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Comprehensive Scale Catalog: Seven-Tone Scales in Alternate Temperaments

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with seven tones per octave and using alternate temperaments.

The root note of each scale is shown in blue, such as Finger diagram closed closed closed closed closed closed.

Lebeng

Temperament: 7-Tone Pelog (Pelog7)
The 7 degrees of this temperament, in cents:
  0–122–271–571–677–785–947–1200

Scale steps in semitones: 1–1–1–1–1–1–1

Scale degrees:
  in cents: 0–122–271–571–677–785–947–1200
  intervals: 1–m2–a2–a4–5–m6–a6–8
  Root, Minor 2nd, Quarter-sharp Major 2nd, Quarter-sharp 4th, Perfect 5th, Minor 6th, Quarter-sharp Major 6th, Octave

Pitches starting from C:
  C C♯ D+ F+ G G♯ A+ c
  C D♭ D+ F+ G A♭ A+ c

G cleffCC sharpD quarter-sharpF quarter-sharpGG sharpA quarter-sharpCbarlineCD flatD quarter-sharpF quarter-sharpGA flatA quarter-sharpCEnd of staff

The name I use for this scale comes from: Scala

Scala name: Lebeng

Maqam Bayati

Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
  0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200

Scale steps in semitones: 3–3–4–4–2–4–4

Scale degrees:
  in cents: 0–150–300–500–700–800–1000–1200
  intervals: 1–b2–m3–4–5–m6–m7–8
  Root, Quarter-flat Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ c
  C D E♭ F G A♭ B♭ c

G cleffCD quarter-flatD sharpFGG sharpA sharpCbarlineCD quarter-flatE flatFGA flatB flatCEnd of staff

The name I use for this scale comes from: Maqam World

Scala names: Maqam 'Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur

Maqam Bayati Shuri

Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
  0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200

Scale steps in semitones: 3–3–4–2–6–2–4

Scale degrees:
  in cents: 0–150–300–500–600–900–1000–1200
  intervals: 1–b2–m3–4–d5–6–m7–8
  Root, Quarter-flat Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ A A♯ c
  C D E♭ F G♭ A B♭ c

G cleffCD quarter-flatD sharpFF sharpAA sharpCbarlineCD quarter-flatE flatFG flatAB flatCEnd of staff

The name I use for this scale comes from: Maqam World

Scala names: Maqam Qarjighar, Bayati Shuri

Maqam Husseini

Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
  0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200

Scale steps in semitones: 3–3–4–4–3–3–4

Scale degrees:
  in cents: 0–150–300–500–700–850–1000–1200
  intervals: 1–b2–m3–4–5–b6–m7–8
  Root, Quarter-flat Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Quarter-flat Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G A A♯ c
  C D E♭ F G A B♭ c

G cleffCD quarter-flatD sharpFGA quarter-flatA sharpCbarlineCD quarter-flatE flatFGA quarter-flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 7 of: Arabic Diatonic

The name I use for this scale comes from: Maqam World

Scala names: Maqam Hussaini, Ushaq, Neutral Diatonic Dorian

Arabic Diatonic

Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
  0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200

Scale steps in semitones: 4–3–3–4–4–3–3

Scale degrees:
  in cents: 0–200–350–500–700–900–1050–1200
  intervals: 1–2–b3–4–5–6–b7–8
  Root, Major 2nd, Quarter-flat Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Quarter-flat Major 7th, Octave

Pitches starting from C: C D E F G A B c

G cleffCDE quarter-flatFGAB quarter-flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Husseini

The name I use for this scale comes from: Scala

Entry on the Map of Native American Flute Tunings page: Maqam Rast / Arabic Diatonic

Scala names: Arabic Diatonic, Maqam Rast, Quasi-equal Heptatonic, Neutral Diatonic Phrygian

Safi al-Din's Maqam `Ussaq

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 3–3–1–3–3–1–3

Scale degrees:
  in cents: 0–204–408–498–702–906–996–1200
  intervals: 1–2–3–4–5–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G A A♯ c
  C D E F G A B♭ c

G cleffCDEFGAA sharpCbarlineCDEFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Safi al-Din's Maqam Nawa
  Mode 3 of: Safi al-Din's Maqam Abu Salik
  Mode 4 of: Dastgah-e Mahur

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam `Ussaq

Safi al-Din's Maqam Nawa

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 3–1–3–3–1–3–3

Scale degrees:
  in cents: 0–204–294–498–702–792–996–1200
  intervals: 1–2–m3–4–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ c
  C D E♭ F G A♭ B♭ c

