Flutopedia - an Encyclopedia for the Native American Flute

Sign up for our Flute Newsletter

 


 
Previous PageUp a levelNext Page
Flutopedia.com

Comprehensive Scale Catalog: Eight-Tone Scales in Equal Temperament - Part 1

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with eight tones per octave and using 12-tone Equal Temperament.

The root note of each scale is shown in blue, such as Finger diagram closed closed closed closed closed closed.

Anasazi-7

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–3–2–1–1–1

Scale degrees:
  in semitones: 0–2–3–4–7–9–10–11–12
  intervals: 1–2–m3–3–5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E G A A♯ B c
  C D E♭ E G A B♭ B c

G cleffCDD sharpEGAA sharpBCEnd of staff

G cleffCDE flatEGAB flatBCEnd of staff

All The Chords Name: Zydyllic, 2imperfections

Pitch Class Set: {0,2,3,4,7,9,10,11}

Pitch Class Mapping: 3741 (Hex E9D, Binary 111010011101)

A Study of Scales (Ian Ring) Index: 3741

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katolyllic
  Mode 3 of: Rythyllic
  Mode 4 of: Pothyllic
  Mode 5 of: Phronyllic
  Mode 6 of: Stynyllic
  Mode 7 of: Rathyllic
  Mode 8 of: Aeryptyllic

The name I use for this scale comes from: Clint's Invented Name, based on common usage among Native American flute players.

Entry on the Map of Native American Flute Tunings page: Anasazi-7

Kiva

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–4–1–1–1–1–1

Scale degrees:
  in semitones: 0–2–3–7–8–9–10–11–12
  intervals: 1–2–m3–5–m6–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ G G♯ A A♯ B c
  C D E♭ G A♭ A B♭ B c

G cleffCDD sharpGG sharpAA sharpBCEnd of staff

G cleffCDE flatGA flatAB flatBCEnd of staff

All The Chords Name: Phrycryllic, 3imperfections

Pitch Class Set: {0,2,3,7,8,9,10,11}

Pitch Class Mapping: 3981 (Hex F8D, Binary 111110001101)

A Study of Scales (Ian Ring) Index: 3981

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Palyllic
  Mode 3 of: Phroryllic
  Mode 4 of: Thyphyllic
  Mode 5 of: Poptyllic
  Mode 6 of: Mixonyllic
  Mode 7 of: Paptyllic
  Mode 8 of: Storyllic

The name I use for this scale comes from: Stephen DeRuby's Invented Name

Entry on the Map of Native American Flute Tunings page: Kiva Seven-hole

Neveseri

Scale steps in semitones: 1–2–3–1–1–2–1–1

Scale degrees:
  in semitones: 0–1–3–6–7–8–10–11–12
  intervals: 1–m2–m3–d5–5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G G♯ A♯ B c
  C D♭ E♭ G♭ G A♭ B♭ B c

G cleffCC sharpD sharpF sharpGG sharpA sharpBCEnd of staff

G cleffCD flatE flatG flatGA flatB flatBCEnd of staff

All The Chords Name: Dycryllic, 2imperfections

Pitch Class Set: {0,1,3,6,7,8,10,11}

Pitch Class Mapping: 3531 (Hex DCB, Binary 110111001011)

A Study of Scales (Ian Ring) Index: 3531

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeologyllic
  Mode 3 of: Dagyllic
  Mode 4 of: Katalyllic
  Mode 5 of: Katoryllic
  Mode 6 of: Dodyllic
  Mode 7 of: Zogyllic
  Mode 8 of: Madyllic

The name I use for this scale comes from: Scala

Scala name: Neveseri: Greece

Piano Encyclopedia name: Neveseri [Greek]

Scale Omnibus name: Neseveri [Greece]

Octatonic

Scale steps in semitones: 1–2–1–2–1–2–1–2

Scale degrees:
  in semitones: 0–1–3–4–6–7–9–10–12
  intervals: 1–m2–m3–3–d5–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A A♯ c
  C D♭ E♭ E G♭ G A B♭ c

G cleffCC sharpD sharpEF sharpGAA sharpCEnd of staff

G cleffCD flatE flatEG flatGAB flatCEnd of staff

All The Chords Name: Ladyllic, 4imperfections

Pitch Class Set: {0,1,3,4,6,7,9,10}

Pitch Class Mapping: 1755 (Hex 6DB, Binary 011011011011)

A Study of Scales (Ian Ring) Index: 1755

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Octatonic 2
  Mode 3 of: Octatonic
  Mode 4 of: Octatonic 2
  Mode 5 of: Octatonic
  Mode 6 of: Octatonic 2
  Mode 7 of: Octatonic
  Mode 8 of: Octatonic 2

The name I use for this scale comes from: Scala

Scala names: Octatonic, Messiaen mode 2, Dominant Diminished, Diminished Blues, Half-Whole step scale
ChordHouse names: Octatonic (H-W); Auxiliary Diminished Blues; Diminished, Half

Piano Encyclopedia names: Diminished Blues; Dominant Diminished; Half-Whole step; Half-Whole tone; Messiaen mode 2; Octatonic (Half-tone, Whole-tone); Symmetrical Diminished

Scale Omnibus names: Diminished Half-tone; Messiaen 2nd Mode

Notes: Alternating half and whole steps.

Octatonic 2

Scale steps in semitones: 2–1–2–1–2–1–2–1

Scale degrees:
  in semitones: 0–2–3–5–6–8–9–11–12
  intervals: 1–2–m3–4–d5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ A B c
  C D E♭ F G♭ A♭ A B c

G cleffCDD sharpFF sharpG sharpABCEnd of staff

G cleffCDE flatFG flatA flatABCEnd of staff

All The Chords Name: Epadyllic, 4imperfections

Pitch Class Set: {0,2,3,5,6,8,9,11}

Pitch Class Mapping: 2925 (Hex B6D, Binary 101101101101)

A Study of Scales (Ian Ring) Index: 2925

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Octatonic
  Mode 3 of: Octatonic 2
  Mode 4 of: Octatonic
  Mode 5 of: Octatonic 2
  Mode 6 of: Octatonic
  Mode 7 of: Octatonic 2
  Mode 8 of: Octatonic

The name I use for this scale comes from: ChordHouse

Scala names: Diminished, Modus conjunctus, Messiaen mode 2 inverse, Whole-Half step scale
ChordHouse names: Octatonic (W-H); Arabian (a); Auxiliary Diminished; Diminished; Diminished, Whole

Piano Encyclopedia names: Auxiliary Diminished; Diminished; Eight-Note Diminished; Messiaen mode 2 inverse; Modus conjunctus; Octatonic (Whole-tone, Half-tone); Whole-Half step; Whole-Half tone

Scale Omnibus names: Diminished; Messiaen 2nd Mode Inverse; Modus Conjunctus; Octatonic; Whole-Tone Diminished

Notes: Alternating whole and half steps.

Algerian

Scale steps in semitones: 2–1–2–1–1–1–3–1

Scale degrees:
  in semitones: 0–2–3–5–6–7–8–11–12
  intervals: 1–2–m3–4–d5–5–m6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G G♯ B c
  C D E♭ F G♭ G A♭ B c

G cleffCDD sharpFF sharpGG sharpBCEnd of staff

G cleffCDE flatFG flatGA flatBCEnd of staff

All The Chords Name: Katadyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,7,8,11}

Pitch Class Mapping: 2541 (Hex 9ED, Binary 100111101101)

A Study of Scales (Ian Ring) Index: 2541

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of:
  Mode 3 of: Phrylyllic
  Mode 4 of: Epigyllic
  Mode 5 of: Molyllic
  Mode 6 of: Maqam Hijaz
  Mode 7 of: Maptyllic
  Mode 8 of: Aeraptyllic

The name I use for this scale comes from: ChordHouse

Scala names: Algerian, Sabiren
ChordHouse name: Algerian

Piano Encyclopedia name: Algerian [Arabian]

Scale Omnibus name: Algerian Octatonic [Tunisia]

Eight Tone Spanish

Scale steps in semitones: 1–2–1–1–1–2–2–2

Scale degrees:
  in semitones: 0–1–3–4–5–6–8–10–12
  intervals: 1–m2–m3–3–4–d5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ G♯ A♯ c
  C D♭ E♭ E F G♭ A♭ B♭ c

G cleffCC sharpD sharpEFF sharpG sharpA sharpCEnd of staff

G cleffCD flatE flatEFG flatA flatB flatCEnd of staff

All The Chords Name: Epinyllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,6,8,10}

Pitch Class Mapping: 1403 (Hex 57B, Binary 010101111011)

A Study of Scales (Ian Ring) Index: 1403

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katagyllic
  Mode 3 of: Adonai Malakh
  Mode 4 of: Gothyllic
  Mode 5 of: Hamel
  Mode 6 of: Rocryllic
  Mode 7 of: Zyryllic
  Mode 8 of: Sagyllic

The name I use for this scale comes from: ChordHouse

Scala names: Espla's scale, Eight-tone Spanish
ChordHouse name: Eight Tone Spanish

Piano Encyclopedia names: Ahava Rabba [Jewish]; Eight-Note Spanish; Espl\xe1's; Freygish; Jewish I

Scale Omnibus names: Ahava Rabba [Jewish]; Esplá; Spanish Octatonic

Ichikosucho

Scale steps in semitones: 2–2–1–1–1–2–2–1

Scale degrees:
  in semitones: 0–2–4–5–6–7–9–11–12
  intervals: 1–2–3–4–d5–5–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G A B c
  C D E F G♭ G A B c

G cleffCDEFF sharpGABCEnd of staff

G cleffCDEFG flatGABCEnd of staff

All The Chords Name: Zylyllic, 1imperfections

Pitch Class Set: {0,2,4,5,6,7,9,11}

Pitch Class Mapping: 2805 (Hex AF5, Binary 101011110101)

A Study of Scales (Ian Ring) Index: 2805

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bebop Minor
  Mode 3 of: Phrygian/Aeolian Mixed
  Mode 4 of: Godyllic
  Mode 5 of: Prokofiev
  Mode 6 of: Genus Diatonicum
  Mode 7 of: Raga Mukhari
  Mode 8 of: Phrygian/Locrian Mixed

The name I use for this scale comes from: ChordHouse

Scala names: Ishikotsucho: Japan, Raga Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubilai's Mongol scale, Major/Lydian mixed
ChordHouse name: Japanese (Ichikosucho)

Piano Encyclopedia names: Genus diatonicum veterum correctum [Latin]; Gregorian no.5; Ichikotsucho; Kubilai's Mongol; Major/Lydian mixed; Raga Bihag; Raga Chaya Nat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan

Scale Omnibus names: Genus Diatonicum Veterum Correctum; Gregorian 5; Ichilkotsucho (or Ishikosucho); Kubilai; Major-Lydian Mixed; Raga Bihag; Raga Chayanat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan

Adonai Malakh

Scale steps in semitones: 1–1–1–2–2–2–1–2

Scale degrees:
  in semitones: 0–1–2–3–5–7–9–10–12
  intervals: 1–m2–2–m3–4–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G A A♯ c
  C D♭ D E♭ F G A B♭ c

G cleffCC sharpDD sharpFGAA sharpCEnd of staff

G cleffCD flatDE flatFGAB flatCEnd of staff

All The Chords Name: Ragyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,7,9,10}

Pitch Class Mapping: 1711 (Hex 6AF, Binary 011010101111)

A Study of Scales (Ian Ring) Index: 1711

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gothyllic
  Mode 3 of: Hamel
  Mode 4 of: Rocryllic
  Mode 5 of: Zyryllic
  Mode 6 of: Sagyllic
  Mode 7 of: Eight Tone Spanish
  Mode 8 of: Katagyllic

The name I use for this scale comes from: ChordHouse

Scala name: Adonai Malakh: Jewish
ChordHouse name: Adonai Malakh

Piano Encyclopedia name: Adonai Malakh [Jewish]

Scale Omnibus name: Adonai Malakh

Magen Abot 1

Scale steps in semitones: 1–2–1–2–2–2–1–1

Scale degrees:
  in semitones: 0–1–3–4–6–8–10–11–12
  intervals: 1–m2–m3–3–d5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A♯ B c
  C D♭ E♭ E G♭ A♭ B♭ B c

G cleffCC sharpD sharpEF sharpG sharpA sharpBCEnd of staff

G cleffCD flatE flatEG flatA flatB flatBCEnd of staff

All The Chords Name: Danyllic, 2imperfections

Pitch Class Set: {0,1,3,4,6,8,10,11}

Pitch Class Mapping: 3419 (Hex D5B, Binary 110101011011)

A Study of Scales (Ian Ring) Index: 3419

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Mian Ki Malhar
  Mode 3 of: Epocryllic
  Mode 4 of: Ionocryllic
  Mode 5 of: Gocryllic
  Mode 6 of: Epiryllic
  Mode 7 of: Aeradyllic
  Mode 8 of: Staptyllic

The name I use for this scale comes from: ChordHouse

ChordHouse name: Magen Abot

Piano Encyclopedia name: Magen Abot [Jewish]

Blues 8-Tone

Scale steps in semitones: 2–1–2–1–1–2–1–2

Scale degrees:
  in semitones: 0–2–3–5–6–7–9–10–12
  intervals: 1–2–m3–4–d5–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A A♯ c
  C D E♭ F G♭ G A B♭ c

G cleffCDD sharpFF sharpGAA sharpCEnd of staff

G cleffCDE flatFG flatGAB flatCEnd of staff

All The Chords Name: Aeoloryllic, 2imperfections

Pitch Class Set: {0,2,3,5,6,7,9,10}

Pitch Class Mapping: 1773 (Hex 6ED, Binary 011011101101)

A Study of Scales (Ian Ring) Index: 1773

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Spanish Phrygian
  Mode 3 of: Gycryllic
  Mode 4 of: Lyryllic
  Mode 5 of: Magen Abot 2
  Mode 6 of: Maqam Nahawand
  Mode 7 of: Moptyllic
  Mode 8 of: Bebop Major

The name I use for this scale comes from: Clint's Invented Name

Scala name: Blues scale II

Piano Encyclopedia name: Blues IV [African]

Scale Omnibus name: Blues Octatonic

Raga Bhatiyar

Scale steps in semitones: 1–3–1–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–9–11–12
  intervals: 1–m2–3–4–d5–5–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A B c
  C D♭ E F G♭ G A B c

G cleffCC sharpEFF sharpGABCEnd of staff

G cleffCD flatEFG flatGABCEnd of staff

All The Chords Name: Zolyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,7,9,11}

Pitch Class Mapping: 2803 (Hex AF3, Binary 101011110011)

A Study of Scales (Ian Ring) Index: 2803

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bacryllic
  Mode 3 of: Aerygyllic
  Mode 4 of: Dathyllic
  Mode 5 of: Boptyllic
  Mode 6 of: Bagyllic
  Mode 7 of: Mathyllic
  Mode 8 of: Styptyllic

The name I use for this scale comes from: Scala name

Scala name: Raga Bhatiyar

Piano Encyclopedia name: Raga Bhatiyar [Indian]

Scale Omnibus names: Buzurg; Raga Bhatiyar

Raga Cintamani

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–6–7–8–9–10–12
  intervals: 1–2–m3–d5–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ A A♯ c
  C D E♭ G♭ G A♭ A B♭ c

G cleffCDD sharpF sharpGG sharpAA sharpCEnd of staff

G cleffCDE flatG flatGA flatAB flatCEnd of staff

All The Chords Name: Staryllic, 3imperfections

Pitch Class Set: {0,2,3,6,7,8,9,10}

Pitch Class Mapping: 1997 (Hex 7CD, Binary 011111001101)

A Study of Scales (Ian Ring) Index: 1997

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zothyllic
  Mode 3 of: Gythyllic
  Mode 4 of: Pyryllic
  Mode 5 of: Harmonic/Neapolitan Minor Mixed
  Mode 6 of: Phrathyllic
  Mode 7 of: Badyllic
  Mode 8 of: Phrocryllic

The name I use for this scale comes from: Scala name

Scala name: Raga Cintamani

Piano Encyclopedia name: Raga Chinthamani [Indian]

Scale Omnibus name: Raga Chinthamani [India]

Raga Mian Ki Malhar

Scale steps in semitones: 2–1–2–2–2–1–1–1

Scale degrees:
  in semitones: 0–2–3–5–7–9–10–11–12
  intervals: 1–2–m3–4–5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G A A♯ B c
  C D E♭ F G A B♭ B c

G cleffCDD sharpFGAA sharpBCEnd of staff

G cleffCDE flatFGAB flatBCEnd of staff

All The Chords Name: Goptyllic, 2imperfections

Pitch Class Set: {0,2,3,5,7,9,10,11}

Pitch Class Mapping: 3757 (Hex EAD, Binary 111010101101)

A Study of Scales (Ian Ring) Index: 3757

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epocryllic
  Mode 3 of: Ionocryllic
  Mode 4 of: Gocryllic
  Mode 5 of: Epiryllic
  Mode 6 of: Aeradyllic
  Mode 7 of: Staptyllic
  Mode 8 of: Magen Abot 1

The name I use for this scale comes from: Scala name

Scala names: Raga Mian Ki Malhar, Bahar, Sindhura

Piano Encyclopedia names: Raga Bahar [Indian]; Raga Mian Ki Malhar; Raga Sindhura

Scale Omnibus names: Raga Bahar [India]; Raga Miam Ki Malhar; Raga Sindhura

Raga Mukhari

Scale steps in semitones: 2–1–2–2–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–5–7–8–9–10–12
  intervals: 1–2–m3–4–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A A♯ c
  C D E♭ F G A♭ A B♭ c

G cleffCDD sharpFGG sharpAA sharpCEnd of staff

G cleffCDE flatFGA flatAB flatCEnd of staff

All The Chords Name: Gadyllic, 1imperfections

Pitch Class Set: {0,2,3,5,7,8,9,10}

Pitch Class Mapping: 1965 (Hex 7AD, Binary 011110101101)

A Study of Scales (Ian Ring) Index: 1965

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrygian/Locrian Mixed
  Mode 3 of: Ichikosucho
  Mode 4 of: Bebop Minor
  Mode 5 of: Phrygian/Aeolian Mixed
  Mode 6 of: Godyllic
  Mode 7 of: Prokofiev
  Mode 8 of: Genus Diatonicum

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Six-hole “Lost Tuning”

Scala names: Raga Mukhari, Anandabhairavi, Deshi, Manji, Gregorian nr.1, Dorian/Aeolian mixed

Piano Encyclopedia names: Dorian/Aeolian mixed; Gregorian no.1; Raga Anandabhairavi; Raga Deshi; Raga Mukhari

Scale Omnibus names: Dorian Aeolian; Gregorian 1; Raga Anandabhairavi; Raga Deshi; Raga Manji; Raga Mukhari

Raga Ramkali

Scale steps in semitones: 1–3–1–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–8–11–12
  intervals: 1–m2–3–4–d5–5–m6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G G♯ B c
  C D♭ E F G♭ G A♭ B c

G cleffCC sharpEFF sharpGG sharpBCEnd of staff

G cleffCD flatEFG flatGA flatBCEnd of staff

All The Chords Name: Bythyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,7,8,11}

