Comprehensive Scale Catalog: Eight-Tone Scales in Equal Temperament - Part 2
This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.
This page shows only scales with eight tones per octave and using 12-tone Equal Temperament.
The root note of each scale is shown in blue, such as .
Layllic
Scale steps in semitones: 1–2–1–1–2–1–3–1
Scale degrees:
in semitones: 0–1–3–4–5–7–8–11–12
intervals: 1–m2–m3–3–4–5–m6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G G♯ B c
C D♭ E♭ E F G A♭ B c
          
          
All The Chords Name: Layllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,7,8,11}
Pitch Class Mapping: 2491 (Hex 9BB, Binary 100110111011)
A Study of Scales (Ian Ring) Index: 2491
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Saryllic
Mode 3 of: Thacryllic
Mode 4 of: Aeolynyllic
Mode 5 of: Thadyllic
Mode 6 of: Lynyllic
Mode 7 of: Lonyllic
Mode 8 of: Sathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Saryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–1–3–1–1
Scale degrees:
in semitones: 0–2–3–4–6–7–10–11–12
intervals: 1–2–m3–3–d5–5–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G A♯ B c
C D E♭ E G♭ G B♭ B c
          
          
All The Chords Name: Saryllic, 3imperfections
Pitch Class Set: {0,2,3,4,6,7,10,11}
Pitch Class Mapping: 3293 (Hex CDD, Binary 110011011101)
A Study of Scales (Ian Ring) Index: 3293
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thacryllic
Mode 3 of: Aeolynyllic
Mode 4 of: Thadyllic
Mode 5 of: Lynyllic
Mode 6 of: Lonyllic
Mode 7 of: Sathyllic
Mode 8 of: Layllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thacryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–3–1–1–2
Scale degrees:
in semitones: 0–1–2–4–5–8–9–10–12
intervals: 1–m2–2–3–4–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F G♯ A A♯ c
C D♭ D E F A♭ A B♭ c
          
          
All The Chords Name: Thacryllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,8,9,10}
Pitch Class Mapping: 1847 (Hex 737, Binary 011100110111)
A Study of Scales (Ian Ring) Index: 1847
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolynyllic
Mode 3 of: Thadyllic
Mode 4 of: Lynyllic
Mode 5 of: Lonyllic
Mode 6 of: Sathyllic
Mode 7 of: Layllic
Mode 8 of: Saryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolynyllic
Scale steps in semitones: 1–2–1–3–1–1–2–1
Scale degrees:
in semitones: 0–1–3–4–7–8–9–11–12
intervals: 1–m2–m3–3–5–m6–6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E G G♯ A B c
C D♭ E♭ E G A♭ A B c
          
          
All The Chords Name: Aeolynyllic, 3imperfections
Pitch Class Set: {0,1,3,4,7,8,9,11}
Pitch Class Mapping: 2971 (Hex B9B, Binary 101110011011)
A Study of Scales (Ian Ring) Index: 2971
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thadyllic
Mode 3 of: Lynyllic
Mode 4 of: Lonyllic
Mode 5 of: Sathyllic
Mode 6 of: Layllic
Mode 7 of: Saryllic
Mode 8 of: Thacryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thadyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–1–2–1–1
Scale degrees:
in semitones: 0–2–3–6–7–8–10–11–12
intervals: 1–2–m3–d5–5–m6–m7–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G G♯ A♯ B c
C D E♭ G♭ G A♭ B♭ B c
          
          
All The Chords Name: Thadyllic, 3imperfections
Pitch Class Set: {0,2,3,6,7,8,10,11}
Pitch Class Mapping: 3533 (Hex DCD, Binary 110111001101)
A Study of Scales (Ian Ring) Index: 3533
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lynyllic
Mode 3 of: Lonyllic
Mode 4 of: Sathyllic
Mode 5 of: Layllic
Mode 6 of: Saryllic
Mode 7 of: Thacryllic
Mode 8 of: Aeolynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lynyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–2–1–1–2
Scale degrees:
in semitones: 0–1–4–5–6–8–9–10–12
intervals: 1–m2–3–4–d5–m6–6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G♯ A A♯ c
C D♭ E F G♭ A♭ A B♭ c
          
          
All The Chords Name: Lynyllic, 3imperfections
Pitch Class Set: {0,1,4,5,6,8,9,10}
Pitch Class Mapping: 1907 (Hex 773, Binary 011101110011)
A Study of Scales (Ian Ring) Index: 1907
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lonyllic
Mode 3 of: Sathyllic
Mode 4 of: Layllic
Mode 5 of: Saryllic
Mode 6 of: Thacryllic
Mode 7 of: Aeolynyllic
Mode 8 of: Thadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Doptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–1–1–2–1
Scale degrees:
in semitones: 0–3–4–6–7–8–9–11–12
intervals: 1–m3–3–d5–5–m6–6–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G G♯ A B c
C E♭ E G♭ G A♭ A B c
          
          
All The Chords Name: Doptyllic, 3imperfections
Pitch Class Set: {0,3,4,6,7,8,9,11}
Pitch Class Mapping: 3033 (Hex BD9, Binary 101111011001)
A Study of Scales (Ian Ring) Index: 3033
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionilyllic
Mode 3 of: Manyllic
Mode 4 of: Polyllic
Mode 5 of: Stanyllic
Mode 6 of: Mixotharyllic
Mode 7 of: Eporyllic
Mode 8 of: Aerynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionilyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–1–2–1–3
Scale degrees:
in semitones: 0–1–3–4–5–6–8–9–12
intervals: 1–m2–m3–3–4–d5–m6–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ G♯ A c
C D♭ E♭ E F G♭ A♭ A c
          
          
All The Chords Name: Ionilyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,6,8,9}
Pitch Class Mapping: 891 (Hex 37B, Binary 001101111011)
A Study of Scales (Ian Ring) Index: 891
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Manyllic
Mode 3 of: Polyllic
Mode 4 of: Stanyllic
Mode 5 of: Mixotharyllic
Mode 6 of: Eporyllic
Mode 7 of: Aerynyllic
Mode 8 of: Doptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Manyllic
Scale steps in semitones: 2–1–1–1–2–1–3–1
Scale degrees:
in semitones: 0–2–3–4–5–7–8–11–12
intervals: 1–2–m3–3–4–5–m6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F G G♯ B c
C D E♭ E F G A♭ B c
          
          
All The Chords Name: Manyllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,7,8,11}
Pitch Class Mapping: 2493 (Hex 9BD, Binary 100110111101)
A Study of Scales (Ian Ring) Index: 2493
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Polyllic
Mode 3 of: Stanyllic
Mode 4 of: Mixotharyllic
Mode 5 of: Eporyllic
Mode 6 of: Aerynyllic
Mode 7 of: Doptyllic
Mode 8 of: Ionilyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Polyllic
Scale steps in semitones: 1–1–1–2–1–3–1–2
Scale degrees:
in semitones: 0–1–2–3–5–6–9–10–12
intervals: 1–m2–2–m3–4–d5–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ A A♯ c
C D♭ D E♭ F G♭ A B♭ c
          
          
All The Chords Name: Polyllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,9,10}
Pitch Class Mapping: 1647 (Hex 66F, Binary 011001101111)
A Study of Scales (Ian Ring) Index: 1647
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stanyllic
Mode 3 of: Mixotharyllic
Mode 4 of: Eporyllic
Mode 5 of: Aerynyllic
Mode 6 of: Doptyllic
Mode 7 of: Ionilyllic
Mode 8 of: Manyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stanyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–1–3–1–2–1
Scale degrees:
in semitones: 0–1–2–4–5–8–9–11–12
intervals: 1–m2–2–3–4–m6–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F G♯ A B c
C D♭ D E F A♭ A B c
          
          
All The Chords Name: Stanyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,8,9,11}
Pitch Class Mapping: 2871 (Hex B37, Binary 101100110111)
A Study of Scales (Ian Ring) Index: 2871
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mixotharyllic
Mode 3 of: Eporyllic
Mode 4 of: Aerynyllic
Mode 5 of: Doptyllic
Mode 6 of: Ionilyllic
Mode 7 of: Manyllic
Mode 8 of: Polyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mixotharyllic
Scale steps in semitones: 1–2–1–3–1–2–1–1
Scale degrees:
in semitones: 0–1–3–4–7–8–10–11–12
intervals: 1–m2–m3–3–5–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E G G♯ A♯ B c
C D♭ E♭ E G A♭ B♭ B c
          
          
All The Chords Name: Mixotharyllic, 3imperfections
Pitch Class Set: {0,1,3,4,7,8,10,11}
Pitch Class Mapping: 3483 (Hex D9B, Binary 110110011011)
A Study of Scales (Ian Ring) Index: 3483
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Eporyllic
Mode 3 of: Aerynyllic
Mode 4 of: Doptyllic
Mode 5 of: Ionilyllic
Mode 6 of: Manyllic
Mode 7 of: Polyllic
Mode 8 of: Stanyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Eporyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–2–1–1–1
Scale degrees:
in semitones: 0–2–3–6–7–9–10–11–12
intervals: 1–2–m3–d5–5–6–m7–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G A A♯ B c
C D E♭ G♭ G A B♭ B c
          
          
All The Chords Name: Eporyllic, 3imperfections
Pitch Class Set: {0,2,3,6,7,9,10,11}
Pitch Class Mapping: 3789 (Hex ECD, Binary 111011001101)
A Study of Scales (Ian Ring) Index: 3789
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerynyllic
Mode 3 of: Doptyllic
Mode 4 of: Ionilyllic
Mode 5 of: Manyllic
Mode 6 of: Polyllic
Mode 7 of: Stanyllic
Mode 8 of: Mixotharyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerynyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–2–1–1–1–2
Scale degrees:
in semitones: 0–1–4–5–7–8–9–10–12
intervals: 1–m2–3–4–5–m6–6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F G G♯ A A♯ c
C D♭ E F G A♭ A B♭ c
          
          
All The Chords Name: Aerynyllic, 3imperfections
Pitch Class Set: {0,1,4,5,7,8,9,10}
Pitch Class Mapping: 1971 (Hex 7B3, Binary 011110110011)
A Study of Scales (Ian Ring) Index: 1971
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Doptyllic
Mode 3 of: Ionilyllic
Mode 4 of: Manyllic
Mode 5 of: Polyllic
Mode 6 of: Stanyllic
Mode 7 of: Mixotharyllic
Mode 8 of: Eporyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thyptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–1–2–1–1
Scale degrees:
in semitones: 0–3–4–6–7–8–10–11–12
intervals: 1–m3–3–d5–5–m6–m7–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G G♯ A♯ B c
C E♭ E G♭ G A♭ B♭ B c
          
          
All The Chords Name: Thyptyllic, 3imperfections
Pitch Class Set: {0,3,4,6,7,8,10,11}
Pitch Class Mapping: 3545 (Hex DD9, Binary 110111011001)
A Study of Scales (Ian Ring) Index: 3545
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionogyllic
Mode 3 of: Aeolaryllic
Mode 4 of: Katygyllic
Mode 5 of: Ganyllic
Mode 6 of: Kyptyllic
Mode 7 of: Salyllic
Mode 8 of: Raga Saurashtra
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionogyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–2–1–1–3
Scale degrees:
in semitones: 0–1–3–4–5–7–8–9–12
intervals: 1–m2–m3–3–4–5–m6–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E F G G♯ A c
C D♭ E♭ E F G A♭ A c
          
          
All The Chords Name: Ionogyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,7,8,9}
Pitch Class Mapping: 955 (Hex 3BB, Binary 001110111011)
A Study of Scales (Ian Ring) Index: 955
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolaryllic
Mode 3 of: Katygyllic
Mode 4 of: Ganyllic
Mode 5 of: Kyptyllic
Mode 6 of: Salyllic
Mode 7 of: Raga Saurashtra
Mode 8 of: Thyptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolaryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–1–1–3–1
Scale degrees:
in semitones: 0–2–3–4–6–7–8–11–12
intervals: 1–2–m3–3–d5–5–m6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G G♯ B c
C D E♭ E G♭ G A♭ B c
          
          
All The Chords Name: Aeolaryllic, 3imperfections
Pitch Class Set: {0,2,3,4,6,7,8,11}
Pitch Class Mapping: 2525 (Hex 9DD, Binary 100111011101)
A Study of Scales (Ian Ring) Index: 2525
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katygyllic
Mode 3 of: Ganyllic
Mode 4 of: Kyptyllic
Mode 5 of: Salyllic
Mode 6 of: Raga Saurashtra
Mode 7 of: Thyptyllic
Mode 8 of: Ionogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katygyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–1–3–1–2
Scale degrees:
in semitones: 0–1–2–4–5–6–9–10–12
intervals: 1–m2–2–3–4–d5–6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F F♯ A A♯ c
C D♭ D E F G♭ A B♭ c
          
          
All The Chords Name: Katygyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,6,9,10}
Pitch Class Mapping: 1655 (Hex 677, Binary 011001110111)
A Study of Scales (Ian Ring) Index: 1655
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ganyllic
Mode 3 of: Kyptyllic
Mode 4 of: Salyllic
Mode 5 of: Raga Saurashtra
Mode 6 of: Thyptyllic
Mode 7 of: Ionogyllic
Mode 8 of: Aeolaryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ganyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–3–1–2–1
Scale degrees:
in semitones: 0–1–3–4–5–8–9–11–12
intervals: 1–m2–m3–3–4–m6–6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G♯ A B c
C D♭ E♭ E F A♭ A B c
          
          
All The Chords Name: Ganyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,8,9,11}
Pitch Class Mapping: 2875 (Hex B3B, Binary 101100111011)
A Study of Scales (Ian Ring) Index: 2875
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kyptyllic
Mode 3 of: Salyllic
Mode 4 of: Raga Saurashtra
Mode 5 of: Thyptyllic
Mode 6 of: Ionogyllic
Mode 7 of: Aeolaryllic
Mode 8 of: Katygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kyptyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–1–2–1–1
Scale degrees:
in semitones: 0–2–3–4–7–8–10–11–12
intervals: 1–2–m3–3–5–m6–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E G G♯ A♯ B c
C D E♭ E G A♭ B♭ B c
          
          
All The Chords Name: Kyptyllic, 3imperfections
Pitch Class Set: {0,2,3,4,7,8,10,11}
Pitch Class Mapping: 3485 (Hex D9D, Binary 110110011101)
A Study of Scales (Ian Ring) Index: 3485
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Salyllic
Mode 3 of: Raga Saurashtra
Mode 4 of: Thyptyllic
Mode 5 of: Ionogyllic
Mode 6 of: Aeolaryllic
Mode 7 of: Katygyllic
Mode 8 of: Ganyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scala name: Sabach (Sambah): Greece
Salyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–2–1–1–2
Scale degrees:
in semitones: 0–1–2–5–6–8–9–10–12
intervals: 1–m2–2–4–d5–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G♯ A A♯ c
C D♭ D F G♭ A♭ A B♭ c
          