G cleffCDD sharpFGG sharpA sharpCbarlineCDE flatFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Safi al-Din's Maqam Abu Salik
  Mode 3 of: Dastgah-e Mahur
  Mode 7 of: Safi al-Din's Maqam `Ussaq

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam Nawa

Safi al-Din's Maqam Abu Salik

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 1–3–3–1–3–3–3

Scale degrees:
  in cents: 0–90–294–498–588–792–996–1200
  intervals: 1–m2–m3–4–d5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A♯ c
  C D♭ E♭ F G♭ A♭ B♭ c

G cleffCC sharpD sharpFF sharpG sharpA sharpCbarlineCD flatE flatFG flatA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dastgah-e Mahur
  Mode 6 of: Safi al-Din's Maqam `Ussaq
  Mode 7 of: Safi al-Din's Maqam Nawa

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam Abu Salik

Safi al-Din's Maqam Rast

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 3–2–2–3–2–2–3

Scale degrees:
  in cents: 0–204–384–498–702–882–996–1200
  intervals: 1–2–3–4–5–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G A A♯ c
  C D E F G A B♭ c

G cleffCDEFGAA sharpCbarlineCDEFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Safi al-Din's Maqam Husaini

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam Rast

Safi al-Din's Maqam Zangulah

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 3–2–2–2–3–2–3

Scale degrees:
  in cents: 0–204–384–498–678–882–996–1200
  intervals: 1–2–3–4–5–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G A A♯ c
  C D E F G A B♭ c

G cleffCDEFGAA sharpCbarlineCDEFGAB flatCEnd of staff

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam Zangulah

Safi al-Din's Maqam Rahawi

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 2–3–2–2–2–3–3

Scale degrees:
  in cents: 0–180–384–498–678–792–996–1200
  intervals: 1–2–3–4–5–m6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G G♯ A♯ c
  C D E F G A♭ B♭ c

G cleffCDEFGG sharpA sharpCbarlineCDEFGA flatB flatCEnd of staff

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam Rahawi

Safi al-Din's Maqam Husaini

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 2–2–3–2–2–3–3

Scale degrees:
  in cents: 0–180–294–498–678–792–996–1200
  intervals: 1–2–m3–4–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ c
  C D E♭ F G A♭ B♭ c

G cleffCDD sharpFGG sharpA sharpCbarlineCDE flatFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 7 of: Safi al-Din's Maqam Rast

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam Husaini

Safi al-Din's Maqam Higazi

Temperament: 17-Tone Arabic Pythagorean (AP17)
The 17 degrees of this temperament, in cents:
  0–90–180–204–294–384–408–498–588–678–702–792–882–906–996–1086–1177–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 2–2–3–2–3–2–3

Scale degrees:
  in cents: 0–180–294–498–678–882–996–1200
  intervals: 1–2–m3–4–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G A A♯ c
  C D E♭ F G A B♭ c

G cleffCDD sharpFGAA sharpCbarlineCDE flatFGAB flatCEnd of staff

The name I use for this scale comes from: Scala

Scala name: Safi al-Din's maqam Higazi

Dastgah-e Mahur

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 3–3–1–3–3–3–1

Scale degrees:
  in cents: 0–204–408–498–702–906–1110–1200
  intervals: 1–2–3–4–5–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C: C D E F G A B c

G cleffCDEFGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Safi al-Din's Maqam `Ussaq
  Mode 6 of: Safi al-Din's Maqam Nawa
  Mode 7 of: Safi al-Din's Maqam Abu Salik

The name I use for this scale comes from: Scala, shortened by Clint

Scala names: Dastgah-e Mahur, Rast Panjgah

Dastgah-e Shur

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 2–2–3–3–1–3–3

Scale degrees:
  in cents: 0–133–294–498–702–792–996–1200
  intervals: 1–b2–m3–4–5–m6–m7–8
  Root, Quarter-flat Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ c
  C D E♭ F G A♭ B♭ c

G cleffCD quarter-flatD sharpFGG sharpA sharpCbarlineCD quarter-flatE flatFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Naghmeh Bayat-e Tork
  Mode 4 of: Dastgah-e Nava

The name I use for this scale comes from: Scala

Scala name: Dastgah-e Shur

Naghmeh Abuata

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 2–3–3–1–3–3–2

Scale degrees:
  in cents: 0–133–337–569–631–835–1039–1200
  intervals: 1–b2–b3–a4–b5–b6–b7–8
  Root, Quarter-flat Major 2nd, Quarter-flat Major 3rd, Quarter-sharp 4th, Quarter-flat 5th, Quarter-flat Major 6th, Quarter-flat Major 7th, Octave