Pitch Class Mapping: 2547 (Hex 9F3, Binary 100111110011)

A Study of Scales (Ian Ring) Index: 2547

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues V
  Mode 3 of: Gaptyllic
  Mode 4 of: Aeroptyllic
  Mode 5 of: Mylyllic
  Mode 6 of: Galyllic
  Mode 7 of: Kalyllic
  Mode 8 of: Ionodyllic

The name I use for this scale comes from: Scala name

Scala name: Raga Ramkali (Ramakri)

Piano Encyclopedia name: Raga Ramkali (Ramakri) [Indian]

Scale Omnibus names: Raga Ramakri [India]; Raga Ramkali

Raga Saurashtra

Scale steps in semitones: 1–3–1–2–1–1–2–1

Scale degrees:
  in semitones: 0–1–4–5–7–8–9–11–12
  intervals: 1–m2–3–4–5–m6–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A B c
  C D♭ E F G A♭ A B c

G cleffCC sharpEFGG sharpABCEnd of staff

G cleffCD flatEFGA flatABCEnd of staff

All The Chords Name: Sanyllic, 3imperfections

Pitch Class Set: {0,1,4,5,7,8,9,11}

Pitch Class Mapping: 2995 (Hex BB3, Binary 101110110011)

A Study of Scales (Ian Ring) Index: 2995

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Thyptyllic
  Mode 3 of: Ionogyllic
  Mode 4 of: Aeolaryllic
  Mode 5 of: Katygyllic
  Mode 6 of: Ganyllic
  Mode 7 of: Kyptyllic
  Mode 8 of: Salyllic

The name I use for this scale comes from: Scala name

Scala name: Raga Saurashtra

Piano Encyclopedia name: Raga Saurashtra [Indian]

Scale Omnibus name: Raga Saurashtra [India]

Bebop Minor

Scale steps in semitones: 2–1–1–1–2–2–1–2

Scale degrees:
  in semitones: 0–2–3–4–5–7–9–10–12
  intervals: 1–2–m3–3–4–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F G A A♯ c
  C D E♭ E F G A B♭ c

G cleffCDD sharpEFGAA sharpCEnd of staff

G cleffCDE flatEFGAB flatCEnd of staff

All The Chords Name: Mixodyllic, 1imperfections

Pitch Class Set: {0,2,3,4,5,7,9,10}

Pitch Class Mapping: 1725 (Hex 6BD, Binary 011010111101)

A Study of Scales (Ian Ring) Index: 1725

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrygian/Aeolian Mixed
  Mode 3 of: Godyllic
  Mode 4 of: Prokofiev
  Mode 5 of: Genus Diatonicum
  Mode 6 of: Raga Mukhari
  Mode 7 of: Phrygian/Locrian Mixed
  Mode 8 of: Ichikosucho

The name I use for this scale comes from: Scala name

Scala names: Minor Bebop, Dorian Bebop, Raga Zilla, Mixolydian/Dorian mixed

Wikipedia page related to this scale:

Piano Encyclopedia names: Bebop Minor [American]; Dorian Bebop; Minor Bebop; Mixolydian/Dorian mixed; Raga Zilla

Scale Omnibus names: Bebop Dorian; Mixolydian Dorian; Raga Zilla

Genus Diatonicum

Scale steps in semitones: 2–2–1–2–2–1–1–1

Scale degrees:
  in semitones: 0–2–4–5–7–9–10–11–12
  intervals: 1–2–3–4–5–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F G A A♯ B c
  C D E F G A B♭ B c

G cleffCDEFGAA sharpBCEnd of staff

G cleffCDEFGAB flatBCEnd of staff

All The Chords Name: Aerycryllic, 1imperfections

Pitch Class Set: {0,2,4,5,7,9,10,11}

Pitch Class Mapping: 3765 (Hex EB5, Binary 111010110101)

A Study of Scales (Ian Ring) Index: 3765

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Mukhari
  Mode 3 of: Phrygian/Locrian Mixed
  Mode 4 of: Ichikosucho
  Mode 5 of: Bebop Minor
  Mode 6 of: Phrygian/Aeolian Mixed
  Mode 7 of: Godyllic
  Mode 8 of: Prokofiev

The name I use for this scale comes from: Scala name

Scala names: Genus diatonicum, Dominant Bebop, Raga Khamaj, Desh Malhar, Alhaiya Bilaval, Devagandhari, Bihagara, Maqam Shawq Awir, Gregorian nr.6, Major/Mixolydian mixed, Chinese Eight-Tone, Rast: Greece

Wikipedia page related to this scale:

Piano Encyclopedia names: Bebop Dominant [American]; Dominant Bebop; Eight-Note Chinese; Genus diatonicum; Gregorian no.6; Major/Mixolydian mixed; Makam Rast; Maqam Shawq Awir; Mixolydian Bebop; Raga Alhaiya Bilaval; Raga Desh Malhar; Raga Khamaj

Scale Omnibus names: Bebop Mixolydian; Bebop (or Bebop Dominant); Chinese Eight-tone; Genus Diatonicum; Gregorian 6; Major Mixolydian; Maqam Shawq Awir; Raga Alhaiya Bilaval; Raga Bihagara; Raga Desh Malhar; Raga Devagandhari; Raga Khamaj; Rast

Bebop Major

Scale steps in semitones: 2–2–1–2–1–1–2–1

Scale degrees:
  in semitones: 0–2–4–5–7–8–9–11–12
  intervals: 1–2–3–4–5–m6–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F G G♯ A B c
  C D E F G A♭ A B c

G cleffCDEFGG sharpABCEnd of staff

G cleffCDEFGA flatABCEnd of staff

All The Chords Name: Ionoptyllic, 2imperfections

Pitch Class Set: {0,2,4,5,7,8,9,11}

Pitch Class Mapping: 2997 (Hex BB5, Binary 101110110101)

A Study of Scales (Ian Ring) Index: 2997

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues 8-Tone
  Mode 3 of: Spanish Phrygian
  Mode 4 of: Gycryllic
  Mode 5 of: Lyryllic
  Mode 6 of: Magen Abot 2
  Mode 7 of: Maqam Nahawand
  Mode 8 of: Moptyllic

The name I use for this scale comes from: Scala name

Scala names: Major Bebop, Altered Mixolydian

Wikipedia page related to this scale:

Piano Encyclopedia names: Altered Mixolydian I; Altered Mixolydian II; Bebop Major I; Bebop Major II; Major Bebop I; Major Bebop II

Scale Omnibus name: Bebop Major

Spanish Phrygian

Scale steps in semitones: 1–2–1–1–2–1–2–2

Scale degrees:
  in semitones: 0–1–3–4–5–7–8–10–12
  intervals: 1–m2–m3–3–4–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G G♯ A♯ c
  C D♭ E♭ E F G A♭ B♭ c

G cleffCC sharpD sharpEFGG sharpA sharpCEnd of staff

G cleffCD flatE flatEFGA flatB flatCEnd of staff

All The Chords Name: Thydyllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,7,8,10}

Pitch Class Mapping: 1467 (Hex 5BB, Binary 010110111011)

A Study of Scales (Ian Ring) Index: 1467

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gycryllic
  Mode 3 of: Lyryllic
  Mode 4 of: Magen Abot 2
  Mode 5 of: Maqam Nahawand
  Mode 6 of: Moptyllic
  Mode 7 of: Bebop Major
  Mode 8 of: Blues 8-Tone

The name I use for this scale comes from: Scala name

Scala name: Spanish Phrygian

Piano Encyclopedia name: Spanish Phrygian II [Spanish]

Scale Omnibus names: Flamenco; Spanish Phrygian

Half-diminished Bebop

Scale steps in semitones: 1–2–2–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–8–11–12
  intervals: 1–m2–m3–4–d5–5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G G♯ B c
  C D♭ E♭ F G♭ G A♭ B c

G cleffCC sharpD sharpFF sharpGG sharpBCEnd of staff

G cleffCD flatE flatFG flatGA flatBCEnd of staff

All The Chords Name: Lacryllic, 2imperfections

Pitch Class Set: {0,1,3,5,6,7,8,11}

Pitch Class Mapping: 2539 (Hex 9EB, Binary 100111101011)

A Study of Scales (Ian Ring) Index: 2539

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katynyllic
  Mode 3 of: Maryllic
  Mode 4 of: Mothyllic
  Mode 5 of: Mixothyllic
  Mode 6 of:
  Mode 7 of: Eponyllic
  Mode 8 of: Thocryllic

The name I use for this scale comes from: Scala name

Scala name: Half-diminished Bebop

Piano Encyclopedia names: Bebop Half-Diminished [American]; Half-Diminished Bebop

Scale Omnibus name: Bebop Half-diminished

Neapolitan Mixed

Scale steps in semitones: 1–2–2–2–1–1–2–1

Scale degrees:
  in semitones: 0–1–3–5–7–8–9–11–12
  intervals: 1–m2–m3–4–5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A B c
  C D♭ E♭ F G A♭ A B c

G cleffCC sharpD sharpFGG sharpABCEnd of staff

G cleffCD flatE flatFGA flatABCEnd of staff

All The Chords Name: Thanyllic, 4imperfections

Pitch Class Set: {0,1,3,5,7,8,9,11}

Pitch Class Mapping: 2987 (Hex BAB, Binary 101110101011)

A Study of Scales (Ian Ring) Index: 2987

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Racryllic
  Mode 3 of: Epicryllic
  Mode 4 of: Stygyllic
  Mode 5 of: Syryllic
  Mode 6 of: Stythyllic
  Mode 7 of: Aerothyllic
  Mode 8 of: Mixoryllic

The name I use for this scale comes from: Scala name, shortened by Clint

Scala name: Neapolitan Major and Minor mixed

Verdi's Scala Enigmatica

Scale steps in semitones: 1–3–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–8–10–11–12
  intervals: 1–m2–3–4–d5–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ A♯ B c
  C D♭ E F G♭ A♭ B♭ B c

G cleffCC sharpEFF sharpG sharpA sharpBCEnd of staff

G cleffCD flatEFG flatA flatB flatBCEnd of staff

All The Chords Name: Bodyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,8,10,11}

Pitch Class Mapping: 3443 (Hex D73, Binary 110101110011)

A Study of Scales (Ian Ring) Index: 3443

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Eponyllic
  Mode 3 of: Thocryllic
  Mode 4 of: Half-diminished Bebop
  Mode 5 of: Katynyllic
  Mode 6 of: Maryllic
  Mode 7 of: Mothyllic
  Mode 8 of: Mixothyllic

The name I use for this scale comes from: Scala name

Scala names: Verdi's Scala enigmatica

Piano Encyclopedia names: Verdi's Scala Enigmatica [Italian]

Scale Omnibus name: Enigmatic Mixed

Zirafkend

Scale steps in semitones: 2–1–2–2–1–1–2–1

Scale degrees:
  in semitones: 0–2–3–5–7–8–9–11–12
  intervals: 1–2–m3–4–5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A B c
  C D E♭ F G A♭ A B c

G cleffCDD sharpFGG sharpABCEnd of staff

G cleffCDE flatFGA flatABCEnd of staff

Pitch Class Set: {0,2,3,5,7,8,9,11}

Pitch Class Mapping: 2989 (Hex BAD, Binary 101110101101)

A Study of Scales (Ian Ring) Index: 2989

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Shostakovich

The name I use for this scale comes from: Scala name

Scala names: Zirafkend: Arabic, Melodic Minor Bebop

Wikipedia page related to this scale:

Piano Encyclopedia name: Zirafkend : Arabic [Arabian]

Scale Omnibus names: Bebop Melodic Minor; Zirafkend

Magen Abot 2

Scale steps in semitones: 1–2–1–2–2–1–2–1

Scale degrees:
  in semitones: 0–1–3–4–6–8–9–11–12
  intervals: 1–m2–m3–3–d5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A B c
  C D♭ E♭ E G♭ A♭ A B c

G cleffCC sharpD sharpEF sharpG sharpABCEnd of staff

G cleffCD flatE flatEG flatA flatABCEnd of staff

All The Chords Name: Mogyllic, 2imperfections

Pitch Class Set: {0,1,3,4,6,8,9,11}

Pitch Class Mapping: 2907 (Hex B5B, Binary 101101011011)

A Study of Scales (Ian Ring) Index: 2907

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Nahawand
  Mode 3 of: Moptyllic
  Mode 4 of: Bebop Major
  Mode 5 of: Blues 8-Tone
  Mode 6 of: Spanish Phrygian
  Mode 7 of: Gycryllic
  Mode 8 of: Lyryllic

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Magen Abot Tuning

Scala name: Magen Abot: Jewish

Scale Omnibus name: Magen Abot [Jewish]

Maqam Nahawand

Scale steps in semitones: 2–1–2–2–1–2–1–1

Scale degrees:
  in semitones: 0–2–3–5–7–8–10–11–12
  intervals: 1–2–m3–4–5–m6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ B c
  C D E♭ F G A♭ B♭ B c

G cleffCDD sharpFGG sharpA sharpBCEnd of staff

G cleffCDE flatFGA flatB flatBCEnd of staff

All The Chords Name: Katodyllic, 2imperfections

Pitch Class Set: {0,2,3,5,7,8,10,11}

Pitch Class Mapping: 3501 (Hex DAD, Binary 110110101101)

A Study of Scales (Ian Ring) Index: 3501

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Moptyllic
  Mode 3 of: Bebop Major
  Mode 4 of: Blues 8-Tone
  Mode 5 of: Spanish Phrygian
  Mode 6 of: Gycryllic
  Mode 7 of: Lyryllic
  Mode 8 of: Magen Abot 2

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Seven-hole Minor

Scala names: Maqam Nahawand, Farahfaza, Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor

Wikipedia page related to this scale:

Piano Encyclopedia names: Gregorian no.4 [Church]; Utility Minor

Scale Omnibus names: Bebop Harmonic Minor; Bebop Natural Minor; Gregorian 4; Maqam Farahfaza; Maqam Nahawand; Raga Suha Kanada; Utility Minor

Harmonic/Neapolitan Minor Mixed

Scale steps in semitones: 1–1–1–2–2–1–3–1

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–11–12
  intervals: 1–m2–2–m3–4–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ B c
  C D♭ D E♭ F G A♭ B c

G cleffCC sharpDD sharpFGG sharpBCEnd of staff

G cleffCD flatDE flatFGA flatBCEnd of staff

All The Chords Name: Rycryllic, 3imperfections

Pitch Class Set: {0,1,2,3,5,7,8,11}

Pitch Class Mapping: 2479 (Hex 9AF, Binary 100110101111)

A Study of Scales (Ian Ring) Index: 2479

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrathyllic
  Mode 3 of: Badyllic
  Mode 4 of: Phrocryllic
  Mode 5 of: Raga Cintamani
  Mode 6 of: Zothyllic
  Mode 7 of: Gythyllic
  Mode 8 of: Pyryllic

The name I use for this scale comes from: Scala name, abbreviated by Clint

Scala name: Harmonic and Neapolitan Minor mixed

Piano Encyclopedia name: Harmonic and Neapolitan Minor mixed

Scale Omnibus name: Harmonic Neapolitan Minor [Italy]

Maqam Hijaz

Scale steps in semitones: 1–3–1–2–1–2–1–1

Scale degrees:
  in semitones: 0–1–4–5–7–8–10–11–12
  intervals: 1–m2–3–4–5–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A♯ B c
  C D♭ E F G A♭ B♭ B c

G cleffCC sharpEFGG sharpA sharpBCEnd of staff

G cleffCD flatEFGA flatB flatBCEnd of staff

All The Chords Name: Ponyllic, 3imperfections

Pitch Class Set: {0,1,4,5,7,8,10,11}

Pitch Class Mapping: 3507 (Hex DB3, Binary 110110110011)

A Study of Scales (Ian Ring) Index: 3507

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maptyllic
  Mode 3 of: Aeraptyllic
  Mode 4 of: Algerian
  Mode 5 of:
  Mode 6 of: Phrylyllic
  Mode 7 of: Epigyllic
  Mode 8 of: Molyllic

The name I use for this scale comes from: Scala name, abbreviated by Clint

Scala name: Maqam Hijaz (Hedjaz)

Piano Encyclopedia name: Makam Hijaz [Iraqian]

Scale Omnibus name: Maqam Hijaz [Iraq]

Maqam Shadd'araban

Scale steps in semitones: 1–2–1–1–1–3–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–6–9–10–12
  intervals: 1–m2–m3–3–4–d5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ A A♯ c
  C D♭ E♭ E F G♭ A B♭ c

G cleffCC sharpD sharpEFF sharpAA sharpCEnd of staff

G cleffCD flatE flatEFG flatAB flatCEnd of staff

All The Chords Name: Magyllic, 3imperfections

Pitch Class Set: {0,1,3,4,5,6,9,10}

Pitch Class Mapping: 1659 (Hex 67B, Binary 011001111011)

A Study of Scales (Ian Ring) Index: 1659

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrylyllic
  Mode 3 of: Epigyllic
  Mode 4 of: Molyllic
  Mode 5 of: Maqam Hijaz
  Mode 6 of: Maptyllic
  Mode 7 of: Aeraptyllic
  Mode 8 of: Algerian

The name I use for this scale comes from: Scala name

Scala names: Maqam Shadd'araban

Piano Encyclopedia names: Maqam Shadd'araban [Iraqian]

Scale Omnibus name: Maqam Shadd’araban [Iraq]

Messiaen Mode 4

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–3–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–3–6–7–8–9–12
  intervals: 1–m2–2–m3–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F♯ G G♯ A c
  C D♭ D E♭ G♭ G A♭ A c

G cleffCC sharpDD sharpF sharpGG sharpACEnd of staff

G cleffCD flatDE flatG flatGA flatACEnd of staff

All The Chords Name: Katogyllic, 2imperfections

Pitch Class Set: {0,1,2,3,6,7,8,9}

Pitch Class Mapping: 975 (Hex 3CF, Binary 001111001111)

A Study of Scales (Ian Ring) Index: 975

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Tcherepnin Octatonic Mode 2
  Mode 3 of: Tcherepnin Octatonic Mode 1
  Mode 4 of: Messiaen Mode 4 Inverse
  Mode 5 of: Messiaen Mode 4
  Mode 6 of: Tcherepnin Octatonic Mode 2
  Mode 7 of: Tcherepnin Octatonic Mode 1
  Mode 8 of: Messiaen Mode 4 Inverse

The name I use for this scale comes from: Scala name

Scala names: Messiaen mode 4, Tcherepnin Octatonic mode 3

Messiaen Mode 4 Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–3–1–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–9–10–11–12
  intervals: 1–m3–3–4–d5–6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ A A♯ B c
  C E♭ E F G♭ A B♭ B c

G cleffCD sharpEFF sharpAA sharpBCEnd of staff

G cleffCE flatEFG flatAB flatBCEnd of staff

All The Chords Name: Sydyllic, 2imperfections

Pitch Class Set: {0,3,4,5,6,9,10,11}

Pitch Class Mapping: 3705 (Hex E79, Binary 111001111001)