          
All The Chords Name: Salyllic, 3imperfections
Pitch Class Set: {0,1,2,5,6,8,9,10}
Pitch Class Mapping: 1895 (Hex 767, Binary 011101100111)
A Study of Scales (Ian Ring) Index: 1895
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Saurashtra
Mode 3 of: Thyptyllic
Mode 4 of: Ionogyllic
Mode 5 of: Aeolaryllic
Mode 6 of: Katygyllic
Mode 7 of: Ganyllic
Mode 8 of: Kyptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Maptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–2–1–1–1
Scale degrees:
in semitones: 0–3–4–6–7–9–10–11–12
intervals: 1–m3–3–d5–5–6–m7–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G A A♯ B c
C E♭ E G♭ G A B♭ B c
          
          
All The Chords Name: Maptyllic, 3imperfections
Pitch Class Set: {0,3,4,6,7,9,10,11}
Pitch Class Mapping: 3801 (Hex ED9, Binary 111011011001)
A Study of Scales (Ian Ring) Index: 3801
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeraptyllic
Mode 3 of: Algerian
Mode 4 of:
Mode 5 of: Phrylyllic
Mode 6 of: Epigyllic
Mode 7 of: Molyllic
Mode 8 of: Maqam Hijaz
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeraptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–2–1–1–1–3
Scale degrees:
in semitones: 0–1–3–4–6–7–8–9–12
intervals: 1–m2–m3–3–d5–5–m6–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G G♯ A c
C D♭ E♭ E G♭ G A♭ A c
          
          
All The Chords Name: Aeraptyllic, 3imperfections
Pitch Class Set: {0,1,3,4,6,7,8,9}
Pitch Class Mapping: 987 (Hex 3DB, Binary 001111011011)
A Study of Scales (Ian Ring) Index: 987
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Algerian
Mode 3 of:
Mode 4 of: Phrylyllic
Mode 5 of: Epigyllic
Mode 6 of: Molyllic
Mode 7 of: Maqam Hijaz
Mode 8 of: Maptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrylyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–3–1–2–1
Scale degrees:
in semitones: 0–2–3–4–5–8–9–11–12
intervals: 1–2–m3–3–4–m6–6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F G♯ A B c
C D E♭ E F A♭ A B c
          
          
All The Chords Name: Phrylyllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,8,9,11}
Pitch Class Mapping: 2877 (Hex B3D, Binary 101100111101)
A Study of Scales (Ian Ring) Index: 2877
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epigyllic
Mode 3 of: Molyllic
Mode 4 of: Maqam Hijaz
Mode 5 of: Maptyllic
Mode 6 of: Aeraptyllic
Mode 7 of: Algerian
Mode 8 of:
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epigyllic
Scale steps in semitones: 1–1–1–3–1–2–1–2
Scale degrees:
in semitones: 0–1–2–3–6–7–9–10–12
intervals: 1–m2–2–m3–d5–5–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G A A♯ c
C D♭ D E♭ G♭ G A B♭ c
          
          
All The Chords Name: Epigyllic, 3imperfections
Pitch Class Set: {0,1,2,3,6,7,9,10}
Pitch Class Mapping: 1743 (Hex 6CF, Binary 011011001111)
A Study of Scales (Ian Ring) Index: 1743
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Molyllic
Mode 3 of: Maqam Hijaz
Mode 4 of: Maptyllic
Mode 5 of: Aeraptyllic
Mode 6 of: Algerian
Mode 7 of:
Mode 8 of: Phrylyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Molyllic
Scale steps in semitones: 1–1–3–1–2–1–2–1
Scale degrees:
in semitones: 0–1–2–5–6–8–9–11–12
intervals: 1–m2–2–4–d5–m6–6–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G♯ A B c
C D♭ D F G♭ A♭ A B c
          
          
All The Chords Name: Molyllic, 3imperfections
Pitch Class Set: {0,1,2,5,6,8,9,11}
Pitch Class Mapping: 2919 (Hex B67, Binary 101101100111)
A Study of Scales (Ian Ring) Index: 2919
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Hijaz
Mode 3 of: Maptyllic
Mode 4 of: Aeraptyllic
Mode 5 of: Algerian
Mode 6 of:
Mode 7 of: Phrylyllic
Mode 8 of: Epigyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolothyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–2–1–1–1–1
Scale degrees:
in semitones: 0–3–4–6–8–9–10–11–12
intervals: 1–m3–3–d5–m6–6–m7–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G♯ A A♯ B c
C E♭ E G♭ A♭ A B♭ B c
          
          
All The Chords Name: Aeolothyllic, 3imperfections
Pitch Class Set: {0,3,4,6,8,9,10,11}
Pitch Class Mapping: 3929 (Hex F59, Binary 111101011001)
A Study of Scales (Ian Ring) Index: 3929
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionyryllic
Mode 3 of: Rydyllic
Mode 4 of: Gonyllic
Mode 5 of: Rolyllic
Mode 6 of: Katydyllic
Mode 7 of: Zyptyllic
Mode 8 of: Modyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionyryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–1–1–1–1–3
Scale degrees:
in semitones: 0–1–3–5–6–7–8–9–12
intervals: 1–m2–m3–4–d5–5–m6–6–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G G♯ A c
C D♭ E♭ F G♭ G A♭ A c
          
          
All The Chords Name: Ionyryllic, 3imperfections
Pitch Class Set: {0,1,3,5,6,7,8,9}
Pitch Class Mapping: 1003 (Hex 3EB, Binary 001111101011)
A Study of Scales (Ian Ring) Index: 1003
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rydyllic
Mode 3 of: Gonyllic
Mode 4 of: Rolyllic
Mode 5 of: Katydyllic
Mode 6 of: Zyptyllic
Mode 7 of: Modyllic
Mode 8 of: Aeolothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rydyllic
Scale steps in semitones: 2–2–1–1–1–1–3–1
Scale degrees:
in semitones: 0–2–4–5–6–7–8–11–12
intervals: 1–2–3–4–d5–5–m6–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D E F F♯ G G♯ B c
C D E F G♭ G A♭ B c
          
          
All The Chords Name: Rydyllic, 3imperfections
Pitch Class Set: {0,2,4,5,6,7,8,11}
Pitch Class Mapping: 2549 (Hex 9F5, Binary 100111110101)
A Study of Scales (Ian Ring) Index: 2549
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gonyllic
Mode 3 of: Rolyllic
Mode 4 of: Katydyllic
Mode 5 of: Zyptyllic
Mode 6 of: Modyllic
Mode 7 of: Aeolothyllic
Mode 8 of: Ionyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gonyllic
Scale steps in semitones: 2–1–1–1–1–3–1–2
Scale degrees:
in semitones: 0–2–3–4–5–6–9–10–12
intervals: 1–2–m3–3–4–d5–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F F♯ A A♯ c
C D E♭ E F G♭ A B♭ c
          
          
All The Chords Name: Gonyllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,6,9,10}
Pitch Class Mapping: 1661 (Hex 67D, Binary 011001111101)
A Study of Scales (Ian Ring) Index: 1661
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rolyllic
Mode 3 of: Katydyllic
Mode 4 of: Zyptyllic
Mode 5 of: Modyllic
Mode 6 of: Aeolothyllic
Mode 7 of: Ionyryllic
Mode 8 of: Rydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rolyllic
Scale steps in semitones: 1–1–1–1–3–1–2–2
Scale degrees:
in semitones: 0–1–2–3–4–7–8–10–12
intervals: 1–m2–2–m3–3–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G G♯ A♯ c
C D♭ D E♭ E G A♭ B♭ c
          
          
All The Chords Name: Rolyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,7,8,10}
Pitch Class Mapping: 1439 (Hex 59F, Binary 010110011111)
A Study of Scales (Ian Ring) Index: 1439
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katydyllic
Mode 3 of: Zyptyllic
Mode 4 of: Modyllic
Mode 5 of: Aeolothyllic
Mode 6 of: Ionyryllic
Mode 7 of: Rydyllic
Mode 8 of: Gonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katydyllic
Scale steps in semitones: 1–1–1–3–1–2–2–1
Scale degrees:
in semitones: 0–1–2–3–6–7–9–11–12
intervals: 1–m2–2–m3–d5–5–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G A B c
C D♭ D E♭ G♭ G A B c
          
          
All The Chords Name: Katydyllic, 3imperfections
Pitch Class Set: {0,1,2,3,6,7,9,11}
Pitch Class Mapping: 2767 (Hex ACF, Binary 101011001111)
A Study of Scales (Ian Ring) Index: 2767
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zyptyllic
Mode 3 of: Modyllic
Mode 4 of: Aeolothyllic
Mode 5 of: Ionyryllic
Mode 6 of: Rydyllic
Mode 7 of: Gonyllic
Mode 8 of: Rolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zyptyllic
Scale steps in semitones: 1–1–3–1–2–2–1–1
Scale degrees:
in semitones: 0–1–2–5–6–8–10–11–12
intervals: 1–m2–2–4–d5–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G♯ A♯ B c
C D♭ D F G♭ A♭ B♭ B c
          
          
All The Chords Name: Zyptyllic, 3imperfections
Pitch Class Set: {0,1,2,5,6,8,10,11}
Pitch Class Mapping: 3431 (Hex D67, Binary 110101100111)
A Study of Scales (Ian Ring) Index: 3431
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Modyllic
Mode 3 of: Aeolothyllic
Mode 4 of: Ionyryllic
Mode 5 of: Rydyllic
Mode 6 of: Gonyllic
Mode 7 of: Rolyllic
Mode 8 of: Katydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Modyllic
Scale steps in semitones: 1–3–1–2–2–1–1–1
Scale degrees:
in semitones: 0–1–4–5–7–9–10–11–12
intervals: 1–m2–3–4–5–6–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G A A♯ B c
C D♭ E F G A B♭ B c
          
          
All The Chords Name: Modyllic, 3imperfections
Pitch Class Set: {0,1,4,5,7,9,10,11}
Pitch Class Mapping: 3763 (Hex EB3, Binary 111010110011)
A Study of Scales (Ian Ring) Index: 3763
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolothyllic
Mode 3 of: Ionyryllic
Mode 4 of: Rydyllic
Mode 5 of: Gonyllic
Mode 6 of: Rolyllic
Mode 7 of: Katydyllic
Mode 8 of: Zyptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ioniptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–3–1–1–1–1–1
Scale degrees:
in semitones: 0–3–4–7–8–9–10–11–12
intervals: 1–m3–3–5–m6–6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E G G♯ A A♯ B c
C E♭ E G A♭ A B♭ B c
          
          
All The Chords Name: Ioniptyllic, 3imperfections
Pitch Class Set: {0,3,4,7,8,9,10,11}
Pitch Class Mapping: 3993 (Hex F99, Binary 111110011001)
A Study of Scales (Ian Ring) Index: 3993
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kycryllic
Mode 3 of: Aeolaptyllic
Mode 4 of: Rodyllic
Mode 5 of: Ionathyllic
Mode 6 of: Pythyllic
Mode 7 of: Zonyllic
Mode 8 of: Ryryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kycryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–1–1–1–3
Scale degrees:
in semitones: 0–1–4–5–6–7–8–9–12
intervals: 1–m2–3–4–d5–5–m6–6–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ E F F♯ G G♯ A c
C D♭ E F G♭ G A♭ A c
          
          
All The Chords Name: Kycryllic, 3imperfections
Pitch Class Set: {0,1,4,5,6,7,8,9}
Pitch Class Mapping: 1011 (Hex 3F3, Binary 001111110011)
A Study of Scales (Ian Ring) Index: 1011
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolaptyllic
Mode 3 of: Rodyllic
Mode 4 of: Ionathyllic
Mode 5 of: Pythyllic
Mode 6 of: Zonyllic
Mode 7 of: Ryryllic
Mode 8 of: Ioniptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolaptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–1–1–3–1
Scale degrees:
in semitones: 0–3–4–5–6–7–8–11–12
intervals: 1–m3–3–4–d5–5–m6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G G♯ B c
C E♭ E F G♭ G A♭ B c
          
          
All The Chords Name: Aeolaptyllic, 3imperfections
Pitch Class Set: {0,3,4,5,6,7,8,11}
Pitch Class Mapping: 2553 (Hex 9F9, Binary 100111111001)
A Study of Scales (Ian Ring) Index: 2553
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rodyllic
Mode 3 of: Ionathyllic
Mode 4 of: Pythyllic
Mode 5 of: Zonyllic
Mode 6 of: Ryryllic
Mode 7 of: Ioniptyllic
Mode 8 of: Kycryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rodyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–1–1–1–1–3–1–3
Scale degrees:
in semitones: 0–1–2–3–4–5–8–9–12
intervals: 1–m2–2–m3–3–4–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F G♯ A c
C D♭ D E♭ E F A♭ A c
          
          
All The Chords Name: Rodyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,5,8,9}
Pitch Class Mapping: 831 (Hex 33F, Binary 001100111111)
A Study of Scales (Ian Ring) Index: 831
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionathyllic
Mode 3 of: Pythyllic
Mode 4 of: Zonyllic
Mode 5 of: Ryryllic
Mode 6 of: Ioniptyllic
Mode 7 of: Kycryllic
Mode 8 of: Aeolaptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionathyllic
Scale steps in semitones: 1–1–1–1–3–1–3–1
Scale degrees:
in semitones: 0–1–2–3–4–7–8–11–12
intervals: 1–m2–2–m3–3–5–m6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G G♯ B c
C D♭ D E♭ E G A♭ B c
          
          
All The Chords Name: Ionathyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,7,8,11}
Pitch Class Mapping: 2463 (Hex 99F, Binary 100110011111)
A Study of Scales (Ian Ring) Index: 2463
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pythyllic
Mode 3 of: Zonyllic
Mode 4 of: Ryryllic
Mode 5 of: Ioniptyllic
Mode 6 of: Kycryllic
Mode 7 of: Aeolaptyllic
Mode 8 of: Rodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pythyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–3–1–3–1–1
Scale degrees:
in semitones: 0–1–2–3–6–7–10–11–12
intervals: 1–m2–2–m3–d5–5–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G A♯ B c
C D♭ D E♭ G♭ G B♭ B c
          
          
All The Chords Name: Pythyllic, 3imperfections
Pitch Class Set: {0,1,2,3,6,7,10,11}
Pitch Class Mapping: 3279 (Hex CCF, Binary 110011001111)
A Study of Scales (Ian Ring) Index: 3279
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zonyllic
Mode 3 of: Ryryllic
Mode 4 of: Ioniptyllic
Mode 5 of: Kycryllic
Mode 6 of: Aeolaptyllic
Mode 7 of: Rodyllic
Mode 8 of: Ionathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zonyllic
Scale steps in semitones: 1–1–3–1–3–1–1–1
Scale degrees:
in semitones: 0–1–2–5–6–9–10–11–12
intervals: 1–m2–2–4–d5–6–m7–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ A A♯ B c
C D♭ D F G♭ A B♭ B c
          
          
All The Chords Name: Zonyllic, 3imperfections
Pitch Class Set: {0,1,2,5,6,9,10,11}
Pitch Class Mapping: 3687 (Hex E67, Binary 111001100111)
A Study of Scales (Ian Ring) Index: 3687
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ryryllic
Mode 3 of: Ioniptyllic
Mode 4 of: Kycryllic
Mode 5 of: Aeolaptyllic
Mode 6 of: Rodyllic
Mode 7 of: Ionathyllic
Mode 8 of: Pythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ryryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–1–3–1–1–1–1
Scale degrees:
in semitones: 0–1–4–5–8–9–10–11–12
intervals: 1–m2–3–4–m6–6–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G♯ A A♯ B c
C D♭ E F A♭ A B♭ B c
          
