Comprehensive Scale Catalog: Four-Tone Scales in Equal Temperament

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with four tones per octave and using 12-tone Equal Temperament.

Note that some of the scales listed on the latter portion of this page are termed Pattern Scales. These scales do not have a name or designation that I could location, but the pattern of notes does provide an interesting and potentially useful scale.

The root note of each scale is shown in blue, such as .

Minor Tetratonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Scale steps in semitones: 3–2–5–2

Scale degrees:
  in semitones: 0–3–5–10–12
  intervals: 1–m3–4–m7–8
  Root, Minor 3rd, Perfect 4th, Minor 7th, Octave

Pitches starting from C:
  C D♯ F A♯ c
  C E♭ F B♭ c

Pitch Class Set: {0,3,5,10}

Pitch Class Mapping: 1065 (Hex 429, Binary 010000101001)

A Study of Scales (Ian Ring) Index: 1065

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 322
  Mode 3 of: Upper Minor Tetratonic
  Mode 4 of: Genus Primum

Subset of: Minor Pentatonic with no 5

The name I use for this scale comes from: Clint's Invented Name

Lower Minor Tetratonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Scale steps in semitones: 3–2–2–5

Scale degrees:
  in semitones: 0–3–5–7–12
  intervals: 1–m3–4–5–8
  Root, Minor 3rd, Perfect 4th, Perfect 5th, Octave

Pitches starting from C:
  C D♯ F G c
  C E♭ F G c

Pitch Class Set: {0,3,5,7}

Pitch Class Mapping: 169 (Hex 0A9, Binary 000010101001)

A Study of Scales (Ian Ring) Index: 169

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 266
  Mode 3 of: Pattern Scale 578
  Mode 4 of: Pattern Scale 656

Subset of: Minor Pentatonic with no m7

The name I use for this scale comes from: Clint's Invented Name

Entry on the Map of Native American Flute Tunings page: Three-hole Papago

Scala name: Vietnamese tetratonic

Piano Encyclopedia name: Bati [Ethiopian]

Diminished Seventh

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–3–3–3

Scale degrees:
  in semitones: 0–3–6–9–12
  intervals: 1–m3–d5–6–8
  Root, Minor 3rd, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C D♯ F♯ A c
  C E♭ G♭ A c

All The Chords Name: Phrynic, 4imperfections

Pitch Class Set: {0,3,6,9}

Pitch Class Mapping: 585 (Hex 249, Binary 001001001001)

A Study of Scales (Ian Ring) Index: 585

Deep scale: No

Coherent scale: Yes

Corresponding Chords: Diminished Seventh, Dominant Seventh Flat Five

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Diminished Seventh and Chromatic
  Mode 3 of: Diminished Seventh and Chromatic
  Mode 4 of: Diminished Seventh and Chromatic

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia pages related to this scale:

• Diminished Seventh Chord ⇒ Diminished seventh chord
• Dominant Seventh Flat Five Chord ⇒ Dominant seventh flat five chord

Piano Encyclopedia name: Three Semitone

Half-diminished Seventh

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–3–4–2

Scale degrees:
  in semitones: 0–3–6–10–12
  intervals: 1–m3–d5–m7–8
  Root, Minor 3rd, Diminished 5th, Minor 7th, Octave

Pitches starting from C:
  C D♯ F♯ A♯ c
  C E♭ G♭ B♭ c

All The Chords Name: Aeraphic, 3imperfections

Pitch Class Set: {0,3,6,10}

Pitch Class Mapping: 1097 (Hex 449, Binary 010001001001)

A Study of Scales (Ian Ring) Index: 1097

Deep scale: No

Coherent scale: Yes

Corresponding Chord: Half-diminished Seventh

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Minor Sixth
  Mode 3 of: Pattern Scale 296
  Mode 4 of: Haripriya

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia page related to this scale:

• Half-diminished Seventh Chord ⇒ Half-diminished seventh chord

Diminished Major Seventh

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–3–5–1

Scale degrees:
  in semitones: 0–3–6–11–12
  intervals: 1–m3–d5–7–8
  Root, Minor 3rd, Diminished 5th, Major 7th, Octave

Pitches starting from C:
  C D♯ F♯ B c
  C E♭ G♭ B c

Pitch Class Set: {0,3,6,11}

Pitch Class Mapping: 2121 (Hex 849, Binary 100001001001)

A Study of Scales (Ian Ring) Index: 2121

Deep scale: No

Coherent scale: No

Corresponding Chord: Diminished Major Seventh

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 388
  Mode 3 of: Pattern Scale 304
  Mode 4 of: Pattern Scale 73

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia page related to this scale:

• Diminished Major Seventh Chord ⇒ Diminished major seventh chord

Minor Sixth

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–4–2–3

Scale degrees:
  in semitones: 0–3–7–9–12
  intervals: 1–m3–5–6–8
  Root, Minor 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C D♯ G A c
  C E♭ G A c

All The Chords Name: Byptic, 3imperfections

Pitch Class Set: {0,3,7,9}

Pitch Class Mapping: 649 (Hex 289, Binary 001010001001)

A Study of Scales (Ian Ring) Index: 649

Deep scale: No

Coherent scale: Yes

Corresponding Chords: Minor Sixth (m6, m/M6, min/maj6, min(maj6))

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 296
  Mode 3 of: Haripriya
  Mode 4 of: Half-diminished Seventh

The name I use for this scale comes from: Pattern designation

Wikipedia page related to this scale:

• Minor Sixth Chord ⇒ Major 6th chord

Bi Yu

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–4–3–2

Scale degrees:
  in semitones: 0–3–7–10–12
  intervals: 1–m3–5–m7–8
  Root, Minor 3rd, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D♯ G A♯ c
  C E♭ G B♭ c

All The Chords Name: Eporic, 2imperfections

Pitch Class Set: {0,3,7,10}

Pitch Class Mapping: 1161 (Hex 489, Binary 010010001001)

A Study of Scales (Ian Ring) Index: 1161

Deep scale: No

Coherent scale: Yes

Corresponding Chords: Minor Seventh (m7), Dominant Seventh (Major Minor Seventh)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Major Sixth
  Mode 3 of: Pattern Scale 148
  Mode 4 of: Bhavani

Subset of: Minor Pentatonic with no 4

The name I use for this scale comes from: Scala

Scala name: Bi Yu: China

Wikipedia pages related to this scale:

• Dominant Seventh Chord ⇒ Dominant seventh chord
• Minor Seventh Chord ⇒ Minor seventh chord

Piano Encyclopedia name: Bi Yu [Chinese]

Minor Major Seventh

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–4–4–1

Scale degrees:
  in semitones: 0–3–7–11–12
  intervals: 1–m3–5–7–8
  Root, Minor 3rd, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C D♯ G B c
  C E♭ G B c

All The Chords Name: Dygic, 3imperfections

Pitch Class Set: {0,3,7,11}

Pitch Class Mapping: 2185 (Hex 889, Binary 100010001001)

A Study of Scales (Ian Ring) Index: 2185

Deep scale: No

Coherent scale: No

Corresponding Chords: Minor Major Seventh (mM7, mΔ7, -Δ7, mM7, m/M7, m(M7), minmaj7, m⑦,m(♮7), m7+)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 392
  Mode 3 of: Pattern Scale 152
  Mode 4 of: Pattern Scale 137

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia page related to this scale:

• Minor Major Seventh Chord ⇒ Minor major seventh chord

Messiaen Truncated Mode 5

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–5–1–5

Scale degrees:
  in semitones: 0–1–6–7–12
  intervals: 1–m2–d5–5–8
  Root, Minor 2nd, Diminished 5th, Perfect 5th, Octave

Pitches starting from C:
  C C♯ F♯ G c
  C D♭ G♭ G c

Pitch Class Set: {0,1,6,7}

Pitch Class Mapping: 195 (Hex 0C3, Binary 000011000011)

A Study of Scales (Ian Ring) Index: 195

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Truncated Mode 5 Inverse
  Mode 3 of: Messiaen Truncated Mode 5
  Mode 4 of: Messiaen Truncated Mode 5 Inverse

The name I use for this scale comes from: Scala

Scala name: Messiaen truncated mode 5

Piano Encyclopedia name: Messiaen truncated mode 5

Messiaen Truncated Mode 5 Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Scale steps in semitones: 5–1–5–1

Scale degrees:
  in semitones: 0–5–6–11–12
  intervals: 1–4–d5–7–8
  Root, Perfect 4th, Diminished 5th, Major 7th, Octave

Pitches starting from C:
  C F F♯ B c
  C F G♭ B c

Pitch Class Set: {0,5,6,11}

Pitch Class Mapping: 2145 (Hex 861, Binary 100001100001)

A Study of Scales (Ian Ring) Index: 2145

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Truncated Mode 5
  Mode 3 of: Messiaen Truncated Mode 5 Inverse
  Mode 4 of: Messiaen Truncated Mode 5

The name I use for this scale comes from: Scala

Scala name: Messiaen truncated mode 5 inverse

Piano Encyclopedia name: Messiaen truncated mode 5 inverse

Messiaen Truncated Mode 6

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–4–2–4

Scale degrees:
  in semitones: 0–2–6–8–12
  intervals: 1–2–d5–m6–8
  Root, Major 2nd, Diminished 5th, Minor 6th, Octave

Pitches starting from C:
  C D F♯ G♯ c
  C D G♭ A♭ c

All The Chords Name: Dadic, 4imperfections

Pitch Class Set: {0,2,6,8}

Pitch Class Mapping: 325 (Hex 145, Binary 000101000101)

A Study of Scales (Ian Ring) Index: 325

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Truncated Mode 6 Inverse and Messiaen truncated mode 6 inverse
  Mode 3 of: Messiaen Truncated Mode 6 and Messiaen truncated mode 6
  Mode 4 of: Messiaen Truncated Mode 6 Inverse and Messiaen truncated mode 6 inverse

The name I use for this scale comes from: Scala

Scala name: Messiaen truncated mode 6

Piano Encyclopedia name: Messiaen truncated mode 6

Messiaen Truncated Mode 6 Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 4–2–4–2

Scale degrees:
  in semitones: 0–4–6–10–12
  intervals: 1–3–d5–m7–8
  Root, Major 3rd, Diminished 5th, Minor 7th, Octave

Pitches starting from C:
  C E F♯ A♯ c
  C E G♭ B♭ c

All The Chords Name: Stathic, 4imperfections

Pitch Class Set: {0,4,6,10}

Pitch Class Mapping: 1105 (Hex 451, Binary 010001010001)