A Study of Scales (Ian Ring) Index: 3705

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 4
  Mode 3 of: Tcherepnin Octatonic Mode 2
  Mode 4 of: Tcherepnin Octatonic Mode 1
  Mode 5 of: Messiaen Mode 4 Inverse
  Mode 6 of: Messiaen Mode 4
  Mode 7 of: Tcherepnin Octatonic Mode 2
  Mode 8 of: Tcherepnin Octatonic Mode 1

The name I use for this scale comes from: Scala name

Scala names: Messiaen mode 4 inverse, Tcherepnin Octatonic mode 4

Piano Encyclopedia name: Messiaen mode 4 inverse

Scale Omnibus name: Messiaen 4th Mode Inverse

Messiaen Mode 6

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–2–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–4–6–7–8–10–12
  intervals: 1–m2–2–3–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G G♯ A♯ c
  C D♭ D E G♭ G A♭ B♭ c

G cleffCC sharpDEF sharpGG sharpA sharpCEnd of staff

G cleffCD flatDEG flatGA flatB flatCEnd of staff

All The Chords Name: Epidyllic, 3imperfections

Pitch Class Set: {0,1,2,4,6,7,8,10}

Pitch Class Mapping: 1495 (Hex 5D7, Binary 010111010111)

A Study of Scales (Ian Ring) Index: 1495

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Van der Horst Octatonic
  Mode 3 of: Messiaen Mode 6 Inverse
  Mode 4 of: Epotyllic and Saptyllic
  Mode 5 of: Messiaen Mode 6
  Mode 6 of: Van der Horst Octatonic
  Mode 7 of: Messiaen Mode 6 Inverse
  Mode 8 of: Epotyllic and Saptyllic

The name I use for this scale comes from: Scala name

Scala name: Messiaen mode 6

Scale Omnibus name: Messiaen 6th Mode Inverse

Messiaen Mode 6 Inverse

Scale steps in semitones: 2–2–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–2–4–5–6–8–10–11–12
  intervals: 1–2–3–4–d5–m6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G♯ A♯ B c
  C D E F G♭ A♭ B♭ B c

G cleffCDEFF sharpG sharpA sharpBCEnd of staff

G cleffCDEFG flatA flatB flatBCEnd of staff

All The Chords Name: Roryllic, 3imperfections

Pitch Class Set: {0,2,4,5,6,8,10,11}

Pitch Class Mapping: 3445 (Hex D75, Binary 110101110101)

A Study of Scales (Ian Ring) Index: 3445

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epotyllic and Saptyllic
  Mode 3 of: Messiaen Mode 6
  Mode 4 of: Van der Horst Octatonic
  Mode 5 of: Messiaen Mode 6 Inverse
  Mode 6 of: Epotyllic and Saptyllic
  Mode 7 of: Messiaen Mode 6
  Mode 8 of: Van der Horst Octatonic

The name I use for this scale comes from: Scala name

Scala name: Messiaen mode 6 inverse

Piano Encyclopedia names: Messiaen mode 6; Messiaen mode 6 inverse

Scale Omnibus name: Messiaen 6th Mode

Tcherepnin Octatonic Mode 1

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–3–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–10–11–12
  intervals: 1–m2–3–4–d5–5–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A♯ B c
  C D♭ E F G♭ G B♭ B c

G cleffCC sharpEFF sharpGA sharpBCEnd of staff

G cleffCD flatEFG flatGB flatBCEnd of staff

All The Chords Name: Aeralyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,7,10,11}

Pitch Class Mapping: 3315 (Hex CF3, Binary 110011110011)

A Study of Scales (Ian Ring) Index: 3315

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 4 Inverse
  Mode 3 of: Messiaen Mode 4
  Mode 4 of: Tcherepnin Octatonic Mode 2
  Mode 5 of: Tcherepnin Octatonic Mode 1
  Mode 6 of: Messiaen Mode 4 Inverse
  Mode 7 of: Messiaen Mode 4
  Mode 8 of: Tcherepnin Octatonic Mode 2

The name I use for this scale comes from: Scala name

Scala name: Tcherepnin Octatonic mode 1

Tcherepnin Octatonic Mode 2

Scale steps in semitones: 1–1–3–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–5–6–7–8–11–12
  intervals: 1–m2–2–4–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G G♯ B c
  C D♭ D F G♭ G A♭ B c

G cleffCC sharpDFF sharpGG sharpBCEnd of staff

G cleffCD flatDFG flatGA flatBCEnd of staff

All The Chords Name: Zygyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,8,11}

Pitch Class Mapping: 2535 (Hex 9E7, Binary 100111100111)

A Study of Scales (Ian Ring) Index: 2535

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Tcherepnin Octatonic Mode 1
  Mode 3 of: Messiaen Mode 4 Inverse
  Mode 4 of: Messiaen Mode 4
  Mode 5 of: Tcherepnin Octatonic Mode 2
  Mode 6 of: Tcherepnin Octatonic Mode 1
  Mode 7 of: Messiaen Mode 4 Inverse
  Mode 8 of: Messiaen Mode 4

The name I use for this scale comes from: Scala name

Scala name: Tcherepnin Octatonic mode 2

Piano Encyclopedia names: Messiaen mode 4; Messiaen mode 5

Scale Omnibus name: Messiaen 4th Mode

Phrygian/Aeolian Mixed

Scale steps in semitones: 1–1–1–2–2–1–2–2

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–10–12
  intervals: 1–m2–2–m3–4–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ A♯ c
  C D♭ D E♭ F G A♭ B♭ c

G cleffCC sharpDD sharpFGG sharpA sharpCEnd of staff

G cleffCD flatDE flatFGA flatB flatCEnd of staff

All The Chords Name: Soryllic, 1imperfections

Pitch Class Set: {0,1,2,3,5,7,8,10}

Pitch Class Mapping: 1455 (Hex 5AF, Binary 010110101111)

A Study of Scales (Ian Ring) Index: 1455

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Godyllic
  Mode 3 of: Prokofiev
  Mode 4 of: Genus Diatonicum
  Mode 5 of: Raga Mukhari
  Mode 6 of: Phrygian/Locrian Mixed
  Mode 7 of: Ichikosucho
  Mode 8 of: Bebop Minor

The name I use for this scale comes from: Scala name

Scala name: Phrygian/Aeolian mixed

Piano Encyclopedia name: Phrygian/Aeolian mixed

Scale Omnibus names: Phrygian Aeolian b4; Phrygian Aeolian Mixed

Phrygian/Locrian Mixed

Scale steps in semitones: 1–2–2–1–1–1–2–2

Scale degrees:
  in semitones: 0–1–3–5–6–7–8–10–12
  intervals: 1–m2–m3–4–d5–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G G♯ A♯ c
  C D♭ E♭ F G♭ G A♭ B♭ c

G cleffCC sharpD sharpFF sharpGG sharpA sharpCEnd of staff

G cleffCD flatE flatFG flatGA flatB flatCEnd of staff

All The Chords Name: Solyllic, 1imperfections

Pitch Class Set: {0,1,3,5,6,7,8,10}

Pitch Class Mapping: 1515 (Hex 5EB, Binary 010111101011)

A Study of Scales (Ian Ring) Index: 1515

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ichikosucho
  Mode 3 of: Bebop Minor
  Mode 4 of: Phrygian/Aeolian Mixed
  Mode 5 of: Godyllic
  Mode 6 of: Prokofiev
  Mode 7 of: Genus Diatonicum
  Mode 8 of: Raga Mukhari

The name I use for this scale comes from: Scala name

Scala name: Phrygian/Locrian mixed

Piano Encyclopedia name: Phrygian/Locrian mixed

Scale Omnibus names: Bebop Locrian; Phrygian Locrian

Hamel

Scale steps in semitones: 1–2–2–2–1–2–1–1

Scale degrees:
  in semitones: 0–1–3–5–7–8–10–11–12
  intervals: 1–m2–m3–4–5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A♯ B c
  C D♭ E♭ F G A♭ B♭ B c

G cleffCC sharpD sharpFGG sharpA sharpBCEnd of staff

G cleffCD flatE flatFGA flatB flatBCEnd of staff

All The Chords Name: Lythyllic, 2imperfections

Pitch Class Set: {0,1,3,5,7,8,10,11}

Pitch Class Mapping: 3499 (Hex DAB, Binary 110110101011)

A Study of Scales (Ian Ring) Index: 3499

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rocryllic
  Mode 3 of: Zyryllic
  Mode 4 of: Sagyllic
  Mode 5 of: Eight Tone Spanish
  Mode 6 of: Katagyllic
  Mode 7 of: Adonai Malakh
  Mode 8 of: Gothyllic

The name I use for this scale comes from: Scala name

Scala name: Hamel

Piano Encyclopedia name: Gregorian no.3 [Church]

Scale Omnibus names: Gregorian 3; Hamel

Van der Horst Octatonic

Scale steps in semitones: 1–2–2–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–9–11–12
  intervals: 1–m2–m3–4–d5–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G A B c
  C D♭ E♭ F G♭ G A B c

G cleffCC sharpD sharpFF sharpGABCEnd of staff

G cleffCD flatE flatFG flatGABCEnd of staff

All The Chords Name: Kaptyllic, 3imperfections

Pitch Class Set: {0,1,3,5,6,7,9,11}

Pitch Class Mapping: 2795 (Hex AEB, Binary 101011101011)

A Study of Scales (Ian Ring) Index: 2795

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 6 Inverse
  Mode 3 of: Epotyllic and Saptyllic
  Mode 4 of: Messiaen Mode 6
  Mode 5 of: Van der Horst Octatonic
  Mode 6 of: Messiaen Mode 6 Inverse
  Mode 7 of: Epotyllic and Saptyllic
  Mode 8 of: Messiaen Mode 6

The name I use for this scale comes from: Scala name

Scala name: Van der Horst Octatonic

Piano Encyclopedia name: Van der Horst Octatonic [Dutch]

Scale Omnibus name: Van Der Host

Prokofiev

Scale steps in semitones: 1–2–2–1–2–2–1–1

Scale degrees:
  in semitones: 0–1–3–5–6–8–10–11–12
  intervals: 1–m2–m3–4–d5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A♯ B c
  C D♭ E♭ F G♭ A♭ B♭ B c

G cleffCC sharpD sharpFF sharpG sharpA sharpBCEnd of staff

G cleffCD flatE flatFG flatA flatB flatBCEnd of staff

All The Chords Name: Epiphyllic, 1imperfections

Pitch Class Set: {0,1,3,5,6,8,10,11}

Pitch Class Mapping: 3435 (Hex D6B, Binary 110101101011)

A Study of Scales (Ian Ring) Index: 3435

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Genus Diatonicum
  Mode 3 of: Raga Mukhari
  Mode 4 of: Phrygian/Locrian Mixed
  Mode 5 of: Ichikosucho
  Mode 6 of: Bebop Minor
  Mode 7 of: Phrygian/Aeolian Mixed
  Mode 8 of: Godyllic

The name I use for this scale comes from: Scala name

Scala name: Prokofiev

Piano Encyclopedia name: Prokofiev

Scale Omnibus name: Prokofiev [Russia]

Shostakovich

Scale steps in semitones: 1–2–1–2–1–2–2–1

Scale degrees:
  in semitones: 0–1–3–4–6–7–9–11–12
  intervals: 1–m2–m3–3–d5–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A B c
  C D♭ E♭ E G♭ G A B c

G cleffCC sharpD sharpEF sharpGABCEnd of staff

G cleffCD flatE flatEG flatGABCEnd of staff

Pitch Class Set: {0,1,3,4,6,7,9,11}

Pitch Class Mapping: 2779 (Hex ADB, Binary 101011011011)

A Study of Scales (Ian Ring) Index: 2779

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Zirafkend

The name I use for this scale comes from: Scala name

Scala name: Shostakovich

Piano Encyclopedia name: Shostakovich [Russian]

Scale Omnibus name: Shostakovich [Russia]

JG Octatonic

Scale steps in semitones: 1–2–1–1–2–2–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–7–9–10–12
  intervals: 1–m2–m3–3–4–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G A A♯ c
  C D♭ E♭ E F G A B♭ c

G cleffCC sharpD sharpEFGAA sharpCEnd of staff

G cleffCD flatE flatEFGAB flatCEnd of staff

All The Chords Name: Poryllic, 3imperfections

Pitch Class Set: {0,1,3,4,5,7,9,10}

Pitch Class Mapping: 1723 (Hex 6BB, Binary 011010111011)

A Study of Scales (Ian Ring) Index: 1723

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mocryllic
  Mode 3 of: Aeolyryllic
  Mode 4 of: Baryllic
  Mode 5 of: Stogyllic
  Mode 6 of: Ionidyllic
  Mode 7 of: Stonyllic
  Mode 8 of: Stalyllic

The name I use for this scale comes from: Scala name

Scala name: JG Octatonic

Scale Omnibus name: LG Octatonic

Blues V

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 3–1–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–7–10–11–12
  intervals: 1–m3–3–4–d5–5–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G A♯ B c
  C E♭ E F G♭ G B♭ B c

G cleffCD sharpEFF sharpGA sharpBCEnd of staff

G cleffCE flatEFG flatGB flatBCEnd of staff

All The Chords Name: Epagyllic, 2imperfections

Pitch Class Set: {0,3,4,5,6,7,10,11}

Pitch Class Mapping: 3321 (Hex CF9, Binary 110011111001)

A Study of Scales (Ian Ring) Index: 3321

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gaptyllic
  Mode 3 of: Aeroptyllic
  Mode 4 of: Mylyllic
  Mode 5 of: Galyllic
  Mode 6 of: Kalyllic
  Mode 7 of: Ionodyllic
  Mode 8 of: Raga Ramkali

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Blues V [African]

Godyllic

Scale steps in semitones: 1–1–2–2–1–2–2–1

Scale degrees:
  in semitones: 0–1–2–4–6–7–9–11–12
  intervals: 1–m2–2–3–d5–5–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G A B c
  C D♭ D E G♭ G A B c

G cleffCC sharpDEF sharpGABCEnd of staff

G cleffCD flatDEG flatGABCEnd of staff

All The Chords Name: Godyllic, 1imperfections

Pitch Class Set: {0,1,2,4,6,7,9,11}

Pitch Class Mapping: 2775 (Hex AD7, Binary 101011010111)

A Study of Scales (Ian Ring) Index: 2775

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Prokofiev
  Mode 3 of: Genus Diatonicum
  Mode 4 of: Raga Mukhari
  Mode 5 of: Phrygian/Locrian Mixed
  Mode 6 of: Ichikosucho
  Mode 7 of: Bebop Minor
  Mode 8 of: Phrygian/Aeolian Mixed

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gycryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–2–1–2–2–1

Scale degrees:
  in semitones: 0–2–3–4–6–7–9–11–12
  intervals: 1–2–m3–3–d5–5–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F♯ G A B c
  C D E♭ E G♭ G A B c

G cleffCDD sharpEF sharpGABCEnd of staff

G cleffCDE flatEG flatGABCEnd of staff

All The Chords Name: Gycryllic, 2imperfections

Pitch Class Set: {0,2,3,4,6,7,9,11}

Pitch Class Mapping: 2781 (Hex ADD, Binary 101011011101)

A Study of Scales (Ian Ring) Index: 2781

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lyryllic
  Mode 3 of: Magen Abot 2
  Mode 4 of: Maqam Nahawand
  Mode 5 of: Moptyllic
  Mode 6 of: Bebop Major
  Mode 7 of: Blues 8-Tone
  Mode 8 of: Spanish Phrygian

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Lyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–1–2–2–1–2

Scale degrees:
  in semitones: 0–1–2–4–5–7–9–10–12
  intervals: 1–m2–2–3–4–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F G A A♯ c
  C D♭ D E F G A B♭ c

G cleffCC sharpDEFGAA sharpCEnd of staff

G cleffCD flatDEFGAB flatCEnd of staff

All The Chords Name: Lyryllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,7,9,10}

Pitch Class Mapping: 1719 (Hex 6B7, Binary 011010110111)

A Study of Scales (Ian Ring) Index: 1719

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Magen Abot 2
  Mode 3 of: Maqam Nahawand
  Mode 4 of: Moptyllic
  Mode 5 of: Bebop Major
  Mode 6 of: Blues 8-Tone
  Mode 7 of: Spanish Phrygian
  Mode 8 of: Gycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Moptyllic

Scale steps in semitones: 1–2–2–1–2–1–1–2

Scale degrees:
  in semitones: 0–1–3–5–6–8–9–10–12
  intervals: 1–m2–m3–4–d5–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A A♯ c
  C D♭ E♭ F G♭ A♭ A B♭ c

G cleffCC sharpD sharpFF sharpG sharpAA sharpCEnd of staff

G cleffCD flatE flatFG flatA flatAB flatCEnd of staff

All The Chords Name: Moptyllic, 2imperfections

Pitch Class Set: {0,1,3,5,6,8,9,10}

Pitch Class Mapping: 1899 (Hex 76B, Binary 011101101011)

A Study of Scales (Ian Ring) Index: 1899

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bebop Major
  Mode 3 of: Blues 8-Tone
  Mode 4 of: Spanish Phrygian
  Mode 5 of: Gycryllic
  Mode 6 of: Lyryllic
  Mode 7 of: Magen Abot 2
  Mode 8 of: Maqam Nahawand

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Ionocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–2–1–1–1–2–1

Scale degrees:
  in semitones: 0–2–4–6–7–8–9–11–12
  intervals: 1–2–3–d5–5–m6–6–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G G♯ A B c
  C D E G♭ G A♭ A B c

G cleffCDEF sharpGG sharpABCEnd of staff

G cleffCDEG flatGA flatABCEnd of staff

All The Chords Name: Ionocryllic, 2imperfections

Pitch Class Set: {0,2,4,6,7,8,9,11}

Pitch Class Mapping: 3029 (Hex BD5, Binary 101111010101)

A Study of Scales (Ian Ring) Index: 3029

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gocryllic
  Mode 3 of: Epiryllic
  Mode 4 of: Aeradyllic
  Mode 5 of: Staptyllic
  Mode 6 of: Magen Abot 1
  Mode 7 of: Raga Mian Ki Malhar
  Mode 8 of: Epocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–1–1–1–2–1–2

Scale degrees:
  in semitones: 0–2–4–5–6–7–9–10–12
  intervals: 1–2–3–4–d5–5–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F F♯ G A A♯ c
  C D E F G♭ G A B♭ c

G cleffCDEFF sharpGAA sharpCEnd of staff

G cleffCDEFG flatGAB flatCEnd of staff

All The Chords Name: Gocryllic, 2imperfections

Pitch Class Set: {0,2,4,5,6,7,9,10}

Pitch Class Mapping: 1781 (Hex 6F5, Binary 011011110101)

A Study of Scales (Ian Ring) Index: 1781

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epiryllic
  Mode 3 of: Aeradyllic
  Mode 4 of: Staptyllic
  Mode 5 of: Magen Abot 1
  Mode 6 of: Raga Mian Ki Malhar
  Mode 7 of: Epocryllic
  Mode 8 of: Ionocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Epiryllic

Scale steps in semitones: 2–1–1–1–2–1–2–2

Scale degrees:
  in semitones: 0–2–3–4–5–7–8–10–12
  intervals: 1–2–m3–3–4–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F G G♯ A♯ c
  C D E♭ E F G A♭ B♭ c