          
All The Chords Name: Ryryllic, 3imperfections
Pitch Class Set: {0,1,4,5,8,9,10,11}
Pitch Class Mapping: 3891 (Hex F33, Binary 111100110011)
A Study of Scales (Ian Ring) Index: 3891
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ioniptyllic
Mode 3 of: Kycryllic
Mode 4 of: Aeolaptyllic
Mode 5 of: Rodyllic
Mode 6 of: Ionathyllic
Mode 7 of: Pythyllic
Mode 8 of: Zonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeronyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–1–1–1–2–1
Scale degrees:
in semitones: 0–3–5–6–7–8–9–11–12
intervals: 1–m3–4–d5–5–m6–6–7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ F F♯ G G♯ A B c
C E♭ F G♭ G A♭ A B c
          
          
All The Chords Name: Aeronyllic, 3imperfections
Pitch Class Set: {0,3,5,6,7,8,9,11}
Pitch Class Mapping: 3049 (Hex BE9, Binary 101111101001)
A Study of Scales (Ian Ring) Index: 3049
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pycryllic and Dadyllic
Mode 3 of: Mygyllic and Aeodyllic
Mode 4 of: Lylyllic and Aerolyllic
Mode 5 of: Daptyllic and Zoptyllic
Mode 6 of: Ioninyllic and Epanyllic
Mode 7 of: Epaphyllic and Katoptyllic
Mode 8 of: Lolyllic and Podyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pycryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–1–2–1–3
Scale degrees:
in semitones: 0–2–3–4–5–6–8–9–12
intervals: 1–2–m3–3–4–d5–m6–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ E F F♯ G♯ A c
C D E♭ E F G♭ A♭ A c
          
          
All The Chords Name: Pycryllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,6,8,9}
Pitch Class Mapping: 893 (Hex 37D, Binary 001101111101)
A Study of Scales (Ian Ring) Index: 893
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mygyllic and Aeodyllic
Mode 3 of: Lylyllic and Aerolyllic
Mode 4 of: Daptyllic and Zoptyllic
Mode 5 of: Ioninyllic and Epanyllic
Mode 6 of: Epaphyllic and Katoptyllic
Mode 7 of: Lolyllic and Podyllic
Mode 8 of: Aeronyllic and Phrydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mygyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–2–1–3–2
Scale degrees:
in semitones: 0–1–2–3–4–6–7–10–12
intervals: 1–m2–2–m3–3–d5–5–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G A♯ c
C D♭ D E♭ E G♭ G B♭ c
          
          
All The Chords Name: Mygyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,6,7,10}
Pitch Class Mapping: 1247 (Hex 4DF, Binary 010011011111)
A Study of Scales (Ian Ring) Index: 1247
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lylyllic and Aerolyllic
Mode 3 of: Daptyllic and Zoptyllic
Mode 4 of: Ioninyllic and Epanyllic
Mode 5 of: Epaphyllic and Katoptyllic
Mode 6 of: Lolyllic and Podyllic
Mode 7 of: Aeronyllic and Phrydyllic
Mode 8 of: Pycryllic and Dadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lylyllic
Scale steps in semitones: 1–1–1–2–1–3–2–1
Scale degrees:
in semitones: 0–1–2–3–5–6–9–11–12
intervals: 1–m2–2–m3–4–d5–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ A B c
C D♭ D E♭ F G♭ A B c
          
          
All The Chords Name: Lylyllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,9,11}
Pitch Class Mapping: 2671 (Hex A6F, Binary 101001101111)
A Study of Scales (Ian Ring) Index: 2671
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Daptyllic and Zoptyllic
Mode 3 of: Ioninyllic and Epanyllic
Mode 4 of: Epaphyllic and Katoptyllic
Mode 5 of: Lolyllic and Podyllic
Mode 6 of: Aeronyllic and Phrydyllic
Mode 7 of: Pycryllic and Dadyllic
Mode 8 of: Mygyllic and Aeodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Daptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–1–3–2–1–1
Scale degrees:
in semitones: 0–1–2–4–5–8–10–11–12
intervals: 1–m2–2–3–4–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F G♯ A♯ B c
C D♭ D E F A♭ B♭ B c
          
          
All The Chords Name: Daptyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,8,10,11}
Pitch Class Mapping: 3383 (Hex D37, Binary 110100110111)
A Study of Scales (Ian Ring) Index: 3383
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ioninyllic and Epanyllic
Mode 3 of: Epaphyllic and Katoptyllic
Mode 4 of: Lolyllic and Podyllic
Mode 5 of: Aeronyllic and Phrydyllic
Mode 6 of: Pycryllic and Dadyllic
Mode 7 of: Mygyllic and Aeodyllic
Mode 8 of: Lylyllic and Aerolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ioninyllic
Scale steps in semitones: 1–2–1–3–2–1–1–1
Scale degrees:
in semitones: 0–1–3–4–7–9–10–11–12
intervals: 1–m2–m3–3–5–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E G A A♯ B c
C D♭ E♭ E G A B♭ B c
          
          
All The Chords Name: Ioninyllic, 3imperfections
Pitch Class Set: {0,1,3,4,7,9,10,11}
Pitch Class Mapping: 3739 (Hex E9B, Binary 111010011011)
A Study of Scales (Ian Ring) Index: 3739
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epaphyllic and Katoptyllic
Mode 3 of: Lolyllic and Podyllic
Mode 4 of: Aeronyllic and Phrydyllic
Mode 5 of: Pycryllic and Dadyllic
Mode 6 of: Mygyllic and Aeodyllic
Mode 7 of: Lylyllic and Aerolyllic
Mode 8 of: Daptyllic and Zoptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epaphyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–2–1–1–1–1
Scale degrees:
in semitones: 0–2–3–6–8–9–10–11–12
intervals: 1–2–m3–d5–m6–6–m7–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G♯ A A♯ B c
C D E♭ G♭ A♭ A B♭ B c
          
          
All The Chords Name: Epaphyllic, 3imperfections
Pitch Class Set: {0,2,3,6,8,9,10,11}
Pitch Class Mapping: 3917 (Hex F4D, Binary 111101001101)
A Study of Scales (Ian Ring) Index: 3917
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lolyllic and Podyllic
Mode 3 of: Aeronyllic and Phrydyllic
Mode 4 of: Pycryllic and Dadyllic
Mode 5 of: Mygyllic and Aeodyllic
Mode 6 of: Lylyllic and Aerolyllic
Mode 7 of: Daptyllic and Zoptyllic
Mode 8 of: Ioninyllic and Epanyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lolyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–1–1–1–1–2
Scale degrees:
in semitones: 0–1–4–6–7–8–9–10–12
intervals: 1–m2–3–d5–5–m6–6–m7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F♯ G G♯ A A♯ c
C D♭ E G♭ G A♭ A B♭ c
          
          
All The Chords Name: Lolyllic, 3imperfections
Pitch Class Set: {0,1,4,6,7,8,9,10}
Pitch Class Mapping: 2003 (Hex 7D3, Binary 011111010011)
A Study of Scales (Ian Ring) Index: 2003
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeronyllic and Phrydyllic
Mode 3 of: Pycryllic and Dadyllic
Mode 4 of: Mygyllic and Aeodyllic
Mode 5 of: Lylyllic and Aerolyllic
Mode 6 of: Daptyllic and Zoptyllic
Mode 7 of: Ioninyllic and Epanyllic
Mode 8 of: Epaphyllic and Katoptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zoryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–1–2–1–1–1
Scale degrees:
in semitones: 0–3–5–6–7–9–10–11–12
intervals: 1–m3–4–d5–5–6–m7–7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F F♯ G A A♯ B c
C E♭ F G♭ G A B♭ B c
          
          
All The Chords Name: Zoryllic, 3imperfections
Pitch Class Set: {0,3,5,6,7,9,10,11}
Pitch Class Mapping: 3817 (Hex EE9, Binary 111011101001)
A Study of Scales (Ian Ring) Index: 3817
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrolyllic
Mode 3 of: Kolyllic
Mode 4 of: Thodyllic
Mode 5 of: Socryllic
Mode 6 of: Aeolyllic
Mode 7 of: Zythyllic
Mode 8 of: Aeoryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrolyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–1–1–1–3
Scale degrees:
in semitones: 0–2–3–4–6–7–8–9–12
intervals: 1–2–m3–3–d5–5–m6–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ E F♯ G G♯ A c
C D E♭ E G♭ G A♭ A c
          
          
All The Chords Name: Phrolyllic, 3imperfections
Pitch Class Set: {0,2,3,4,6,7,8,9}
Pitch Class Mapping: 989 (Hex 3DD, Binary 001111011101)
A Study of Scales (Ian Ring) Index: 989
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kolyllic
Mode 3 of: Thodyllic
Mode 4 of: Socryllic
Mode 5 of: Aeolyllic
Mode 6 of: Zythyllic
Mode 7 of: Aeoryllic
Mode 8 of: Zoryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kolyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–1–1–3–2
Scale degrees:
in semitones: 0–1–2–4–5–6–7–10–12
intervals: 1–m2–2–3–4–d5–5–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F F♯ G A♯ c
C D♭ D E F G♭ G B♭ c
          
          
All The Chords Name: Kolyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,6,7,10}
Pitch Class Mapping: 1271 (Hex 4F7, Binary 010011110111)
A Study of Scales (Ian Ring) Index: 1271
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thodyllic
Mode 3 of: Socryllic
Mode 4 of: Aeolyllic
Mode 5 of: Zythyllic
Mode 6 of: Aeoryllic
Mode 7 of: Zoryllic
Mode 8 of: Phrolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thodyllic
Scale steps in semitones: 1–2–1–1–1–3–2–1
Scale degrees:
in semitones: 0–1–3–4–5–6–9–11–12
intervals: 1–m2–m3–3–4–d5–6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ A B c
C D♭ E♭ E F G♭ A B c
          
          
All The Chords Name: Thodyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,6,9,11}
Pitch Class Mapping: 2683 (Hex A7B, Binary 101001111011)
A Study of Scales (Ian Ring) Index: 2683
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Socryllic
Mode 3 of: Aeolyllic
Mode 4 of: Zythyllic
Mode 5 of: Aeoryllic
Mode 6 of: Zoryllic
Mode 7 of: Phrolyllic
Mode 8 of: Kolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Socryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–3–2–1–1
Scale degrees:
in semitones: 0–2–3–4–5–8–10–11–12
intervals: 1–2–m3–3–4–m6–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F G♯ A♯ B c
C D E♭ E F A♭ B♭ B c
          
          
All The Chords Name: Socryllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,8,10,11}
Pitch Class Mapping: 3389 (Hex D3D, Binary 110100111101)
A Study of Scales (Ian Ring) Index: 3389
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolyllic
Mode 3 of: Zythyllic
Mode 4 of: Aeoryllic
Mode 5 of: Zoryllic
Mode 6 of: Phrolyllic
Mode 7 of: Kolyllic
Mode 8 of: Thodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolyllic
Scale steps in semitones: 1–1–1–3–2–1–1–2
Scale degrees:
in semitones: 0–1–2–3–6–8–9–10–12
intervals: 1–m2–2–m3–d5–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G♯ A A♯ c
C D♭ D E♭ G♭ A♭ A B♭ c
          
          
All The Chords Name: Aeolyllic, 3imperfections
Pitch Class Set: {0,1,2,3,6,8,9,10}
Pitch Class Mapping: 1871 (Hex 74F, Binary 011101001111)
A Study of Scales (Ian Ring) Index: 1871
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zythyllic
Mode 3 of: Aeoryllic
Mode 4 of: Zoryllic
Mode 5 of: Phrolyllic
Mode 6 of: Kolyllic
Mode 7 of: Thodyllic
Mode 8 of: Socryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zythyllic
Scale steps in semitones: 1–1–3–2–1–1–2–1
Scale degrees:
in semitones: 0–1–2–5–7–8–9–11–12
intervals: 1–m2–2–4–5–m6–6–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F G G♯ A B c
C D♭ D F G A♭ A B c
          
          
All The Chords Name: Zythyllic, 3imperfections
Pitch Class Set: {0,1,2,5,7,8,9,11}
Pitch Class Mapping: 2983 (Hex BA7, Binary 101110100111)
A Study of Scales (Ian Ring) Index: 2983
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeoryllic
Mode 3 of: Zoryllic
Mode 4 of: Phrolyllic
Mode 5 of: Kolyllic
Mode 6 of: Thodyllic
Mode 7 of: Socryllic
Mode 8 of: Aeolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeoryllic
Scale steps in semitones: 1–3–2–1–1–2–1–1
Scale degrees:
in semitones: 0–1–4–6–7–8–10–11–12
intervals: 1–m2–3–d5–5–m6–m7–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G G♯ A♯ B c
C D♭ E G♭ G A♭ B♭ B c
          
          
All The Chords Name: Aeoryllic, 3imperfections
Pitch Class Set: {0,1,4,6,7,8,10,11}
Pitch Class Mapping: 3539 (Hex DD3, Binary 110111010011)
A Study of Scales (Ian Ring) Index: 3539
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zoryllic
Mode 3 of: Phrolyllic
Mode 4 of: Kolyllic
Mode 5 of: Thodyllic
Mode 6 of: Socryllic
Mode 7 of: Aeolyllic
Mode 8 of: Zythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Notes: Duplicate entries appear for Aeoryllic in William Zeitler's All The Scales catalog. The other scale was renamed "Aeoryllic 2" by Clint on 11/19/2018 to avoid a name collision.
Lydyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–2–1–1–1–1
Scale degrees:
in semitones: 0–3–5–6–8–9–10–11–12
intervals: 1–m3–4–d5–m6–6–m7–7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F F♯ G♯ A A♯ B c
C E♭ F G♭ A♭ A B♭ B c
          
          
All The Chords Name: Lydyllic, 3imperfections
Pitch Class Set: {0,3,5,6,8,9,10,11}
Pitch Class Mapping: 3945 (Hex F69, Binary 111101101001)
A Study of Scales (Ian Ring) Index: 3945
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Radyllic
Mode 3 of: Stagyllic
Mode 4 of: Ionoryllic
Mode 5 of: Phrodyllic
Mode 6 of: Aeoryllic 2
Mode 7 of: Banyllic
Mode 8 of: Epothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Radyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–1–1–1–1–3
Scale degrees:
in semitones: 0–2–3–5–6–7–8–9–12
intervals: 1–2–m3–4–d5–5–m6–6–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ F F♯ G G♯ A c
C D E♭ F G♭ G A♭ A c
          
          
All The Chords Name: Radyllic, 3imperfections
Pitch Class Set: {0,2,3,5,6,7,8,9}
Pitch Class Mapping: 1005 (Hex 3ED, Binary 001111101101)
A Study of Scales (Ian Ring) Index: 1005
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stagyllic
Mode 3 of: Ionoryllic
Mode 4 of: Phrodyllic
Mode 5 of: Aeoryllic 2
Mode 6 of: Banyllic
Mode 7 of: Epothyllic
Mode 8 of: Lydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stagyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–1–1–3–2
Scale degrees:
in semitones: 0–1–3–4–5–6–7–10–12
intervals: 1–m2–m3–3–4–d5–5–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ G A♯ c
C D♭ E♭ E F G♭ G B♭ c
          