Pitches starting from C: C D E F+ G A B c

G cleffCD quarter-flatE quarter-flatF quarter-sharpG quarter-flatA quarter-flatB quarter-flatCEnd of staff

The name I use for this scale comes from: Scala, shortened by Clint

Scala names: Naghmeh Abuata, Naghmeh Afshari

Naghmeh Bayat-e Tork

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 3–3–1–3–3–2–2

Scale degrees:
  in cents: 0–204–408–498–702–906–1039–1200
  intervals: 1–2–3–4–5–6–b7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Quarter-flat Major 7th, Octave

Pitches starting from C: C D E F G A B c

G cleffCDEFGAB quarter-flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dastgah-e Nava
  Mode 6 of: Dastgah-e Shur

The name I use for this scale comes from: Scala, shortened by Clint

Scala names: Naghmeh Bayat-e Tork, Naghmeh Dashti

Dastgah-e Homayun

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 2–4–1–3–1–3–3

Scale degrees:
  in cents: 0–133–408–498–702–792–996–1200
  intervals: 1–b2–3–4–5–m6–m7–8
  Root, Quarter-flat Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G G♯ A♯ c
  C D E F G A♭ B♭ c

G cleffCD quarter-flatEFGG sharpA sharpCbarlineCD quarter-flatEFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Naghmeh Esfahan

The name I use for this scale comes from: Scala

Scala name: Dastgah-e Homayun

Naghmeh Esfahan

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 3–1–3–3–2–4–1

Scale degrees:
  in cents: 0–204–294–498–702–835–1110–1200
  intervals: 1–2–m3–4–5–b6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Quarter-flat Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G A B c
  C D E♭ F G A B c

G cleffCDD sharpFGA quarter-flatBCbarlineCDE flatFGA quarter-flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Dastgah-e Homayun

The name I use for this scale comes from: Scala

Scala name: Naghmeh Esfahan

Dastgah-e Sehgah

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 3–2–2–3–2–2–3

Scale degrees:
  in cents: 0–204–337–498–702–835–996–1200
  intervals: 1–2–b3–4–5–b6–m7–8
  Root, Major 2nd, Quarter-flat Major 3rd, Perfect 4th, Perfect 5th, Quarter-flat Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G A A♯ c
  C D E F G A B♭ c

G cleffCDE quarter-flatFGA quarter-flatA sharpCbarlineCDE quarter-flatFGA quarter-flatB flatCEnd of staff

The name I use for this scale comes from: Scala

Scala name: Dastgah-e Sehgah

Dastgah-e Sehgah 2

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 2–3–2–2–3–3–2

Scale degrees:
  in cents: 0–133–337–498–631–835–1039–1200
  intervals: 1–b2–b3–4–b5–b6–b7–8
  Root, Quarter-flat Major 2nd, Quarter-flat Major 3rd, Perfect 4th, Quarter-flat 5th, Quarter-flat Major 6th, Quarter-flat Major 7th, Octave

Pitches starting from C: C D E F G A B c

G cleffCD quarter-flatE quarter-flatFG quarter-flatA quarter-flatB quarter-flatCEnd of staff

The name I use for this scale comes from: Clint's modification of the Scala name to avoid a conflict

Scala name: Dastgah-e Sehgah

Dastgah-e Mokhalif

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 3–1–3–3–2–3–2

Scale degrees:
  in cents: 0–204–294–498–702–835–1039–1200
  intervals: 1–2–m3–4–5–b6–b7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Quarter-flat Major 6th, Quarter-flat Major 7th, Octave

Pitches starting from C:
  C D D♯ F G A B c
  C D E♭ F G A B c

G cleffCDD sharpFGA quarter-flatB quarter-flatCbarlineCDE flatFGA quarter-flatB quarter-flatCEnd of staff

The name I use for this scale comes from: Scala, shortened by Clint

Scala names: Dastgah-e Mokhalif, Bayat-e Esfahan

Dastgah-e Chahargah

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 2–4–1–3–2–4–1

Scale degrees:
  in cents: 0–133–408–498–702–835–1110–1200
  intervals: 1–b2–3–4–5–b6–7–8
  Root, Quarter-flat Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Quarter-flat Major 6th, Major 7th, Octave