G cleffCDD sharpEFGG sharpA sharpCEnd of staff

G cleffCDE flatEFGA flatB flatCEnd of staff

All The Chords Name: Epiryllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,8,10}

Pitch Class Mapping: 1469 (Hex 5BD, Binary 010110111101)

A Study of Scales (Ian Ring) Index: 1469

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeradyllic
  Mode 3 of: Staptyllic
  Mode 4 of: Magen Abot 1
  Mode 5 of: Raga Mian Ki Malhar
  Mode 6 of: Epocryllic
  Mode 7 of: Ionocryllic
  Mode 8 of: Gocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeradyllic

Scale steps in semitones: 1–1–1–2–1–2–2–2

Scale degrees:
  in semitones: 0–1–2–3–5–6–8–10–12
  intervals: 1–m2–2–m3–4–d5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G♯ A♯ c
  C D♭ D E♭ F G♭ A♭ B♭ c

G cleffCC sharpDD sharpFF sharpG sharpA sharpCEnd of staff

G cleffCD flatDE flatFG flatA flatB flatCEnd of staff

All The Chords Name: Aeradyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,6,8,10}

Pitch Class Mapping: 1391 (Hex 56F, Binary 010101101111)

A Study of Scales (Ian Ring) Index: 1391

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Staptyllic
  Mode 3 of: Magen Abot 1
  Mode 4 of: Raga Mian Ki Malhar
  Mode 5 of: Epocryllic
  Mode 6 of: Ionocryllic
  Mode 7 of: Gocryllic
  Mode 8 of: Epiryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Staptyllic

Scale steps in semitones: 1–1–2–1–2–2–2–1

Scale degrees:
  in semitones: 0–1–2–4–5–7–9–11–12
  intervals: 1–m2–2–3–4–5–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F G A B c
  C D♭ D E F G A B c

G cleffCC sharpDEFGABCEnd of staff

G cleffCD flatDEFGABCEnd of staff

All The Chords Name: Staptyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,7,9,11}

Pitch Class Mapping: 2743 (Hex AB7, Binary 101010110111)

A Study of Scales (Ian Ring) Index: 2743

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Magen Abot 1
  Mode 3 of: Raga Mian Ki Malhar
  Mode 4 of: Epocryllic
  Mode 5 of: Ionocryllic
  Mode 6 of: Gocryllic
  Mode 7 of: Epiryllic
  Mode 8 of: Aeradyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Epocryllic

Scale steps in semitones: 1–2–2–2–1–1–1–2

Scale degrees:
  in semitones: 0–1–3–5–7–8–9–10–12
  intervals: 1–m2–m3–4–5–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A A♯ c
  C D♭ E♭ F G A♭ A B♭ c

G cleffCC sharpD sharpFGG sharpAA sharpCEnd of staff

G cleffCD flatE flatFGA flatAB flatCEnd of staff

All The Chords Name: Epocryllic, 2imperfections

Pitch Class Set: {0,1,3,5,7,8,9,10}

Pitch Class Mapping: 1963 (Hex 7AB, Binary 011110101011)

A Study of Scales (Ian Ring) Index: 1963

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionocryllic
  Mode 3 of: Gocryllic
  Mode 4 of: Epiryllic
  Mode 5 of: Aeradyllic
  Mode 6 of: Staptyllic
  Mode 7 of: Magen Abot 1
  Mode 8 of: Raga Mian Ki Malhar

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–2–1–2–1–1–1

Scale degrees:
  in semitones: 0–2–4–6–7–9–10–11–12
  intervals: 1–2–3–d5–5–6–m7–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G A A♯ B c
  C D E G♭ G A B♭ B c

G cleffCDEF sharpGAA sharpBCEnd of staff

G cleffCDEG flatGAB flatBCEnd of staff

All The Chords Name: Rocryllic, 2imperfections

Pitch Class Set: {0,2,4,6,7,9,10,11}

Pitch Class Mapping: 3797 (Hex ED5, Binary 111011010101)

A Study of Scales (Ian Ring) Index: 3797

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zyryllic
  Mode 3 of: Sagyllic
  Mode 4 of: Eight Tone Spanish
  Mode 5 of: Katagyllic
  Mode 6 of: Adonai Malakh
  Mode 7 of: Gothyllic
  Mode 8 of: Hamel

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–1–2–1–1–1–2

Scale degrees:
  in semitones: 0–2–4–5–7–8–9–10–12
  intervals: 1–2–3–4–5–m6–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G G♯ A A♯ c
  C D E F G A♭ A B♭ c

G cleffCDEFGG sharpAA sharpCEnd of staff

G cleffCDEFGA flatAB flatCEnd of staff

All The Chords Name: Zyryllic, 2imperfections

Pitch Class Set: {0,2,4,5,7,8,9,10}

Pitch Class Mapping: 1973 (Hex 7B5, Binary 011110110101)

A Study of Scales (Ian Ring) Index: 1973

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sagyllic
  Mode 3 of: Eight Tone Spanish
  Mode 4 of: Katagyllic
  Mode 5 of: Adonai Malakh
  Mode 6 of: Gothyllic
  Mode 7 of: Hamel
  Mode 8 of: Rocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Sagyllic

Scale steps in semitones: 2–1–2–1–1–1–2–2

Scale degrees:
  in semitones: 0–2–3–5–6–7–8–10–12
  intervals: 1–2–m3–4–d5–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G G♯ A♯ c
  C D E♭ F G♭ G A♭ B♭ c

G cleffCDD sharpFF sharpGG sharpA sharpCEnd of staff

G cleffCDE flatFG flatGA flatB flatCEnd of staff

All The Chords Name: Sagyllic, 2imperfections

Pitch Class Set: {0,2,3,5,6,7,8,10}

Pitch Class Mapping: 1517 (Hex 5ED, Binary 010111101101)

A Study of Scales (Ian Ring) Index: 1517

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Eight Tone Spanish
  Mode 3 of: Katagyllic
  Mode 4 of: Adonai Malakh
  Mode 5 of: Gothyllic
  Mode 6 of: Hamel
  Mode 7 of: Rocryllic
  Mode 8 of: Zyryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katagyllic

Scale steps in semitones: 2–1–1–1–2–2–2–1

Scale degrees:
  in semitones: 0–2–3–4–5–7–9–11–12
  intervals: 1–2–m3–3–4–5–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F G A B c
  C D E♭ E F G A B c

G cleffCDD sharpEFGABCEnd of staff

G cleffCDE flatEFGABCEnd of staff

All The Chords Name: Katagyllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,9,11}

Pitch Class Mapping: 2749 (Hex ABD, Binary 101010111101)

A Study of Scales (Ian Ring) Index: 2749

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Adonai Malakh
  Mode 3 of: Gothyllic
  Mode 4 of: Hamel
  Mode 5 of: Rocryllic
  Mode 6 of: Zyryllic
  Mode 7 of: Sagyllic
  Mode 8 of: Eight Tone Spanish

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gothyllic

Scale steps in semitones: 1–1–2–2–2–1–2–1

Scale degrees:
  in semitones: 0–1–2–4–6–8–9–11–12
  intervals: 1–m2–2–3–d5–m6–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G♯ A B c
  C D♭ D E G♭ A♭ A B c

G cleffCC sharpDEF sharpG sharpABCEnd of staff

G cleffCD flatDEG flatA flatABCEnd of staff

All The Chords Name: Gothyllic, 2imperfections

Pitch Class Set: {0,1,2,4,6,8,9,11}

Pitch Class Mapping: 2903 (Hex B57, Binary 101101010111)

A Study of Scales (Ian Ring) Index: 2903

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Hamel
  Mode 3 of: Rocryllic
  Mode 4 of: Zyryllic
  Mode 5 of: Sagyllic
  Mode 6 of: Eight Tone Spanish
  Mode 7 of: Katagyllic
  Mode 8 of: Adonai Malakh

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bacryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–8–10–11–12
  intervals: 1–m3–3–4–d5–m6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G♯ A♯ B c
  C E♭ E F G♭ A♭ B♭ B c

G cleffCD sharpEFF sharpG sharpA sharpBCEnd of staff

G cleffCE flatEFG flatA flatB flatBCEnd of staff

All The Chords Name: Bacryllic, 2imperfections

Pitch Class Set: {0,3,4,5,6,8,10,11}

Pitch Class Mapping: 3449 (Hex D79, Binary 110101111001)

A Study of Scales (Ian Ring) Index: 3449

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aerygyllic
  Mode 3 of: Dathyllic
  Mode 4 of: Boptyllic
  Mode 5 of: Bagyllic
  Mode 6 of: Mathyllic
  Mode 7 of: Styptyllic
  Mode 8 of: Raga Bhatiyar

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aerygyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–2–2–1–1–3

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–9–12
  intervals: 1–m2–2–m3–4–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ A c
  C D♭ D E♭ F G A♭ A c

G cleffCC sharpDD sharpFGG sharpACEnd of staff

G cleffCD flatDE flatFGA flatACEnd of staff

All The Chords Name: Aerygyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,7,8,9}

Pitch Class Mapping: 943 (Hex 3AF, Binary 001110101111)

A Study of Scales (Ian Ring) Index: 943

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dathyllic
  Mode 3 of: Boptyllic
  Mode 4 of: Bagyllic
  Mode 5 of: Mathyllic
  Mode 6 of: Styptyllic
  Mode 7 of: Raga Bhatiyar
  Mode 8 of: Bacryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dathyllic

Scale steps in semitones: 1–1–2–2–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–4–6–7–8–11–12
  intervals: 1–m2–2–3–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G G♯ B c
  C D♭ D E G♭ G A♭ B c

G cleffCC sharpDEF sharpGG sharpBCEnd of staff

G cleffCD flatDEG flatGA flatBCEnd of staff

All The Chords Name: Dathyllic, 2imperfections

Pitch Class Set: {0,1,2,4,6,7,8,11}

Pitch Class Mapping: 2519 (Hex 9D7, Binary 100111010111)

A Study of Scales (Ian Ring) Index: 2519

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Boptyllic
  Mode 3 of: Bagyllic
  Mode 4 of: Mathyllic
  Mode 5 of: Styptyllic
  Mode 6 of: Raga Bhatiyar
  Mode 7 of: Bacryllic
  Mode 8 of: Aerygyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Boptyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–2–1–1–3–1–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–10–11–12
  intervals: 1–m2–m3–4–d5–5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G A♯ B c
  C D♭ E♭ F G♭ G B♭ B c

G cleffCC sharpD sharpFF sharpGA sharpBCEnd of staff

G cleffCD flatE flatFG flatGB flatBCEnd of staff

All The Chords Name: Boptyllic, 2imperfections

Pitch Class Set: {0,1,3,5,6,7,10,11}

Pitch Class Mapping: 3307 (Hex CEB, Binary 110011101011)

A Study of Scales (Ian Ring) Index: 3307

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bagyllic
  Mode 3 of: Mathyllic
  Mode 4 of: Styptyllic
  Mode 5 of: Raga Bhatiyar
  Mode 6 of: Bacryllic
  Mode 7 of: Aerygyllic
  Mode 8 of: Dathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bagyllic

Scale steps in semitones: 2–2–1–1–3–1–1–1

Scale degrees:
  in semitones: 0–2–4–5–6–9–10–11–12
  intervals: 1–2–3–4–d5–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ A A♯ B c
  C D E F G♭ A B♭ B c

G cleffCDEFF sharpAA sharpBCEnd of staff

G cleffCDEFG flatAB flatBCEnd of staff

All The Chords Name: Bagyllic, 2imperfections

Pitch Class Set: {0,2,4,5,6,9,10,11}

Pitch Class Mapping: 3701 (Hex E75, Binary 111001110101)

A Study of Scales (Ian Ring) Index: 3701

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mathyllic
  Mode 3 of: Styptyllic
  Mode 4 of: Raga Bhatiyar
  Mode 5 of: Bacryllic
  Mode 6 of: Aerygyllic
  Mode 7 of: Dathyllic
  Mode 8 of: Boptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mathyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–3–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–4–7–8–9–10–12
  intervals: 1–2–m3–3–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E G G♯ A A♯ c
  C D E♭ E G A♭ A B♭ c

G cleffCDD sharpEGG sharpAA sharpCEnd of staff

G cleffCDE flatEGA flatAB flatCEnd of staff

All The Chords Name: Mathyllic, 2imperfections

Pitch Class Set: {0,2,3,4,7,8,9,10}

Pitch Class Mapping: 1949 (Hex 79D, Binary 011110011101)

A Study of Scales (Ian Ring) Index: 1949

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Styptyllic
  Mode 3 of: Raga Bhatiyar
  Mode 4 of: Bacryllic
  Mode 5 of: Aerygyllic
  Mode 6 of: Dathyllic
  Mode 7 of: Boptyllic
  Mode 8 of: Bagyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Styptyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–3–1–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–5–6–7–8–10–12
  intervals: 1–m2–2–4–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G G♯ A♯ c
  C D♭ D F G♭ G A♭ B♭ c

G cleffCC sharpDFF sharpGG sharpA sharpCEnd of staff

G cleffCD flatDFG flatGA flatB flatCEnd of staff

All The Chords Name: Styptyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,8,10}

Pitch Class Mapping: 1511 (Hex 5E7, Binary 010111100111)

A Study of Scales (Ian Ring) Index: 1511

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Bhatiyar
  Mode 3 of: Bacryllic
  Mode 4 of: Aerygyllic
  Mode 5 of: Dathyllic
  Mode 6 of: Boptyllic
  Mode 7 of: Bagyllic
  Mode 8 of: Mathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dagyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–2–1–1–1–2

Scale degrees:
  in semitones: 0–3–4–5–7–8–9–10–12
  intervals: 1–m3–3–4–5–m6–6–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F G G♯ A A♯ c
  C E♭ E F G A♭ A B♭ c

G cleffCD sharpEFGG sharpAA sharpCEnd of staff

G cleffCE flatEFGA flatAB flatCEnd of staff

All The Chords Name: Dagyllic, 2imperfections

Pitch Class Set: {0,3,4,5,7,8,9,10}

Pitch Class Mapping: 1977 (Hex 7B9, Binary 011110111001)

A Study of Scales (Ian Ring) Index: 1977

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katalyllic
  Mode 3 of: Katoryllic
  Mode 4 of: Dodyllic
  Mode 5 of: Zogyllic
  Mode 6 of: Madyllic
  Mode 7 of: Neveseri
  Mode 8 of: Aeologyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katalyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–1–1–1–2–3

Scale degrees:
  in semitones: 0–1–2–4–5–6–7–9–12
  intervals: 1–m2–2–3–4–d5–5–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E F F♯ G A c
  C D♭ D E F G♭ G A c

G cleffCC sharpDEFF sharpGACEnd of staff

G cleffCD flatDEFG flatGACEnd of staff

All The Chords Name: Katalyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,6,7,9}

Pitch Class Mapping: 759 (Hex 2F7, Binary 001011110111)

A Study of Scales (Ian Ring) Index: 759

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katoryllic
  Mode 3 of: Dodyllic
  Mode 4 of: Zogyllic
  Mode 5 of: Madyllic
  Mode 6 of: Neveseri
  Mode 7 of: Aeologyllic
  Mode 8 of: Dagyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katoryllic

Scale steps in semitones: 1–2–1–1–1–2–3–1

Scale degrees:
  in semitones: 0–1–3–4–5–6–8–11–12
  intervals: 1–m2–m3–3–4–d5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ G♯ B c
  C D♭ E♭ E F G♭ A♭ B c

G cleffCC sharpD sharpEFF sharpG sharpBCEnd of staff

G cleffCD flatE flatEFG flatA flatBCEnd of staff

All The Chords Name: Katoryllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,6,8,11}

Pitch Class Mapping: 2427 (Hex 97B, Binary 100101111011)

A Study of Scales (Ian Ring) Index: 2427

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dodyllic
  Mode 3 of: Zogyllic
  Mode 4 of: Madyllic
  Mode 5 of: Neveseri
  Mode 6 of: Aeologyllic
  Mode 7 of: Dagyllic
  Mode 8 of: Katalyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dodyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 2–1–1–1–2–3–1–1

Scale degrees:
  in semitones: 0–2–3–4–5–7–10–11–12
  intervals: 1–2–m3–3–4–5–m7–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F G A♯ B c
  C D E♭ E F G B♭ B c

G cleffCDD sharpEFGA sharpBCEnd of staff

G cleffCDE flatEFGB flatBCEnd of staff

All The Chords Name: Dodyllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,10,11}

Pitch Class Mapping: 3261 (Hex CBD, Binary 110010111101)

A Study of Scales (Ian Ring) Index: 3261

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zogyllic
  Mode 3 of: Madyllic
  Mode 4 of: Neveseri
  Mode 5 of: Aeologyllic
  Mode 6 of: Dagyllic
  Mode 7 of: Katalyllic
  Mode 8 of: Katoryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zogyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–1–1–2–3–1–1–2

Scale degrees:
  in semitones: 0–1–2–3–5–8–9–10–12
  intervals: 1–m2–2–m3–4–m6–6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G♯ A A♯ c
  C D♭ D E♭ F A♭ A B♭ c

G cleffCC sharpDD sharpFG sharpAA sharpCEnd of staff

G cleffCD flatDE flatFA flatAB flatCEnd of staff

All The Chords Name: Zogyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,8,9,10}

Pitch Class Mapping: 1839 (Hex 72F, Binary 011100101111)

A Study of Scales (Ian Ring) Index: 1839

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Madyllic
  Mode 3 of: Neveseri
  Mode 4 of: Aeologyllic
  Mode 5 of: Dagyllic
  Mode 6 of: Katalyllic
  Mode 7 of: Katoryllic
  Mode 8 of: Dodyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Madyllic

Scale steps in semitones: 1–1–2–3–1–1–2–1

Scale degrees:
  in semitones: 0–1–2–4–7–8–9–11–12
  intervals: 1–m2–2–3–5–m6–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E G G♯ A B c
  C D♭ D E G A♭ A B c

G cleffCC sharpDEGG sharpABCEnd of staff

G cleffCD flatDEGA flatABCEnd of staff

All The Chords Name: Madyllic, 2imperfections

Pitch Class Set: {0,1,2,4,7,8,9,11}

Pitch Class Mapping: 2967 (Hex B97, Binary 101110010111)

A Study of Scales (Ian Ring) Index: 2967

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Neveseri
  Mode 3 of: Aeologyllic
  Mode 4 of: Dagyllic
  Mode 5 of: Katalyllic
  Mode 6 of: Katoryllic
  Mode 7 of: Dodyllic
  Mode 8 of: Zogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeologyllic

Scale steps in semitones: 2–3–1–1–2–1–1–1

Scale degrees:
  in semitones: 0–2–5–6–7–9–10–11–12
  intervals: 1–2–4–d5–5–6–m7–7–8
  Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D F F♯ G A A♯ B c
  C D F G♭ G A B♭ B c

G cleffCDFF sharpGAA sharpBCEnd of staff

G cleffCDFG flatGAB flatBCEnd of staff

All The Chords Name: Aeologyllic, 2imperfections

Pitch Class Set: {0,2,5,6,7,9,10,11}

Pitch Class Mapping: 3813 (Hex EE5, Binary 111011100101)