A Study of Scales (Ian Ring) Index: 1105

Deep scale: No

Coherent scale: Yes

Corresponding Chord: French Sixth (Fr+6)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Truncated Mode 6 and Messiaen truncated mode 6
  Mode 3 of: Messiaen Truncated Mode 6 Inverse and Messiaen truncated mode 6 inverse
  Mode 4 of: Messiaen Truncated Mode 6 and Messiaen truncated mode 6

The name I use for this scale comes from: Scala

Scala name: Messiaen truncated mode 6 inverse

Wikipedia page related to this scale:

• French Sixth Chord ⇒ Augmented sixth chord

Piano Encyclopedia name: Messiaen truncated mode 6 inverse

Lavangi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–4–3–4

Scale degrees:
  in semitones: 0–1–5–8–12
  intervals: 1–m2–4–m6–8
  Root, Minor 2nd, Perfect 4th, Minor 6th, Octave

Pitches starting from C:
  C C♯ F G♯ c
  C D♭ F A♭ c

All The Chords Name: Aerathic, 2imperfections

Pitch Class Set: {0,1,5,8}

Pitch Class Mapping: 291 (Hex 123, Binary 000100100011)

A Study of Scales (Ian Ring) Index: 291

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Major Seventh
  Mode 3 of: Pattern Scale 196
  Mode 4 of: Pattern Scale 280

The name I use for this scale comes from: Scala

Scala names: Raga Lavangi, Gowleeswari

Piano Encyclopedia name: Raga Gowleeswari [Indian]

Warao Tetratonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–7–2

Scale degrees:
  in semitones: 0–2–3–10–12
  intervals: 1–2–m3–m7–8
  Root, Major 2nd, Minor 3rd, Minor 7th, Octave

Pitches starting from C:
  C D D♯ A♯ c
  C D E♭ B♭ c

Pitch Class Set: {0,2,3,10}

Pitch Class Mapping: 1037 (Hex 40D, Binary 010000001101)

A Study of Scales (Ian Ring) Index: 1037

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 641
  Mode 3 of: Pattern Scale 1344
  Mode 4 of: Pattern Scale 26

The name I use for this scale comes from: Scala

Scala name: Warao tetratonic: South America

Piano Encyclopedia name: Warao tetratonic [Native South American]

Eskimo Tetratonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–2–3–5

Scale degrees:
  in semitones: 0–2–4–7–12
  intervals: 1–2–3–5–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Octave

Pitches starting from C: C D E G c

Pitch Class Set: {0,2,4,7}

Pitch Class Mapping: 149 (Hex 095, Binary 000010010101)

A Study of Scales (Ian Ring) Index: 149

Deep scale: No

Coherent scale: No

Corresponding Chord: Added Second (add2)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 530
  Mode 3 of: Pattern Scale 644
  Mode 4 of: Pure Four

The name I use for this scale comes from: Scala

Scala name: Eskimo tetratonic (Alaska: Bethel)

Wikipedia page related to this scale:

• Added Second Chord ⇒ Suspended chord

Piano Encyclopedia name: Eskimo tetratonic (Alaska : Bethel) [Alaska]

Genus Primum

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–3–2–5

Scale degrees:
  in semitones: 0–2–5–7–12
  intervals: 1–2–4–5–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Octave

Pitches starting from C: C D F G c

Pitch Class Set: {0,2,5,7}

Pitch Class Mapping: 165 (Hex 0A5, Binary 000010100101)

A Study of Scales (Ian Ring) Index: 165

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Minor Tetratonic
  Mode 3 of: Pattern Scale 322
  Mode 4 of: Upper Minor Tetratonic

The name I use for this scale comes from: Scala

Scala name: Genus primum

Piano Encyclopedia name: Genus primum [Latin]

Haripriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–3–3–4

Scale degrees:
  in semitones: 0–2–5–8–12
  intervals: 1–2–4–m6–8
  Root, Major 2nd, Perfect 4th, Minor 6th, Octave

Pitches starting from C:
  C D F G♯ c
  C D F A♭ c

All The Chords Name: Zoptic, 3imperfections

Pitch Class Set: {0,2,5,8}

Pitch Class Mapping: 293 (Hex 125, Binary 000100100101)

A Study of Scales (Ian Ring) Index: 293

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Half-diminished Seventh
  Mode 3 of: Minor Sixth
  Mode 4 of: Pattern Scale 296

The name I use for this scale comes from: Scala

Scala name: Raga Haripriya

Piano Encyclopedia name: Raga Haripriya 2 [Indian]

Bhavani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–3–4–3

Scale degrees:
  in semitones: 0–2–5–9–12
  intervals: 1–2–4–6–8
  Root, Major 2nd, Perfect 4th, Major 6th, Octave

Pitches starting from C: C D F A c

All The Chords Name: Rothic, 2imperfections

Pitch Class Set: {0,2,5,9}

Pitch Class Mapping: 549 (Hex 225, Binary 001000100101)

A Study of Scales (Ian Ring) Index: 549

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bi Yu
  Mode 3 of: Major Sixth
  Mode 4 of: Pattern Scale 148

The name I use for this scale comes from: Scala

Scala name: Raga Bhavani

Piano Encyclopedia names: Raga Bhavani 2 [Indian]; Raga Bhavani 2

Sumukam

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–4–5–1

Scale degrees:
  in semitones: 0–2–6–11–12
  intervals: 1–2–d5–7–8
  Root, Major 2nd, Diminished 5th, Major 7th, Octave

Pitches starting from C:
  C D F♯ B c
  C D G♭ B c

Pitch Class Set: {0,2,6,11}

Pitch Class Mapping: 2117 (Hex 845, Binary 100001000101)

A Study of Scales (Ian Ring) Index: 2117

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 776
  Mode 3 of: Pattern Scale 176
  Mode 4 of: Pattern Scale 69

The name I use for this scale comes from: Scala

Scala name: Raga Sumukam

Piano Encyclopedia name: Raga Sumukam [Indian]

Nigamagamini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–2–5–1

Scale degrees:
  in semitones: 0–4–6–11–12
  intervals: 1–3–d5–7–8
  Root, Major 3rd, Diminished 5th, Major 7th, Octave

Pitches starting from C:
  C E F♯ B c
  C E G♭ B c

Pitch Class Set: {0,4,6,11}

Pitch Class Mapping: 2129 (Hex 851, Binary 100001010001)

A Study of Scales (Ian Ring) Index: 2129

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 194
  Mode 3 of: Pattern Scale 560
  Mode 4 of: Pattern Scale 81

The name I use for this scale comes from: Scala

Scala name: Raga Nigamagamini

Piano Encyclopedia name: Raga Nigamagamini [Indian]

Mahathi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 4–3–3–2

Scale degrees:
  in semitones: 0–4–7–10–12
  intervals: 1–3–5–m7–8
  Root, Major 3rd, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C E G A♯ c
  C E G B♭ c

All The Chords Name: Epathic, 3imperfections

Pitch Class Set: {0,4,7,10}

Pitch Class Mapping: 1169 (Hex 491, Binary 010010010001)

A Study of Scales (Ian Ring) Index: 1169

Deep scale: No

Coherent scale: Yes

Corresponding Chord: German Sixth (Gr+6)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 164
  Mode 3 of: Pattern Scale 276
  Mode 4 of: Pattern Scale 290

The name I use for this scale comes from: Scala

Scala names: Raga Mahathi, Antara Kaishiaki

Wikipedia page related to this scale:

• German Sixth Chord ⇒ Augmented sixth chord

Piano Encyclopedia names: Raga Antara Kaishiaki [Indian]; Raga Mahathi

Major Sixth

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 4–3–2–3

Scale degrees:
  in semitones: 0–4–7–9–12
  intervals: 1–3–5–6–8
  Root, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C E G A c

All The Chords Name: Epathic, 2imperfections

Pitch Class Set: {0,4,7,9}

Pitch Class Mapping: 657 (Hex 291, Binary 001010010001)

A Study of Scales (Ian Ring) Index: 657

Deep scale: No

Coherent scale: Yes

Corresponding Chords: Major Sixth (added sixth chord, triad with added sixth, 6, M6)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 148
  Mode 3 of: Bhavani
  Mode 4 of: Bi Yu

The name I use for this scale comes from: Clint's Invented Name

Wikipedia page related to this scale:

• Major Sixth Chord ⇒ Major 6th chord

Major Seventh

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–3–4–1

Scale degrees:
  in semitones: 0–4–7–11–12
  intervals: 1–3–5–7–8
  Root, Major 3rd, Perfect 5th, Major 7th, Octave

Pitches starting from C: C E G B c

All The Chords Name: Thaptic, 2imperfections

Pitch Class Set: {0,4,7,11}

Pitch Class Mapping: 2193 (Hex 891, Binary 100010010001)

A Study of Scales (Ian Ring) Index: 2193

Deep scale: No

Coherent scale: Yes

Corresponding Chords: Major Seventh (Delta chord, maj7, M7, Δ, ⑦, 7+)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 196
  Mode 3 of: Pattern Scale 280
  Mode 4 of: Lavangi

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia page related to this scale:

• Major Seventh Chord ⇒ Major seventh chord

Augmented Major Seventh

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–4–3–1

Scale degrees:
  in semitones: 0–4–8–11–12
  intervals: 1–3–m6–7–8
  Root, Major 3rd, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C E G♯ B c
  C E A♭ B c

All The Chords Name: Zyphic, 3imperfections

Pitch Class Set: {0,4,8,11}

Pitch Class Mapping: 2321 (Hex 911, Binary 100100010001)

A Study of Scales (Ian Ring) Index: 2321

Deep scale: No

Coherent scale: No

Corresponding Chords: Augmented Major Seventh (+M7, +Δ7, M7♯5, M7(♯5), M7/♯5, M7+5)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 200
  Mode 3 of: Pattern Scale 140
  Mode 4 of: Pattern Scale 273

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia page related to this scale:

• Augmented Major Seventh Chord ⇒ Augmented major seventh chord

Augmented Seventh

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 4–4–2–2

Scale degrees:
  in semitones: 0–4–8–10–12
  intervals: 1–3–m6–m7–8
  Root, Major 3rd, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C E G♯ A♯ c
  C E A♭ B♭ c

All The Chords Name: Aeolic, 4imperfections

Pitch Class Set: {0,4,8,10}

Pitch Class Mapping: 1297 (Hex 511, Binary 010100010001)

