D♭ D E♭ F G♭ G A♭ c

All The Chords Name: Bocryllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,6,7,8}

Pitch Class Mapping: 495 (Hex 1EF, Binary 000111101111)

A Study of Scales (Ian Ring) Index: 495

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kogyllic
  Mode 3 of: Raryllic
  Mode 4 of: Zycryllic
  Mode 5 of: Mycryllic
  Mode 6 of: Laptyllic
  Mode 7 of: Pylyllic
  Mode 8 of: Pynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Kogyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–2–1–1–1–4–1

Scale degrees:
  in semitones: 0–1–2–4–5–6–7–11–12
  intervals: 1–m2–2–3–4–d5–5–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F F♯ G B c
  C D♭ D E F G♭ G B c

All The Chords Name: Kogyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,6,7,11}

Pitch Class Mapping: 2295 (Hex 8F7, Binary 100011110111)

A Study of Scales (Ian Ring) Index: 2295

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raryllic
  Mode 3 of: Zycryllic
  Mode 4 of: Mycryllic
  Mode 5 of: Laptyllic
  Mode 6 of: Pylyllic
  Mode 7 of: Pynyllic
  Mode 8 of: Bocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Raryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–1–1–1–4–1–1

Scale degrees:
  in semitones: 0–1–3–4–5–6–10–11–12
  intervals: 1–m2–m3–3–4–d5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ A♯ B c
  C D♭ E♭ E F G♭ B♭ B c

All The Chords Name: Raryllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,6,10,11}

Pitch Class Mapping: 3195 (Hex C7B, Binary 110001111011)

A Study of Scales (Ian Ring) Index: 3195

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zycryllic
  Mode 3 of: Mycryllic
  Mode 4 of: Laptyllic
  Mode 5 of: Pylyllic
  Mode 6 of: Pynyllic
  Mode 7 of: Bocryllic
  Mode 8 of: Kogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zycryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–1–1–4–1–1–1

Scale degrees:
  in semitones: 0–2–3–4–5–9–10–11–12
  intervals: 1–2–m3–3–4–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F A A♯ B c
  C D E♭ E F A B♭ B c

All The Chords Name: Zycryllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,9,10,11}

Pitch Class Mapping: 3645 (Hex E3D, Binary 111000111101)

A Study of Scales (Ian Ring) Index: 3645

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mycryllic
  Mode 3 of: Laptyllic
  Mode 4 of: Pylyllic
  Mode 5 of: Pynyllic
  Mode 6 of: Bocryllic
  Mode 7 of: Kogyllic
  Mode 8 of: Raryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mycryllic

Scale steps in semitones: 1–1–1–4–1–1–1–2

Scale degrees:
  in semitones: 0–1–2–3–7–8–9–10–12
  intervals: 1–m2–2–m3–5–m6–6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ G G♯ A A♯ c
  C D♭ D E♭ G A♭ A B♭ c

All The Chords Name: Mycryllic, 2imperfections

Pitch Class Set: {0,1,2,3,7,8,9,10}

Pitch Class Mapping: 1935 (Hex 78F, Binary 011110001111)

A Study of Scales (Ian Ring) Index: 1935

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Laptyllic
  Mode 3 of: Pylyllic
  Mode 4 of: Pynyllic
  Mode 5 of: Bocryllic
  Mode 6 of: Kogyllic
  Mode 7 of: Raryllic
  Mode 8 of: Zycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Laptyllic

Scale steps in semitones: 1–1–4–1–1–1–2–1

Scale degrees:
  in semitones: 0–1–2–6–7–8–9–11–12
  intervals: 1–m2–2–d5–5–m6–6–7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G G♯ A B c
  C D♭ D G♭ G A♭ A B c

All The Chords Name: Laptyllic, 2imperfections

Pitch Class Set: {0,1,2,6,7,8,9,11}

Pitch Class Mapping: 3015 (Hex BC7, Binary 101111000111)

A Study of Scales (Ian Ring) Index: 3015

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pylyllic
  Mode 3 of: Pynyllic
  Mode 4 of: Bocryllic
  Mode 5 of: Kogyllic
  Mode 6 of: Raryllic
  Mode 7 of: Zycryllic
  Mode 8 of: Mycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Pylyllic

Scale steps in semitones: 1–4–1–1–1–2–1–1

Scale degrees:
  in semitones: 0–1–5–6–7–8–10–11–12
  intervals: 1–m2–4–d5–5–m6–m7–7–8
  Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ F F♯ G G♯ A♯ B c
  C D♭ F G♭ G A♭ B♭ B c

All The Chords Name: Pylyllic, 2imperfections

Pitch Class Set: {0,1,5,6,7,8,10,11}

Pitch Class Mapping: 3555 (Hex DE3, Binary 110111100011)

A Study of Scales (Ian Ring) Index: 3555

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pynyllic
  Mode 3 of: Bocryllic
  Mode 4 of: Kogyllic
  Mode 5 of: Raryllic
  Mode 6 of: Zycryllic
  Mode 7 of: Mycryllic
  Mode 8 of: Laptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Epotyllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–2–2–1–1–2

Scale degrees:
  in semitones: 0–2–3–4–6–8–9–10–12
  intervals: 1–2–m3–3–d5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F♯ G♯ A A♯ c
  C D E♭ E G♭ A♭ A B♭ c

All The Chords Name: Epotyllic, 3imperfections

Pitch Class Set: {0,2,3,4,6,8,9,10}

Pitch Class Mapping: 1885 (Hex 75D, Binary 011101011101)