A Study of Scales (Ian Ring) Index: 3813

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dagyllic
  Mode 3 of: Katalyllic
  Mode 4 of: Katoryllic
  Mode 5 of: Dodyllic
  Mode 6 of: Zogyllic
  Mode 7 of: Madyllic
  Mode 8 of: Neveseri

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dydyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–2–1–2–1–1

Scale degrees:
  in semitones: 0–3–4–5–7–8–10–11–12
  intervals: 1–m3–3–4–5–m6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G G♯ A♯ B c
  C E♭ E F G A♭ B♭ B c

G cleffCD sharpEFGG sharpA sharpBCEnd of staff

G cleffCE flatEFGA flatB flatBCEnd of staff

All The Chords Name: Dydyllic, 2imperfections

Pitch Class Set: {0,3,4,5,7,8,10,11}

Pitch Class Mapping: 3513 (Hex DB9, Binary 110110111001)

A Study of Scales (Ian Ring) Index: 3513

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Thogyllic
  Mode 3 of: Rygyllic
  Mode 4 of: Bycryllic
  Mode 5 of: Zacryllic
  Mode 6 of: Panyllic
  Mode 7 of: Dyryllic
  Mode 8 of: Zathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Thogyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–1–2–1–1–3

Scale degrees:
  in semitones: 0–1–2–4–5–7–8–9–12
  intervals: 1–m2–2–3–4–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E F G G♯ A c
  C D♭ D E F G A♭ A c

G cleffCC sharpDEFGG sharpACEnd of staff

G cleffCD flatDEFGA flatACEnd of staff

All The Chords Name: Thogyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,7,8,9}

Pitch Class Mapping: 951 (Hex 3B7, Binary 001110110111)

A Study of Scales (Ian Ring) Index: 951

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rygyllic
  Mode 3 of: Bycryllic
  Mode 4 of: Zacryllic
  Mode 5 of: Panyllic
  Mode 6 of: Dyryllic
  Mode 7 of: Zathyllic
  Mode 8 of: Dydyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rygyllic

Scale steps in semitones: 1–2–1–2–1–1–3–1

Scale degrees:
  in semitones: 0–1–3–4–6–7–8–11–12
  intervals: 1–m2–m3–3–d5–5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G G♯ B c
  C D♭ E♭ E G♭ G A♭ B c

G cleffCC sharpD sharpEF sharpGG sharpBCEnd of staff

G cleffCD flatE flatEG flatGA flatBCEnd of staff

All The Chords Name: Rygyllic, 2imperfections

Pitch Class Set: {0,1,3,4,6,7,8,11}

Pitch Class Mapping: 2523 (Hex 9DB, Binary 100111011011)

A Study of Scales (Ian Ring) Index: 2523

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bycryllic
  Mode 3 of: Zacryllic
  Mode 4 of: Panyllic
  Mode 5 of: Dyryllic
  Mode 6 of: Zathyllic
  Mode 7 of: Dydyllic
  Mode 8 of: Thogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bycryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 2–1–2–1–1–3–1–1

Scale degrees:
  in semitones: 0–2–3–5–6–7–10–11–12
  intervals: 1–2–m3–4–d5–5–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A♯ B c
  C D E♭ F G♭ G B♭ B c

G cleffCDD sharpFF sharpGA sharpBCEnd of staff

G cleffCDE flatFG flatGB flatBCEnd of staff

All The Chords Name: Bycryllic, 2imperfections

Pitch Class Set: {0,2,3,5,6,7,10,11}

Pitch Class Mapping: 3309 (Hex CED, Binary 110011101101)

A Study of Scales (Ian Ring) Index: 3309

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zacryllic
  Mode 3 of: Panyllic
  Mode 4 of: Dyryllic
  Mode 5 of: Zathyllic
  Mode 6 of: Dydyllic
  Mode 7 of: Thogyllic
  Mode 8 of: Rygyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zacryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–2–1–1–3–1–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–8–9–10–12
  intervals: 1–m2–m3–3–4–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G♯ A A♯ c
  C D♭ E♭ E F A♭ A B♭ c

G cleffCC sharpD sharpEFG sharpAA sharpCEnd of staff

G cleffCD flatE flatEFA flatAB flatCEnd of staff

All The Chords Name: Zacryllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,8,9,10}

Pitch Class Mapping: 1851 (Hex 73B, Binary 011100111011)

A Study of Scales (Ian Ring) Index: 1851

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Panyllic
  Mode 3 of: Dyryllic
  Mode 4 of: Zathyllic
  Mode 5 of: Dydyllic
  Mode 6 of: Thogyllic
  Mode 7 of: Rygyllic
  Mode 8 of: Bycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Panyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–3–1–1–2–1

Scale degrees:
  in semitones: 0–2–3–4–7–8–9–11–12
  intervals: 1–2–m3–3–5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E G G♯ A B c
  C D E♭ E G A♭ A B c

G cleffCDD sharpEGG sharpABCEnd of staff

G cleffCDE flatEGA flatABCEnd of staff

All The Chords Name: Panyllic, 2imperfections

Pitch Class Set: {0,2,3,4,7,8,9,11}

Pitch Class Mapping: 2973 (Hex B9D, Binary 101110011101)

A Study of Scales (Ian Ring) Index: 2973

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dyryllic
  Mode 3 of: Zathyllic
  Mode 4 of: Dydyllic
  Mode 5 of: Thogyllic
  Mode 6 of: Rygyllic
  Mode 7 of: Bycryllic
  Mode 8 of: Zacryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–3–1–1–2–1–2

Scale degrees:
  in semitones: 0–1–2–5–6–7–9–10–12
  intervals: 1–m2–2–4–d5–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A A♯ c
  C D♭ D F G♭ G A B♭ c

G cleffCC sharpDFF sharpGAA sharpCEnd of staff

G cleffCD flatDFG flatGAB flatCEnd of staff

All The Chords Name: Dyryllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,9,10}

Pitch Class Mapping: 1767 (Hex 6E7, Binary 011011100111)

A Study of Scales (Ian Ring) Index: 1767

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zathyllic
  Mode 3 of: Dydyllic
  Mode 4 of: Thogyllic
  Mode 5 of: Rygyllic
  Mode 6 of: Bycryllic
  Mode 7 of: Zacryllic
  Mode 8 of: Panyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zathyllic

Scale steps in semitones: 1–3–1–1–2–1–2–1

Scale degrees:
  in semitones: 0–1–4–5–6–8–9–11–12
  intervals: 1–m2–3–4–d5–m6–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ A B c
  C D♭ E F G♭ A♭ A B c

G cleffCC sharpEFF sharpG sharpABCEnd of staff

G cleffCD flatEFG flatA flatABCEnd of staff

All The Chords Name: Zathyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,8,9,11}

Pitch Class Mapping: 2931 (Hex B73, Binary 101101110011)

A Study of Scales (Ian Ring) Index: 2931

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dydyllic
  Mode 3 of: Thogyllic
  Mode 4 of: Rygyllic
  Mode 5 of: Bycryllic
  Mode 6 of: Zacryllic
  Mode 7 of: Panyllic
  Mode 8 of: Dyryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Eponyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–2–2–1–1–1

Scale degrees:
  in semitones: 0–3–4–5–7–9–10–11–12
  intervals: 1–m3–3–4–5–6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G A A♯ B c
  C E♭ E F G A B♭ B c

G cleffCD sharpEFGAA sharpBCEnd of staff

G cleffCE flatEFGAB flatBCEnd of staff

All The Chords Name: Eponyllic, 2imperfections

Pitch Class Set: {0,3,4,5,7,9,10,11}

Pitch Class Mapping: 3769 (Hex EB9, Binary 111010111001)

A Study of Scales (Ian Ring) Index: 3769

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Thocryllic
  Mode 3 of: Half-diminished Bebop
  Mode 4 of: Katynyllic
  Mode 5 of: Maryllic
  Mode 6 of: Mothyllic
  Mode 7 of: Mixothyllic
  Mode 8 of:

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Thocryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–2–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–4–6–7–8–9–12
  intervals: 1–m2–2–3–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E F♯ G G♯ A c
  C D♭ D E G♭ G A♭ A c

G cleffCC sharpDEF sharpGG sharpACEnd of staff

G cleffCD flatDEG flatGA flatACEnd of staff

All The Chords Name: Thocryllic, 2imperfections

Pitch Class Set: {0,1,2,4,6,7,8,9}

Pitch Class Mapping: 983 (Hex 3D7, Binary 001111010111)

A Study of Scales (Ian Ring) Index: 983

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Half-diminished Bebop
  Mode 3 of: Katynyllic
  Mode 4 of: Maryllic
  Mode 5 of: Mothyllic
  Mode 6 of: Mixothyllic
  Mode 7 of:
  Mode 8 of: Eponyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katynyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 2–2–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–2–4–5–6–7–10–11–12
  intervals: 1–2–3–4–d5–5–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G A♯ B c
  C D E F G♭ G B♭ B c

G cleffCDEFF sharpGA sharpBCEnd of staff

G cleffCDEFG flatGB flatBCEnd of staff

All The Chords Name: Katynyllic, 2imperfections

Pitch Class Set: {0,2,4,5,6,7,10,11}

Pitch Class Mapping: 3317 (Hex CF5, Binary 110011110101)

A Study of Scales (Ian Ring) Index: 3317

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maryllic
  Mode 3 of: Mothyllic
  Mode 4 of: Mixothyllic
  Mode 5 of:
  Mode 6 of: Eponyllic
  Mode 7 of: Thocryllic
  Mode 8 of: Half-diminished Bebop

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Maryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–1–1–1–3–1–1–2

Scale degrees:
  in semitones: 0–2–3–4–5–8–9–10–12
  intervals: 1–2–m3–3–4–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F G♯ A A♯ c
  C D E♭ E F A♭ A B♭ c

G cleffCDD sharpEFG sharpAA sharpCEnd of staff

G cleffCDE flatEFA flatAB flatCEnd of staff

All The Chords Name: Maryllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,8,9,10}

Pitch Class Mapping: 1853 (Hex 73D, Binary 011100111101)

A Study of Scales (Ian Ring) Index: 1853

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mothyllic
  Mode 3 of: Mixothyllic
  Mode 4 of:
  Mode 5 of: Eponyllic
  Mode 6 of: Thocryllic
  Mode 7 of: Half-diminished Bebop
  Mode 8 of: Katynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mothyllic

Scale steps in semitones: 1–1–1–3–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–3–6–7–8–10–12
  intervals: 1–m2–2–m3–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F♯ G G♯ A♯ c
  C D♭ D E♭ G♭ G A♭ B♭ c

G cleffCC sharpDD sharpF sharpGG sharpA sharpCEnd of staff

G cleffCD flatDE flatG flatGA flatB flatCEnd of staff

All The Chords Name: Mothyllic, 2imperfections

Pitch Class Set: {0,1,2,3,6,7,8,10}

Pitch Class Mapping: 1487 (Hex 5CF, Binary 010111001111)

A Study of Scales (Ian Ring) Index: 1487

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mixothyllic
  Mode 3 of:
  Mode 4 of: Eponyllic
  Mode 5 of: Thocryllic
  Mode 6 of: Half-diminished Bebop
  Mode 7 of: Katynyllic
  Mode 8 of: Maryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mixothyllic

Scale steps in semitones: 1–1–3–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–2–5–6–7–9–11–12
  intervals: 1–m2–2–4–d5–5–6–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A B c
  C D♭ D F G♭ G A B c

G cleffCC sharpDFF sharpGABCEnd of staff

G cleffCD flatDFG flatGABCEnd of staff

All The Chords Name: Mixothyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,9,11}

Pitch Class Mapping: 2791 (Hex AE7, Binary 101011100111)

A Study of Scales (Ian Ring) Index: 2791

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of:
  Mode 3 of: Eponyllic
  Mode 4 of: Thocryllic
  Mode 5 of: Half-diminished Bebop
  Mode 6 of: Katynyllic
  Mode 7 of: Maryllic
  Mode 8 of: Mothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Kalyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 3–1–1–3–1–1–1–1

Scale degrees:
  in semitones: 0–3–4–5–8–9–10–11–12
  intervals: 1–m3–3–4–m6–6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G♯ A A♯ B c
  C E♭ E F A♭ A B♭ B c

G cleffCD sharpEFG sharpAA sharpBCEnd of staff

G cleffCE flatEFA flatAB flatBCEnd of staff

All The Chords Name: Kalyllic, 2imperfections

Pitch Class Set: {0,3,4,5,8,9,10,11}

Pitch Class Mapping: 3897 (Hex F39, Binary 111100111001)

A Study of Scales (Ian Ring) Index: 3897

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionodyllic
  Mode 3 of: Raga Ramkali
  Mode 4 of: Blues V
  Mode 5 of: Gaptyllic
  Mode 6 of: Aeroptyllic
  Mode 7 of: Mylyllic
  Mode 8 of: Galyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Ionodyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–3–1–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–5–6–7–8–9–12
  intervals: 1–m2–2–4–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F F♯ G G♯ A c
  C D♭ D F G♭ G A♭ A c

G cleffCC sharpDFF sharpGG sharpACEnd of staff

G cleffCD flatDFG flatGA flatACEnd of staff

All The Chords Name: Ionodyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,8,9}

Pitch Class Mapping: 999 (Hex 3E7, Binary 001111100111)

A Study of Scales (Ian Ring) Index: 999

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Ramkali
  Mode 3 of: Blues V
  Mode 4 of: Gaptyllic
  Mode 5 of: Aeroptyllic
  Mode 6 of: Mylyllic
  Mode 7 of: Galyllic
  Mode 8 of: Kalyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gaptyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–1–3–1–1–3

Scale degrees:
  in semitones: 0–1–2–3–4–7–8–9–12
  intervals: 1–m2–2–m3–3–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ E G G♯ A c
  C D♭ D E♭ E G A♭ A c

G cleffCC sharpDD sharpEGG sharpACEnd of staff

G cleffCD flatDE flatEGA flatACEnd of staff

All The Chords Name: Gaptyllic, 2imperfections

Pitch Class Set: {0,1,2,3,4,7,8,9}

Pitch Class Mapping: 927 (Hex 39F, Binary 001110011111)

A Study of Scales (Ian Ring) Index: 927

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeroptyllic
  Mode 3 of: Mylyllic
  Mode 4 of: Galyllic
  Mode 5 of: Kalyllic
  Mode 6 of: Ionodyllic
  Mode 7 of: Raga Ramkali
  Mode 8 of: Blues V

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeroptyllic

Scale steps in semitones: 1–1–1–3–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–3–6–7–8–11–12
  intervals: 1–m2–2–m3–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F♯ G G♯ B c
  C D♭ D E♭ G♭ G A♭ B c

G cleffCC sharpDD sharpF sharpGG sharpBCEnd of staff

G cleffCD flatDE flatG flatGA flatBCEnd of staff

All The Chords Name: Aeroptyllic, 2imperfections

Pitch Class Set: {0,1,2,3,6,7,8,11}

Pitch Class Mapping: 2511 (Hex 9CF, Binary 100111001111)

A Study of Scales (Ian Ring) Index: 2511

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mylyllic
  Mode 3 of: Galyllic
  Mode 4 of: Kalyllic
  Mode 5 of: Ionodyllic
  Mode 6 of: Raga Ramkali
  Mode 7 of: Blues V
  Mode 8 of: Gaptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Scale Omnibus name: Hungarian Minor b2 [Hungary]

Mylyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–1–3–1–1–3–1–1

Scale degrees:
  in semitones: 0–1–2–5–6–7–10–11–12
  intervals: 1–m2–2–4–d5–5–m7–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A♯ B c
  C D♭ D F G♭ G B♭ B c

G cleffCC sharpDFF sharpGA sharpBCEnd of staff

G cleffCD flatDFG flatGB flatBCEnd of staff

All The Chords Name: Mylyllic, 2imperfections

Pitch Class Set: {0,1,2,5,6,7,10,11}

Pitch Class Mapping: 3303 (Hex CE7, Binary 110011100111)

A Study of Scales (Ian Ring) Index: 3303

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Galyllic
  Mode 3 of: Kalyllic
  Mode 4 of: Ionodyllic
  Mode 5 of: Raga Ramkali
  Mode 6 of: Blues V
  Mode 7 of: Gaptyllic
  Mode 8 of: Aeroptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Galyllic

Scale steps in semitones: 1–3–1–1–3–1–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–9–10–11–12
  intervals: 1–m2–3–4–d5–6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ A A♯ B c
  C D♭ E F G♭ A B♭ B c

G cleffCC sharpEFF sharpAA sharpBCEnd of staff

G cleffCD flatEFG flatAB flatBCEnd of staff

All The Chords Name: Galyllic, 2imperfections

Pitch Class Set: {0,1,4,5,6,9,10,11}

Pitch Class Mapping: 3699 (Hex E73, Binary 111001110011)

A Study of Scales (Ian Ring) Index: 3699

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kalyllic
  Mode 3 of: Ionodyllic
  Mode 4 of: Raga Ramkali
  Mode 5 of: Blues V
  Mode 6 of: Gaptyllic
  Mode 7 of: Aeroptyllic
  Mode 8 of: Mylyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Scale Omnibus name: Oriental 2 [China]

Pothyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–2–1–1–1–2–1–1

Scale degrees:
  in semitones: 0–3–5–6–7–8–10–11–12
  intervals: 1–m3–4–d5–5–m6–m7–7–8
  Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ F F♯ G G♯ A♯ B c
  C E♭ F G♭ G A♭ B♭ B c

G cleffCD sharpFF sharpGG sharpA sharpBCEnd of staff

G cleffCE flatFG flatGA flatB flatBCEnd of staff

All The Chords Name: Pothyllic, 2imperfections

Pitch Class Set: {0,3,5,6,7,8,10,11}

Pitch Class Mapping: 3561 (Hex DE9, Binary 110111101001)

A Study of Scales (Ian Ring) Index: 3561

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phronyllic
  Mode 3 of: Stynyllic
  Mode 4 of: Rathyllic
  Mode 5 of: Aeryptyllic
  Mode 6 of: Anasazi-7
  Mode 7 of: Katolyllic
  Mode 8 of: Rythyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Phronyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 2–1–1–1–2–1–1–3

Scale degrees:
  in semitones: 0–2–3–4–5–7–8–9–12
  intervals: 1–2–m3–3–4–5–m6–6–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D D♯ E F G G♯ A c
  C D E♭ E F G A♭ A c

G cleffCDD sharpEFGG sharpACEnd of staff

G cleffCDE flatEFGA flatACEnd of staff

All The Chords Name: Phronyllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,7,8,9}

Pitch Class Mapping: 957 (Hex 3BD, Binary 001110111101)

A Study of Scales (Ian Ring) Index: 957

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Stynyllic
  Mode 3 of: Rathyllic
  Mode 4 of: Aeryptyllic
  Mode 5 of: Anasazi-7
  Mode 6 of: Katolyllic
  Mode 7 of: Rythyllic
  Mode 8 of: Pothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stynyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–1–1–2–1–1–3–2

Scale degrees:
  in semitones: 0–1–2–3–5–6–7–10–12
  intervals: 1–m2–2–m3–4–d5–5–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G A♯ c
  C D♭ D E♭ F G♭ G B♭ c