A Study of Scales (Ian Ring) Index: 1297

Deep scale: No

Coherent scale: No

Corresponding Chords: Augmented Seventh (aug7, +7)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 168
  Mode 3 of: Pattern Scale 138
  Mode 4 of: Pattern Scale 546

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia page related to this scale:

• Augmented Seventh Chord ⇒ Augmented seventh chord

Dream

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–1–1–5

Scale degrees:
  in semitones: 0–5–6–7–12
  intervals: 1–4–d5–5–8
  Root, Perfect 4th, Diminished 5th, Perfect 5th, Octave

Pitches starting from C:
  C F F♯ G c
  C F G♭ G c

Pitch Class Set: {0,5,6,7}

Pitch Class Mapping: 225 (Hex 0E1, Binary 000011100001)

A Study of Scales (Ian Ring) Index: 225

Deep scale: No

Coherent scale: No

Corresponding Chord: Dream

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 67
  Mode 3 of: Pattern Scale 1057
  Mode 4 of: Pattern Scale 1552

The name I use for this scale comes from: Scale name set by Clint based on the name of the corresponding 4-tone chord

Wikipedia page related to this scale:

• Dream Chord ⇒ Dream chord

Notes: From Wikipedia: The Dream Chord is a chord that is used prominently in the works of La Monte Young. Young started working with long sounds in 1957 (in the octet for Brass) but his interest in them dates from much earlier. He remembers the sound of the wind in the chinks of the Idaho log cabin in which he was born in 1935. In his childhood he was fascinated by continuous environmental sounds, particularly those of motors, power plants & telephone poles. The 'dream chord' on which some of his pieces are based is the chord he used to hear in the telephone poles. The chord is also used by Catherine Christer Hennix among others.

Upper Minor Tetratonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–2–3–2

Scale degrees:
  in semitones: 0–5–7–10–12
  intervals: 1–4–5–m7–8
  Root, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C F G A♯ c
  C F G B♭ c

Pitch Class Set: {0,5,7,10}

Pitch Class Mapping: 1185 (Hex 4A1, Binary 010010100001)

A Study of Scales (Ian Ring) Index: 1185

Deep scale: No

Coherent scale: No

Corresponding Chord: Seventh Suspension Four Chord

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Genus Primum
  Mode 3 of: Minor Tetratonic
  Mode 4 of: Pattern Scale 322

Subset of: Minor Pentatonic with no m3

The name I use for this scale comes from: Clint's Invented Name

Scala name: Genus primum inverse

Wikipedia page related to this scale:

• Seventh Suspension Four Chord ⇒ Suspended chord

Pure Four

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–2–2–3

Scale degrees:
  in semitones: 0–5–7–9–12
  intervals: 1–4–5–6–8
  Root, Perfect 4th, Perfect 5th, Major 6th, Octave

Pitches starting from C: C F G A c

Pitch Class Set: {0,5,7,9}

Pitch Class Mapping: 673 (Hex 2A1, Binary 001010100001)

A Study of Scales (Ian Ring) Index: 673

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Eskimo Tetratonic
  Mode 3 of: Pattern Scale 530
  Mode 4 of: Pattern Scale 644

The name I use for this scale comes from: Clint's Invented Name

Major Triad Add 4

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–1–2–5

Scale degrees:
  in semitones: 0–4–5–7–12
  intervals: 1–3–4–5–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Octave

Pitches starting from C: C E F G c

Pitch Class Set: {0,4,5,7}

Pitch Class Mapping: 177 (Hex 0B1, Binary 000010110001)

A Study of Scales (Ian Ring) Index: 177

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 133
  Mode 3 of: Pattern Scale 1090
  Mode 4 of: Pattern Scale 784

The name I use for this scale comes from: Clint's Invented Name

Savasri Add b6

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–2–1–4

Scale degrees:
  in semitones: 0–5–7–8–12
  intervals: 1–4–5–m6–8
  Root, Perfect 4th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C F G G♯ c
  C F G A♭ c

Pitch Class Set: {0,5,7,8}

Pitch Class Mapping: 417 (Hex 1A1, Binary 000110100001)

A Study of Scales (Ian Ring) Index: 417

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 70
  Mode 3 of: Pattern Scale 529
  Mode 4 of: Pattern Scale 1288

The name I use for this scale comes from: Clint's Invented Name

Closed Pair

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Scale steps in semitones: 4–1–6–1

Scale degrees:
  in semitones: 0–4–5–11–12
  intervals: 1–3–4–7–8
  Root, Major 3rd, Perfect 4th, Major 7th, Octave

Pitches starting from C: C E F B c

Pitch Class Set: {0,4,5,11}

Pitch Class Mapping: 2097 (Hex 831, Binary 100000110001)

A Study of Scales (Ian Ring) Index: 2097

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 193
  Mode 3 of: Pattern Scale 1120
  Mode 4 of: Pattern Scale 49

The name I use for this scale comes from: Clint's Invented Name

Pattern Scales

Pattern Scale 7

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Scale steps in semitones: 1–1–1–9

Scale degrees:
  in semitones: 0–1–2–3–12
  intervals: 1–m2–2–m3–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Octave

Pitches starting from C:
  C C♯ D D♯ c
  C D♭ D E♭ c

Pitch Class Set: {0,1,2,3}

Pitch Class Mapping: 15 (Hex 00F, Binary 000000001111)

A Study of Scales (Ian Ring) Index: 15

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1027
  Mode 3 of: Pattern Scale 1537
  Mode 4 of: Pattern Scale 1792

The name I use for this scale comes from: Pattern designation

Pattern Scale 11

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–8

Scale degrees:
  in semitones: 0–1–2–4–12
  intervals: 1–m2–2–3–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Octave

Pitches starting from C:
  C C♯ D E c
  C D♭ D E c

Pitch Class Set: {0,1,2,4}

Pitch Class Mapping: 23 (Hex 017, Binary 000000010111)

A Study of Scales (Ian Ring) Index: 23

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1029
  Mode 3 of: Pattern Scale 1538
  Mode 4 of: Pattern Scale 896

The name I use for this scale comes from: Pattern designation

Pattern Scale 13

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Scale steps in semitones: 1–2–1–8

Scale degrees:
  in semitones: 0–1–3–4–12
  intervals: 1–m2–m3–3–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Octave

Pitches starting from C:
  C C♯ D♯ E c
  C D♭ E♭ E c

Pitch Class Set: {0,1,3,4}

Pitch Class Mapping: 27 (Hex 01B, Binary 000000011011)

A Study of Scales (Ian Ring) Index: 27

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1030
  Mode 3 of: Pattern Scale 769
  Mode 4 of: Pattern Scale 1408

The name I use for this scale comes from: Pattern designation

Pattern Scale 14

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–8

Scale degrees:
  in semitones: 0–2–3–4–12
  intervals: 1–2–m3–3–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Octave

Pitches starting from C:
  C D D♯ E c
  C D E♭ E c

Pitch Class Set: {0,2,3,4}

Pitch Class Mapping: 29 (Hex 01D, Binary 000000011101)

A Study of Scales (Ian Ring) Index: 29

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 515
  Mode 3 of: Pattern Scale 1281
  Mode 4 of: Pattern Scale 1664

The name I use for this scale comes from: Pattern designation

Pattern Scale 19

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–7

Scale degrees:
  in semitones: 0–1–2–5–12
  intervals: 1–m2–2–4–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Octave

Pitches starting from C:
  C C♯ D F c
  C D♭ D F c

Pitch Class Set: {0,1,2,5}

Pitch Class Mapping: 39 (Hex 027, Binary 000000100111)

A Study of Scales (Ian Ring) Index: 39

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1033
  Mode 3 of: Pattern Scale 1540
  Mode 4 of: Pattern Scale 448

The name I use for this scale comes from: Pattern designation

Pattern Scale 21

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Scale steps in semitones: 1–2–2–7

Scale degrees:
  in semitones: 0–1–3–5–12
  intervals: 1–m2–m3–4–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Octave

Pitches starting from C:
  C C♯ D♯ F c
  C D♭ E♭ F c

Pitch Class Set: {0,1,3,5}

Pitch Class Mapping: 43 (Hex 02B, Binary 000000101011)

A Study of Scales (Ian Ring) Index: 43

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1034
  Mode 3 of: Pattern Scale 770
  Mode 4 of: Pattern Scale 704

The name I use for this scale comes from: Pattern designation

Pattern Scale 22

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Scale steps in semitones: 2–1–2–7

Scale degrees:
  in semitones: 0–2–3–5–12
  intervals: 1–2–m3–4–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Octave

Pitches starting from C:
  C D D♯ F c
  C D E♭ F c

Pitch Class Set: {0,2,3,5}

Pitch Class Mapping: 45 (Hex 02D, Binary 000000101101)

A Study of Scales (Ian Ring) Index: 45

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 517
  Mode 3 of: Pattern Scale 1282
  Mode 4 of: Pattern Scale 832

The name I use for this scale comes from: Pattern designation

Pattern Scale 25

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–1–7

Scale degrees:
  in semitones: 0–1–4–5–12
  intervals: 1–m2–3–4–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Octave

Pitches starting from C:
  C C♯ E F c
  C D♭ E F c

Pitch Class Set: {0,1,4,5}

Pitch Class Mapping: 51 (Hex 033, Binary 000000110011)

A Study of Scales (Ian Ring) Index: 51

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1036
  Mode 3 of: Pattern Scale 385
  Mode 4 of: Pattern Scale 1216

The name I use for this scale comes from: Pattern designation

Pattern Scale 26

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–7

Scale degrees:
  in semitones: 0–2–4–5–12
  intervals: 1–2–3–4–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Octave

Pitches starting from C: C D E F c

Pitch Class Set: {0,2,4,5}

Pitch Class Mapping: 53 (Hex 035, Binary 000000110101)

A Study of Scales (Ian Ring) Index: 53

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Warao Tetratonic
  Mode 3 of: Pattern Scale 641
  Mode 4 of: Pattern Scale 1344

The name I use for this scale comes from: Pattern designation

Pattern Scale 28

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or         or        

Scale steps in semitones: 3–1–1–7

Scale degrees:
  in semitones: 0–3–4–5–12
  intervals: 1–m3–3–4–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Octave

Pitches starting from C:
  C D♯ E F c
  C E♭ E F c

Pitch Class Set: {0,3,4,5}

Pitch Class Mapping: 57 (Hex 039, Binary 000000111001)

A Study of Scales (Ian Ring) Index: 57

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 259
  Mode 3 of: Pattern Scale 1153
  Mode 4 of: Pattern Scale 1600