A Study of Scales (Ian Ring) Index: 1885

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 6
  Mode 3 of: Van der Horst Octatonic
  Mode 4 of: Messiaen Mode 6 Inverse
  Mode 5 of: Epotyllic and Saptyllic
  Mode 6 of: Messiaen Mode 6
  Mode 7 of: Van der Horst Octatonic
  Mode 8 of: Messiaen Mode 6 Inverse

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Scala name: Equal temperaments 4 and 6 mixed

Stogyllic

Scale steps in semitones: 2–2–1–2–1–2–1–1

Scale degrees:
  in semitones: 0–2–4–5–7–8–10–11–12
  intervals: 1–2–3–4–5–m6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F G G♯ A♯ B c
  C D E F G A♭ B♭ B c

All The Chords Name: Stogyllic, 3imperfections

Pitch Class Set: {0,2,4,5,7,8,10,11}

Pitch Class Mapping: 3509 (Hex DB5, Binary 110110110101)

A Study of Scales (Ian Ring) Index: 3509

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionidyllic
  Mode 3 of: Stonyllic
  Mode 4 of: Stalyllic
  Mode 5 of: JG Octatonic
  Mode 6 of: Mocryllic
  Mode 7 of: Aeolyryllic
  Mode 8 of: Baryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Ionidyllic

Scale steps in semitones: 2–1–2–1–2–1–1–2

Scale degrees:
  in semitones: 0–2–3–5–6–8–9–10–12
  intervals: 1–2–m3–4–d5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ A A♯ c
  C D E♭ F G♭ A♭ A B♭ c

All The Chords Name: Ionidyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,8,9,10}

Pitch Class Mapping: 1901 (Hex 76D, Binary 011101101101)

A Study of Scales (Ian Ring) Index: 1901

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Stonyllic
  Mode 3 of: Stalyllic
  Mode 4 of: JG Octatonic
  Mode 5 of: Mocryllic
  Mode 6 of: Aeolyryllic
  Mode 7 of: Baryllic
  Mode 8 of: Stogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stonyllic

Scale steps in semitones: 1–2–1–2–1–1–2–2

Scale degrees:
  in semitones: 0–1–3–4–6–7–8–10–12
  intervals: 1–m2–m3–3–d5–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G G♯ A♯ c
  C D♭ E♭ E G♭ G A♭ B♭ c

All The Chords Name: Stonyllic, 3imperfections

Pitch Class Set: {0,1,3,4,6,7,8,10}

Pitch Class Mapping: 1499 (Hex 5DB, Binary 010111011011)

A Study of Scales (Ian Ring) Index: 1499

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Stalyllic
  Mode 3 of: JG Octatonic
  Mode 4 of: Mocryllic
  Mode 5 of: Aeolyryllic
  Mode 6 of: Baryllic
  Mode 7 of: Stogyllic
  Mode 8 of: Ionidyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stalyllic

Scale steps in semitones: 2–1–2–1–1–2–2–1

Scale degrees:
  in semitones: 0–2–3–5–6–7–9–11–12
  intervals: 1–2–m3–4–d5–5–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A B c
  C D E♭ F G♭ G A B c

All The Chords Name: Stalyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,7,9,11}

Pitch Class Mapping: 2797 (Hex AED, Binary 101011101101)

A Study of Scales (Ian Ring) Index: 2797

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: JG Octatonic
  Mode 3 of: Mocryllic
  Mode 4 of: Aeolyryllic
  Mode 5 of: Baryllic
  Mode 6 of: Stogyllic
  Mode 7 of: Ionidyllic
  Mode 8 of: Stonyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–2–2–1–2–1

Scale degrees:
  in semitones: 0–2–3–4–6–8–9–11–12
  intervals: 1–2–m3–3–d5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F♯ G♯ A B c
  C D E♭ E G♭ A♭ A B c

All The Chords Name: Mocryllic, 3imperfections

Pitch Class Set: {0,2,3,4,6,8,9,11}

Pitch Class Mapping: 2909 (Hex B5D, Binary 101101011101)

A Study of Scales (Ian Ring) Index: 2909

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolyryllic
  Mode 3 of: Baryllic
  Mode 4 of: Stogyllic
  Mode 5 of: Ionidyllic
  Mode 6 of: Stonyllic
  Mode 7 of: Stalyllic
  Mode 8 of: JG Octatonic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeolyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–2–1–2–1–2

Scale degrees:
  in semitones: 0–1–2–4–6–7–9–10–12
  intervals: 1–m2–2–3–d5–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G A A♯ c
  C D♭ D E G♭ G A B♭ c

All The Chords Name: Aeolyryllic, 3imperfections

Pitch Class Set: {0,1,2,4,6,7,9,10}

Pitch Class Mapping: 1751 (Hex 6D7, Binary 011011010111)

A Study of Scales (Ian Ring) Index: 1751

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Baryllic
  Mode 3 of: Stogyllic
  Mode 4 of: Ionidyllic
  Mode 5 of: Stonyllic
  Mode 6 of: Stalyllic
  Mode 7 of: JG Octatonic
  Mode 8 of: Mocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Baryllic

Scale steps in semitones: 1–2–2–1–2–1–2–1

Scale degrees:
  in semitones: 0–1–3–5–6–8–9–11–12
  intervals: 1–m2–m3–4–d5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A B c
  C D♭ E♭ F G♭ A♭ A B c