G cleffCC sharpDD sharpFF sharpGA sharpCEnd of staff

G cleffCD flatDE flatFG flatGB flatCEnd of staff

All The Chords Name: Stynyllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,6,7,10}

Pitch Class Mapping: 1263 (Hex 4EF, Binary 010011101111)

A Study of Scales (Ian Ring) Index: 1263

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rathyllic
  Mode 3 of: Aeryptyllic
  Mode 4 of: Anasazi-7
  Mode 5 of: Katolyllic
  Mode 6 of: Rythyllic
  Mode 7 of: Pothyllic
  Mode 8 of: Phronyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rathyllic

Scale steps in semitones: 1–1–2–1–1–3–2–1

Scale degrees:
  in semitones: 0–1–2–4–5–6–9–11–12
  intervals: 1–m2–2–3–4–d5–6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F F♯ A B c
  C D♭ D E F G♭ A B c

G cleffCC sharpDEFF sharpABCEnd of staff

G cleffCD flatDEFG flatABCEnd of staff

All The Chords Name: Rathyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,6,9,11}

Pitch Class Mapping: 2679 (Hex A77, Binary 101001110111)

A Study of Scales (Ian Ring) Index: 2679

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeryptyllic
  Mode 3 of: Anasazi-7
  Mode 4 of: Katolyllic
  Mode 5 of: Rythyllic
  Mode 6 of: Pothyllic
  Mode 7 of: Phronyllic
  Mode 8 of: Stynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeryptyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–2–1–1–3–2–1–1

Scale degrees:
  in semitones: 0–1–3–4–5–8–10–11–12
  intervals: 1–m2–m3–3–4–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G♯ A♯ B c
  C D♭ E♭ E F A♭ B♭ B c

G cleffCC sharpD sharpEFG sharpA sharpBCEnd of staff

G cleffCD flatE flatEFA flatB flatBCEnd of staff

All The Chords Name: Aeryptyllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,8,10,11}

Pitch Class Mapping: 3387 (Hex D3B, Binary 110100111011)

A Study of Scales (Ian Ring) Index: 3387

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Anasazi-7
  Mode 3 of: Katolyllic
  Mode 4 of: Rythyllic
  Mode 5 of: Pothyllic
  Mode 6 of: Phronyllic
  Mode 7 of: Stynyllic
  Mode 8 of: Rathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katolyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–3–2–1–1–1–2

Scale degrees:
  in semitones: 0–1–2–5–7–8–9–10–12
  intervals: 1–m2–2–4–5–m6–6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F G G♯ A A♯ c
  C D♭ D F G A♭ A B♭ c

G cleffCC sharpDFGG sharpAA sharpCEnd of staff

G cleffCD flatDFGA flatAB flatCEnd of staff

All The Chords Name: Katolyllic, 2imperfections

Pitch Class Set: {0,1,2,5,7,8,9,10}

Pitch Class Mapping: 1959 (Hex 7A7, Binary 011110100111)

A Study of Scales (Ian Ring) Index: 1959

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rythyllic
  Mode 3 of: Pothyllic
  Mode 4 of: Phronyllic
  Mode 5 of: Stynyllic
  Mode 6 of: Rathyllic
  Mode 7 of: Aeryptyllic
  Mode 8 of: Anasazi-7

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Rythyllic

Scale steps in semitones: 1–3–2–1–1–1–2–1

Scale degrees:
  in semitones: 0–1–4–6–7–8–9–11–12
  intervals: 1–m2–3–d5–5–m6–6–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G G♯ A B c
  C D♭ E G♭ G A♭ A B c

G cleffCC sharpEF sharpGG sharpABCEnd of staff

G cleffCD flatEG flatGA flatABCEnd of staff

All The Chords Name: Rythyllic, 2imperfections

Pitch Class Set: {0,1,4,6,7,8,9,11}

Pitch Class Mapping: 3027 (Hex BD3, Binary 101111010011)

A Study of Scales (Ian Ring) Index: 3027

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pothyllic
  Mode 3 of: Phronyllic
  Mode 4 of: Stynyllic
  Mode 5 of: Rathyllic
  Mode 6 of: Aeryptyllic
  Mode 7 of: Anasazi-7
  Mode 8 of: Katolyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Pynyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 4–1–1–1–2–1–1–1

Scale degrees:
  in semitones: 0–4–5–6–7–9–10–11–12
  intervals: 1–3–4–d5–5–6–m7–7–8
  Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C E F F♯ G A A♯ B c
  C E F G♭ G A B♭ B c

G cleffCEFF sharpGAA sharpBCEnd of staff

G cleffCEFG flatGAB flatBCEnd of staff

All The Chords Name: Pynyllic, 2imperfections

Pitch Class Set: {0,4,5,6,7,9,10,11}

Pitch Class Mapping: 3825 (Hex EF1, Binary 111011110001)

A Study of Scales (Ian Ring) Index: 3825

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bocryllic
  Mode 3 of: Kogyllic
  Mode 4 of: Raryllic
  Mode 5 of: Zycryllic
  Mode 6 of: Mycryllic
  Mode 7 of: Laptyllic
  Mode 8 of: Pylyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Bocryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–2–1–1–1–4

Scale degrees:
  in semitones: 0–1–2–3–5–6–7–8–12
  intervals: 1–m2–2–m3–4–d5–5–m6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G G♯ c
  C D♭ D E♭ F G♭ G A♭ c

G cleffCC sharpDD sharpFF sharpGG sharpCEnd of staff

G cleffCD flatDE flatFG flatGA flatCEnd of staff

All The Chords Name: Bocryllic, 2imperfections

Pitch Class Set: {0,1,2,3,5,6,7,8}

Pitch Class Mapping: 495 (Hex 1EF, Binary 000111101111)

A Study of Scales (Ian Ring) Index: 495

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kogyllic
  Mode 3 of: Raryllic
  Mode 4 of: Zycryllic
  Mode 5 of: Mycryllic
  Mode 6 of: Laptyllic
  Mode 7 of: Pylyllic
  Mode 8 of: Pynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Kogyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–1–2–1–1–1–4–1

Scale degrees:
  in semitones: 0–1–2–4–5–6–7–11–12
  intervals: 1–m2–2–3–4–d5–5–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F F♯ G B c
  C D♭ D E F G♭ G B c

G cleffCC sharpDEFF sharpGBCEnd of staff

G cleffCD flatDEFG flatGBCEnd of staff

All The Chords Name: Kogyllic, 2imperfections

Pitch Class Set: {0,1,2,4,5,6,7,11}

Pitch Class Mapping: 2295 (Hex 8F7, Binary 100011110111)

A Study of Scales (Ian Ring) Index: 2295

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raryllic
  Mode 3 of: Zycryllic
  Mode 4 of: Mycryllic
  Mode 5 of: Laptyllic
  Mode 6 of: Pylyllic
  Mode 7 of: Pynyllic
  Mode 8 of: Bocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Raryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–1–1–1–4–1–1

Scale degrees:
  in semitones: 0–1–3–4–5–6–10–11–12
  intervals: 1–m2–m3–3–4–d5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ A♯ B c
  C D♭ E♭ E F G♭ B♭ B c

G cleffCC sharpD sharpEFF sharpA sharpBCEnd of staff

G cleffCD flatE flatEFG flatB flatBCEnd of staff

All The Chords Name: Raryllic, 2imperfections

Pitch Class Set: {0,1,3,4,5,6,10,11}

Pitch Class Mapping: 3195 (Hex C7B, Binary 110001111011)

A Study of Scales (Ian Ring) Index: 3195

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zycryllic
  Mode 3 of: Mycryllic
  Mode 4 of: Laptyllic
  Mode 5 of: Pylyllic
  Mode 6 of: Pynyllic
  Mode 7 of: Bocryllic
  Mode 8 of: Kogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zycryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–1–1–1–4–1–1–1

Scale degrees:
  in semitones: 0–2–3–4–5–9–10–11–12
  intervals: 1–2–m3–3–4–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F A A♯ B c
  C D E♭ E F A B♭ B c

G cleffCDD sharpEFAA sharpBCEnd of staff

G cleffCDE flatEFAB flatBCEnd of staff

All The Chords Name: Zycryllic, 2imperfections

Pitch Class Set: {0,2,3,4,5,9,10,11}

Pitch Class Mapping: 3645 (Hex E3D, Binary 111000111101)

A Study of Scales (Ian Ring) Index: 3645

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mycryllic
  Mode 3 of: Laptyllic
  Mode 4 of: Pylyllic
  Mode 5 of: Pynyllic
  Mode 6 of: Bocryllic
  Mode 7 of: Kogyllic
  Mode 8 of: Raryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mycryllic

Scale steps in semitones: 1–1–1–4–1–1–1–2

Scale degrees:
  in semitones: 0–1–2–3–7–8–9–10–12
  intervals: 1–m2–2–m3–5–m6–6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ G G♯ A A♯ c
  C D♭ D E♭ G A♭ A B♭ c

G cleffCC sharpDD sharpGG sharpAA sharpCEnd of staff

G cleffCD flatDE flatGA flatAB flatCEnd of staff

All The Chords Name: Mycryllic, 2imperfections

Pitch Class Set: {0,1,2,3,7,8,9,10}

Pitch Class Mapping: 1935 (Hex 78F, Binary 011110001111)

A Study of Scales (Ian Ring) Index: 1935

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Laptyllic
  Mode 3 of: Pylyllic
  Mode 4 of: Pynyllic
  Mode 5 of: Bocryllic
  Mode 6 of: Kogyllic
  Mode 7 of: Raryllic
  Mode 8 of: Zycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Laptyllic

Scale steps in semitones: 1–1–4–1–1–1–2–1

Scale degrees:
  in semitones: 0–1–2–6–7–8–9–11–12
  intervals: 1–m2–2–d5–5–m6–6–7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G G♯ A B c
  C D♭ D G♭ G A♭ A B c

G cleffCC sharpDF sharpGG sharpABCEnd of staff

G cleffCD flatDG flatGA flatABCEnd of staff

All The Chords Name: Laptyllic, 2imperfections

Pitch Class Set: {0,1,2,6,7,8,9,11}

Pitch Class Mapping: 3015 (Hex BC7, Binary 101111000111)

A Study of Scales (Ian Ring) Index: 3015

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pylyllic
  Mode 3 of: Pynyllic
  Mode 4 of: Bocryllic
  Mode 5 of: Kogyllic
  Mode 6 of: Raryllic
  Mode 7 of: Zycryllic
  Mode 8 of: Mycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Pylyllic

Scale steps in semitones: 1–4–1–1–1–2–1–1

Scale degrees:
  in semitones: 0–1–5–6–7–8–10–11–12
  intervals: 1–m2–4–d5–5–m6–m7–7–8
  Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ F F♯ G G♯ A♯ B c
  C D♭ F G♭ G A♭ B♭ B c

G cleffCC sharpFF sharpGG sharpA sharpBCEnd of staff

G cleffCD flatFG flatGA flatB flatBCEnd of staff

All The Chords Name: Pylyllic, 2imperfections

Pitch Class Set: {0,1,5,6,7,8,10,11}

Pitch Class Mapping: 3555 (Hex DE3, Binary 110111100011)

A Study of Scales (Ian Ring) Index: 3555

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pynyllic
  Mode 3 of: Bocryllic
  Mode 4 of: Kogyllic
  Mode 5 of: Raryllic
  Mode 6 of: Zycryllic
  Mode 7 of: Mycryllic
  Mode 8 of: Laptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Epotyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–2–2–1–1–2

Scale degrees:
  in semitones: 0–2–3–4–6–8–9–10–12
  intervals: 1–2–m3–3–d5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F♯ G♯ A A♯ c
  C D E♭ E G♭ A♭ A B♭ c

G cleffCDD sharpEF sharpG sharpAA sharpCEnd of staff

G cleffCDE flatEG flatA flatAB flatCEnd of staff

All The Chords Name: Epotyllic, 3imperfections

Pitch Class Set: {0,2,3,4,6,8,9,10}

Pitch Class Mapping: 1885 (Hex 75D, Binary 011101011101)

A Study of Scales (Ian Ring) Index: 1885

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 6
  Mode 3 of: Van der Horst Octatonic
  Mode 4 of: Messiaen Mode 6 Inverse
  Mode 5 of: Epotyllic and Saptyllic
  Mode 6 of: Messiaen Mode 6
  Mode 7 of: Van der Horst Octatonic
  Mode 8 of: Messiaen Mode 6 Inverse

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Scala name: Equal temperaments 4 and 6 mixed

Stogyllic

Scale steps in semitones: 2–2–1–2–1–2–1–1

Scale degrees:
  in semitones: 0–2–4–5–7–8–10–11–12
  intervals: 1–2–3–4–5–m6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F G G♯ A♯ B c
  C D E F G A♭ B♭ B c

G cleffCDEFGG sharpA sharpBCEnd of staff

G cleffCDEFGA flatB flatBCEnd of staff

All The Chords Name: Stogyllic, 3imperfections

Pitch Class Set: {0,2,4,5,7,8,10,11}

Pitch Class Mapping: 3509 (Hex DB5, Binary 110110110101)

A Study of Scales (Ian Ring) Index: 3509

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionidyllic
  Mode 3 of: Stonyllic
  Mode 4 of: Stalyllic
  Mode 5 of: JG Octatonic
  Mode 6 of: Mocryllic
  Mode 7 of: Aeolyryllic
  Mode 8 of: Baryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Ionidyllic

Scale steps in semitones: 2–1–2–1–2–1–1–2

Scale degrees:
  in semitones: 0–2–3–5–6–8–9–10–12
  intervals: 1–2–m3–4–d5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ A A♯ c
  C D E♭ F G♭ A♭ A B♭ c

G cleffCDD sharpFF sharpG sharpAA sharpCEnd of staff

G cleffCDE flatFG flatA flatAB flatCEnd of staff

All The Chords Name: Ionidyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,8,9,10}

Pitch Class Mapping: 1901 (Hex 76D, Binary 011101101101)

A Study of Scales (Ian Ring) Index: 1901

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Stonyllic
  Mode 3 of: Stalyllic
  Mode 4 of: JG Octatonic
  Mode 5 of: Mocryllic
  Mode 6 of: Aeolyryllic
  Mode 7 of: Baryllic
  Mode 8 of: Stogyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stonyllic

Scale steps in semitones: 1–2–1–2–1–1–2–2

Scale degrees:
  in semitones: 0–1–3–4–6–7–8–10–12
  intervals: 1–m2–m3–3–d5–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G G♯ A♯ c
  C D♭ E♭ E G♭ G A♭ B♭ c

G cleffCC sharpD sharpEF sharpGG sharpA sharpCEnd of staff

G cleffCD flatE flatEG flatGA flatB flatCEnd of staff

All The Chords Name: Stonyllic, 3imperfections

Pitch Class Set: {0,1,3,4,6,7,8,10}

Pitch Class Mapping: 1499 (Hex 5DB, Binary 010111011011)

A Study of Scales (Ian Ring) Index: 1499

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Stalyllic
  Mode 3 of: JG Octatonic
  Mode 4 of: Mocryllic
  Mode 5 of: Aeolyryllic
  Mode 6 of: Baryllic
  Mode 7 of: Stogyllic
  Mode 8 of: Ionidyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stalyllic

Scale steps in semitones: 2–1–2–1–1–2–2–1

Scale degrees:
  in semitones: 0–2–3–5–6–7–9–11–12
  intervals: 1–2–m3–4–d5–5–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A B c
  C D E♭ F G♭ G A B c

G cleffCDD sharpFF sharpGABCEnd of staff

G cleffCDE flatFG flatGABCEnd of staff

All The Chords Name: Stalyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,7,9,11}

Pitch Class Mapping: 2797 (Hex AED, Binary 101011101101)

A Study of Scales (Ian Ring) Index: 2797

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: JG Octatonic
  Mode 3 of: Mocryllic
  Mode 4 of: Aeolyryllic
  Mode 5 of: Baryllic
  Mode 6 of: Stogyllic
  Mode 7 of: Ionidyllic
  Mode 8 of: Stonyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Mocryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–2–2–1–2–1

Scale degrees:
  in semitones: 0–2–3–4–6–8–9–11–12
  intervals: 1–2–m3–3–d5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E F♯ G♯ A B c
  C D E♭ E G♭ A♭ A B c

G cleffCDD sharpEF sharpG sharpABCEnd of staff

G cleffCDE flatEG flatA flatABCEnd of staff

All The Chords Name: Mocryllic, 3imperfections

Pitch Class Set: {0,2,3,4,6,8,9,11}

Pitch Class Mapping: 2909 (Hex B5D, Binary 101101011101)

A Study of Scales (Ian Ring) Index: 2909

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolyryllic
  Mode 3 of: Baryllic
  Mode 4 of: Stogyllic
  Mode 5 of: Ionidyllic
  Mode 6 of: Stonyllic
  Mode 7 of: Stalyllic
  Mode 8 of: JG Octatonic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeolyryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–2–1–2–1–2

Scale degrees:
  in semitones: 0–1–2–4–6–7–9–10–12
  intervals: 1–m2–2–3–d5–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G A A♯ c
  C D♭ D E G♭ G A B♭ c

G cleffCC sharpDEF sharpGAA sharpCEnd of staff

G cleffCD flatDEG flatGAB flatCEnd of staff

All The Chords Name: Aeolyryllic, 3imperfections

Pitch Class Set: {0,1,2,4,6,7,9,10}

Pitch Class Mapping: 1751 (Hex 6D7, Binary 011011010111)

A Study of Scales (Ian Ring) Index: 1751

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Baryllic
  Mode 3 of: Stogyllic
  Mode 4 of: Ionidyllic
  Mode 5 of: Stonyllic
  Mode 6 of: Stalyllic
  Mode 7 of: JG Octatonic
  Mode 8 of: Mocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Baryllic

Scale steps in semitones: 1–2–2–1–2–1–2–1

Scale degrees:
  in semitones: 0–1–3–5–6–8–9–11–12
  intervals: 1–m2–m3–4–d5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A B c
  C D♭ E♭ F G♭ A♭ A B c

G cleffCC sharpD sharpFF sharpG sharpABCEnd of staff

G cleffCD flatE flatFG flatA flatABCEnd of staff

All The Chords Name: Baryllic, 3imperfections

Pitch Class Set: {0,1,3,5,6,8,9,11}

Pitch Class Mapping: 2923 (Hex B6B, Binary 101101101011)

A Study of Scales (Ian Ring) Index: 2923

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Stogyllic
  Mode 3 of: Ionidyllic
  Mode 4 of: Stonyllic
  Mode 5 of: Stalyllic
  Mode 6 of: JG Octatonic
  Mode 7 of: Mocryllic
  Mode 8 of: Aeolyryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Kataryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–1–1–2–2

Scale degrees:
  in semitones: 0–3–4–5–6–7–8–10–12
  intervals: 1–m3–3–4–d5–5–m6–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G G♯ A♯ c
  C E♭ E F G♭ G A♭ B♭ c

G cleffCD sharpEFF sharpGG sharpA sharpCEnd of staff

G cleffCE flatEFG flatGA flatB flatCEnd of staff

All The Chords Name: Kataryllic, 3imperfections

Pitch Class Set: {0,3,4,5,6,7,8,10}

Pitch Class Mapping: 1529 (Hex 5F9, Binary 010111111001)