The name I use for this scale comes from: Pattern designation

Pattern Scale 35

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–4–6

Scale degrees:
  in semitones: 0–1–2–6–12
  intervals: 1–m2–2–d5–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Octave

Pitches starting from C:
  C C♯ D F♯ c
  C D♭ D G♭ c

Pitch Class Set: {0,1,2,6}

Pitch Class Mapping: 71 (Hex 047, Binary 000001000111)

A Study of Scales (Ian Ring) Index: 71

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1041
  Mode 3 of: Pattern Scale 1544
  Mode 4 of: Pattern Scale 224

The name I use for this scale comes from: Pattern designation

Pattern Scale 37

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Scale steps in semitones: 1–2–3–6

Scale degrees:
  in semitones: 0–1–3–6–12
  intervals: 1–m2–m3–d5–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ c
  C D♭ E♭ G♭ c

Pitch Class Set: {0,1,3,6}

Pitch Class Mapping: 75 (Hex 04B, Binary 000001001011)

A Study of Scales (Ian Ring) Index: 75

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1042
  Mode 3 of: Pattern Scale 772
  Mode 4 of: Pattern Scale 352

The name I use for this scale comes from: Pattern designation

Pattern Scale 38

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–6

Scale degrees:
  in semitones: 0–2–3–6–12
  intervals: 1–2–m3–d5–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Octave

Pitches starting from C:
  C D D♯ F♯ c
  C D E♭ G♭ c

Pitch Class Set: {0,2,3,6}

Pitch Class Mapping: 77 (Hex 04D, Binary 000001001101)

A Study of Scales (Ian Ring) Index: 77

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 521
  Mode 3 of: Pattern Scale 1284
  Mode 4 of: Pattern Scale 416

The name I use for this scale comes from: Pattern designation

Pattern Scale 41

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–2–6

Scale degrees:
  in semitones: 0–1–4–6–12
  intervals: 1–m2–3–d5–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Octave

Pitches starting from C:
  C C♯ E F♯ c
  C D♭ E G♭ c

Pitch Class Set: {0,1,4,6}

Pitch Class Mapping: 83 (Hex 053, Binary 000001010011)

A Study of Scales (Ian Ring) Index: 83

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1044
  Mode 3 of: Pattern Scale 386
  Mode 4 of: Pattern Scale 608

The name I use for this scale comes from: Pattern designation

Pattern Scale 42

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–2–2–6

Scale degrees:
  in semitones: 0–2–4–6–12
  intervals: 1–2–3–d5–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Octave

Pitches starting from C:
  C D E F♯ c
  C D E G♭ c

Pitch Class Set: {0,2,4,6}

Pitch Class Mapping: 85 (Hex 055, Binary 000001010101)

A Study of Scales (Ian Ring) Index: 85

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 522
  Mode 3 of: Pattern Scale 642
  Mode 4 of: Pattern Scale 672

The name I use for this scale comes from: Pattern designation

Pattern Scale 44

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–6

Scale degrees:
  in semitones: 0–3–4–6–12
  intervals: 1–m3–3–d5–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Octave

Pitches starting from C:
  C D♯ E F♯ c
  C E♭ E G♭ c

Pitch Class Set: {0,3,4,6}

Pitch Class Mapping: 89 (Hex 059, Binary 000001011001)

A Study of Scales (Ian Ring) Index: 89

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 261
  Mode 3 of: Pattern Scale 1154
  Mode 4 of: Pattern Scale 800

The name I use for this scale comes from: Pattern designation

Pattern Scale 49

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–4–1–6

Scale degrees:
  in semitones: 0–1–5–6–12
  intervals: 1–m2–4–d5–8
  Root, Minor 2nd, Perfect 4th, Diminished 5th, Octave

Pitches starting from C:
  C C♯ F F♯ c
  C D♭ F G♭ c

Pitch Class Set: {0,1,5,6}

Pitch Class Mapping: 99 (Hex 063, Binary 000001100011)

A Study of Scales (Ian Ring) Index: 99

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Closed Pair
  Mode 3 of: Pattern Scale 193
  Mode 4 of: Pattern Scale 1120

The name I use for this scale comes from: Pattern designation

Pattern Scale 50

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–3–1–6

Scale degrees:
  in semitones: 0–2–5–6–12
  intervals: 1–2–4–d5–8
  Root, Major 2nd, Perfect 4th, Diminished 5th, Octave

Pitches starting from C:
  C D F F♯ c
  C D F G♭ c

Pitch Class Set: {0,2,5,6}

Pitch Class Mapping: 101 (Hex 065, Binary 000001100101)

A Study of Scales (Ian Ring) Index: 101

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 524
  Mode 3 of: Pattern Scale 321
  Mode 4 of: Pattern Scale 1184

The name I use for this scale comes from: Pattern designation

Pattern Scale 52

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Scale steps in semitones: 3–2–1–6

Scale degrees:
  in semitones: 0–3–5–6–12
  intervals: 1–m3–4–d5–8
  Root, Minor 3rd, Perfect 4th, Diminished 5th, Octave

Pitches starting from C:
  C D♯ F F♯ c
  C E♭ F G♭ c

Pitch Class Set: {0,3,5,6}

Pitch Class Mapping: 105 (Hex 069, Binary 000001101001)

A Study of Scales (Ian Ring) Index: 105

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 262
  Mode 3 of: Pattern Scale 577
  Mode 4 of: Pattern Scale 1312

The name I use for this scale comes from: Pattern designation

Pattern Scale 56

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–1–1–6

Scale degrees:
  in semitones: 0–4–5–6–12
  intervals: 1–3–4–d5–8
  Root, Major 3rd, Perfect 4th, Diminished 5th, Octave

Pitches starting from C:
  C E F F♯ c
  C E F G♭ c

Pitch Class Set: {0,4,5,6}

Pitch Class Mapping: 113 (Hex 071, Binary 000001110001)

A Study of Scales (Ian Ring) Index: 113

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 131
  Mode 3 of: Pattern Scale 1089
  Mode 4 of: Pattern Scale 1568

The name I use for this scale comes from: Pattern designation

Pattern Scale 67

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–5–5

Scale degrees:
  in semitones: 0–1–2–7–12
  intervals: 1–m2–2–5–8
  Root, Minor 2nd, Major 2nd, Perfect 5th, Octave

Pitches starting from C:
  C C♯ D G c
  C D♭ D G c

Pitch Class Set: {0,1,2,7}

Pitch Class Mapping: 135 (Hex 087, Binary 000010000111)

A Study of Scales (Ian Ring) Index: 135

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1057
  Mode 3 of: Pattern Scale 1552
  Mode 4 of: Dream

The name I use for this scale comes from: Pattern designation

Pattern Scale 69

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Scale steps in semitones: 1–2–4–5

Scale degrees:
  in semitones: 0–1–3–7–12
  intervals: 1–m2–m3–5–8
  Root, Minor 2nd, Minor 3rd, Perfect 5th, Octave

Pitches starting from C:
  C C♯ D♯ G c
  C D♭ E♭ G c

Pitch Class Set: {0,1,3,7}

Pitch Class Mapping: 139 (Hex 08B, Binary 000010001011)

A Study of Scales (Ian Ring) Index: 139

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sumukam
  Mode 3 of: Pattern Scale 776
  Mode 4 of: Pattern Scale 176

The name I use for this scale comes from: Pattern designation

Pattern Scale 70

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–4–5

Scale degrees:
  in semitones: 0–2–3–7–12
  intervals: 1–2–m3–5–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Octave

Pitches starting from C:
  C D D♯ G c
  C D E♭ G c

Pitch Class Set: {0,2,3,7}

Pitch Class Mapping: 141 (Hex 08D, Binary 000010001101)

A Study of Scales (Ian Ring) Index: 141

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 529
  Mode 3 of: Pattern Scale 1288
  Mode 4 of: Savasri Add b6

The name I use for this scale comes from: Pattern designation

Pattern Scale 73

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–3–5

Scale degrees:
  in semitones: 0–1–4–7–12
  intervals: 1–m2–3–5–8
  Root, Minor 2nd, Major 3rd, Perfect 5th, Octave

Pitches starting from C:
  C C♯ E G c
  C D♭ E G c

Pitch Class Set: {0,1,4,7}

Pitch Class Mapping: 147 (Hex 093, Binary 000010010011)

A Study of Scales (Ian Ring) Index: 147

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Diminished Major Seventh
  Mode 3 of: Pattern Scale 388
  Mode 4 of: Pattern Scale 304

The name I use for this scale comes from: Pattern designation

Pattern Scale 76

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–3–5

Scale degrees:
  in semitones: 0–3–4–7–12
  intervals: 1–m3–3–5–8
  Root, Minor 3rd, Major 3rd, Perfect 5th, Octave

Pitches starting from C:
  C D♯ E G c
  C E♭ E G c

Pitch Class Set: {0,3,4,7}

Pitch Class Mapping: 153 (Hex 099, Binary 000010011001)

A Study of Scales (Ian Ring) Index: 153

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 265
  Mode 3 of: Pattern Scale 1156
  Mode 4 of: Pattern Scale 400

The name I use for this scale comes from: Pattern designation

Pattern Scale 81

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–4–2–5

Scale degrees:
  in semitones: 0–1–5–7–12
  intervals: 1–m2–4–5–8
  Root, Minor 2nd, Perfect 4th, Perfect 5th, Octave

Pitches starting from C:
  C C♯ F G c
  C D♭ F G c

Pitch Class Set: {0,1,5,7}

Pitch Class Mapping: 163 (Hex 0A3, Binary 000010100011)

A Study of Scales (Ian Ring) Index: 163

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Nigamagamini
  Mode 3 of: Pattern Scale 194
  Mode 4 of: Pattern Scale 560

The name I use for this scale comes from: Pattern designation

Pattern Scale 98

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–4–1–5

Scale degrees:
  in semitones: 0–2–6–7–12
  intervals: 1–2–d5–5–8
  Root, Major 2nd, Diminished 5th, Perfect 5th, Octave

Pitches starting from C:
  C D F♯ G c
  C D G♭ G c

Pitch Class Set: {0,2,6,7}

Pitch Class Mapping: 197 (Hex 0C5, Binary 000011000101)

A Study of Scales (Ian Ring) Index: 197

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 536
  Mode 3 of: Pattern Scale 161
  Mode 4 of: Pattern Scale 1104