          
All The Chords Name: Stagyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,6,7,10}
Pitch Class Mapping: 1275 (Hex 4FB, Binary 010011111011)
A Study of Scales (Ian Ring) Index: 1275
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionoryllic
Mode 3 of: Phrodyllic
Mode 4 of: Aeoryllic 2
Mode 5 of: Banyllic
Mode 6 of: Epothyllic
Mode 7 of: Lydyllic
Mode 8 of: Radyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionoryllic
Scale steps in semitones: 2–1–1–1–1–3–2–1
Scale degrees:
in semitones: 0–2–3–4–5–6–9–11–12
intervals: 1–2–m3–3–4–d5–6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F F♯ A B c
C D E♭ E F G♭ A B c
          
          
All The Chords Name: Ionoryllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,6,9,11}
Pitch Class Mapping: 2685 (Hex A7D, Binary 101001111101)
A Study of Scales (Ian Ring) Index: 2685
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrodyllic
Mode 3 of: Aeoryllic 2
Mode 4 of: Banyllic
Mode 5 of: Epothyllic
Mode 6 of: Lydyllic
Mode 7 of: Radyllic
Mode 8 of: Stagyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrodyllic
Scale steps in semitones: 1–1–1–1–3–2–1–2
Scale degrees:
in semitones: 0–1–2–3–4–7–9–10–12
intervals: 1–m2–2–m3–3–5–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G A A♯ c
C D♭ D E♭ E G A B♭ c
          
          
All The Chords Name: Phrodyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,7,9,10}
Pitch Class Mapping: 1695 (Hex 69F, Binary 011010011111)
A Study of Scales (Ian Ring) Index: 1695
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeoryllic 2
Mode 3 of: Banyllic
Mode 4 of: Epothyllic
Mode 5 of: Lydyllic
Mode 6 of: Radyllic
Mode 7 of: Stagyllic
Mode 8 of: Ionoryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeoryllic 2
Scale steps in semitones: 1–1–1–3–2–1–2–1
Scale degrees:
in semitones: 0–1–2–3–6–8–9–11–12
intervals: 1–m2–2–m3–d5–m6–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G♯ A B c
C D♭ D E♭ G♭ A♭ A B c
          
          
All The Chords Name: Aeoryllic, 3imperfections
Pitch Class Set: {0,1,2,3,6,8,9,11}
Pitch Class Mapping: 2895 (Hex B4F, Binary 101101001111)
A Study of Scales (Ian Ring) Index: 2895
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Banyllic
Mode 3 of: Epothyllic
Mode 4 of: Lydyllic
Mode 5 of: Radyllic
Mode 6 of: Stagyllic
Mode 7 of: Ionoryllic
Mode 8 of: Phrodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Notes: Duplicate entries appear for Aeoryllic in William Zeitler's All The Scales catalog. This scale was renamed by Clint on 11/19/2018 to avoid a name collision.
Banyllic
Scale steps in semitones: 1–1–3–2–1–2–1–1
Scale degrees:
in semitones: 0–1–2–5–7–8–10–11–12
intervals: 1–m2–2–4–5–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F G G♯ A♯ B c
C D♭ D F G A♭ B♭ B c
          
          
All The Chords Name: Banyllic, 3imperfections
Pitch Class Set: {0,1,2,5,7,8,10,11}
Pitch Class Mapping: 3495 (Hex DA7, Binary 110110100111)
A Study of Scales (Ian Ring) Index: 3495
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epothyllic
Mode 3 of: Lydyllic
Mode 4 of: Radyllic
Mode 5 of: Stagyllic
Mode 6 of: Ionoryllic
Mode 7 of: Phrodyllic
Mode 8 of: Aeoryllic 2
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epothyllic
Scale steps in semitones: 1–3–2–1–2–1–1–1
Scale degrees:
in semitones: 0–1–4–6–7–9–10–11–12
intervals: 1–m2–3–d5–5–6–m7–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G A A♯ B c
C D♭ E G♭ G A B♭ B c
          
          
All The Chords Name: Epothyllic, 3imperfections
Pitch Class Set: {0,1,4,6,7,9,10,11}
Pitch Class Mapping: 3795 (Hex ED3, Binary 111011010011)
A Study of Scales (Ian Ring) Index: 3795
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lydyllic
Mode 3 of: Radyllic
Mode 4 of: Stagyllic
Mode 5 of: Ionoryllic
Mode 6 of: Phrodyllic
Mode 7 of: Aeoryllic 2
Mode 8 of: Banyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phranyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–2–1–1–1–1–1
Scale degrees:
in semitones: 0–3–5–7–8–9–10–11–12
intervals: 1–m3–4–5–m6–6–m7–7–8
Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F G G♯ A A♯ B c
C E♭ F G A♭ A B♭ B c
          
          
All The Chords Name: Phranyllic, 3imperfections
Pitch Class Set: {0,3,5,7,8,9,10,11}
Pitch Class Mapping: 4009 (Hex FA9, Binary 111110101001)
A Study of Scales (Ian Ring) Index: 4009
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stydyllic
Mode 3 of: Zadyllic
Mode 4 of: Zalyllic
Mode 5 of: Zocryllic
Mode 6 of: Katocryllic
Mode 7 of: Aerathyllic
Mode 8 of: Stoptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stydyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–1–1–1–3
Scale degrees:
in semitones: 0–2–4–5–6–7–8–9–12
intervals: 1–2–3–4–d5–5–m6–6–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D E F F♯ G G♯ A c
C D E F G♭ G A♭ A c
          
          
All The Chords Name: Stydyllic, 3imperfections
Pitch Class Set: {0,2,4,5,6,7,8,9}
Pitch Class Mapping: 1013 (Hex 3F5, Binary 001111110101)
A Study of Scales (Ian Ring) Index: 1013
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zadyllic
Mode 3 of: Zalyllic
Mode 4 of: Zocryllic
Mode 5 of: Katocryllic
Mode 6 of: Aerathyllic
Mode 7 of: Stoptyllic
Mode 8 of: Phranyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zadyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–1–1–3–2
Scale degrees:
in semitones: 0–2–3–4–5–6–7–10–12
intervals: 1–2–m3–3–4–d5–5–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F F♯ G A♯ c
C D E♭ E F G♭ G B♭ c
          
          
All The Chords Name: Zadyllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,6,7,10}
Pitch Class Mapping: 1277 (Hex 4FD, Binary 010011111101)
A Study of Scales (Ian Ring) Index: 1277
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zalyllic
Mode 3 of: Zocryllic
Mode 4 of: Katocryllic
Mode 5 of: Aerathyllic
Mode 6 of: Stoptyllic
Mode 7 of: Phranyllic
Mode 8 of: Stydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zalyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–3–2–2
Scale degrees:
in semitones: 0–1–2–3–4–5–8–10–12
intervals: 1–m2–2–m3–3–4–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F G♯ A♯ c
C D♭ D E♭ E F A♭ B♭ c
          
          
All The Chords Name: Zalyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,5,8,10}
Pitch Class Mapping: 1343 (Hex 53F, Binary 010100111111)
A Study of Scales (Ian Ring) Index: 1343
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zocryllic
Mode 3 of: Katocryllic
Mode 4 of: Aerathyllic
Mode 5 of: Stoptyllic
Mode 6 of: Phranyllic
Mode 7 of: Stydyllic
Mode 8 of: Zadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zocryllic
Scale steps in semitones: 1–1–1–1–3–2–2–1
Scale degrees:
in semitones: 0–1–2–3–4–7–9–11–12
intervals: 1–m2–2–m3–3–5–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G A B c
C D♭ D E♭ E G A B c
          
          
All The Chords Name: Zocryllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,7,9,11}
Pitch Class Mapping: 2719 (Hex A9F, Binary 101010011111)
A Study of Scales (Ian Ring) Index: 2719
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katocryllic
Mode 3 of: Aerathyllic
Mode 4 of: Stoptyllic
Mode 5 of: Phranyllic
Mode 6 of: Stydyllic
Mode 7 of: Zadyllic
Mode 8 of: Zalyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katocryllic
Scale steps in semitones: 1–1–1–3–2–2–1–1
Scale degrees:
in semitones: 0–1–2–3–6–8–10–11–12
intervals: 1–m2–2–m3–d5–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G♯ A♯ B c
C D♭ D E♭ G♭ A♭ B♭ B c
          
          
All The Chords Name: Katocryllic, 3imperfections
Pitch Class Set: {0,1,2,3,6,8,10,11}
Pitch Class Mapping: 3407 (Hex D4F, Binary 110101001111)
A Study of Scales (Ian Ring) Index: 3407
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerathyllic
Mode 3 of: Stoptyllic
Mode 4 of: Phranyllic
Mode 5 of: Stydyllic
Mode 6 of: Zadyllic
Mode 7 of: Zalyllic
Mode 8 of: Zocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerathyllic
Scale steps in semitones: 1–1–3–2–2–1–1–1
Scale degrees:
in semitones: 0–1–2–5–7–9–10–11–12
intervals: 1–m2–2–4–5–6–m7–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F G A A♯ B c
C D♭ D F G A B♭ B c
          
          
All The Chords Name: Aerathyllic, 3imperfections
Pitch Class Set: {0,1,2,5,7,9,10,11}
Pitch Class Mapping: 3751 (Hex EA7, Binary 111010100111)
A Study of Scales (Ian Ring) Index: 3751
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stoptyllic
Mode 3 of: Phranyllic
Mode 4 of: Stydyllic
Mode 5 of: Zadyllic
Mode 6 of: Zalyllic
Mode 7 of: Zocryllic
Mode 8 of: Katocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stoptyllic
Scale steps in semitones: 1–3–2–2–1–1–1–1
Scale degrees:
in semitones: 0–1–4–6–8–9–10–11–12
intervals: 1–m2–3–d5–m6–6–m7–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G♯ A A♯ B c
C D♭ E G♭ A♭ A B♭ B c
          
          
All The Chords Name: Stoptyllic, 3imperfections
Pitch Class Set: {0,1,4,6,8,9,10,11}
Pitch Class Mapping: 3923 (Hex F53, Binary 111101010011)
A Study of Scales (Ian Ring) Index: 3923
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phranyllic
Mode 3 of: Stydyllic
Mode 4 of: Zadyllic
Mode 5 of: Zalyllic
Mode 6 of: Zocryllic
Mode 7 of: Katocryllic
Mode 8 of: Aerathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phroryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–1–1–1–1–2–1
Scale degrees:
in semitones: 0–4–5–6–7–8–9–11–12
intervals: 1–3–4–d5–5–m6–6–7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C E F F♯ G G♯ A B c
C E F G♭ G A♭ A B c
          
          
All The Chords Name: Phroryllic, 3imperfections
Pitch Class Set: {0,4,5,6,7,8,9,11}
Pitch Class Mapping: 3057 (Hex BF1, Binary 101111110001)
A Study of Scales (Ian Ring) Index: 3057
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thyphyllic
Mode 3 of: Poptyllic
Mode 4 of: Mixonyllic
Mode 5 of: Paptyllic
Mode 6 of: Storyllic
Mode 7 of: Kiva
Mode 8 of: Palyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thyphyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–2–1–4
Scale degrees:
in semitones: 0–1–2–3–4–5–7–8–12
intervals: 1–m2–2–m3–3–4–5–m6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F G G♯ c
C D♭ D E♭ E F G A♭ c
          
          
All The Chords Name: Thyphyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,5,7,8}
Pitch Class Mapping: 447 (Hex 1BF, Binary 000110111111)
A Study of Scales (Ian Ring) Index: 447
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Poptyllic
Mode 3 of: Mixonyllic
Mode 4 of: Paptyllic
Mode 5 of: Storyllic
Mode 6 of: Kiva
Mode 7 of: Palyllic
Mode 8 of: Phroryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Poptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–2–1–4–1
Scale degrees:
in semitones: 0–1–2–3–4–6–7–11–12
intervals: 1–m2–2–m3–3–d5–5–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G B c
C D♭ D E♭ E G♭ G B c
          
          
All The Chords Name: Poptyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,6,7,11}
Pitch Class Mapping: 2271 (Hex 8DF, Binary 100011011111)
A Study of Scales (Ian Ring) Index: 2271
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mixonyllic
Mode 3 of: Paptyllic
Mode 4 of: Storyllic
Mode 5 of: Kiva
Mode 6 of: Palyllic
Mode 7 of: Phroryllic
Mode 8 of: Thyphyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mixonyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–1–4–1–1
Scale degrees:
in semitones: 0–1–2–3–5–6–10–11–12
intervals: 1–m2–2–m3–4–d5–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ A♯ B c
C D♭ D E♭ F G♭ B♭ B c
          
          
All The Chords Name: Mixonyllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,10,11}
Pitch Class Mapping: 3183 (Hex C6F, Binary 110001101111)
A Study of Scales (Ian Ring) Index: 3183
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Paptyllic
Mode 3 of: Storyllic
Mode 4 of: Kiva
Mode 5 of: Palyllic
Mode 6 of: Phroryllic
Mode 7 of: Thyphyllic
Mode 8 of: Poptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Paptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–1–4–1–1–1
Scale degrees:
in semitones: 0–1–2–4–5–9–10–11–12
intervals: 1–m2–2–3–4–6–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F A A♯ B c
C D♭ D E F A B♭ B c
          
          
All The Chords Name: Paptyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,9,10,11}
Pitch Class Mapping: 3639 (Hex E37, Binary 111000110111)
A Study of Scales (Ian Ring) Index: 3639
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Storyllic
Mode 3 of: Kiva
Mode 4 of: Palyllic
Mode 5 of: Phroryllic
Mode 6 of: Thyphyllic
Mode 7 of: Poptyllic
Mode 8 of: Mixonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Storyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–4–1–1–1–1
Scale degrees:
in semitones: 0–1–3–4–8–9–10–11–12
intervals: 1–m2–m3–3–m6–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E G♯ A A♯ B c
C D♭ E♭ E A♭ A B♭ B c
          
          
All The Chords Name: Storyllic, 3imperfections
Pitch Class Set: {0,1,3,4,8,9,10,11}
Pitch Class Mapping: 3867 (Hex F1B, Binary 111100011011)
A Study of Scales (Ian Ring) Index: 3867
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kiva
Mode 3 of: Palyllic
Mode 4 of: Phroryllic
Mode 5 of: Thyphyllic
Mode 6 of: Poptyllic
Mode 7 of: Mixonyllic
Mode 8 of: Paptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Palyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–4–1–1–1–1–1–2
Scale degrees:
in semitones: 0–1–5–6–7–8–9–10–12
intervals: 1–m2–4–d5–5–m6–6–m7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ F F♯ G G♯ A A♯ c
C D♭ F G♭ G A♭ A B♭ c
          
          
All The Chords Name: Palyllic, 3imperfections
Pitch Class Set: {0,1,5,6,7,8,9,10}
Pitch Class Mapping: 2019 (Hex 7E3, Binary 011111100011)
A Study of Scales (Ian Ring) Index: 2019
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phroryllic
Mode 3 of: Thyphyllic
Mode 4 of: Poptyllic
Mode 5 of: Mixonyllic
Mode 6 of: Paptyllic
Mode 7 of: Storyllic
Mode 8 of: Kiva
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeoladyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–1–1–1–2–1–1
Scale degrees:
in semitones: 0–4–5–6–7–8–10–11–12
intervals: 1–3–4–d5–5–m6–m7–7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F F♯ G G♯ A♯ B c
C E F G♭ G A♭ B♭ B c
          