A Study of Scales (Ian Ring) Index: 1529

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aerocryllic
  Mode 3 of: Zanyllic
  Mode 4 of: Aeolonyllic
  Mode 5 of: Aeonyllic
  Mode 6 of: Kyryllic
  Mode 7 of: Sythyllic
  Mode 8 of: Katycryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aerocryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–1–1–2–2–3

Scale degrees:
  in semitones: 0–1–2–3–4–5–7–9–12
  intervals: 1–m2–2–m3–3–4–5–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ E F G A c
  C D♭ D E♭ E F G A c

G cleffCC sharpDD sharpEFGACEnd of staff

G cleffCD flatDE flatEFGACEnd of staff

All The Chords Name: Aerocryllic, 3imperfections

Pitch Class Set: {0,1,2,3,4,5,7,9}

Pitch Class Mapping: 703 (Hex 2BF, Binary 001010111111)

A Study of Scales (Ian Ring) Index: 703

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Zanyllic
  Mode 3 of: Aeolonyllic
  Mode 4 of: Aeonyllic
  Mode 5 of: Kyryllic
  Mode 6 of: Sythyllic
  Mode 7 of: Katycryllic
  Mode 8 of: Kataryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zanyllic

Scale steps in semitones: 1–1–1–1–2–2–3–1

Scale degrees:
  in semitones: 0–1–2–3–4–6–8–11–12
  intervals: 1–m2–2–m3–3–d5–m6–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ E F♯ G♯ B c
  C D♭ D E♭ E G♭ A♭ B c

G cleffCC sharpDD sharpEF sharpG sharpBCEnd of staff

G cleffCD flatDE flatEG flatA flatBCEnd of staff

All The Chords Name: Zanyllic, 3imperfections

Pitch Class Set: {0,1,2,3,4,6,8,11}

Pitch Class Mapping: 2399 (Hex 95F, Binary 100101011111)

A Study of Scales (Ian Ring) Index: 2399

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolonyllic
  Mode 3 of: Aeonyllic
  Mode 4 of: Kyryllic
  Mode 5 of: Sythyllic
  Mode 6 of: Katycryllic
  Mode 7 of: Kataryllic
  Mode 8 of: Aerocryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeolonyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–1–1–2–2–3–1–1

Scale degrees:
  in semitones: 0–1–2–3–5–7–10–11–12
  intervals: 1–m2–2–m3–4–5–m7–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G A♯ B c
  C D♭ D E♭ F G B♭ B c

G cleffCC sharpDD sharpFGA sharpBCEnd of staff

G cleffCD flatDE flatFGB flatBCEnd of staff

All The Chords Name: Aeolonyllic, 3imperfections

Pitch Class Set: {0,1,2,3,5,7,10,11}

Pitch Class Mapping: 3247 (Hex CAF, Binary 110010101111)

A Study of Scales (Ian Ring) Index: 3247

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeonyllic
  Mode 3 of: Kyryllic
  Mode 4 of: Sythyllic
  Mode 5 of: Katycryllic
  Mode 6 of: Kataryllic
  Mode 7 of: Aerocryllic
  Mode 8 of: Zanyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeonyllic

Scale steps in semitones: 1–1–2–2–3–1–1–1

Scale degrees:
  in semitones: 0–1–2–4–6–9–10–11–12
  intervals: 1–m2–2–3–d5–6–m7–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ A A♯ B c
  C D♭ D E G♭ A B♭ B c

G cleffCC sharpDEF sharpAA sharpBCEnd of staff

G cleffCD flatDEG flatAB flatBCEnd of staff

All The Chords Name: Aeonyllic, 3imperfections

Pitch Class Set: {0,1,2,4,6,9,10,11}

Pitch Class Mapping: 3671 (Hex E57, Binary 111001010111)

A Study of Scales (Ian Ring) Index: 3671

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kyryllic
  Mode 3 of: Sythyllic
  Mode 4 of: Katycryllic
  Mode 5 of: Kataryllic
  Mode 6 of: Aerocryllic
  Mode 7 of: Zanyllic
  Mode 8 of: Aeolonyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Kyryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–2–2–3–1–1–1–1

Scale degrees:
  in semitones: 0–1–3–5–8–9–10–11–12
  intervals: 1–m2–m3–4–m6–6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G♯ A A♯ B c
  C D♭ E♭ F A♭ A B♭ B c

G cleffCC sharpD sharpFG sharpAA sharpBCEnd of staff

G cleffCD flatE flatFA flatAB flatBCEnd of staff

All The Chords Name: Kyryllic, 3imperfections

Pitch Class Set: {0,1,3,5,8,9,10,11}

Pitch Class Mapping: 3883 (Hex F2B, Binary 111100101011)

A Study of Scales (Ian Ring) Index: 3883

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sythyllic
  Mode 3 of: Katycryllic
  Mode 4 of: Kataryllic
  Mode 5 of: Aerocryllic
  Mode 6 of: Zanyllic
  Mode 7 of: Aeolonyllic
  Mode 8 of: Aeonyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Sythyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–3–1–1–1–1–1

Scale degrees:
  in semitones: 0–2–4–7–8–9–10–11–12
  intervals: 1–2–3–5–m6–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E G G♯ A A♯ B c
  C D E G A♭ A B♭ B c

G cleffCDEGG sharpAA sharpBCEnd of staff

G cleffCDEGA flatAB flatBCEnd of staff

All The Chords Name: Sythyllic, 3imperfections

Pitch Class Set: {0,2,4,7,8,9,10,11}

Pitch Class Mapping: 3989 (Hex F95, Binary 111110010101)

A Study of Scales (Ian Ring) Index: 3989

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Katycryllic
  Mode 3 of: Kataryllic
  Mode 4 of: Aerocryllic
  Mode 5 of: Zanyllic
  Mode 6 of: Aeolonyllic
  Mode 7 of: Aeonyllic
  Mode 8 of: Kyryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Katycryllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–3–1–1–1–1–1–2

Scale degrees:
  in semitones: 0–2–5–6–7–8–9–10–12
  intervals: 1–2–4–d5–5–m6–6–m7–8
  Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D F F♯ G G♯ A A♯ c
  C D F G♭ G A♭ A B♭ c

G cleffCDFF sharpGG sharpAA sharpCEnd of staff

G cleffCDFG flatGA flatAB flatCEnd of staff

All The Chords Name: Katycryllic, 3imperfections

Pitch Class Set: {0,2,5,6,7,8,9,10}

Pitch Class Mapping: 2021 (Hex 7E5, Binary 011111100101)

A Study of Scales (Ian Ring) Index: 2021

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kataryllic
  Mode 3 of: Aerocryllic
  Mode 4 of: Zanyllic
  Mode 5 of: Aeolonyllic
  Mode 6 of: Aeonyllic
  Mode 7 of: Kyryllic
  Mode 8 of: Sythyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Tharyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–1–2–1–2

Scale degrees:
  in semitones: 0–3–4–5–6–7–9–10–12
  intervals: 1–m3–3–4–d5–5–6–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G A A♯ c
  C E♭ E F G♭ G A B♭ c

G cleffCD sharpEFF sharpGAA sharpCEnd of staff

G cleffCE flatEFG flatGAB flatCEnd of staff

All The Chords Name: Tharyllic, 3imperfections

Pitch Class Set: {0,3,4,5,6,7,9,10}

Pitch Class Mapping: 1785 (Hex 6F9, Binary 011011111001)

A Study of Scales (Ian Ring) Index: 1785

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sylyllic
  Mode 3 of: Lothyllic
  Mode 4 of: Daryllic
  Mode 5 of: Monyllic
  Mode 6 of: Styryllic
  Mode 7 of: Aeolacryllic
  Mode 8 of: Raptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Sylyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–1–2–1–2–3

Scale degrees:
  in semitones: 0–1–2–3–4–6–7–9–12
  intervals: 1–m2–2–m3–3–d5–5–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ E F♯ G A c
  C D♭ D E♭ E G♭ G A c

G cleffCC sharpDD sharpEF sharpGACEnd of staff

G cleffCD flatDE flatEG flatGACEnd of staff

All The Chords Name: Sylyllic, 3imperfections

Pitch Class Set: {0,1,2,3,4,6,7,9}

Pitch Class Mapping: 735 (Hex 2DF, Binary 001011011111)

A Study of Scales (Ian Ring) Index: 735

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lothyllic
  Mode 3 of: Daryllic
  Mode 4 of: Monyllic
  Mode 5 of: Styryllic
  Mode 6 of: Aeolacryllic
  Mode 7 of: Raptyllic
  Mode 8 of: Tharyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Lothyllic

Scale steps in semitones: 1–1–1–2–1–2–3–1

Scale degrees:
  in semitones: 0–1–2–3–5–6–8–11–12
  intervals: 1–m2–2–m3–4–d5–m6–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G♯ B c
  C D♭ D E♭ F G♭ A♭ B c

G cleffCC sharpDD sharpFF sharpG sharpBCEnd of staff

G cleffCD flatDE flatFG flatA flatBCEnd of staff

All The Chords Name: Lothyllic, 3imperfections

Pitch Class Set: {0,1,2,3,5,6,8,11}

Pitch Class Mapping: 2415 (Hex 96F, Binary 100101101111)

A Study of Scales (Ian Ring) Index: 2415

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Daryllic
  Mode 3 of: Monyllic
  Mode 4 of: Styryllic
  Mode 5 of: Aeolacryllic
  Mode 6 of: Raptyllic
  Mode 7 of: Tharyllic
  Mode 8 of: Sylyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Daryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–1–2–1–2–3–1–1

Scale degrees:
  in semitones: 0–1–2–4–5–7–10–11–12
  intervals: 1–m2–2–3–4–5–m7–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F G A♯ B c
  C D♭ D E F G B♭ B c

G cleffCC sharpDEFGA sharpBCEnd of staff

G cleffCD flatDEFGB flatBCEnd of staff

All The Chords Name: Daryllic, 3imperfections

Pitch Class Set: {0,1,2,4,5,7,10,11}

Pitch Class Mapping: 3255 (Hex CB7, Binary 110010110111)

A Study of Scales (Ian Ring) Index: 3255

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Monyllic
  Mode 3 of: Styryllic
  Mode 4 of: Aeolacryllic
  Mode 5 of: Raptyllic
  Mode 6 of: Tharyllic
  Mode 7 of: Sylyllic
  Mode 8 of: Lothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Monyllic

Scale steps in semitones: 1–2–1–2–3–1–1–1

Scale degrees:
  in semitones: 0–1–3–4–6–9–10–11–12
  intervals: 1–m2–m3–3–d5–6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ A A♯ B c
  C D♭ E♭ E G♭ A B♭ B c

G cleffCC sharpD sharpEF sharpAA sharpBCEnd of staff

G cleffCD flatE flatEG flatAB flatBCEnd of staff

All The Chords Name: Monyllic, 3imperfections

Pitch Class Set: {0,1,3,4,6,9,10,11}

Pitch Class Mapping: 3675 (Hex E5B, Binary 111001011011)

A Study of Scales (Ian Ring) Index: 3675

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Styryllic
  Mode 3 of: Aeolacryllic
  Mode 4 of: Raptyllic
  Mode 5 of: Tharyllic
  Mode 6 of: Sylyllic
  Mode 7 of: Lothyllic
  Mode 8 of: Daryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Styryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–1–2–3–1–1–1–1

Scale degrees:
  in semitones: 0–2–3–5–8–9–10–11–12
  intervals: 1–2–m3–4–m6–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G♯ A A♯ B c
  C D E♭ F A♭ A B♭ B c

G cleffCDD sharpFG sharpAA sharpBCEnd of staff

G cleffCDE flatFA flatAB flatBCEnd of staff

All The Chords Name: Styryllic, 3imperfections

Pitch Class Set: {0,2,3,5,8,9,10,11}

Pitch Class Mapping: 3885 (Hex F2D, Binary 111100101101)

A Study of Scales (Ian Ring) Index: 3885

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolacryllic
  Mode 3 of: Raptyllic
  Mode 4 of: Tharyllic
  Mode 5 of: Sylyllic
  Mode 6 of: Lothyllic
  Mode 7 of: Daryllic
  Mode 8 of: Monyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeolacryllic

Scale steps in semitones: 1–2–3–1–1–1–1–2

Scale degrees:
  in semitones: 0–1–3–6–7–8–9–10–12
  intervals: 1–m2–m3–d5–5–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G G♯ A A♯ c
  C D♭ E♭ G♭ G A♭ A B♭ c

G cleffCC sharpD sharpF sharpGG sharpAA sharpCEnd of staff

G cleffCD flatE flatG flatGA flatAB flatCEnd of staff

All The Chords Name: Aeolacryllic, 3imperfections

Pitch Class Set: {0,1,3,6,7,8,9,10}

Pitch Class Mapping: 1995 (Hex 7CB, Binary 011111001011)

A Study of Scales (Ian Ring) Index: 1995

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raptyllic
  Mode 3 of: Tharyllic
  Mode 4 of: Sylyllic
  Mode 5 of: Lothyllic
  Mode 6 of: Daryllic
  Mode 7 of: Monyllic
  Mode 8 of: Styryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Raptyllic

Scale steps in semitones: 2–3–1–1–1–1–2–1

Scale degrees:
  in semitones: 0–2–5–6–7–8–9–11–12
  intervals: 1–2–4–d5–5–m6–6–7–8
  Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D F F♯ G G♯ A B c
  C D F G♭ G A♭ A B c

G cleffCDFF sharpGG sharpABCEnd of staff

G cleffCDFG flatGA flatABCEnd of staff

All The Chords Name: Raptyllic, 3imperfections

Pitch Class Set: {0,2,5,6,7,8,9,11}

Pitch Class Mapping: 3045 (Hex BE5, Binary 101111100101)

A Study of Scales (Ian Ring) Index: 3045

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Tharyllic
  Mode 3 of: Sylyllic
  Mode 4 of: Lothyllic
  Mode 5 of: Daryllic
  Mode 6 of: Monyllic
  Mode 7 of: Styryllic
  Mode 8 of: Aeolacryllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gythyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–1–2–2–1

Scale degrees:
  in semitones: 0–3–4–5–6–7–9–11–12
  intervals: 1–m3–3–4–d5–5–6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G A B c
  C E♭ E F G♭ G A B c

G cleffCD sharpEFF sharpGABCEnd of staff

G cleffCE flatEFG flatGABCEnd of staff

All The Chords Name: Gythyllic, 3imperfections

Pitch Class Set: {0,3,4,5,6,7,9,11}

Pitch Class Mapping: 2809 (Hex AF9, Binary 101011111001)

A Study of Scales (Ian Ring) Index: 2809

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pyryllic
  Mode 3 of: Harmonic/Neapolitan Minor Mixed
  Mode 4 of: Phrathyllic
  Mode 5 of: Badyllic
  Mode 6 of: Phrocryllic
  Mode 7 of: Raga Cintamani
  Mode 8 of: Zothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Pyryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–1–2–2–1–3

Scale degrees:
  in semitones: 0–1–2–3–4–6–8–9–12
  intervals: 1–m2–2–m3–3–d5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ E F♯ G♯ A c
  C D♭ D E♭ E G♭ A♭ A c

G cleffCC sharpDD sharpEF sharpG sharpACEnd of staff

G cleffCD flatDE flatEG flatA flatACEnd of staff

All The Chords Name: Pyryllic, 3imperfections

Pitch Class Set: {0,1,2,3,4,6,8,9}

Pitch Class Mapping: 863 (Hex 35F, Binary 001101011111)

A Study of Scales (Ian Ring) Index: 863

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Harmonic/Neapolitan Minor Mixed
  Mode 3 of: Phrathyllic
  Mode 4 of: Badyllic
  Mode 5 of: Phrocryllic
  Mode 6 of: Raga Cintamani
  Mode 7 of: Zothyllic
  Mode 8 of: Gythyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Phrathyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–1–2–2–1–3–1–1

Scale degrees:
  in semitones: 0–1–2–4–6–7–10–11–12
  intervals: 1–m2–2–3–d5–5–m7–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G A♯ B c
  C D♭ D E G♭ G B♭ B c

G cleffCC sharpDEF sharpGA sharpBCEnd of staff

G cleffCD flatDEG flatGB flatBCEnd of staff

All The Chords Name: Phrathyllic, 3imperfections

Pitch Class Set: {0,1,2,4,6,7,10,11}

Pitch Class Mapping: 3287 (Hex CD7, Binary 110011010111)

A Study of Scales (Ian Ring) Index: 3287

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Badyllic
  Mode 3 of: Phrocryllic
  Mode 4 of: Raga Cintamani
  Mode 5 of: Zothyllic
  Mode 6 of: Gythyllic
  Mode 7 of: Pyryllic
  Mode 8 of: Harmonic/Neapolitan Minor Mixed

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Badyllic

Scale steps in semitones: 1–2–2–1–3–1–1–1

Scale degrees:
  in semitones: 0–1–3–5–6–9–10–11–12
  intervals: 1–m2–m3–4–d5–6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ A A♯ B c
  C D♭ E♭ F G♭ A B♭ B c

G cleffCC sharpD sharpFF sharpAA sharpBCEnd of staff

G cleffCD flatE flatFG flatAB flatBCEnd of staff

All The Chords Name: Badyllic, 3imperfections

Pitch Class Set: {0,1,3,5,6,9,10,11}

Pitch Class Mapping: 3691 (Hex E6B, Binary 111001101011)

A Study of Scales (Ian Ring) Index: 3691

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrocryllic
  Mode 3 of: Raga Cintamani
  Mode 4 of: Zothyllic
  Mode 5 of: Gythyllic
  Mode 6 of: Pyryllic
  Mode 7 of: Harmonic/Neapolitan Minor Mixed
  Mode 8 of: Phrathyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Phrocryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–2–1–3–1–1–1–1

Scale degrees:
  in semitones: 0–2–4–5–8–9–10–11–12
  intervals: 1–2–3–4–m6–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F G♯ A A♯ B c
  C D E F A♭ A B♭ B c

G cleffCDEFG sharpAA sharpBCEnd of staff

G cleffCDEFA flatAB flatBCEnd of staff

All The Chords Name: Phrocryllic, 3imperfections

Pitch Class Set: {0,2,4,5,8,9,10,11}

Pitch Class Mapping: 3893 (Hex F35, Binary 111100110101)

A Study of Scales (Ian Ring) Index: 3893

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Cintamani
  Mode 3 of: Zothyllic
  Mode 4 of: Gythyllic
  Mode 5 of: Pyryllic
  Mode 6 of: Harmonic/Neapolitan Minor Mixed
  Mode 7 of: Phrathyllic
  Mode 8 of: Badyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zothyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–1–1–1–2–2

Scale degrees:
  in semitones: 0–1–4–5–6–7–8–10–12
  intervals: 1–m2–3–4–d5–5–m6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G G♯ A♯ c
  C D♭ E F G♭ G A♭ B♭ c

G cleffCC sharpEFF sharpGG sharpA sharpCEnd of staff

G cleffCD flatEFG flatGA flatB flatCEnd of staff

All The Chords Name: Zothyllic, 3imperfections

Pitch Class Set: {0,1,4,5,6,7,8,10}

Pitch Class Mapping: 1523 (Hex 5F3, Binary 010111110011)