The name I use for this scale comes from: Pattern designation

Pattern Scale 100

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–3–1–5

Scale degrees:
  in semitones: 0–3–6–7–12
  intervals: 1–m3–d5–5–8
  Root, Minor 3rd, Diminished 5th, Perfect 5th, Octave

Pitches starting from C:
  C D♯ F♯ G c
  C E♭ G♭ G c

Pitch Class Set: {0,3,6,7}

Pitch Class Mapping: 201 (Hex 0C9, Binary 000011001001)

A Study of Scales (Ian Ring) Index: 201

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 268
  Mode 3 of: Pattern Scale 289
  Mode 4 of: Pattern Scale 1168

The name I use for this scale comes from: Pattern designation

Pattern Scale 104

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 4–2–1–5

Scale degrees:
  in semitones: 0–4–6–7–12
  intervals: 1–3–d5–5–8
  Root, Major 3rd, Diminished 5th, Perfect 5th, Octave

Pitches starting from C:
  C E F♯ G c
  C E G♭ G c

Pitch Class Set: {0,4,6,7}

Pitch Class Mapping: 209 (Hex 0D1, Binary 000011010001)

A Study of Scales (Ian Ring) Index: 209

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 134
  Mode 3 of: Pattern Scale 545
  Mode 4 of: Pattern Scale 1296

The name I use for this scale comes from: Pattern designation

Pattern Scale 131

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–6–4

Scale degrees:
  in semitones: 0–1–2–8–12
  intervals: 1–m2–2–m6–8
  Root, Minor 2nd, Major 2nd, Minor 6th, Octave

Pitches starting from C:
  C C♯ D G♯ c
  C D♭ D A♭ c

Pitch Class Set: {0,1,2,8}

Pitch Class Mapping: 263 (Hex 107, Binary 000100000111)

A Study of Scales (Ian Ring) Index: 263

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1089
  Mode 3 of: Pattern Scale 1568
  Mode 4 of: Pattern Scale 56

The name I use for this scale comes from: Pattern designation

Pattern Scale 133

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Scale steps in semitones: 1–2–5–4

Scale degrees:
  in semitones: 0–1–3–8–12
  intervals: 1–m2–m3–m6–8
  Root, Minor 2nd, Minor 3rd, Minor 6th, Octave

Pitches starting from C:
  C C♯ D♯ G♯ c
  C D♭ E♭ A♭ c

Pitch Class Set: {0,1,3,8}

Pitch Class Mapping: 267 (Hex 10B, Binary 000100001011)

A Study of Scales (Ian Ring) Index: 267

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1090
  Mode 3 of: Pattern Scale 784
  Mode 4 of: Major Triad Add 4

The name I use for this scale comes from: Pattern designation

Pattern Scale 134

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–5–4

Scale degrees:
  in semitones: 0–2–3–8–12
  intervals: 1–2–m3–m6–8
  Root, Major 2nd, Minor 3rd, Minor 6th, Octave

Pitches starting from C:
  C D D♯ G♯ c
  C D E♭ A♭ c

Pitch Class Set: {0,2,3,8}

Pitch Class Mapping: 269 (Hex 10D, Binary 000100001101)

A Study of Scales (Ian Ring) Index: 269

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 545
  Mode 3 of: Pattern Scale 1296
  Mode 4 of: Pattern Scale 104

The name I use for this scale comes from: Pattern designation

Pattern Scale 137

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–4–4

Scale degrees:
  in semitones: 0–1–4–8–12
  intervals: 1–m2–3–m6–8
  Root, Minor 2nd, Major 3rd, Minor 6th, Octave

Pitches starting from C:
  C C♯ E G♯ c
  C D♭ E A♭ c

All The Chords Name: Dalic, 3imperfections

Pitch Class Set: {0,1,4,8}

Pitch Class Mapping: 275 (Hex 113, Binary 000100010011)

A Study of Scales (Ian Ring) Index: 275

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Minor Major Seventh
  Mode 3 of: Pattern Scale 392
  Mode 4 of: Pattern Scale 152

The name I use for this scale comes from: Pattern designation

Pattern Scale 138

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–2–4–4

Scale degrees:
  in semitones: 0–2–4–8–12
  intervals: 1–2–3–m6–8
  Root, Major 2nd, Major 3rd, Minor 6th, Octave

Pitches starting from C:
  C D E G♯ c
  C D E A♭ c

All The Chords Name: Mixolyric, 4imperfections

Pitch Class Set: {0,2,4,8}

Pitch Class Mapping: 277 (Hex 115, Binary 000100010101)

A Study of Scales (Ian Ring) Index: 277

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 546
  Mode 3 of: Augmented Seventh
  Mode 4 of: Pattern Scale 168

The name I use for this scale comes from: Pattern designation

Pattern Scale 140

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–4–4

Scale degrees:
  in semitones: 0–3–4–8–12
  intervals: 1–m3–3–m6–8
  Root, Minor 3rd, Major 3rd, Minor 6th, Octave

Pitches starting from C:
  C D♯ E G♯ c
  C E♭ E A♭ c

All The Chords Name: Lanic, 3imperfections

Pitch Class Set: {0,3,4,8}

Pitch Class Mapping: 281 (Hex 119, Binary 000100011001)

A Study of Scales (Ian Ring) Index: 281

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 273
  Mode 3 of: Augmented Major Seventh
  Mode 4 of: Pattern Scale 200

The name I use for this scale comes from: Pattern designation

Pattern Scale 148

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Scale steps in semitones: 3–2–3–4

Scale degrees:
  in semitones: 0–3–5–8–12
  intervals: 1–m3–4–m6–8
  Root, Minor 3rd, Perfect 4th, Minor 6th, Octave

Pitches starting from C:
  C D♯ F G♯ c
  C E♭ F A♭ c

All The Chords Name: Mynic, 2imperfections

Pitch Class Set: {0,3,5,8}

Pitch Class Mapping: 297 (Hex 129, Binary 000100101001)

A Study of Scales (Ian Ring) Index: 297

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bhavani
  Mode 3 of: Bi Yu
  Mode 4 of: Major Sixth

The name I use for this scale comes from: Pattern designation

Pattern Scale 152

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–1–3–4

Scale degrees:
  in semitones: 0–4–5–8–12
  intervals: 1–3–4–m6–8
  Root, Major 3rd, Perfect 4th, Minor 6th, Octave

Pitches starting from C:
  C E F G♯ c
  C E F A♭ c

All The Chords Name: Gonic, 3imperfections

Pitch Class Set: {0,4,5,8}

Pitch Class Mapping: 305 (Hex 131, Binary 000100110001)

A Study of Scales (Ian Ring) Index: 305

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 137
  Mode 3 of: Minor Major Seventh
  Mode 4 of: Pattern Scale 392

The name I use for this scale comes from: Pattern designation

Pattern Scale 161

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–5–2–4

Scale degrees:
  in semitones: 0–1–6–8–12
  intervals: 1–m2–d5–m6–8
  Root, Minor 2nd, Diminished 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ F♯ G♯ c
  C D♭ G♭ A♭ c

Pitch Class Set: {0,1,6,8}

Pitch Class Mapping: 323 (Hex 143, Binary 000101000011)

A Study of Scales (Ian Ring) Index: 323

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1104
  Mode 3 of: Pattern Scale 98
  Mode 4 of: Pattern Scale 536

The name I use for this scale comes from: Pattern designation

Pattern Scale 164

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–3–2–4

Scale degrees:
  in semitones: 0–3–6–8–12
  intervals: 1–m3–d5–m6–8
  Root, Minor 3rd, Diminished 5th, Minor 6th, Octave

Pitches starting from C:
  C D♯ F♯ G♯ c
  C E♭ G♭ A♭ c

All The Chords Name: Mynic, 3imperfections

Pitch Class Set: {0,3,6,8}

Pitch Class Mapping: 329 (Hex 149, Binary 000101001001)

A Study of Scales (Ian Ring) Index: 329

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 276
  Mode 3 of: Pattern Scale 290
  Mode 4 of: Mahathi

The name I use for this scale comes from: Pattern designation

Pattern Scale 168

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 4–2–2–4

Scale degrees:
  in semitones: 0–4–6–8–12
  intervals: 1–3–d5–m6–8
  Root, Major 3rd, Diminished 5th, Minor 6th, Octave

Pitches starting from C:
  C E F♯ G♯ c
  C E G♭ A♭ c

All The Chords Name: Koptic, 4imperfections

Pitch Class Set: {0,4,6,8}

Pitch Class Mapping: 337 (Hex 151, Binary 000101010001)

A Study of Scales (Ian Ring) Index: 337

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 138
  Mode 3 of: Pattern Scale 546
  Mode 4 of: Augmented Seventh

The name I use for this scale comes from: Pattern designation

Pattern Scale 176

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–1–2–4

Scale degrees:
  in semitones: 0–5–6–8–12
  intervals: 1–4–d5–m6–8
  Root, Perfect 4th, Diminished 5th, Minor 6th, Octave

Pitches starting from C:
  C F F♯ G♯ c
  C F G♭ A♭ c

Pitch Class Set: {0,5,6,8}

Pitch Class Mapping: 353 (Hex 161, Binary 000101100001)

A Study of Scales (Ian Ring) Index: 353

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 69
  Mode 3 of: Sumukam
  Mode 4 of: Pattern Scale 776

The name I use for this scale comes from: Pattern designation

Pattern Scale 193

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–6–1–4

Scale degrees:
  in semitones: 0–1–7–8–12
  intervals: 1–m2–5–m6–8
  Root, Minor 2nd, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ G G♯ c
  C D♭ G A♭ c

Pitch Class Set: {0,1,7,8}

Pitch Class Mapping: 387 (Hex 183, Binary 000110000011)

A Study of Scales (Ian Ring) Index: 387

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1120
  Mode 3 of: Pattern Scale 49
  Mode 4 of: Closed Pair

The name I use for this scale comes from: Pattern designation

Pattern Scale 194

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–5–1–4

Scale degrees:
  in semitones: 0–2–7–8–12
  intervals: 1–2–5–m6–8
  Root, Major 2nd, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C D G G♯ c
  C D G A♭ c

Pitch Class Set: {0,2,7,8}

Pitch Class Mapping: 389 (Hex 185, Binary 000110000101)

A Study of Scales (Ian Ring) Index: 389

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 560
  Mode 3 of: Pattern Scale 81
  Mode 4 of: Nigamagamini