          
All The Chords Name: Aeoladyllic, 3imperfections
Pitch Class Set: {0,4,5,6,7,8,10,11}
Pitch Class Mapping: 3569 (Hex DF1, Binary 110111110001)
A Study of Scales (Ian Ring) Index: 3569
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kocryllic
Mode 3 of: Lodyllic
Mode 4 of: Bynyllic
Mode 5 of: Kydyllic
Mode 6 of: Bygyllic
Mode 7 of: Phryptyllic
Mode 8 of: Ionayllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kocryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–2–1–1–4
Scale degrees:
in semitones: 0–1–2–3–4–6–7–8–12
intervals: 1–m2–2–m3–3–d5–5–m6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G G♯ c
C D♭ D E♭ E G♭ G A♭ c
          
          
All The Chords Name: Kocryllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,6,7,8}
Pitch Class Mapping: 479 (Hex 1DF, Binary 000111011111)
A Study of Scales (Ian Ring) Index: 479
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lodyllic
Mode 3 of: Bynyllic
Mode 4 of: Kydyllic
Mode 5 of: Bygyllic
Mode 6 of: Phryptyllic
Mode 7 of: Ionayllic
Mode 8 of: Aeoladyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lodyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–1–1–4–1
Scale degrees:
in semitones: 0–1–2–3–5–6–7–11–12
intervals: 1–m2–2–m3–4–d5–5–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ G B c
C D♭ D E♭ F G♭ G B c
          
          
All The Chords Name: Lodyllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,7,11}
Pitch Class Mapping: 2287 (Hex 8EF, Binary 100011101111)
A Study of Scales (Ian Ring) Index: 2287
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bynyllic
Mode 3 of: Kydyllic
Mode 4 of: Bygyllic
Mode 5 of: Phryptyllic
Mode 6 of: Ionayllic
Mode 7 of: Aeoladyllic
Mode 8 of: Kocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bynyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–1–1–4–1–1
Scale degrees:
in semitones: 0–1–2–4–5–6–10–11–12
intervals: 1–m2–2–3–4–d5–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F F♯ A♯ B c
C D♭ D E F G♭ B♭ B c
          
          
All The Chords Name: Bynyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,6,10,11}
Pitch Class Mapping: 3191 (Hex C77, Binary 110001110111)
A Study of Scales (Ian Ring) Index: 3191
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kydyllic
Mode 3 of: Bygyllic
Mode 4 of: Phryptyllic
Mode 5 of: Ionayllic
Mode 6 of: Aeoladyllic
Mode 7 of: Kocryllic
Mode 8 of: Lodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kydyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–4–1–1–1
Scale degrees:
in semitones: 0–1–3–4–5–9–10–11–12
intervals: 1–m2–m3–3–4–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F A A♯ B c
C D♭ E♭ E F A B♭ B c
          
          
All The Chords Name: Kydyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,9,10,11}
Pitch Class Mapping: 3643 (Hex E3B, Binary 111000111011)
A Study of Scales (Ian Ring) Index: 3643
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bygyllic
Mode 3 of: Phryptyllic
Mode 4 of: Ionayllic
Mode 5 of: Aeoladyllic
Mode 6 of: Kocryllic
Mode 7 of: Lodyllic
Mode 8 of: Bynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bygyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–4–1–1–1–1
Scale degrees:
in semitones: 0–2–3–4–8–9–10–11–12
intervals: 1–2–m3–3–m6–6–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E G♯ A A♯ B c
C D E♭ E A♭ A B♭ B c
          
          
All The Chords Name: Bygyllic, 3imperfections
Pitch Class Set: {0,2,3,4,8,9,10,11}
Pitch Class Mapping: 3869 (Hex F1D, Binary 111100011101)
A Study of Scales (Ian Ring) Index: 3869
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phryptyllic
Mode 3 of: Ionayllic
Mode 4 of: Aeoladyllic
Mode 5 of: Kocryllic
Mode 6 of: Lodyllic
Mode 7 of: Bynyllic
Mode 8 of: Kydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phryptyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–4–1–1–1–1–2
Scale degrees:
in semitones: 0–1–2–6–7–8–9–10–12
intervals: 1–m2–2–d5–5–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F♯ G G♯ A A♯ c
C D♭ D G♭ G A♭ A B♭ c
          
          
All The Chords Name: Phryptyllic, 3imperfections
Pitch Class Set: {0,1,2,6,7,8,9,10}
Pitch Class Mapping: 1991 (Hex 7C7, Binary 011111000111)
A Study of Scales (Ian Ring) Index: 1991
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionayllic
Mode 3 of: Aeoladyllic
Mode 4 of: Kocryllic
Mode 5 of: Lodyllic
Mode 6 of: Bynyllic
Mode 7 of: Kydyllic
Mode 8 of: Bygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionayllic
Scale steps in semitones: 1–4–1–1–1–1–2–1
Scale degrees:
in semitones: 0–1–5–6–7–8–9–11–12
intervals: 1–m2–4–d5–5–m6–6–7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ F F♯ G G♯ A B c
C D♭ F G♭ G A♭ A B c
          
          
All The Chords Name: Ionayllic, 3imperfections
Pitch Class Set: {0,1,5,6,7,8,9,11}
Pitch Class Mapping: 3043 (Hex BE3, Binary 101111100011)
A Study of Scales (Ian Ring) Index: 3043
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeoladyllic
Mode 3 of: Kocryllic
Mode 4 of: Lodyllic
Mode 5 of: Bynyllic
Mode 6 of: Kydyllic
Mode 7 of: Bygyllic
Mode 8 of: Phryptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thagyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–1–2–1–1–1–1
Scale degrees:
in semitones: 0–4–5–6–8–9–10–11–12
intervals: 1–3–4–d5–m6–6–m7–7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F F♯ G♯ A A♯ B c
C E F G♭ A♭ A B♭ B c
          
          
All The Chords Name: Thagyllic, 3imperfections
Pitch Class Set: {0,4,5,6,8,9,10,11}
Pitch Class Mapping: 3953 (Hex F71, Binary 111101110001)
A Study of Scales (Ian Ring) Index: 3953
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thoptyllic
Mode 3 of: Phraptyllic
Mode 4 of: Gylyllic
Mode 5 of: Phralyllic
Mode 6 of: Dygyllic
Mode 7 of: Ronyllic
Mode 8 of: Epogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thoptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–1–1–1–4
Scale degrees:
in semitones: 0–1–2–4–5–6–7–8–12
intervals: 1–m2–2–3–4–d5–5–m6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D E F F♯ G G♯ c
C D♭ D E F G♭ G A♭ c
          
          
All The Chords Name: Thoptyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,6,7,8}
Pitch Class Mapping: 503 (Hex 1F7, Binary 000111110111)
A Study of Scales (Ian Ring) Index: 503
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phraptyllic
Mode 3 of: Gylyllic
Mode 4 of: Phralyllic
Mode 5 of: Dygyllic
Mode 6 of: Ronyllic
Mode 7 of: Epogyllic
Mode 8 of: Thagyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phraptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–1–1–4–1
Scale degrees:
in semitones: 0–1–3–4–5–6–7–11–12
intervals: 1–m2–m3–3–4–d5–5–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ G B c
C D♭ E♭ E F G♭ G B c
          
          
All The Chords Name: Phraptyllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,6,7,11}
Pitch Class Mapping: 2299 (Hex 8FB, Binary 100011111011)
A Study of Scales (Ian Ring) Index: 2299
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gylyllic
Mode 3 of: Phralyllic
Mode 4 of: Dygyllic
Mode 5 of: Ronyllic
Mode 6 of: Epogyllic
Mode 7 of: Thagyllic
Mode 8 of: Thoptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gylyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–1–4–1–1
Scale degrees:
in semitones: 0–2–3–4–5–6–10–11–12
intervals: 1–2–m3–3–4–d5–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F F♯ A♯ B c
C D E♭ E F G♭ B♭ B c
          
          
All The Chords Name: Gylyllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,6,10,11}
Pitch Class Mapping: 3197 (Hex C7D, Binary 110001111101)
A Study of Scales (Ian Ring) Index: 3197
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phralyllic
Mode 3 of: Dygyllic
Mode 4 of: Ronyllic
Mode 5 of: Epogyllic
Mode 6 of: Thagyllic
Mode 7 of: Thoptyllic
Mode 8 of: Phraptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phralyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–4–1–1–2
Scale degrees:
in semitones: 0–1–2–3–4–8–9–10–12
intervals: 1–m2–2–m3–3–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G♯ A A♯ c
C D♭ D E♭ E A♭ A B♭ c
          
          
All The Chords Name: Phralyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,8,9,10}
Pitch Class Mapping: 1823 (Hex 71F, Binary 011100011111)
A Study of Scales (Ian Ring) Index: 1823
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dygyllic
Mode 3 of: Ronyllic
Mode 4 of: Epogyllic
Mode 5 of: Thagyllic
Mode 6 of: Thoptyllic
Mode 7 of: Phraptyllic
Mode 8 of: Gylyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dygyllic
Scale steps in semitones: 1–1–1–4–1–1–2–1
Scale degrees:
in semitones: 0–1–2–3–7–8–9–11–12
intervals: 1–m2–2–m3–5–m6–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ G G♯ A B c
C D♭ D E♭ G A♭ A B c
          
          
All The Chords Name: Dygyllic, 3imperfections
Pitch Class Set: {0,1,2,3,7,8,9,11}
Pitch Class Mapping: 2959 (Hex B8F, Binary 101110001111)
A Study of Scales (Ian Ring) Index: 2959
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ronyllic
Mode 3 of: Epogyllic
Mode 4 of: Thagyllic
Mode 5 of: Thoptyllic
Mode 6 of: Phraptyllic
Mode 7 of: Gylyllic
Mode 8 of: Phralyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ronyllic
Scale steps in semitones: 1–1–4–1–1–2–1–1
Scale degrees:
in semitones: 0–1–2–6–7–8–10–11–12
intervals: 1–m2–2–d5–5–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F♯ G G♯ A♯ B c
C D♭ D G♭ G A♭ B♭ B c
          
          
All The Chords Name: Ronyllic, 3imperfections
Pitch Class Set: {0,1,2,6,7,8,10,11}
Pitch Class Mapping: 3527 (Hex DC7, Binary 110111000111)
A Study of Scales (Ian Ring) Index: 3527
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epogyllic
Mode 3 of: Thagyllic
Mode 4 of: Thoptyllic
Mode 5 of: Phraptyllic
Mode 6 of: Gylyllic
Mode 7 of: Phralyllic
Mode 8 of: Dygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epogyllic
Scale steps in semitones: 1–4–1–1–2–1–1–1
Scale degrees:
in semitones: 0–1–5–6–7–9–10–11–12
intervals: 1–m2–4–d5–5–6–m7–7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ F F♯ G A A♯ B c
C D♭ F G♭ G A B♭ B c
          
          
All The Chords Name: Epogyllic, 3imperfections
Pitch Class Set: {0,1,5,6,7,9,10,11}
Pitch Class Mapping: 3811 (Hex EE3, Binary 111011100011)
A Study of Scales (Ian Ring) Index: 3811
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thagyllic
Mode 3 of: Thoptyllic
Mode 4 of: Phraptyllic
Mode 5 of: Gylyllic
Mode 6 of: Phralyllic
Mode 7 of: Dygyllic
Mode 8 of: Ronyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dolyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–2–1–1–1–1–1
Scale degrees:
in semitones: 0–4–5–7–8–9–10–11–12
intervals: 1–3–4–5–m6–6–m7–7–8
Root, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F G G♯ A A♯ B c
C E F G A♭ A B♭ B c
          
          
All The Chords Name: Dolyllic, 3imperfections
Pitch Class Set: {0,4,5,7,8,9,10,11}
Pitch Class Mapping: 4017 (Hex FB1, Binary 111110110001)
A Study of Scales (Ian Ring) Index: 4017
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Moryllic
Mode 3 of: Bydyllic
Mode 4 of: Pocryllic
Mode 5 of: Phracryllic
Mode 6 of: Gyryllic
Mode 7 of: Phrygyllic
Mode 8 of: Dogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Moryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–1–1–1–4
Scale degrees:
in semitones: 0–1–3–4–5–6–7–8–12
intervals: 1–m2–m3–3–4–d5–5–m6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ G G♯ c
C D♭ E♭ E F G♭ G A♭ c
          
          
All The Chords Name: Moryllic, 3imperfections
Pitch Class Set: {0,1,3,4,5,6,7,8}
Pitch Class Mapping: 507 (Hex 1FB, Binary 000111111011)
A Study of Scales (Ian Ring) Index: 507
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bydyllic
Mode 3 of: Pocryllic
Mode 4 of: Phracryllic
Mode 5 of: Gyryllic
Mode 6 of: Phrygyllic
Mode 7 of: Dogyllic
Mode 8 of: Dolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bydyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–1–1–4–1
Scale degrees:
in semitones: 0–2–3–4–5–6–7–11–12
intervals: 1–2–m3–3–4–d5–5–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F F♯ G B c
C D E♭ E F G♭ G B c
          
          
All The Chords Name: Bydyllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,6,7,11}
Pitch Class Mapping: 2301 (Hex 8FD, Binary 100011111101)
A Study of Scales (Ian Ring) Index: 2301
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pocryllic
Mode 3 of: Phracryllic
Mode 4 of: Gyryllic
Mode 5 of: Phrygyllic
Mode 6 of: Dogyllic
Mode 7 of: Dolyllic
Mode 8 of: Moryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pocryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–4–1–2
Scale degrees:
in semitones: 0–1–2–3–4–5–9–10–12
intervals: 1–m2–2–m3–3–4–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F A A♯ c
C D♭ D E♭ E F A B♭ c
          
          
All The Chords Name: Pocryllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,5,9,10}
Pitch Class Mapping: 1599 (Hex 63F, Binary 011000111111)
A Study of Scales (Ian Ring) Index: 1599
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phracryllic
Mode 3 of: Gyryllic
Mode 4 of: Phrygyllic
Mode 5 of: Dogyllic
Mode 6 of: Dolyllic
Mode 7 of: Moryllic
Mode 8 of: Bydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phracryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–4–1–2–1
Scale degrees:
in semitones: 0–1–2–3–4–8–9–11–12
intervals: 1–m2–2–m3–3–m6–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G♯ A B c
C D♭ D E♭ E A♭ A B c
          
          
All The Chords Name: Phracryllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,8,9,11}
Pitch Class Mapping: 2847 (Hex B1F, Binary 101100011111)
A Study of Scales (Ian Ring) Index: 2847
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gyryllic
Mode 3 of: Phrygyllic
Mode 4 of: Dogyllic
Mode 5 of: Dolyllic
Mode 6 of: Moryllic
Mode 7 of: Bydyllic
Mode 8 of: Pocryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gyryllic
Scale steps in semitones: 1–1–1–4–1–2–1–1
Scale degrees:
in semitones: 0–1–2–3–7–8–10–11–12
intervals: 1–m2–2–m3–5–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ G G♯ A♯ B c
C D♭ D E♭ G A♭ B♭ B c
          