A Study of Scales (Ian Ring) Index: 1523

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gythyllic
  Mode 3 of: Pyryllic
  Mode 4 of: Harmonic/Neapolitan Minor Mixed
  Mode 5 of: Phrathyllic
  Mode 6 of: Badyllic
  Mode 7 of: Phrocryllic
  Mode 8 of: Raga Cintamani

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeolathyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–2–1–2–1

Scale degrees:
  in semitones: 0–3–4–5–6–8–9–11–12
  intervals: 1–m3–3–4–d5–m6–6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G♯ A B c
  C E♭ E F G♭ A♭ A B c

G cleffCD sharpEFF sharpG sharpABCEnd of staff

G cleffCE flatEFG flatA flatABCEnd of staff

All The Chords Name: Aeolathyllic, 3imperfections

Pitch Class Set: {0,3,4,5,6,8,9,11}

Pitch Class Mapping: 2937 (Hex B79, Binary 101101111001)

A Study of Scales (Ian Ring) Index: 2937

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolocryllic and Aeranyllic
  Mode 3 of: Phroptyllic and Dothyllic
  Mode 4 of: Kodyllic and Lygyllic
  Mode 5 of: Epaptyllic and Stadyllic
  Mode 6 of: Ionoyllic and Byptyllic
  Mode 7 of: Gyptyllic and Stodyllic
  Mode 8 of: Aerythyllic and Zynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeolocryllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–2–1–2–1–3

Scale degrees:
  in semitones: 0–1–2–3–5–6–8–9–12
  intervals: 1–m2–2–m3–4–d5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G♯ A c
  C D♭ D E♭ F G♭ A♭ A c

G cleffCC sharpDD sharpFF sharpG sharpACEnd of staff

G cleffCD flatDE flatFG flatA flatACEnd of staff

All The Chords Name: Aeolocryllic, 3imperfections

Pitch Class Set: {0,1,2,3,5,6,8,9}

Pitch Class Mapping: 879 (Hex 36F, Binary 001101101111)

A Study of Scales (Ian Ring) Index: 879

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phroptyllic and Dothyllic
  Mode 3 of: Kodyllic and Lygyllic
  Mode 4 of: Epaptyllic and Stadyllic
  Mode 5 of: Ionoyllic and Byptyllic
  Mode 6 of: Gyptyllic and Stodyllic
  Mode 7 of: Aerythyllic and Zynyllic
  Mode 8 of: Aeolathyllic and Phragyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Phroptyllic

Scale steps in semitones: 1–1–2–1–2–1–3–1

Scale degrees:
  in semitones: 0–1–2–4–5–7–8–11–12
  intervals: 1–m2–2–3–4–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F G G♯ B c
  C D♭ D E F G A♭ B c

G cleffCC sharpDEFGG sharpBCEnd of staff

G cleffCD flatDEFGA flatBCEnd of staff

All The Chords Name: Phroptyllic, 3imperfections

Pitch Class Set: {0,1,2,4,5,7,8,11}

Pitch Class Mapping: 2487 (Hex 9B7, Binary 100110110111)

A Study of Scales (Ian Ring) Index: 2487

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kodyllic and Lygyllic
  Mode 3 of: Epaptyllic and Stadyllic
  Mode 4 of: Ionoyllic and Byptyllic
  Mode 5 of: Gyptyllic and Stodyllic
  Mode 6 of: Aerythyllic and Zynyllic
  Mode 7 of: Aeolathyllic and Phragyllic
  Mode 8 of: Aeolocryllic and Aeranyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Kodyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–1–2–1–3–1–1

Scale degrees:
  in semitones: 0–1–3–4–6–7–10–11–12
  intervals: 1–m2–m3–3–d5–5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A♯ B c
  C D♭ E♭ E G♭ G B♭ B c

G cleffCC sharpD sharpEF sharpGA sharpBCEnd of staff

G cleffCD flatE flatEG flatGB flatBCEnd of staff

All The Chords Name: Kodyllic, 3imperfections

Pitch Class Set: {0,1,3,4,6,7,10,11}

Pitch Class Mapping: 3291 (Hex CDB, Binary 110011011011)

A Study of Scales (Ian Ring) Index: 3291

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epaptyllic and Stadyllic
  Mode 3 of: Ionoyllic and Byptyllic
  Mode 4 of: Gyptyllic and Stodyllic
  Mode 5 of: Aerythyllic and Zynyllic
  Mode 6 of: Aeolathyllic and Phragyllic
  Mode 7 of: Aeolocryllic and Aeranyllic
  Mode 8 of: Phroptyllic and Dothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Epaptyllic

Scale steps in semitones: 2–1–2–1–3–1–1–1

Scale degrees:
  in semitones: 0–2–3–5–6–9–10–11–12
  intervals: 1–2–m3–4–d5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ A A♯ B c
  C D E♭ F G♭ A B♭ B c

G cleffCDD sharpFF sharpAA sharpBCEnd of staff

G cleffCDE flatFG flatAB flatBCEnd of staff

All The Chords Name: Epaptyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,9,10,11}

Pitch Class Mapping: 3693 (Hex E6D, Binary 111001101101)

A Study of Scales (Ian Ring) Index: 3693

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionoyllic and Byptyllic
  Mode 3 of: Gyptyllic and Stodyllic
  Mode 4 of: Aerythyllic and Zynyllic
  Mode 5 of: Aeolathyllic and Phragyllic
  Mode 6 of: Aeolocryllic and Aeranyllic
  Mode 7 of: Phroptyllic and Dothyllic
  Mode 8 of: Kodyllic and Lygyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Ionoyllic

Scale steps in semitones: 1–2–1–3–1–1–1–2

Scale degrees:
  in semitones: 0–1–3–4–7–8–9–10–12
  intervals: 1–m2–m3–3–5–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E G G♯ A A♯ c
  C D♭ E♭ E G A♭ A B♭ c

G cleffCC sharpD sharpEGG sharpAA sharpCEnd of staff

G cleffCD flatE flatEGA flatAB flatCEnd of staff

All The Chords Name: Ionoyllic, 3imperfections

Pitch Class Set: {0,1,3,4,7,8,9,10}

Pitch Class Mapping: 1947 (Hex 79B, Binary 011110011011)

A Study of Scales (Ian Ring) Index: 1947

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gyptyllic and Stodyllic
  Mode 3 of: Aerythyllic and Zynyllic
  Mode 4 of: Aeolathyllic and Phragyllic
  Mode 5 of: Aeolocryllic and Aeranyllic
  Mode 6 of: Phroptyllic and Dothyllic
  Mode 7 of: Kodyllic and Lygyllic
  Mode 8 of: Epaptyllic and Stadyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Gyptyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–1–1–2–1

Scale degrees:
  in semitones: 0–2–3–6–7–8–9–11–12
  intervals: 1–2–m3–d5–5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ A B c
  C D E♭ G♭ G A♭ A B c

G cleffCDD sharpF sharpGG sharpABCEnd of staff

G cleffCDE flatG flatGA flatABCEnd of staff

All The Chords Name: Gyptyllic, 3imperfections

Pitch Class Set: {0,2,3,6,7,8,9,11}

Pitch Class Mapping: 3021 (Hex BCD, Binary 101111001101)

A Study of Scales (Ian Ring) Index: 3021

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aerythyllic and Zynyllic
  Mode 3 of: Aeolathyllic and Phragyllic
  Mode 4 of: Aeolocryllic and Aeranyllic
  Mode 5 of: Phroptyllic and Dothyllic
  Mode 6 of: Kodyllic and Lygyllic
  Mode 7 of: Epaptyllic and Stadyllic
  Mode 8 of: Ionoyllic and Byptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aerythyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–1–1–2–1–2

Scale degrees:
  in semitones: 0–1–4–5–6–7–9–10–12
  intervals: 1–m2–3–4–d5–5–6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A A♯ c
  C D♭ E F G♭ G A B♭ c

G cleffCC sharpEFF sharpGAA sharpCEnd of staff

G cleffCD flatEFG flatGAB flatCEnd of staff

All The Chords Name: Aerythyllic, 3imperfections

Pitch Class Set: {0,1,4,5,6,7,9,10}

Pitch Class Mapping: 1779 (Hex 6F3, Binary 011011110011)

A Study of Scales (Ian Ring) Index: 1779

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolathyllic and Phragyllic
  Mode 3 of: Aeolocryllic and Aeranyllic
  Mode 4 of: Phroptyllic and Dothyllic
  Mode 5 of: Kodyllic and Lygyllic
  Mode 6 of: Epaptyllic and Stadyllic
  Mode 7 of: Ionoyllic and Byptyllic
  Mode 8 of: Gyptyllic and Stodyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Phragyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–2–1–2–1

Scale degrees:
  in semitones: 0–3–4–5–6–8–9–11–12
  intervals: 1–m3–3–4–d5–m6–6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G♯ A B c
  C E♭ E F G♭ A♭ A B c

G cleffCD sharpEFF sharpG sharpABCEnd of staff

G cleffCE flatEFG flatA flatABCEnd of staff

All The Chords Name: Aeolathyllic, 3imperfections

Pitch Class Set: {0,3,4,5,6,8,9,11}

Pitch Class Mapping: 2937 (Hex B79, Binary 101101111001)

A Study of Scales (Ian Ring) Index: 2937

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolocryllic and Aeranyllic
  Mode 3 of: Phroptyllic and Dothyllic
  Mode 4 of: Kodyllic and Lygyllic
  Mode 5 of: Epaptyllic and Stadyllic
  Mode 6 of: Ionoyllic and Byptyllic
  Mode 7 of: Gyptyllic and Stodyllic
  Mode 8 of: Aerythyllic and Zynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Aeranyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–2–1–2–1–3

Scale degrees:
  in semitones: 0–1–2–3–5–6–8–9–12
  intervals: 1–m2–2–m3–4–d5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F F♯ G♯ A c
  C D♭ D E♭ F G♭ A♭ A c

G cleffCC sharpDD sharpFF sharpG sharpACEnd of staff

G cleffCD flatDE flatFG flatA flatACEnd of staff

All The Chords Name: Aeolocryllic, 3imperfections

Pitch Class Set: {0,1,2,3,5,6,8,9}

Pitch Class Mapping: 879 (Hex 36F, Binary 001101101111)

A Study of Scales (Ian Ring) Index: 879

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phroptyllic and Dothyllic
  Mode 3 of: Kodyllic and Lygyllic
  Mode 4 of: Epaptyllic and Stadyllic
  Mode 5 of: Ionoyllic and Byptyllic
  Mode 6 of: Gyptyllic and Stodyllic
  Mode 7 of: Aerythyllic and Zynyllic
  Mode 8 of: Aeolathyllic and Phragyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Dothyllic

Scale steps in semitones: 1–1–2–1–2–1–3–1

Scale degrees:
  in semitones: 0–1–2–4–5–7–8–11–12
  intervals: 1–m2–2–3–4–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E F G G♯ B c
  C D♭ D E F G A♭ B c

G cleffCC sharpDEFGG sharpBCEnd of staff

G cleffCD flatDEFGA flatBCEnd of staff

All The Chords Name: Phroptyllic, 3imperfections

Pitch Class Set: {0,1,2,4,5,7,8,11}

Pitch Class Mapping: 2487 (Hex 9B7, Binary 100110110111)

A Study of Scales (Ian Ring) Index: 2487

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kodyllic and Lygyllic
  Mode 3 of: Epaptyllic and Stadyllic
  Mode 4 of: Ionoyllic and Byptyllic
  Mode 5 of: Gyptyllic and Stodyllic
  Mode 6 of: Aerythyllic and Zynyllic
  Mode 7 of: Aeolathyllic and Phragyllic
  Mode 8 of: Aeolocryllic and Aeranyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Lygyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–1–2–1–3–1–1

Scale degrees:
  in semitones: 0–1–3–4–6–7–10–11–12
  intervals: 1–m2–m3–3–d5–5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A♯ B c
  C D♭ E♭ E G♭ G B♭ B c

G cleffCC sharpD sharpEF sharpGA sharpBCEnd of staff

G cleffCD flatE flatEG flatGB flatBCEnd of staff

All The Chords Name: Kodyllic, 3imperfections

Pitch Class Set: {0,1,3,4,6,7,10,11}

Pitch Class Mapping: 3291 (Hex CDB, Binary 110011011011)

A Study of Scales (Ian Ring) Index: 3291

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Epaptyllic and Stadyllic
  Mode 3 of: Ionoyllic and Byptyllic
  Mode 4 of: Gyptyllic and Stodyllic
  Mode 5 of: Aerythyllic and Zynyllic
  Mode 6 of: Aeolathyllic and Phragyllic
  Mode 7 of: Aeolocryllic and Aeranyllic
  Mode 8 of: Phroptyllic and Dothyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stadyllic

Scale steps in semitones: 2–1–2–1–3–1–1–1

Scale degrees:
  in semitones: 0–2–3–5–6–9–10–11–12
  intervals: 1–2–m3–4–d5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ A A♯ B c
  C D E♭ F G♭ A B♭ B c

G cleffCDD sharpFF sharpAA sharpBCEnd of staff

G cleffCDE flatFG flatAB flatBCEnd of staff

All The Chords Name: Epaptyllic, 3imperfections

Pitch Class Set: {0,2,3,5,6,9,10,11}

Pitch Class Mapping: 3693 (Hex E6D, Binary 111001101101)

A Study of Scales (Ian Ring) Index: 3693

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionoyllic and Byptyllic
  Mode 3 of: Gyptyllic and Stodyllic
  Mode 4 of: Aerythyllic and Zynyllic
  Mode 5 of: Aeolathyllic and Phragyllic
  Mode 6 of: Aeolocryllic and Aeranyllic
  Mode 7 of: Phroptyllic and Dothyllic
  Mode 8 of: Kodyllic and Lygyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Byptyllic

Scale steps in semitones: 1–2–1–3–1–1–1–2

Scale degrees:
  in semitones: 0–1–3–4–7–8–9–10–12
  intervals: 1–m2–m3–3–5–m6–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E G G♯ A A♯ c
  C D♭ E♭ E G A♭ A B♭ c

G cleffCC sharpD sharpEGG sharpAA sharpCEnd of staff

G cleffCD flatE flatEGA flatAB flatCEnd of staff

All The Chords Name: Ionoyllic, 3imperfections

Pitch Class Set: {0,1,3,4,7,8,9,10}

Pitch Class Mapping: 1947 (Hex 79B, Binary 011110011011)

A Study of Scales (Ian Ring) Index: 1947

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gyptyllic and Stodyllic
  Mode 3 of: Aerythyllic and Zynyllic
  Mode 4 of: Aeolathyllic and Phragyllic
  Mode 5 of: Aeolocryllic and Aeranyllic
  Mode 6 of: Phroptyllic and Dothyllic
  Mode 7 of: Kodyllic and Lygyllic
  Mode 8 of: Epaptyllic and Stadyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Stodyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–1–1–2–1

Scale degrees:
  in semitones: 0–2–3–6–7–8–9–11–12
  intervals: 1–2–m3–d5–5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ A B c
  C D E♭ G♭ G A♭ A B c

G cleffCDD sharpF sharpGG sharpABCEnd of staff

G cleffCDE flatG flatGA flatABCEnd of staff

All The Chords Name: Gyptyllic, 3imperfections

Pitch Class Set: {0,2,3,6,7,8,9,11}

Pitch Class Mapping: 3021 (Hex BCD, Binary 101111001101)

A Study of Scales (Ian Ring) Index: 3021

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aerythyllic and Zynyllic
  Mode 3 of: Aeolathyllic and Phragyllic
  Mode 4 of: Aeolocryllic and Aeranyllic
  Mode 5 of: Phroptyllic and Dothyllic
  Mode 6 of: Kodyllic and Lygyllic
  Mode 7 of: Epaptyllic and Stadyllic
  Mode 8 of: Ionoyllic and Byptyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Zynyllic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–1–1–2–1–2

Scale degrees:
  in semitones: 0–1–4–5–6–7–9–10–12
  intervals: 1–m2–3–4–d5–5–6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A A♯ c
  C D♭ E F G♭ G A B♭ c

G cleffCC sharpEFF sharpGAA sharpCEnd of staff

G cleffCD flatEFG flatGAB flatCEnd of staff

All The Chords Name: Aerythyllic, 3imperfections

Pitch Class Set: {0,1,4,5,6,7,9,10}

Pitch Class Mapping: 1779 (Hex 6F3, Binary 011011110011)

A Study of Scales (Ian Ring) Index: 1779

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolathyllic and Phragyllic
  Mode 3 of: Aeolocryllic and Aeranyllic
  Mode 4 of: Phroptyllic and Dothyllic
  Mode 5 of: Kodyllic and Lygyllic
  Mode 6 of: Epaptyllic and Stadyllic
  Mode 7 of: Ionoyllic and Byptyllic
  Mode 8 of: Gyptyllic and Stodyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Lonyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–2–1–1–2–1

Scale degrees:
  in semitones: 0–3–4–5–7–8–9–11–12
  intervals: 1–m3–3–4–5–m6–6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G G♯ A B c
  C E♭ E F G A♭ A B c

G cleffCD sharpEFGG sharpABCEnd of staff

G cleffCE flatEFGA flatABCEnd of staff

All The Chords Name: Lonyllic, 3imperfections

Pitch Class Set: {0,3,4,5,7,8,9,11}

Pitch Class Mapping: 3001 (Hex BB9, Binary 101110111001)

A Study of Scales (Ian Ring) Index: 3001

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sathyllic
  Mode 3 of: Layllic
  Mode 4 of: Saryllic
  Mode 5 of: Thacryllic
  Mode 6 of: Aeolynyllic
  Mode 7 of: Thadyllic
  Mode 8 of: Lynyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

Sathyllic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–1–1–2–1–3

Scale degrees:
  in semitones: 0–1–2–4–5–6–8–9–12
  intervals: 1–m2–2–3–4–d5–m6–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E F F♯ G♯ A c
  C D♭ D E F G♭ A♭ A c

G cleffCC sharpDEFF sharpG sharpACEnd of staff

G cleffCD flatDEFG flatA flatACEnd of staff

All The Chords Name: Sathyllic, 3imperfections

Pitch Class Set: {0,1,2,4,5,6,8,9}

Pitch Class Mapping: 887 (Hex 377, Binary 001101110111)

A Study of Scales (Ian Ring) Index: 887

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Layllic
  Mode 3 of: Saryllic
  Mode 4 of: Thacryllic
  Mode 5 of: Aeolynyllic
  Mode 6 of: Thadyllic
  Mode 7 of: Lynyllic
  Mode 8 of: Lonyllic

The name I use for this scale comes from: AllTheScales.org / William Zeitler

 
Previous PageUp a levelNext Page

   
 

To cite this page on Wikipedia: <ref name="Goss_2019_csc_8tone_12tet"> {{cite web |last=Goss |first=Clint |title=Comprehensive Scale Catalog: Eight-Tone Scales in Equal Temperament |url=http://www.Flutopedia.com/csc_8tone_12tet.htm |date=18 February 2019 |website=Flutopedia |access-date=<YOUR RETRIEVAL DATE> }}</ref>