The name I use for this scale comes from: Pattern designation

Pattern Scale 196

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–4–1–4

Scale degrees:
  in semitones: 0–3–7–8–12
  intervals: 1–m3–5–m6–8
  Root, Minor 3rd, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C D♯ G G♯ c
  C E♭ G A♭ c

All The Chords Name: Lothic, 2imperfections

Pitch Class Set: {0,3,7,8}

Pitch Class Mapping: 393 (Hex 189, Binary 000110001001)

A Study of Scales (Ian Ring) Index: 393

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 280
  Mode 3 of: Lavangi
  Mode 4 of: Major Seventh

The name I use for this scale comes from: Pattern designation

Pattern Scale 200

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 4–3–1–4

Scale degrees:
  in semitones: 0–4–7–8–12
  intervals: 1–3–5–m6–8
  Root, Major 3rd, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C E G G♯ c
  C E G A♭ c

All The Chords Name: Epogic, 3imperfections

Pitch Class Set: {0,4,7,8}

Pitch Class Mapping: 401 (Hex 191, Binary 000110010001)

A Study of Scales (Ian Ring) Index: 401

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 140
  Mode 3 of: Pattern Scale 273
  Mode 4 of: Augmented Major Seventh

The name I use for this scale comes from: Pattern designation

Pattern Scale 224

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 6–1–1–4

Scale degrees:
  in semitones: 0–6–7–8–12
  intervals: 1–d5–5–m6–8
  Root, Diminished 5th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C F♯ G G♯ c
  C G♭ G A♭ c

Pitch Class Set: {0,6,7,8}

Pitch Class Mapping: 449 (Hex 1C1, Binary 000111000001)

A Study of Scales (Ian Ring) Index: 449

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 35
  Mode 3 of: Pattern Scale 1041
  Mode 4 of: Pattern Scale 1544

The name I use for this scale comes from: Pattern designation

Pattern Scale 259

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–7–3

Scale degrees:
  in semitones: 0–1–2–9–12
  intervals: 1–m2–2–6–8
  Root, Minor 2nd, Major 2nd, Major 6th, Octave

Pitches starting from C:
  C C♯ D A c
  C D♭ D A c

Pitch Class Set: {0,1,2,9}

Pitch Class Mapping: 519 (Hex 207, Binary 001000000111)

A Study of Scales (Ian Ring) Index: 519

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1153
  Mode 3 of: Pattern Scale 1600
  Mode 4 of: Pattern Scale 28

The name I use for this scale comes from: Pattern designation

Pattern Scale 261

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or       

Scale steps in semitones: 1–2–6–3

Scale degrees:
  in semitones: 0–1–3–9–12
  intervals: 1–m2–m3–6–8
  Root, Minor 2nd, Minor 3rd, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ A c
  C D♭ E♭ A c

Pitch Class Set: {0,1,3,9}

Pitch Class Mapping: 523 (Hex 20B, Binary 001000001011)

A Study of Scales (Ian Ring) Index: 523

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1154
  Mode 3 of: Pattern Scale 800
  Mode 4 of: Pattern Scale 44

The name I use for this scale comes from: Pattern designation

Pattern Scale 262

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–6–3

Scale degrees:
  in semitones: 0–2–3–9–12
  intervals: 1–2–m3–6–8
  Root, Major 2nd, Minor 3rd, Major 6th, Octave

Pitches starting from C:
  C D D♯ A c
  C D E♭ A c

Pitch Class Set: {0,2,3,9}

Pitch Class Mapping: 525 (Hex 20D, Binary 001000001101)

A Study of Scales (Ian Ring) Index: 525

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 577
  Mode 3 of: Pattern Scale 1312
  Mode 4 of: Pattern Scale 52

The name I use for this scale comes from: Pattern designation

Pattern Scale 265

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–5–3

Scale degrees:
  in semitones: 0–1–4–9–12
  intervals: 1–m2–3–6–8
  Root, Minor 2nd, Major 3rd, Major 6th, Octave

Pitches starting from C:
  C C♯ E A c
  C D♭ E A c

Pitch Class Set: {0,1,4,9}

Pitch Class Mapping: 531 (Hex 213, Binary 001000010011)

A Study of Scales (Ian Ring) Index: 531

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1156
  Mode 3 of: Pattern Scale 400
  Mode 4 of: Pattern Scale 76

The name I use for this scale comes from: Pattern designation

Pattern Scale 266

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–2–5–3

Scale degrees:
  in semitones: 0–2–4–9–12
  intervals: 1–2–3–6–8
  Root, Major 2nd, Major 3rd, Major 6th, Octave

Pitches starting from C: C D E A c

Pitch Class Set: {0,2,4,9}

Pitch Class Mapping: 533 (Hex 215, Binary 001000010101)

A Study of Scales (Ian Ring) Index: 533

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 578
  Mode 3 of: Pattern Scale 656
  Mode 4 of: Lower Minor Tetratonic

The name I use for this scale comes from: Pattern designation

Pattern Scale 268

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or          or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–5–3

Scale degrees:
  in semitones: 0–3–4–9–12
  intervals: 1–m3–3–6–8
  Root, Minor 3rd, Major 3rd, Major 6th, Octave

Pitches starting from C:
  C D♯ E A c
  C E♭ E A c

Pitch Class Set: {0,3,4,9}

Pitch Class Mapping: 537 (Hex 219, Binary 001000011001)

A Study of Scales (Ian Ring) Index: 537

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 289
  Mode 3 of: Pattern Scale 1168
  Mode 4 of: Pattern Scale 100

The name I use for this scale comes from: Pattern designation

Pattern Scale 273

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–4–4–3

Scale degrees:
  in semitones: 0–1–5–9–12
  intervals: 1–m2–4–6–8
  Root, Minor 2nd, Perfect 4th, Major 6th, Octave

Pitches starting from C:
  C C♯ F A c
  C D♭ F A c

All The Chords Name: Pyrric, 3imperfections

Pitch Class Set: {0,1,5,9}

Pitch Class Mapping: 547 (Hex 223, Binary 001000100011)

A Study of Scales (Ian Ring) Index: 547

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Augmented Major Seventh
  Mode 3 of: Pattern Scale 200
  Mode 4 of: Pattern Scale 140

The name I use for this scale comes from: Pattern designation

Pattern Scale 276

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or          or        

Scale steps in semitones: 3–2–4–3

Scale degrees:
  in semitones: 0–3–5–9–12
  intervals: 1–m3–4–6–8
  Root, Minor 3rd, Perfect 4th, Major 6th, Octave

Pitches starting from C:
  C D♯ F A c
  C E♭ F A c

All The Chords Name: Rothic, 3imperfections

Pitch Class Set: {0,3,5,9}

Pitch Class Mapping: 553 (Hex 229, Binary 001000101001)

A Study of Scales (Ian Ring) Index: 553

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 290
  Mode 3 of: Mahathi
  Mode 4 of: Pattern Scale 164

The name I use for this scale comes from: Pattern designation

Pattern Scale 280

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or          or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–1–4–3

Scale degrees:
  in semitones: 0–4–5–9–12
  intervals: 1–3–4–6–8
  Root, Major 3rd, Perfect 4th, Major 6th, Octave

Pitches starting from C: C E F A c

All The Chords Name: Phratic, 2imperfections

Pitch Class Set: {0,4,5,9}

Pitch Class Mapping: 561 (Hex 231, Binary 001000110001)

A Study of Scales (Ian Ring) Index: 561

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lavangi
  Mode 3 of: Major Seventh
  Mode 4 of: Pattern Scale 196

The name I use for this scale comes from: Pattern designation

Pattern Scale 289

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–5–3–3

Scale degrees:
  in semitones: 0–1–6–9–12
  intervals: 1–m2–d5–6–8
  Root, Minor 2nd, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ F♯ A c
  C D♭ G♭ A c

Pitch Class Set: {0,1,6,9}

Pitch Class Mapping: 579 (Hex 243, Binary 001001000011)

A Study of Scales (Ian Ring) Index: 579

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1168
  Mode 3 of: Pattern Scale 100
  Mode 4 of: Pattern Scale 268

The name I use for this scale comes from: Pattern designation

Pattern Scale 290

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–4–3–3

Scale degrees:
  in semitones: 0–2–6–9–12
  intervals: 1–2–d5–6–8
  Root, Major 2nd, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C D F♯ A c
  C D G♭ A c

All The Chords Name: Eporic, 3imperfections

Pitch Class Set: {0,2,6,9}

Pitch Class Mapping: 581 (Hex 245, Binary 001001000101)

A Study of Scales (Ian Ring) Index: 581

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mahathi
  Mode 3 of: Pattern Scale 164
  Mode 4 of: Pattern Scale 276

The name I use for this scale comes from: Pattern designation

Pattern Scale 296

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 4–2–3–3

Scale degrees:
  in semitones: 0–4–6–9–12
  intervals: 1–3–d5–6–8
  Root, Major 3rd, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C E F♯ A c
  C E G♭ A c

All The Chords Name: Saric, 3imperfections

Pitch Class Set: {0,4,6,9}

Pitch Class Mapping: 593 (Hex 251, Binary 001001010001)

A Study of Scales (Ian Ring) Index: 593

Deep scale: No

Coherent scale: Yes

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Haripriya
  Mode 3 of: Half-diminished Seventh
  Mode 4 of: Minor Sixth

The name I use for this scale comes from: Pattern designation

Pattern Scale 304

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–1–3–3

Scale degrees:
  in semitones: 0–5–6–9–12
  intervals: 1–4–d5–6–8
  Root, Perfect 4th, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C F F♯ A c
  C F G♭ A c

Pitch Class Set: {0,5,6,9}

Pitch Class Mapping: 609 (Hex 261, Binary 001001100001)

A Study of Scales (Ian Ring) Index: 609

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 73
  Mode 3 of: Diminished Major Seventh
  Mode 4 of: Pattern Scale 388

The name I use for this scale comes from: Pattern designation

Pattern Scale 321

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–6–2–3

Scale degrees:
  in semitones: 0–1–7–9–12
  intervals: 1–m2–5–6–8
  Root, Minor 2nd, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ G A c
  C D♭ G A c

Pitch Class Set: {0,1,7,9}

Pitch Class Mapping: 643 (Hex 283, Binary 001010000011)

A Study of Scales (Ian Ring) Index: 643

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1184
  Mode 3 of: Pattern Scale 50
  Mode 4 of: Pattern Scale 524

The name I use for this scale comes from: Pattern designation

Pattern Scale 322

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–5–2–3

Scale degrees:
  in semitones: 0–2–7–9–12
  intervals: 1–2–5–6–8
  Root, Major 2nd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D G A c