          
All The Chords Name: Gyryllic, 3imperfections
Pitch Class Set: {0,1,2,3,7,8,10,11}
Pitch Class Mapping: 3471 (Hex D8F, Binary 110110001111)
A Study of Scales (Ian Ring) Index: 3471
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrygyllic
Mode 3 of: Dogyllic
Mode 4 of: Dolyllic
Mode 5 of: Moryllic
Mode 6 of: Bydyllic
Mode 7 of: Pocryllic
Mode 8 of: Phracryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrygyllic
Scale steps in semitones: 1–1–4–1–2–1–1–1
Scale degrees:
in semitones: 0–1–2–6–7–9–10–11–12
intervals: 1–m2–2–d5–5–6–m7–7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F♯ G A A♯ B c
C D♭ D G♭ G A B♭ B c
          
          
All The Chords Name: Phrygyllic, 3imperfections
Pitch Class Set: {0,1,2,6,7,9,10,11}
Pitch Class Mapping: 3783 (Hex EC7, Binary 111011000111)
A Study of Scales (Ian Ring) Index: 3783
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dogyllic
Mode 3 of: Dolyllic
Mode 4 of: Moryllic
Mode 5 of: Bydyllic
Mode 6 of: Pocryllic
Mode 7 of: Phracryllic
Mode 8 of: Gyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dogyllic
Scale steps in semitones: 1–4–1–2–1–1–1–1
Scale degrees:
in semitones: 0–1–5–6–8–9–10–11–12
intervals: 1–m2–4–d5–m6–6–m7–7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ F F♯ G♯ A A♯ B c
C D♭ F G♭ A♭ A B♭ B c
          
          
All The Chords Name: Dogyllic, 3imperfections
Pitch Class Set: {0,1,5,6,8,9,10,11}
Pitch Class Mapping: 3939 (Hex F63, Binary 111101100011)
A Study of Scales (Ian Ring) Index: 3939
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dolyllic
Mode 3 of: Moryllic
Mode 4 of: Bydyllic
Mode 5 of: Pocryllic
Mode 6 of: Phracryllic
Mode 7 of: Gyryllic
Mode 8 of: Phrygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Saptyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–2–1–1–2
Scale degrees:
in semitones: 0–2–3–4–6–8–9–10–12
intervals: 1–2–m3–3–d5–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G♯ A A♯ c
C D E♭ E G♭ A♭ A B♭ c
          
          
All The Chords Name: Epotyllic, 3imperfections
Pitch Class Set: {0,2,3,4,6,8,9,10}
Pitch Class Mapping: 1885 (Hex 75D, Binary 011101011101)
A Study of Scales (Ian Ring) Index: 1885
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Messiaen Mode 6
Mode 3 of: Van der Horst Octatonic
Mode 4 of: Messiaen Mode 6 Inverse
Mode 5 of: Epotyllic and Saptyllic
Mode 6 of: Messiaen Mode 6
Mode 7 of: Van der Horst Octatonic
Mode 8 of: Messiaen Mode 6 Inverse
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scala name: Equal temperaments 4 and 6 mixed
Racryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–1–1–2–1–1
Scale degrees:
in semitones: 0–2–4–6–7–8–10–11–12
intervals: 1–2–3–d5–5–m6–m7–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G G♯ A♯ B c
C D E G♭ G A♭ B♭ B c
          
          
All The Chords Name: Racryllic, 4imperfections
Pitch Class Set: {0,2,4,6,7,8,10,11}
Pitch Class Mapping: 3541 (Hex DD5, Binary 110111010101)
A Study of Scales (Ian Ring) Index: 3541
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epicryllic
Mode 3 of: Stygyllic
Mode 4 of: Syryllic
Mode 5 of: Stythyllic
Mode 6 of: Aerothyllic
Mode 7 of: Mixoryllic
Mode 8 of: Neapolitan Mixed
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epicryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–2–1–1–2
Scale degrees:
in semitones: 0–2–4–5–6–8–9–10–12
intervals: 1–2–3–4–d5–m6–6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F F♯ G♯ A A♯ c
C D E F G♭ A♭ A B♭ c
          
          
All The Chords Name: Epicryllic, 4imperfections
Pitch Class Set: {0,2,4,5,6,8,9,10}
Pitch Class Mapping: 1909 (Hex 775, Binary 011101110101)
A Study of Scales (Ian Ring) Index: 1909
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stygyllic
Mode 3 of: Syryllic
Mode 4 of: Stythyllic
Mode 5 of: Aerothyllic
Mode 6 of: Mixoryllic
Mode 7 of: Neapolitan Mixed
Mode 8 of: Racryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stygyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–1–1–2–2
Scale degrees:
in semitones: 0–2–3–4–6–7–8–10–12
intervals: 1–2–m3–3–d5–5–m6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G G♯ A♯ c
C D E♭ E G♭ G A♭ B♭ c
          
          
All The Chords Name: Stygyllic, 4imperfections
Pitch Class Set: {0,2,3,4,6,7,8,10}
Pitch Class Mapping: 1501 (Hex 5DD, Binary 010111011101)
A Study of Scales (Ian Ring) Index: 1501
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Syryllic
Mode 3 of: Stythyllic
Mode 4 of: Aerothyllic
Mode 5 of: Mixoryllic
Mode 6 of: Neapolitan Mixed
Mode 7 of: Racryllic
Mode 8 of: Epicryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Syryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–1–2–2–2
Scale degrees:
in semitones: 0–1–2–4–5–6–8–10–12
intervals: 1–m2–2–3–4–d5–m6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F F♯ G♯ A♯ c
C D♭ D E F G♭ A♭ B♭ c
          
          
All The Chords Name: Syryllic, 4imperfections
Pitch Class Set: {0,1,2,4,5,6,8,10}
Pitch Class Mapping: 1399 (Hex 577, Binary 010101110111)
A Study of Scales (Ian Ring) Index: 1399
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stythyllic
Mode 3 of: Aerothyllic
Mode 4 of: Mixoryllic
Mode 5 of: Neapolitan Mixed
Mode 6 of: Racryllic
Mode 7 of: Epicryllic
Mode 8 of: Stygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stythyllic
Scale steps in semitones: 1–2–1–1–2–2–2–1
Scale degrees:
in semitones: 0–1–3–4–5–7–9–11–12
intervals: 1–m2–m3–3–4–5–6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G A B c
C D♭ E♭ E F G A B c
          
          
All The Chords Name: Stythyllic, 4imperfections
Pitch Class Set: {0,1,3,4,5,7,9,11}
Pitch Class Mapping: 2747 (Hex ABB, Binary 101010111011)
A Study of Scales (Ian Ring) Index: 2747
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerothyllic
Mode 3 of: Mixoryllic
Mode 4 of: Neapolitan Mixed
Mode 5 of: Racryllic
Mode 6 of: Epicryllic
Mode 7 of: Stygyllic
Mode 8 of: Syryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerothyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–2–2–2–1–1
Scale degrees:
in semitones: 0–2–3–4–6–8–10–11–12
intervals: 1–2–m3–3–d5–m6–m7–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F♯ G♯ A♯ B c
C D E♭ E G♭ A♭ B♭ B c
          
          
All The Chords Name: Aerothyllic, 4imperfections
Pitch Class Set: {0,2,3,4,6,8,10,11}
Pitch Class Mapping: 3421 (Hex D5D, Binary 110101011101)
A Study of Scales (Ian Ring) Index: 3421
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mixoryllic
Mode 3 of: Neapolitan Mixed
Mode 4 of: Racryllic
Mode 5 of: Epicryllic
Mode 6 of: Stygyllic
Mode 7 of: Syryllic
Mode 8 of: Stythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mixoryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–2–1–1–2
Scale degrees:
in semitones: 0–1–2–4–6–8–9–10–12
intervals: 1–m2–2–3–d5–m6–6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G♯ A A♯ c
C D♭ D E G♭ A♭ A B♭ c
          
          
All The Chords Name: Mixoryllic, 4imperfections
Pitch Class Set: {0,1,2,4,6,8,9,10}
Pitch Class Mapping: 1879 (Hex 757, Binary 011101010111)
A Study of Scales (Ian Ring) Index: 1879
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Neapolitan Mixed
Mode 3 of: Racryllic
Mode 4 of: Epicryllic
Mode 5 of: Stygyllic
Mode 6 of: Syryllic
Mode 7 of: Stythyllic
Mode 8 of: Aerothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thyryllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–2–1–1–1–1
Scale degrees:
in semitones: 0–2–4–6–8–9–10–11–12
intervals: 1–2–3–d5–m6–6–m7–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G♯ A A♯ B c
C D E G♭ A♭ A B♭ B c
          
          
All The Chords Name: Thyryllic, 4imperfections
Pitch Class Set: {0,2,4,6,8,9,10,11}
Pitch Class Mapping: 3925 (Hex F55, Binary 111101010101)
A Study of Scales (Ian Ring) Index: 3925
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gygyllic
Mode 3 of: Sodyllic
Mode 4 of: Goryllic
Mode 5 of: Bothyllic
Mode 6 of: Gynyllic
Mode 7 of: Ionaptyllic
Mode 8 of: Phryryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gygyllic
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–1–1–1–1–2
Scale degrees:
in semitones: 0–2–4–6–7–8–9–10–12
intervals: 1–2–3–d5–5–m6–6–m7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F♯ G G♯ A A♯ c
C D E G♭ G A♭ A B♭ c
          
          
All The Chords Name: Gygyllic, 4imperfections
Pitch Class Set: {0,2,4,6,7,8,9,10}
Pitch Class Mapping: 2005 (Hex 7D5, Binary 011111010101)
A Study of Scales (Ian Ring) Index: 2005
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sodyllic
Mode 3 of: Goryllic
Mode 4 of: Bothyllic
Mode 5 of: Gynyllic
Mode 6 of: Ionaptyllic
Mode 7 of: Phryryllic
Mode 8 of: Thyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sodyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–1–1–2–2
Scale degrees:
in semitones: 0–2–4–5–6–7–8–10–12
intervals: 1–2–3–4–d5–5–m6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D E F F♯ G G♯ A♯ c
C D E F G♭ G A♭ B♭ c
          
          
All The Chords Name: Sodyllic, 4imperfections
Pitch Class Set: {0,2,4,5,6,7,8,10}
Pitch Class Mapping: 1525 (Hex 5F5, Binary 010111110101)
A Study of Scales (Ian Ring) Index: 1525
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Goryllic
Mode 3 of: Bothyllic
Mode 4 of: Gynyllic
Mode 5 of: Ionaptyllic
Mode 6 of: Phryryllic
Mode 7 of: Thyryllic
Mode 8 of: Gygyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Goryllic
Scale steps in semitones: 2–1–1–1–1–2–2–2
Scale degrees:
in semitones: 0–2–3–4–5–6–8–10–12
intervals: 1–2–m3–3–4–d5–m6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F F♯ G♯ A♯ c
C D E♭ E F G♭ A♭ B♭ c
          
          
All The Chords Name: Goryllic, 4imperfections
Pitch Class Set: {0,2,3,4,5,6,8,10}
Pitch Class Mapping: 1405 (Hex 57D, Binary 010101111101)
A Study of Scales (Ian Ring) Index: 1405
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bothyllic
Mode 3 of: Gynyllic
Mode 4 of: Ionaptyllic
Mode 5 of: Phryryllic
Mode 6 of: Thyryllic
Mode 7 of: Gygyllic
Mode 8 of: Sodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bothyllic
Scale steps in semitones: 1–1–1–1–2–2–2–2
Scale degrees:
in semitones: 0–1–2–3–4–6–8–10–12
intervals: 1–m2–2–m3–3–d5–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G♯ A♯ c
C D♭ D E♭ E G♭ A♭ B♭ c
          
          
All The Chords Name: Bothyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,6,8,10}
Pitch Class Mapping: 1375 (Hex 55F, Binary 010101011111)
A Study of Scales (Ian Ring) Index: 1375
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gynyllic
Mode 3 of: Ionaptyllic
Mode 4 of: Phryryllic
Mode 5 of: Thyryllic
Mode 6 of: Gygyllic
Mode 7 of: Sodyllic
Mode 8 of: Goryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gynyllic
Scale steps in semitones: 1–1–1–2–2–2–2–1
Scale degrees:
in semitones: 0–1–2–3–5–7–9–11–12
intervals: 1–m2–2–m3–4–5–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G A B c
C D♭ D E♭ F G A B c
          
          
All The Chords Name: Gynyllic, 4imperfections
Pitch Class Set: {0,1,2,3,5,7,9,11}
Pitch Class Mapping: 2735 (Hex AAF, Binary 101010101111)
A Study of Scales (Ian Ring) Index: 2735
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionaptyllic
Mode 3 of: Phryryllic
Mode 4 of: Thyryllic
Mode 5 of: Gygyllic
Mode 6 of: Sodyllic
Mode 7 of: Goryllic
Mode 8 of: Bothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionaptyllic
Scale steps in semitones: 1–1–2–2–2–2–1–1
Scale degrees:
in semitones: 0–1–2–4–6–8–10–11–12
intervals: 1–m2–2–3–d5–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G♯ A♯ B c
C D♭ D E G♭ A♭ B♭ B c
          
          
All The Chords Name: Ionaptyllic, 4imperfections
Pitch Class Set: {0,1,2,4,6,8,10,11}
Pitch Class Mapping: 3415 (Hex D57, Binary 110101010111)
A Study of Scales (Ian Ring) Index: 3415
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phryryllic
Mode 3 of: Thyryllic
Mode 4 of: Gygyllic
Mode 5 of: Sodyllic
Mode 6 of: Goryllic
Mode 7 of: Bothyllic
Mode 8 of: Gynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phryryllic
Scale steps in semitones: 1–2–2–2–2–1–1–1
Scale degrees:
in semitones: 0–1–3–5–7–9–10–11–12
intervals: 1–m2–m3–4–5–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G A A♯ B c
C D♭ E♭ F G A B♭ B c
          
          
All The Chords Name: Phryryllic, 4imperfections
Pitch Class Set: {0,1,3,5,7,9,10,11}
Pitch Class Mapping: 3755 (Hex EAB, Binary 111010101011)
A Study of Scales (Ian Ring) Index: 3755
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thyryllic
Mode 3 of: Gygyllic
Mode 4 of: Sodyllic
Mode 5 of: Goryllic
Mode 6 of: Bothyllic
Mode 7 of: Gynyllic
Mode 8 of: Ionaptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stacryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–1–1–1–2
Scale degrees:
in semitones: 0–3–4–6–7–8–9–10–12
intervals: 1–m3–3–d5–5–m6–6–m7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F♯ G G♯ A A♯ c
C E♭ E G♭ G A♭ A B♭ c
          