Pitches starting from C: C D E F G A B c

G cleffCD quarter-flatEFGA quarter-flatBCEnd of staff

The name I use for this scale comes from: Scala

Scala name: Dastgah-e Chahargah

Dastgah-e Nava

Temperament: 17-Tone Persian (Per17)
The 17 degrees of this temperament, in cents:
  0–90–133–204–294–337–408–498–569–631–702–792–835–906–996–1039–1110–1200
Notes: Scala: 256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16 16/9 729/400 243/128 2/1

Scale steps in semitones: 3–1–3–3–2–2–3

Scale degrees:
  in cents: 0–204–294–498–702–835–996–1200
  intervals: 1–2–m3–4–5–b6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Quarter-flat Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G A A♯ c
  C D E♭ F G A B♭ c

G cleffCDD sharpFGA quarter-flatA sharpCbarlineCDE flatFGA quarter-flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Dastgah-e Shur
  Mode 7 of: Naghmeh Bayat-e Tork

The name I use for this scale comes from: Scala

Scala name: Dastgah-e Nava

Chromatic 7-Tone Equal Temperament

Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
  0–171–343–514–686–857–1029–1200–1371–1543–1714–1886–2057–2229–2400–2571–2743–2914–3086–3257–3429–3600–3771–3943–4114

Scale steps in semitones: 1–1–1–1–1–1–1

Scale degrees:
  in cents: 0–171–343–514–686–857–1029–1200
  intervals: 1–b2–b3–4–5–b6–b7–8
  Root, Quarter-flat Major 2nd, Quarter-flat Major 3rd, Perfect 4th, Perfect 5th, Quarter-flat Major 6th, Quarter-flat Major 7th, Octave

Pitches starting from C: C D E F G A B c

G cleffCD quarter-flatE quarter-flatFGA quarter-flatB quarter-flatCEnd of staff

The name I use for this scale comes from: Composed name, to show all scale steps in this temperament

Chromatic 7-Tone Overtone Temperament

Temperament: 7-Tone Overtone Temperament (Over7)
The 7 degrees of this temperament, in cents:
  0–231–435–617–782–933–1072–1200
Notes: Overtone series 7:8: … :14 = 7/7, 8/7, …, 14/7

Scale steps in semitones: 1–1–1–1–1–1–1

Scale degrees:
  in cents: 0–231–435–617–782–933–1072–1200
  intervals: 1–a2–b4–d5–m6–a6–b7–8
  Root, Quarter-sharp Major 2nd, Quarter-flat 4th, Diminished 5th, Minor 6th, Quarter-sharp Major 6th, Quarter-flat Major 7th, Octave

Pitches starting from C:
  C D+ E+ F♯ G♯ A+ B c
  C D+ E+ G♭ A♭ A+ B c

G cleffCD quarter-sharpE quarter-sharpF sharpG sharpA quarter-sharpB quarter-flatCbarlineCD quarter-sharpE quarter-sharpG flatA flatA quarter-sharpB quarter-flatCEnd of staff

The name I use for this scale comes from: Composed name, to show all scale steps in this temperament

Chromatic 7-Tone Aristoxenus' Enharmonic

Temperament: 7-Tone Aristoxenus' Enharmonic (Arist7)
The 7 degrees of this temperament, in cents:
  0–44–89–498–702–740–814–1200
Notes: See [Barbour 1951] and http://www.nonoctave.com/tuning/scales/Ptolemy's_Scale_Catalog.html and [Monzo 2004]. Scale Pattern: 120/120 120/117 120/114 120/90 120/80 120/78 120/76. Author: Aristoxenus of Tarentum, ca. 335 BC.

Scale steps in semitones: 1–1–1–1–1–1–1

Scale degrees:
  in cents: 0–44–89–498–702–740–814–1200
  intervals: 1–a1–m2–4–5–a5–m6–8
  Root, Quarter-sharp Root, Minor 2nd, Perfect 4th, Perfect 5th, Quarter-sharp 5th, Minor 6th, Octave

Pitches starting from C:
  C C+ C♯ F G G+ G♯ c
  C C+ D♭ F G G+ A♭ c

G cleffCC quarter-sharpC sharpFGG quarter-sharpG sharpCbarlineCC quarter-sharpD flatFGG quarter-sharpA flatCEnd of staff

The name I use for this scale comes from: Composed name, to show all scale steps in this temperament

 
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To cite this page on Wikipedia: <ref name="Goss_2017_csc_7tone_alt"> {{cite web |last=Goss |first=Clint |title=Comprehensive Scale Catalog: Seven-Tone Scales in Alternate Temperaments |url=http://www.Flutopedia.com/csc_7tone_alt.htm |date=15 April 2017 |website=Flutopedia |access-date=<YOUR RETRIEVAL DATE> }}</ref>