Pitch Class Set: {0,2,7,9}

Pitch Class Mapping: 645 (Hex 285, Binary 001010000101)

A Study of Scales (Ian Ring) Index: 645

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Upper Minor Tetratonic
  Mode 3 of: Genus Primum
  Mode 4 of: Minor Tetratonic

The name I use for this scale comes from: Pattern designation

Pattern Scale 352

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 6–1–2–3

Scale degrees:
  in semitones: 0–6–7–9–12
  intervals: 1–d5–5–6–8
  Root, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C F♯ G A c
  C G♭ G A c

Pitch Class Set: {0,6,7,9}

Pitch Class Mapping: 705 (Hex 2C1, Binary 001011000001)

A Study of Scales (Ian Ring) Index: 705

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 37
  Mode 3 of: Pattern Scale 1042
  Mode 4 of: Pattern Scale 772

The name I use for this scale comes from: Pattern designation

Pattern Scale 385

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–7–1–3

Scale degrees:
  in semitones: 0–1–8–9–12
  intervals: 1–m2–m6–6–8
  Root, Minor 2nd, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ G♯ A c
  C D♭ A♭ A c

Pitch Class Set: {0,1,8,9}

Pitch Class Mapping: 771 (Hex 303, Binary 001100000011)

A Study of Scales (Ian Ring) Index: 771

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1216
  Mode 3 of: Pattern Scale 25
  Mode 4 of: Pattern Scale 1036

The name I use for this scale comes from: Pattern designation

Pattern Scale 386

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

          or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 2–6–1–3

Scale degrees:
  in semitones: 0–2–8–9–12
  intervals: 1–2–m6–6–8
  Root, Major 2nd, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D G♯ A c
  C D A♭ A c

Pitch Class Set: {0,2,8,9}

Pitch Class Mapping: 773 (Hex 305, Binary 001100000101)

A Study of Scales (Ian Ring) Index: 773

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 608
  Mode 3 of: Pattern Scale 41
  Mode 4 of: Pattern Scale 1044

The name I use for this scale comes from: Pattern designation

Pattern Scale 388

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or          or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–5–1–3

Scale degrees:
  in semitones: 0–3–8–9–12
  intervals: 1–m3–m6–6–8
  Root, Minor 3rd, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D♯ G♯ A c
  C E♭ A♭ A c

Pitch Class Set: {0,3,8,9}

Pitch Class Mapping: 777 (Hex 309, Binary 001100001001)

A Study of Scales (Ian Ring) Index: 777

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 304
  Mode 3 of: Pattern Scale 73
  Mode 4 of: Diminished Major Seventh

The name I use for this scale comes from: Pattern designation

Pattern Scale 392

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or          or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 4–4–1–3

Scale degrees:
  in semitones: 0–4–8–9–12
  intervals: 1–3–m6–6–8
  Root, Major 3rd, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C E G♯ A c
  C E A♭ A c

All The Chords Name: Aeoloric, 3imperfections

Pitch Class Set: {0,4,8,9}

Pitch Class Mapping: 785 (Hex 311, Binary 001100010001)

A Study of Scales (Ian Ring) Index: 785

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 152
  Mode 3 of: Pattern Scale 137
  Mode 4 of: Minor Major Seventh

The name I use for this scale comes from: Pattern designation

Pattern Scale 400

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or          or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–3–1–3

Scale degrees:
  in semitones: 0–5–8–9–12
  intervals: 1–4–m6–6–8
  Root, Perfect 4th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C F G♯ A c
  C F A♭ A c

Pitch Class Set: {0,5,8,9}

Pitch Class Mapping: 801 (Hex 321, Binary 001100100001)

A Study of Scales (Ian Ring) Index: 801

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 76
  Mode 3 of: Pattern Scale 265
  Mode 4 of: Pattern Scale 1156

The name I use for this scale comes from: Pattern designation

Pattern Scale 416

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 6–2–1–3

Scale degrees:
  in semitones: 0–6–8–9–12
  intervals: 1–d5–m6–6–8
  Root, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C F♯ G♯ A c
  C G♭ A♭ A c

Pitch Class Set: {0,6,8,9}

Pitch Class Mapping: 833 (Hex 341, Binary 001101000001)

A Study of Scales (Ian Ring) Index: 833

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 38
  Mode 3 of: Pattern Scale 521
  Mode 4 of: Pattern Scale 1284

The name I use for this scale comes from: Pattern designation

Pattern Scale 448

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or       

Scale steps in semitones: 7–1–1–3

Scale degrees:
  in semitones: 0–7–8–9–12
  intervals: 1–5–m6–6–8
  Root, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C G G♯ A c
  C G A♭ A c

Pitch Class Set: {0,7,8,9}

Pitch Class Mapping: 897 (Hex 381, Binary 001110000001)

A Study of Scales (Ian Ring) Index: 897

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 19
  Mode 3 of: Pattern Scale 1033
  Mode 4 of: Pattern Scale 1540

The name I use for this scale comes from: Pattern designation

Pattern Scale 515

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–8–2

Scale degrees:
  in semitones: 0–1–2–10–12
  intervals: 1–m2–2–m7–8
  Root, Minor 2nd, Major 2nd, Minor 7th, Octave

Pitches starting from C:
  C C♯ D A♯ c
  C D♭ D B♭ c

Pitch Class Set: {0,1,2,10}

Pitch Class Mapping: 1031 (Hex 407, Binary 010000000111)

A Study of Scales (Ian Ring) Index: 1031

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1281
  Mode 3 of: Pattern Scale 1664
  Mode 4 of: Pattern Scale 14

The name I use for this scale comes from: Pattern designation

Pattern Scale 517

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Scale steps in semitones: 1–2–7–2

Scale degrees:
  in semitones: 0–1–3–10–12
  intervals: 1–m2–m3–m7–8
  Root, Minor 2nd, Minor 3rd, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ A♯ c
  C D♭ E♭ B♭ c

Pitch Class Set: {0,1,3,10}

Pitch Class Mapping: 1035 (Hex 40B, Binary 010000001011)

A Study of Scales (Ian Ring) Index: 1035

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1282
  Mode 3 of: Pattern Scale 832
  Mode 4 of: Pattern Scale 22

The name I use for this scale comes from: Pattern designation

Pattern Scale 521

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–6–2

Scale degrees:
  in semitones: 0–1–4–10–12
  intervals: 1–m2–3–m7–8
  Root, Minor 2nd, Major 3rd, Minor 7th, Octave

Pitches starting from C:
  C C♯ E A♯ c
  C D♭ E B♭ c

Pitch Class Set: {0,1,4,10}

Pitch Class Mapping: 1043 (Hex 413, Binary 010000010011)

A Study of Scales (Ian Ring) Index: 1043

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1284
  Mode 3 of: Pattern Scale 416
  Mode 4 of: Pattern Scale 38

The name I use for this scale comes from: Pattern designation

Pattern Scale 522

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 2–2–6–2

Scale degrees:
  in semitones: 0–2–4–10–12
  intervals: 1–2–3–m7–8
  Root, Major 2nd, Major 3rd, Minor 7th, Octave

Pitches starting from C:
  C D E A♯ c
  C D E B♭ c

Pitch Class Set: {0,2,4,10}

Pitch Class Mapping: 1045 (Hex 415, Binary 010000010101)

A Study of Scales (Ian Ring) Index: 1045

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 642
  Mode 3 of: Pattern Scale 672
  Mode 4 of: Pattern Scale 42

The name I use for this scale comes from: Pattern designation

Pattern Scale 524

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–6–2

Scale degrees:
  in semitones: 0–3–4–10–12
  intervals: 1–m3–3–m7–8
  Root, Minor 3rd, Major 3rd, Minor 7th, Octave

Pitches starting from C:
  C D♯ E A♯ c
  C E♭ E B♭ c

Pitch Class Set: {0,3,4,10}

Pitch Class Mapping: 1049 (Hex 419, Binary 010000011001)

A Study of Scales (Ian Ring) Index: 1049

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 321
  Mode 3 of: Pattern Scale 1184
  Mode 4 of: Pattern Scale 50

The name I use for this scale comes from: Pattern designation

Pattern Scale 529

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–4–5–2

Scale degrees:
  in semitones: 0–1–5–10–12
  intervals: 1–m2–4–m7–8
  Root, Minor 2nd, Perfect 4th, Minor 7th, Octave

Pitches starting from C:
  C C♯ F A♯ c
  C D♭ F B♭ c

Pitch Class Set: {0,1,5,10}

Pitch Class Mapping: 1059 (Hex 423, Binary 010000100011)

A Study of Scales (Ian Ring) Index: 1059

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1288
  Mode 3 of: Savasri Add b6
  Mode 4 of: Pattern Scale 70

The name I use for this scale comes from: Pattern designation

Pattern Scale 530

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–3–5–2

Scale degrees:
  in semitones: 0–2–5–10–12
  intervals: 1–2–4–m7–8
  Root, Major 2nd, Perfect 4th, Minor 7th, Octave

Pitches starting from C:
  C D F A♯ c
  C D F B♭ c

Pitch Class Set: {0,2,5,10}

Pitch Class Mapping: 1061 (Hex 425, Binary 010000100101)

A Study of Scales (Ian Ring) Index: 1061

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 644
  Mode 3 of: Pure Four
  Mode 4 of: Eskimo Tetratonic

The name I use for this scale comes from: Pattern designation

Pattern Scale 536

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–1–5–2

Scale degrees:
  in semitones: 0–4–5–10–12
  intervals: 1–3–4–m7–8
  Root, Major 3rd, Perfect 4th, Minor 7th, Octave

Pitches starting from C:
  C E F A♯ c
  C E F B♭ c

Pitch Class Set: {0,4,5,10}

Pitch Class Mapping: 1073 (Hex 431, Binary 010000110001)

A Study of Scales (Ian Ring) Index: 1073

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 161
  Mode 3 of: Pattern Scale 1104
  Mode 4 of: Pattern Scale 98

The name I use for this scale comes from: Pattern designation

Pattern Scale 545

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–5–4–2

Scale degrees:
  in semitones: 0–1–6–10–12
  intervals: 1–m2–d5–m7–8
  Root, Minor 2nd, Diminished 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ F♯ A♯ c
  C D♭ G♭ B♭ c

Pitch Class Set: {0,1,6,10}

Pitch Class Mapping: 1091 (Hex 443, Binary 010001000011)