          
All The Chords Name: Stacryllic, 4imperfections
Pitch Class Set: {0,3,4,6,7,8,9,10}
Pitch Class Mapping: 2009 (Hex 7D9, Binary 011111011001)
A Study of Scales (Ian Ring) Index: 2009
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Doryllic
Mode 3 of: Kadyllic
Mode 4 of: Rynyllic
Mode 5 of: Aerogyllic
Mode 6 of: Rothyllic
Mode 7 of: Kagyllic
Mode 8 of: Stathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Doryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–1–1–2–3
Scale degrees:
in semitones: 0–1–3–4–5–6–7–9–12
intervals: 1–m2–m3–3–4–d5–5–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E F F♯ G A c
C D♭ E♭ E F G♭ G A c
          
          
All The Chords Name: Doryllic, 4imperfections
Pitch Class Set: {0,1,3,4,5,6,7,9}
Pitch Class Mapping: 763 (Hex 2FB, Binary 001011111011)
A Study of Scales (Ian Ring) Index: 763
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kadyllic
Mode 3 of: Rynyllic
Mode 4 of: Aerogyllic
Mode 5 of: Rothyllic
Mode 6 of: Kagyllic
Mode 7 of: Stathyllic
Mode 8 of: Stacryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kadyllic
Scale steps in semitones: 2–1–1–1–1–2–3–1
Scale degrees:
in semitones: 0–2–3–4–5–6–8–11–12
intervals: 1–2–m3–3–4–d5–m6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E F F♯ G♯ B c
C D E♭ E F G♭ A♭ B c
          
          
All The Chords Name: Kadyllic, 4imperfections
Pitch Class Set: {0,2,3,4,5,6,8,11}
Pitch Class Mapping: 2429 (Hex 97D, Binary 100101111101)
A Study of Scales (Ian Ring) Index: 2429
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rynyllic
Mode 3 of: Aerogyllic
Mode 4 of: Rothyllic
Mode 5 of: Kagyllic
Mode 6 of: Stathyllic
Mode 7 of: Stacryllic
Mode 8 of: Doryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rynyllic
Scale steps in semitones: 1–1–1–1–2–3–1–2
Scale degrees:
in semitones: 0–1–2–3–4–6–9–10–12
intervals: 1–m2–2–m3–3–d5–6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ A A♯ c
C D♭ D E♭ E G♭ A B♭ c
          
          
All The Chords Name: Rynyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,6,9,10}
Pitch Class Mapping: 1631 (Hex 65F, Binary 011001011111)
A Study of Scales (Ian Ring) Index: 1631
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerogyllic
Mode 3 of: Rothyllic
Mode 4 of: Kagyllic
Mode 5 of: Stathyllic
Mode 6 of: Stacryllic
Mode 7 of: Doryllic
Mode 8 of: Kadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerogyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–3–1–2–1
Scale degrees:
in semitones: 0–1–2–3–5–8–9–11–12
intervals: 1–m2–2–m3–4–m6–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G♯ A B c
C D♭ D E♭ F A♭ A B c
          
          
All The Chords Name: Aerogyllic, 4imperfections
Pitch Class Set: {0,1,2,3,5,8,9,11}
Pitch Class Mapping: 2863 (Hex B2F, Binary 101100101111)
A Study of Scales (Ian Ring) Index: 2863
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rothyllic
Mode 3 of: Kagyllic
Mode 4 of: Stathyllic
Mode 5 of: Stacryllic
Mode 6 of: Doryllic
Mode 7 of: Kadyllic
Mode 8 of: Rynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rothyllic
Scale steps in semitones: 1–1–2–3–1–2–1–1
Scale degrees:
in semitones: 0–1–2–4–7–8–10–11–12
intervals: 1–m2–2–3–5–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E G G♯ A♯ B c
C D♭ D E G A♭ B♭ B c
          
          
All The Chords Name: Rothyllic, 4imperfections
Pitch Class Set: {0,1,2,4,7,8,10,11}
Pitch Class Mapping: 3479 (Hex D97, Binary 110110010111)
A Study of Scales (Ian Ring) Index: 3479
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kagyllic
Mode 3 of: Stathyllic
Mode 4 of: Stacryllic
Mode 5 of: Doryllic
Mode 6 of: Kadyllic
Mode 7 of: Rynyllic
Mode 8 of: Aerogyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kagyllic
Scale steps in semitones: 1–2–3–1–2–1–1–1
Scale degrees:
in semitones: 0–1–3–6–7–9–10–11–12
intervals: 1–m2–m3–d5–5–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G A A♯ B c
C D♭ E♭ G♭ G A B♭ B c
          
          
All The Chords Name: Kagyllic, 4imperfections
Pitch Class Set: {0,1,3,6,7,9,10,11}
Pitch Class Mapping: 3787 (Hex ECB, Binary 111011001011)
A Study of Scales (Ian Ring) Index: 3787
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stathyllic
Mode 3 of: Stacryllic
Mode 4 of: Doryllic
Mode 5 of: Kadyllic
Mode 6 of: Rynyllic
Mode 7 of: Aerogyllic
Mode 8 of: Rothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stathyllic
Scale steps in semitones: 2–3–1–2–1–1–1–1
Scale degrees:
in semitones: 0–2–5–6–8–9–10–11–12
intervals: 1–2–4–d5–m6–6–m7–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D F F♯ G♯ A A♯ B c
C D F G♭ A♭ A B♭ B c
          
          
All The Chords Name: Stathyllic, 4imperfections
Pitch Class Set: {0,2,5,6,8,9,10,11}
Pitch Class Mapping: 3941 (Hex F65, Binary 111101100101)
A Study of Scales (Ian Ring) Index: 3941
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stacryllic
Mode 3 of: Doryllic
Mode 4 of: Kadyllic
Mode 5 of: Rynyllic
Mode 6 of: Aerogyllic
Mode 7 of: Rothyllic
Mode 8 of: Kagyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrydyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–1–1–1–2–1
Scale degrees:
in semitones: 0–3–5–6–7–8–9–11–12
intervals: 1–m3–4–d5–5–m6–6–7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ F F♯ G G♯ A B c
C E♭ F G♭ G A♭ A B c
          
          
All The Chords Name: Aeronyllic, 3imperfections
Pitch Class Set: {0,3,5,6,7,8,9,11}
Pitch Class Mapping: 3049 (Hex BE9, Binary 101111101001)
A Study of Scales (Ian Ring) Index: 3049
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pycryllic and Dadyllic
Mode 3 of: Mygyllic and Aeodyllic
Mode 4 of: Lylyllic and Aerolyllic
Mode 5 of: Daptyllic and Zoptyllic
Mode 6 of: Ioninyllic and Epanyllic
Mode 7 of: Epaphyllic and Katoptyllic
Mode 8 of: Lolyllic and Podyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dadyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–1–2–1–3
Scale degrees:
in semitones: 0–2–3–4–5–6–8–9–12
intervals: 1–2–m3–3–4–d5–m6–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ E F F♯ G♯ A c
C D E♭ E F G♭ A♭ A c
          
          
All The Chords Name: Pycryllic, 3imperfections
Pitch Class Set: {0,2,3,4,5,6,8,9}
Pitch Class Mapping: 893 (Hex 37D, Binary 001101111101)
A Study of Scales (Ian Ring) Index: 893
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mygyllic and Aeodyllic
Mode 3 of: Lylyllic and Aerolyllic
Mode 4 of: Daptyllic and Zoptyllic
Mode 5 of: Ioninyllic and Epanyllic
Mode 6 of: Epaphyllic and Katoptyllic
Mode 7 of: Lolyllic and Podyllic
Mode 8 of: Aeronyllic and Phrydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeodyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–2–1–3–2
Scale degrees:
in semitones: 0–1–2–3–4–6–7–10–12
intervals: 1–m2–2–m3–3–d5–5–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ G A♯ c
C D♭ D E♭ E G♭ G B♭ c
          
          
All The Chords Name: Mygyllic, 3imperfections
Pitch Class Set: {0,1,2,3,4,6,7,10}
Pitch Class Mapping: 1247 (Hex 4DF, Binary 010011011111)
A Study of Scales (Ian Ring) Index: 1247
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lylyllic and Aerolyllic
Mode 3 of: Daptyllic and Zoptyllic
Mode 4 of: Ioninyllic and Epanyllic
Mode 5 of: Epaphyllic and Katoptyllic
Mode 6 of: Lolyllic and Podyllic
Mode 7 of: Aeronyllic and Phrydyllic
Mode 8 of: Pycryllic and Dadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerolyllic
Scale steps in semitones: 1–1–1–2–1–3–2–1
Scale degrees:
in semitones: 0–1–2–3–5–6–9–11–12
intervals: 1–m2–2–m3–4–d5–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F F♯ A B c
C D♭ D E♭ F G♭ A B c
          
          
All The Chords Name: Lylyllic, 3imperfections
Pitch Class Set: {0,1,2,3,5,6,9,11}
Pitch Class Mapping: 2671 (Hex A6F, Binary 101001101111)
A Study of Scales (Ian Ring) Index: 2671
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Daptyllic and Zoptyllic
Mode 3 of: Ioninyllic and Epanyllic
Mode 4 of: Epaphyllic and Katoptyllic
Mode 5 of: Lolyllic and Podyllic
Mode 6 of: Aeronyllic and Phrydyllic
Mode 7 of: Pycryllic and Dadyllic
Mode 8 of: Mygyllic and Aeodyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zoptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–1–3–2–1–1
Scale degrees:
in semitones: 0–1–2–4–5–8–10–11–12
intervals: 1–m2–2–3–4–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F G♯ A♯ B c
C D♭ D E F A♭ B♭ B c
          
          
All The Chords Name: Daptyllic, 3imperfections
Pitch Class Set: {0,1,2,4,5,8,10,11}
Pitch Class Mapping: 3383 (Hex D37, Binary 110100110111)
A Study of Scales (Ian Ring) Index: 3383
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ioninyllic and Epanyllic
Mode 3 of: Epaphyllic and Katoptyllic
Mode 4 of: Lolyllic and Podyllic
Mode 5 of: Aeronyllic and Phrydyllic
Mode 6 of: Pycryllic and Dadyllic
Mode 7 of: Mygyllic and Aeodyllic
Mode 8 of: Lylyllic and Aerolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epanyllic
Scale steps in semitones: 1–2–1–3–2–1–1–1
Scale degrees:
in semitones: 0–1–3–4–7–9–10–11–12
intervals: 1–m2–m3–3–5–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E G A A♯ B c
C D♭ E♭ E G A B♭ B c
          
          
All The Chords Name: Ioninyllic, 3imperfections
Pitch Class Set: {0,1,3,4,7,9,10,11}
Pitch Class Mapping: 3739 (Hex E9B, Binary 111010011011)
A Study of Scales (Ian Ring) Index: 3739
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epaphyllic and Katoptyllic
Mode 3 of: Lolyllic and Podyllic
Mode 4 of: Aeronyllic and Phrydyllic
Mode 5 of: Pycryllic and Dadyllic
Mode 6 of: Mygyllic and Aeodyllic
Mode 7 of: Lylyllic and Aerolyllic
Mode 8 of: Daptyllic and Zoptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katoptyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–2–1–1–1–1
Scale degrees:
in semitones: 0–2–3–6–8–9–10–11–12
intervals: 1–2–m3–d5–m6–6–m7–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G♯ A A♯ B c
C D E♭ G♭ A♭ A B♭ B c
          
          
All The Chords Name: Epaphyllic, 3imperfections
Pitch Class Set: {0,2,3,6,8,9,10,11}
Pitch Class Mapping: 3917 (Hex F4D, Binary 111101001101)
A Study of Scales (Ian Ring) Index: 3917
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lolyllic and Podyllic
Mode 3 of: Aeronyllic and Phrydyllic
Mode 4 of: Pycryllic and Dadyllic
Mode 5 of: Mygyllic and Aeodyllic
Mode 6 of: Lylyllic and Aerolyllic
Mode 7 of: Daptyllic and Zoptyllic
Mode 8 of: Ioninyllic and Epanyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Podyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–1–1–1–1–2
Scale degrees:
in semitones: 0–1–4–6–7–8–9–10–12
intervals: 1–m2–3–d5–5–m6–6–m7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F♯ G G♯ A A♯ c
C D♭ E G♭ G A♭ A B♭ c
          
          
All The Chords Name: Lolyllic, 3imperfections
Pitch Class Set: {0,1,4,6,7,8,9,10}
Pitch Class Mapping: 2003 (Hex 7D3, Binary 011111010011)
A Study of Scales (Ian Ring) Index: 2003
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeronyllic and Phrydyllic
Mode 3 of: Pycryllic and Dadyllic
Mode 4 of: Mygyllic and Aeodyllic
Mode 5 of: Lylyllic and Aerolyllic
Mode 6 of: Daptyllic and Zoptyllic
Mode 7 of: Ioninyllic and Epanyllic
Mode 8 of: Epaphyllic and Katoptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zaryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–3–1–1–1–1–1–1
Scale degrees:
in semitones: 0–3–6–7–8–9–10–11–12
intervals: 1–m3–d5–5–m6–6–m7–7–8
Root, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F♯ G G♯ A A♯ B c
C E♭ G♭ G A♭ A B♭ B c
          
          
All The Chords Name: Zaryllic, 4imperfections
Pitch Class Set: {0,3,6,7,8,9,10,11}
Pitch Class Mapping: 4041 (Hex FC9, Binary 111111001001)
A Study of Scales (Ian Ring) Index: 4041
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dythyllic
Mode 3 of: Ionaryllic
Mode 4 of: Laryllic
Mode 5 of: Kataptyllic
Mode 6 of: Sonyllic
Mode 7 of: Pathyllic
Mode 8 of: Loryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dythyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–1–1–1–1–3
Scale degrees:
in semitones: 0–3–4–5–6–7–8–9–12
intervals: 1–m3–3–4–d5–5–m6–6–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D♯ E F F♯ G G♯ A c
C E♭ E F G♭ G A♭ A c
          
          
All The Chords Name: Dythyllic, 4imperfections
Pitch Class Set: {0,3,4,5,6,7,8,9}
Pitch Class Mapping: 1017 (Hex 3F9, Binary 001111111001)
A Study of Scales (Ian Ring) Index: 1017
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionaryllic
Mode 3 of: Laryllic
Mode 4 of: Kataptyllic
Mode 5 of: Sonyllic
Mode 6 of: Pathyllic
Mode 7 of: Loryllic
Mode 8 of: Zaryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionaryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–1–3–3
Scale degrees:
in semitones: 0–1–2–3–4–5–6–9–12
intervals: 1–m2–2–m3–3–4–d5–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F F♯ A c
C D♭ D E♭ E F G♭ A c
          
          
All The Chords Name: Ionaryllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,5,6,9}
Pitch Class Mapping: 639 (Hex 27F, Binary 001001111111)
A Study of Scales (Ian Ring) Index: 639
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Laryllic
Mode 3 of: Kataptyllic
Mode 4 of: Sonyllic
Mode 5 of: Pathyllic
Mode 6 of: Loryllic
Mode 7 of: Zaryllic
Mode 8 of: Dythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Laryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–3–3–1
Scale degrees:
in semitones: 0–1–2–3–4–5–8–11–12
intervals: 1–m2–2–m3–3–4–m6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F G♯ B c
C D♭ D E♭ E F A♭ B c
          