A Study of Scales (Ian Ring) Index: 1091

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1296
  Mode 3 of: Pattern Scale 104
  Mode 4 of: Pattern Scale 134

The name I use for this scale comes from: Pattern designation

Pattern Scale 546

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 2–4–4–2

Scale degrees:
  in semitones: 0–2–6–10–12
  intervals: 1–2–d5–m7–8
  Root, Major 2nd, Diminished 5th, Minor 7th, Octave

Pitches starting from C:
  C D F♯ A♯ c
  C D G♭ B♭ c

All The Chords Name: Lydic, 4imperfections

Pitch Class Set: {0,2,6,10}

Pitch Class Mapping: 1093 (Hex 445, Binary 010001000101)

A Study of Scales (Ian Ring) Index: 1093

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Augmented Seventh
  Mode 3 of: Pattern Scale 168
  Mode 4 of: Pattern Scale 138

The name I use for this scale comes from: Pattern designation

Pattern Scale 560

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–1–4–2

Scale degrees:
  in semitones: 0–5–6–10–12
  intervals: 1–4–d5–m7–8
  Root, Perfect 4th, Diminished 5th, Minor 7th, Octave

Pitches starting from C:
  C F F♯ A♯ c
  C F G♭ B♭ c

Pitch Class Set: {0,5,6,10}

Pitch Class Mapping: 1121 (Hex 461, Binary 010001100001)

A Study of Scales (Ian Ring) Index: 1121

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 81
  Mode 3 of: Nigamagamini
  Mode 4 of: Pattern Scale 194

The name I use for this scale comes from: Pattern designation

Pattern Scale 577

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–6–3–2

Scale degrees:
  in semitones: 0–1–7–10–12
  intervals: 1–m2–5–m7–8
  Root, Minor 2nd, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ G A♯ c
  C D♭ G B♭ c

Pitch Class Set: {0,1,7,10}

Pitch Class Mapping: 1155 (Hex 483, Binary 010010000011)

A Study of Scales (Ian Ring) Index: 1155

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1312
  Mode 3 of: Pattern Scale 52
  Mode 4 of: Pattern Scale 262

The name I use for this scale comes from: Pattern designation

Piano Encyclopedia name: Raga Lavangi [Indian]

Pattern Scale 578

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 2–5–3–2

Scale degrees:
  in semitones: 0–2–7–10–12
  intervals: 1–2–5–m7–8
  Root, Major 2nd, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D G A♯ c
  C D G B♭ c

Pitch Class Set: {0,2,7,10}

Pitch Class Mapping: 1157 (Hex 485, Binary 010010000101)

A Study of Scales (Ian Ring) Index: 1157

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 656
  Mode 3 of: Lower Minor Tetratonic
  Mode 4 of: Pattern Scale 266

The name I use for this scale comes from: Pattern designation

Pattern Scale 608

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 6–1–3–2

Scale degrees:
  in semitones: 0–6–7–10–12
  intervals: 1–d5–5–m7–8
  Root, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C F♯ G A♯ c
  C G♭ G B♭ c

Pitch Class Set: {0,6,7,10}

Pitch Class Mapping: 1217 (Hex 4C1, Binary 010011000001)

A Study of Scales (Ian Ring) Index: 1217

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 41
  Mode 3 of: Pattern Scale 1044
  Mode 4 of: Pattern Scale 386

The name I use for this scale comes from: Pattern designation

Pattern Scale 641

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–7–2–2

Scale degrees:
  in semitones: 0–1–8–10–12
  intervals: 1–m2–m6–m7–8
  Root, Minor 2nd, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ G♯ A♯ c
  C D♭ A♭ B♭ c

Pitch Class Set: {0,1,8,10}

Pitch Class Mapping: 1283 (Hex 503, Binary 010100000011)

A Study of Scales (Ian Ring) Index: 1283

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1344
  Mode 3 of: Pattern Scale 26
  Mode 4 of: Warao Tetratonic

The name I use for this scale comes from: Pattern designation

Pattern Scale 642

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 2–6–2–2

Scale degrees:
  in semitones: 0–2–8–10–12
  intervals: 1–2–m6–m7–8
  Root, Major 2nd, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D G♯ A♯ c
  C D A♭ B♭ c

Pitch Class Set: {0,2,8,10}

Pitch Class Mapping: 1285 (Hex 505, Binary 010100000101)

A Study of Scales (Ian Ring) Index: 1285

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 672
  Mode 3 of: Pattern Scale 42
  Mode 4 of: Pattern Scale 522

The name I use for this scale comes from: Pattern designation

Pattern Scale 644

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–5–2–2

Scale degrees:
  in semitones: 0–3–8–10–12
  intervals: 1–m3–m6–m7–8
  Root, Minor 3rd, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ G♯ A♯ c
  C E♭ A♭ B♭ c

Pitch Class Set: {0,3,8,10}

Pitch Class Mapping: 1289 (Hex 509, Binary 010100001001)

A Study of Scales (Ian Ring) Index: 1289

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pure Four
  Mode 3 of: Eskimo Tetratonic
  Mode 4 of: Pattern Scale 530

The name I use for this scale comes from: Pattern designation

Pattern Scale 656

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–3–2–2

Scale degrees:
  in semitones: 0–5–8–10–12
  intervals: 1–4–m6–m7–8
  Root, Perfect 4th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C F G♯ A♯ c
  C F A♭ B♭ c

Pitch Class Set: {0,5,8,10}

Pitch Class Mapping: 1313 (Hex 521, Binary 010100100001)

A Study of Scales (Ian Ring) Index: 1313

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lower Minor Tetratonic
  Mode 3 of: Pattern Scale 266
  Mode 4 of: Pattern Scale 578

The name I use for this scale comes from: Pattern designation

Pattern Scale 672

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 6–2–2–2

Scale degrees:
  in semitones: 0–6–8–10–12
  intervals: 1–d5–m6–m7–8
  Root, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C F♯ G♯ A♯ c
  C G♭ A♭ B♭ c

Pitch Class Set: {0,6,8,10}

Pitch Class Mapping: 1345 (Hex 541, Binary 010101000001)

A Study of Scales (Ian Ring) Index: 1345

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 42
  Mode 3 of: Pattern Scale 522
  Mode 4 of: Pattern Scale 642

The name I use for this scale comes from: Pattern designation

Pattern Scale 704

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 7–1–2–2

Scale degrees:
  in semitones: 0–7–8–10–12
  intervals: 1–5–m6–m7–8
  Root, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C G G♯ A♯ c
  C G A♭ B♭ c

Pitch Class Set: {0,7,8,10}

Pitch Class Mapping: 1409 (Hex 581, Binary 010110000001)

A Study of Scales (Ian Ring) Index: 1409

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 21
  Mode 3 of: Pattern Scale 1034
  Mode 4 of: Pattern Scale 770

The name I use for this scale comes from: Pattern designation

Pattern Scale 769

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–8–1–2

Scale degrees:
  in semitones: 0–1–9–10–12
  intervals: 1–m2–6–m7–8
  Root, Minor 2nd, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ A A♯ c
  C D♭ A B♭ c

Pitch Class Set: {0,1,9,10}

Pitch Class Mapping: 1539 (Hex 603, Binary 011000000011)

A Study of Scales (Ian Ring) Index: 1539

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 1408
  Mode 3 of: Pattern Scale 13
  Mode 4 of: Pattern Scale 1030

The name I use for this scale comes from: Pattern designation

Pattern Scale 770

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 2–7–1–2

Scale degrees:
  in semitones: 0–2–9–10–12
  intervals: 1–2–6–m7–8
  Root, Major 2nd, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D A A♯ c
  C D A B♭ c

Pitch Class Set: {0,2,9,10}

Pitch Class Mapping: 1541 (Hex 605, Binary 011000000101)

A Study of Scales (Ian Ring) Index: 1541

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 704
  Mode 3 of: Pattern Scale 21
  Mode 4 of: Pattern Scale 1034

The name I use for this scale comes from: Pattern designation

Pattern Scale 772

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–6–1–2

Scale degrees:
  in semitones: 0–3–9–10–12
  intervals: 1–m3–6–m7–8
  Root, Minor 3rd, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ A A♯ c
  C E♭ A B♭ c

Pitch Class Set: {0,3,9,10}

Pitch Class Mapping: 1545 (Hex 609, Binary 011000001001)

A Study of Scales (Ian Ring) Index: 1545

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 352
  Mode 3 of: Pattern Scale 37
  Mode 4 of: Pattern Scale 1042

The name I use for this scale comes from: Pattern designation

Pattern Scale 776

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or       

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 4–5–1–2

Scale degrees:
  in semitones: 0–4–9–10–12
  intervals: 1–3–6–m7–8
  Root, Major 3rd, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C E A A♯ c
  C E A B♭ c

Pitch Class Set: {0,4,9,10}

Pitch Class Mapping: 1553 (Hex 611, Binary 011000010001)

A Study of Scales (Ian Ring) Index: 1553

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 176
  Mode 3 of: Pattern Scale 69
  Mode 4 of: Sumukam

The name I use for this scale comes from: Pattern designation

Pattern Scale 784

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

         or        

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 5–4–1–2

Scale degrees:
  in semitones: 0–5–9–10–12
  intervals: 1–4–6–m7–8
  Root, Perfect 4th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C F A A♯ c
  C F A B♭ c

Pitch Class Set: {0,5,9,10}

Pitch Class Mapping: 1569 (Hex 621, Binary 011000100001)

A Study of Scales (Ian Ring) Index: 1569

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Major Triad Add 4
  Mode 3 of: Pattern Scale 133
  Mode 4 of: Pattern Scale 1090

The name I use for this scale comes from: Pattern designation

Pattern Scale 800

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 6–3–1–2

Scale degrees:
  in semitones: 0–6–9–10–12
  intervals: 1–d5–6–m7–8
  Root, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C F♯ A A♯ c
  C G♭ A B♭ c

Pitch Class Set: {0,6,9,10}

Pitch Class Mapping: 1601 (Hex 641, Binary 011001000001)

A Study of Scales (Ian Ring) Index: 1601

Deep scale: No

Coherent scale: No

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Pattern Scale 44
  Mode 3 of: Pattern Scale 261
  Mode 4 of: Pattern Scale 1154

The name I use for this scale comes from: Pattern designation

Pattern Scale 832

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

         or        

Scale steps in semitones: 7–2–1–2

Scale degrees:
  in semitones: 0–7–9–10–12
  intervals: 1–5–6–m7–8
  Root, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C G A A♯ c
  C G A B♭ c