          
All The Chords Name: Laryllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,5,8,11}
Pitch Class Mapping: 2367 (Hex 93F, Binary 100100111111)
A Study of Scales (Ian Ring) Index: 2367
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kataptyllic
Mode 3 of: Sonyllic
Mode 4 of: Pathyllic
Mode 5 of: Loryllic
Mode 6 of: Zaryllic
Mode 7 of: Dythyllic
Mode 8 of: Ionaryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kataptyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–3–3–1–1
Scale degrees:
in semitones: 0–1–2–3–4–7–10–11–12
intervals: 1–m2–2–m3–3–5–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G A♯ B c
C D♭ D E♭ E G B♭ B c
          
          
All The Chords Name: Kataptyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,7,10,11}
Pitch Class Mapping: 3231 (Hex C9F, Binary 110010011111)
A Study of Scales (Ian Ring) Index: 3231
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sonyllic
Mode 3 of: Pathyllic
Mode 4 of: Loryllic
Mode 5 of: Zaryllic
Mode 6 of: Dythyllic
Mode 7 of: Ionaryllic
Mode 8 of: Laryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sonyllic
Scale steps in semitones: 1–1–1–3–3–1–1–1
Scale degrees:
in semitones: 0–1–2–3–6–9–10–11–12
intervals: 1–m2–2–m3–d5–6–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ A A♯ B c
C D♭ D E♭ G♭ A B♭ B c
          
          
All The Chords Name: Sonyllic, 4imperfections
Pitch Class Set: {0,1,2,3,6,9,10,11}
Pitch Class Mapping: 3663 (Hex E4F, Binary 111001001111)
A Study of Scales (Ian Ring) Index: 3663
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pathyllic
Mode 3 of: Loryllic
Mode 4 of: Zaryllic
Mode 5 of: Dythyllic
Mode 6 of: Ionaryllic
Mode 7 of: Laryllic
Mode 8 of: Kataptyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pathyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–3–3–1–1–1–1
Scale degrees:
in semitones: 0–1–2–5–8–9–10–11–12
intervals: 1–m2–2–4–m6–6–m7–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F G♯ A A♯ B c
C D♭ D F A♭ A B♭ B c
          
          
All The Chords Name: Pathyllic, 4imperfections
Pitch Class Set: {0,1,2,5,8,9,10,11}
Pitch Class Mapping: 3879 (Hex F27, Binary 111100100111)
A Study of Scales (Ian Ring) Index: 3879
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Loryllic
Mode 3 of: Zaryllic
Mode 4 of: Dythyllic
Mode 5 of: Ionaryllic
Mode 6 of: Laryllic
Mode 7 of: Kataptyllic
Mode 8 of: Sonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Loryllic
Scale steps in semitones: 1–3–3–1–1–1–1–1
Scale degrees:
in semitones: 0–1–4–7–8–9–10–11–12
intervals: 1–m2–3–5–m6–6–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E G G♯ A A♯ B c
C D♭ E G A♭ A B♭ B c
          
          
All The Chords Name: Loryllic, 4imperfections
Pitch Class Set: {0,1,4,7,8,9,10,11}
Pitch Class Mapping: 3987 (Hex F93, Binary 111110010011)
A Study of Scales (Ian Ring) Index: 3987
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zaryllic
Mode 3 of: Dythyllic
Mode 4 of: Ionaryllic
Mode 5 of: Laryllic
Mode 6 of: Kataptyllic
Mode 7 of: Sonyllic
Mode 8 of: Pathyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stolyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 4–1–1–1–1–1–1–2
Scale degrees:
in semitones: 0–4–5–6–7–8–9–10–12
intervals: 1–3–4–d5–5–m6–6–m7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C E F F♯ G G♯ A A♯ c
C E F G♭ G A♭ A B♭ c
          
          
All The Chords Name: Stolyllic, 4imperfections
Pitch Class Set: {0,4,5,6,7,8,9,10}
Pitch Class Mapping: 2033 (Hex 7F1, Binary 011111110001)
A Study of Scales (Ian Ring) Index: 2033
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Logyllic
Mode 3 of: Dacryllic
Mode 4 of: Thynyllic
Mode 5 of: Gydyllic
Mode 6 of: Eparyllic
Mode 7 of: Dynyllic
Mode 8 of: Ionyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Logyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–1–2–4
Scale degrees:
in semitones: 0–1–2–3–4–5–6–8–12
intervals: 1–m2–2–m3–3–4–d5–m6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D D♯ E F F♯ G♯ c
C D♭ D E♭ E F G♭ A♭ c
          
          
All The Chords Name: Logyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,5,6,8}
Pitch Class Mapping: 383 (Hex 17F, Binary 000101111111)
A Study of Scales (Ian Ring) Index: 383
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dacryllic
Mode 3 of: Thynyllic
Mode 4 of: Gydyllic
Mode 5 of: Eparyllic
Mode 6 of: Dynyllic
Mode 7 of: Ionyllic
Mode 8 of: Stolyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dacryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–2–4–1
Scale degrees:
in semitones: 0–1–2–3–4–5–7–11–12
intervals: 1–m2–2–m3–3–4–5–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F G B c
C D♭ D E♭ E F G B c
          
          
All The Chords Name: Dacryllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,5,7,11}
Pitch Class Mapping: 2239 (Hex 8BF, Binary 100010111111)
A Study of Scales (Ian Ring) Index: 2239
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thynyllic
Mode 3 of: Gydyllic
Mode 4 of: Eparyllic
Mode 5 of: Dynyllic
Mode 6 of: Ionyllic
Mode 7 of: Stolyllic
Mode 8 of: Logyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thynyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–2–4–1–1
Scale degrees:
in semitones: 0–1–2–3–4–6–10–11–12
intervals: 1–m2–2–m3–3–d5–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F♯ A♯ B c
C D♭ D E♭ E G♭ B♭ B c
          
          
All The Chords Name: Thynyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,6,10,11}
Pitch Class Mapping: 3167 (Hex C5F, Binary 110001011111)
A Study of Scales (Ian Ring) Index: 3167
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gydyllic
Mode 3 of: Eparyllic
Mode 4 of: Dynyllic
Mode 5 of: Ionyllic
Mode 6 of: Stolyllic
Mode 7 of: Logyllic
Mode 8 of: Dacryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gydyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–4–1–1–1
Scale degrees:
in semitones: 0–1–2–3–5–9–10–11–12
intervals: 1–m2–2–m3–4–6–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ F A A♯ B c
C D♭ D E♭ F A B♭ B c
          
          
All The Chords Name: Gydyllic, 4imperfections
Pitch Class Set: {0,1,2,3,5,9,10,11}
Pitch Class Mapping: 3631 (Hex E2F, Binary 111000101111)
A Study of Scales (Ian Ring) Index: 3631
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Eparyllic
Mode 3 of: Dynyllic
Mode 4 of: Ionyllic
Mode 5 of: Stolyllic
Mode 6 of: Logyllic
Mode 7 of: Dacryllic
Mode 8 of: Thynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Eparyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–4–1–1–1–1
Scale degrees:
in semitones: 0–1–2–4–8–9–10–11–12
intervals: 1–m2–2–3–m6–6–m7–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D E G♯ A A♯ B c
C D♭ D E A♭ A B♭ B c
          
          
All The Chords Name: Eparyllic, 4imperfections
Pitch Class Set: {0,1,2,4,8,9,10,11}
Pitch Class Mapping: 3863 (Hex F17, Binary 111100010111)
A Study of Scales (Ian Ring) Index: 3863
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dynyllic
Mode 3 of: Ionyllic
Mode 4 of: Stolyllic
Mode 5 of: Logyllic
Mode 6 of: Dacryllic
Mode 7 of: Thynyllic
Mode 8 of: Gydyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dynyllic
Scale steps in semitones: 1–2–4–1–1–1–1–1
Scale degrees:
in semitones: 0–1–3–7–8–9–10–11–12
intervals: 1–m2–m3–5–m6–6–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ G G♯ A A♯ B c
C D♭ E♭ G A♭ A B♭ B c
          
          
All The Chords Name: Dynyllic, 4imperfections
Pitch Class Set: {0,1,3,7,8,9,10,11}
Pitch Class Mapping: 3979 (Hex F8B, Binary 111110001011)
A Study of Scales (Ian Ring) Index: 3979
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionyllic
Mode 3 of: Stolyllic
Mode 4 of: Logyllic
Mode 5 of: Dacryllic
Mode 6 of: Thynyllic
Mode 7 of: Gydyllic
Mode 8 of: Eparyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionyllic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–4–1–1–1–1–1–1
Scale degrees:
in semitones: 0–2–6–7–8–9–10–11–12
intervals: 1–2–d5–5–m6–6–m7–7–8
Root, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D F♯ G G♯ A A♯ B c
C D G♭ G A♭ A B♭ B c
          
          
All The Chords Name: Ionyllic, 4imperfections
Pitch Class Set: {0,2,6,7,8,9,10,11}
Pitch Class Mapping: 4037 (Hex FC5, Binary 111111000101)
A Study of Scales (Ian Ring) Index: 4037
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stolyllic
Mode 3 of: Logyllic
Mode 4 of: Dacryllic
Mode 5 of: Thynyllic
Mode 6 of: Gydyllic
Mode 7 of: Eparyllic
Mode 8 of: Dynyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stycryllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 4–2–1–1–1–1–1–1
Scale degrees:
in semitones: 0–4–6–7–8–9–10–11–12
intervals: 1–3–d5–5–m6–6–m7–7–8
Root, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F♯ G G♯ A A♯ B c
C E G♭ G A♭ A B♭ B c
          
          
All The Chords Name: Stycryllic, 4imperfections
Pitch Class Set: {0,4,6,7,8,9,10,11}
Pitch Class Mapping: 4049 (Hex FD1, Binary 111111010001)
A Study of Scales (Ian Ring) Index: 4049
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionothyllic
Mode 3 of: Mythyllic
Mode 4 of: Aerylyllic
Mode 5 of: Bonyllic
Mode 6 of: Tholyllic
Mode 7 of: Katyryllic
Mode 8 of: Sadyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionothyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–1–1–1–4
Scale degrees:
in semitones: 0–2–3–4–5–6–7–8–12
intervals: 1–2–m3–3–4–d5–5–m6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C D D♯ E F F♯ G G♯ c
C D E♭ E F G♭ G A♭ c
          
          
All The Chords Name: Ionothyllic, 4imperfections
Pitch Class Set: {0,2,3,4,5,6,7,8}
Pitch Class Mapping: 509 (Hex 1FD, Binary 000111111101)
A Study of Scales (Ian Ring) Index: 509
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mythyllic
Mode 3 of: Aerylyllic
Mode 4 of: Bonyllic
Mode 5 of: Tholyllic
Mode 6 of: Katyryllic
Mode 7 of: Sadyllic
Mode 8 of: Stycryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mythyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–1–4–2
Scale degrees:
in semitones: 0–1–2–3–4–5–6–10–12
intervals: 1–m2–2–m3–3–4–d5–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F F♯ A♯ c
C D♭ D E♭ E F G♭ B♭ c
          
          
All The Chords Name: Mythyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,5,6,10}
Pitch Class Mapping: 1151 (Hex 47F, Binary 010001111111)
A Study of Scales (Ian Ring) Index: 1151
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerylyllic
Mode 3 of: Bonyllic
Mode 4 of: Tholyllic
Mode 5 of: Katyryllic
Mode 6 of: Sadyllic
Mode 7 of: Stycryllic
Mode 8 of: Ionothyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aerylyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–1–4–2–1
Scale degrees:
in semitones: 0–1–2–3–4–5–9–11–12
intervals: 1–m2–2–m3–3–4–6–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E F A B c
C D♭ D E♭ E F A B c
          
          
All The Chords Name: Aerylyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,5,9,11}
Pitch Class Mapping: 2623 (Hex A3F, Binary 101000111111)
A Study of Scales (Ian Ring) Index: 2623
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bonyllic
Mode 3 of: Tholyllic
Mode 4 of: Katyryllic
Mode 5 of: Sadyllic
Mode 6 of: Stycryllic
Mode 7 of: Ionothyllic
Mode 8 of: Mythyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bonyllic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–1–4–2–1–1
Scale degrees:
in semitones: 0–1–2–3–4–8–10–11–12
intervals: 1–m2–2–m3–3–m6–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Major 3rd, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ E G♯ A♯ B c
C D♭ D E♭ E A♭ B♭ B c
          
          
All The Chords Name: Bonyllic, 4imperfections
Pitch Class Set: {0,1,2,3,4,8,10,11}
Pitch Class Mapping: 3359 (Hex D1F, Binary 110100011111)
A Study of Scales (Ian Ring) Index: 3359
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Tholyllic
Mode 3 of: Katyryllic
Mode 4 of: Sadyllic
Mode 5 of: Stycryllic
Mode 6 of: Ionothyllic
Mode 7 of: Mythyllic
Mode 8 of: Aerylyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Tholyllic
Scale steps in semitones: 1–1–1–4–2–1–1–1
Scale degrees:
in semitones: 0–1–2–3–7–9–10–11–12
intervals: 1–m2–2–m3–5–6–m7–7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D D♯ G A A♯ B c
C D♭ D E♭ G A B♭ B c
          
          
All The Chords Name: Tholyllic, 4imperfections
Pitch Class Set: {0,1,2,3,7,9,10,11}
Pitch Class Mapping: 3727 (Hex E8F, Binary 111010001111)
A Study of Scales (Ian Ring) Index: 3727
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katyryllic
Mode 3 of: Sadyllic
Mode 4 of: Stycryllic
Mode 5 of: Ionothyllic
Mode 6 of: Mythyllic
Mode 7 of: Aerylyllic
Mode 8 of: Bonyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Katyryllic
Scale steps in semitones: 1–1–4–2–1–1–1–1
Scale degrees:
in semitones: 0–1–2–6–8–9–10–11–12
intervals: 1–m2–2–d5–m6–6–m7–7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F♯ G♯ A A♯ B c
C D♭ D G♭ A♭ A B♭ B c
          
          
All The Chords Name: Katyryllic, 4imperfections
Pitch Class Set: {0,1,2,6,8,9,10,11}
Pitch Class Mapping: 3911 (Hex F47, Binary 111101000111)
A Study of Scales (Ian Ring) Index: 3911
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sadyllic
Mode 3 of: Stycryllic
Mode 4 of: Ionothyllic
Mode 5 of: Mythyllic
Mode 6 of: Aerylyllic
Mode 7 of: Bonyllic
Mode 8 of: Tholyllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sadyllic
Scale steps in semitones: 1–4–2–1–1–1–1–1
Scale degrees:
in semitones: 0–1–5–7–8–9–10–11–12
intervals: 1–m2–4–5–m6–6–m7–7–8
Root, Minor 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ F G G♯ A A♯ B c
C D♭ F G A♭ A B♭ B c
          
          
All The Chords Name: Sadyllic, 4imperfections
Pitch Class Set: {0,1,5,7,8,9,10,11}
Pitch Class Mapping: 4003 (Hex FA3, Binary 111110100011)
A Study of Scales (Ian Ring) Index: 4003
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stycryllic
Mode 3 of: Ionothyllic
Mode 4 of: Mythyllic
Mode 5 of: Aerylyllic
Mode 6 of: Bonyllic
Mode 7 of: Tholyllic
Mode 8 of: Katyryllic
The name I use for this scale comes from: AllTheScales.org / William Zeitler
  
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